Italian Kids Bedroom Set WEB-16 by SPAR Made in Italy by Spar WEB Junior by Spar is an Italian kids bedroom furniture collection that is remarkable for its innovative modern solutions that help not only safe so valuable space, but get maximum out of every inch of your kids room. Modern technologies, brilliant design and outstanding quality are met within this collection, giving you endless opportunities for color and size customization, so you could realize all your individuality and meet all the requirements. WEB Bedroom line by Spar thinks about you and your lovely kids, or teenagers, providing designer bedroom solutions for all occasions, making your child's room awesome for everything: sleeping, studying and playing. WEB Junior Bedroom Furniture collection is here to realize all your biggest dreams and take care of your kids! All the pieces can be mixed & matched from one set to another and are available in a variety of sizes and colors. Please contact our office regarding customization of this kids bedroom set. The starting price is for the "As Shown" kids bedroom set WEB 16 that includes the following items: 1 Twin Size Upholstered Bed (bed fits US standard Twin size mattress 39" x 75") 1 2-Drawer Nightstand (on wheels) 1 Desk 2 Horizontal Hanging Door-Units W45.7" 1 Sliding Door Wardrobe (2 Doors) Please Note: Room/Bed decorative accessories and the mattress are not included in the price. MATERIAL/CONSTRUCTION: E1-Class ecological panels, which are produced exclusively trough a wood recycling production process Used lacquers conform to the norm 71/3 (toys directive) Structure: 18 mm thick melamine-coated particle board Shelves: 25mm thick melamine-coated particle board Back panels: medium density coated fibreboard 5mm thick Doors: 18 mm thick melamine-coated particle board finished on 4 sides Hardware: metal runners with self-closing system and double stop; adjustable self closing hinges; quick-mount and braking systems Dimensions: Twin Size Bed: W49" x D91.3" x H35.4" (internal 39" x 75" US Standard) Full Size Bed: W64" x D91.3" x H35.4" (internal 54" x 75" US Standard) Nightstand: W35.6" x D16.5" x H17" Desk: W59" x D25.6" x H30" Horizontal Hanging Door-Unit: W45.7" x D13.7" x H12.7" Sliding Door Wardrobe: W92" x D23.6" x H89.8" or H102.4"

This gorgeous wide plank antique Oak is our most requested floor! With dramatic widths ranging from 6 to 12 inches (14 inches in some cases), you can easily bring an old-world charm into your home. This product comes to you completely pre-finished and ready to install. We start by hand sanding the surface, beveling the edges ever so slightly, and being careful to preserve the historical integrity of the planks. Typically, about 80% of your flooring will be "Smooth" with the remaining 20% having a slight texture from the original saw kerfs. This material will also have nail holes, knots, and checks which only adds to the unique character. Next, we apply Waterlox, a tung oil based sealant with or without stain added. Finally, 3 coats of Vermont Polywhey finish are added with a hand buffing between coats. The result is a luxurious satiny finish that you can only get from Historic Flooring! Photos by Steven Dolinsky

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Kitchen - contemporary kitchen idea in Miami

Split Level 1970 home of a young and active family of four. The main public spaces in this home were remodeled to create a fresh, clean look. The Jack + Mare demo'd the kitchen and dining room down to studs and removed the wall between the kitchen/dining and living room to create an open concept space with a clean and fresh new kitchen and dining with ample storage. Now the family can all be together and enjoy one another's company even if mom or dad is busy in the kitchen prepping the next meal. The custom white cabinets and the blue accent island (and walls) really give a nice clean and fun feel to the space. The island has a gorgeous local solid slab of wood on top. A local artisan salvaged and milled up the big leaf maple for this project. In fact, the tree was from the University of Portland's campus located right where the client once rode the bus to school when she was a child. So it's an extra special custom piece! (fun fact: there is a bullet lodged in the wood that is visible...we estimate it was shot into the tree 30-35 years ago!) The 'public' spaces were given a brand new waterproof luxury vinyl wide plank tile. With 2 young daughters, a large golden retriever and elderly cat, the durable floor was a must. project scope at quick glance: - demo'd and rebuild kitchen and dining room. - removed wall separating kitchen/dining and living room - removed carpet and installed new flooring in public spaces - removed stair carpet and gave fresh black and white paint - painted all public spaces - new hallway doorknob harware - all new LED lighting (kitchen, dining, living room and hallway) Jason Quigley Photography

Julia Valenti
Example of a transitional living room design in New York

French country kitchen photo in Other

This is the second of three separate home remodels San Luis Kitchen provided for this client. We went for a refined elegant style using Wood-Mode cabinetry in an inset doorstyle with a vintage white finish. The kitchen features a built-in refrigerator, a wide roll-out shelf pantry, wood hood, wine refrigerator with carved trim details, refrigerated drawers, rope moulding, and large stacked crown. Also note the island with abundant display storage and turned post details. A monochromatic decorating scheme was employed throughout. You can see a display with similar styling at San Luis Kitchen's showroom. Wood-Mode Fine Custom Cabinetry

Prefinished White Oak select grade custom wood floors in a mix of flatsawn and quarter and rift sawn grain, custom milled by Hull Forest Products, www.hullforest.com. The floors feature a whitewash and a UV oil finish. Call 1-800-928-9602. 4-6 weeks lead time for all orders.

This gorgeous wide plank antique Oak is our most requested floor! With dramatic widths ranging from 6 to 12 inches (14 inches in some cases), you can easily bring an old-world charm into your home. This product comes to you completely pre-finished and ready to install. We start by hand sanding the surface, beveling the edges ever so slightly, and being careful to preserve the historical integrity of the planks. Typically, about 80% of your flooring will be "Smooth" with the remaining 20% having a slight texture from the original saw kerfs. This material will also have nail holes, knots, and checks which only adds to the unique character. Next, we apply Waterlox, a tung oil based sealant with or without stain added. Finally, 3 coats of Vermont Polywhey finish are added with a hand buffing between coats. The result is a luxurious satiny finish that you can only get from Historic Flooring! Photos by Steven Dolinsky

This gorgeous wide plank antique Oak is our most requested floor! With dramatic widths ranging from 6 to 12 inches (14 inches in some cases), you can easily bring an old-world charm into your home. This product comes to you completely pre-finished and ready to install. We start by hand sanding the surface, beveling the edges ever so slightly, and being careful to preserve the historical integrity of the planks. Typically, about 80% of your flooring will be "Smooth" with the remaining 20% having a slight texture from the original saw kerfs. This material will also have nail holes, knots, and checks which only adds to the unique character. Next, we apply Waterlox, a tung oil based sealant with or without stain added. Finally, 3 coats of Vermont Polywhey finish are added with a hand buffing between coats. The result is a luxurious satiny finish that you can only get from Historic Flooring! Photos by Steven Dolinsky

This gorgeous wide plank antique Oak is our most requested floor! With dramatic widths ranging from 6 to 12 inches (14 inches in some cases), you can easily bring an old-world charm into your home. This product comes to you completely pre-finished and ready to install. We start by hand sanding the surface, beveling the edges ever so slightly, and being careful to preserve the historical integrity of the planks. Typically, about 80% of your flooring will be "Smooth" with the remaining 20% having a slight texture from the original saw kerfs. This material will also have nail holes, knots, and checks which only adds to the unique character. Next, we apply Waterlox, a tung oil based sealant with or without stain added. Finally, 3 coats of Vermont Polywhey finish are added with a hand buffing between coats. The result is a luxurious satiny finish that you can only get from Historic Flooring! Photos by Steven Dolinsky

Zack Benson Photography
Transitional master gray tile and subway tile medium tone wood floor bathroom photo in San Diego with gray cabinets, gray walls, an undermount sink and a hinged shower door

Custom wide plank wood flooring by Shannon & Waterman. This hickory no stain installation offers a light surface that highlights the naturally beautiful wood grain detail.

This beautiful open kitchen is a great gathering space for this family. The crisp white shaker cabinets are accented by the gray center island topped off with beautiful quartz counter tops. The glass back splash gives a pop of color and sparkle.

Product Highlights: Matte Steel frame with logset behind fire screen Designed for in-wall placement Includes life-like flames that cannot be rivaled by our competitors Can heat any room up to 400 square feet Frontal location of heating vent allows for in-wall recess Price includes shipping and delivery costs The Touchstone Sideline Steel Electric Fireplace takes all the features of our popular Sideline glass faced fireplace, but brings it to you in a matte black steel face design, ideal for more traditional room settings. In place of the glass face of the standard Sideline, the Sideline Steel offers a black steel frame, with the heating element and logset behind a classic fireplace screen, lending to its more classic look. It's ideal for dens, basements or any room where a standard fireplace is being replaced or was never installed. The Touchstone Sideline Steel Electric Fireplace was designed to meet the needs of contractors and do-it-yourself installers, who are looking for the realistic flame of a Touchstone fireplace mounted flush to a wall. By eliminating the glass surface, the design lends itself to less modern installations. Like standard Sidelines, the heating element is in the front of the fireplace, so the flame and heat vent are situated near each other. Add the metal fire screen to the 5100 BTUs of heat, and you have a dramatically realistic flameset, all with no smoky smell or mess of a real fireplace. The Sideline Steel has 2 heat settings (high and low), and will heat a room up to 400 sq. ft. Also, the fireplace's flame can be used without the heating feature. The Sideline Steel is easy to install and comes with simple and understandable instructions. Realistic Flame The heart of Touchstone's electric fireplaces is the flame itself. We tell our customers the flame will go beyond your expectations, and the feedback we receive confirms it. The flames deliver the same relaxing effect of real flames, without the smell or mess, and it looks great in any room of the house. With the 5 settings offered by the Sideline Steel, ranging from a dim glow to a full fire blaze, you have the power to adjust the flame intensity based on your desired mood or lighting of the room with the control features on your unit’s remote. The Sideline Steel features a 5100 BTU heating element, allowing you to recess your electric fireplace into the wall while also providing heat through the vent in the front of the unit. The Sideline Steel offers two heat settings, which are quick to heat up a room up to 400 sq. ft. The classic fireplace look of the Sideline Steel along with the heating element will immediately change your room. Your electric fireplace’s heat settings can be controlled using the remote or the controls on the front of the unit, and you also have the option of controlling the heat by setting the Sideline Steel built-in heat timer for up to 7.5 hours. Now Comes With BOTH Faux Log and Glass Crystals - Exclusive to All Touchstone Sideline Series Fireplaces All Sideline Series Fireplaces now come with BOTH glass crystals and a faux log set. For a contemporary feel, install the glass crystals in your Sideline Series Fireplace. For a more traditional look, install the faux log set in your Sideline Series Fireplace. The Sideline Series Fireplace ships with both options, so you can choose the look that is right for you. Mounting and Use The Sideline Steel electric fireplace is versatile. Designed for insertion in your wall, it can also be mounted to your wall. Instructions for mounting and install come with the fireplace, and we recommend you follow the simple instructions provided. We do recommend placing your Sideline Steel at least 20” below your ceiling or 12” below your mounted flat screen because of its heating feature. Specifications 2 heat settings (high and low) Designed for recessed mounting in wall Remote control for heat and flame setting (batteries not included) Dual mode, operates with or without heat for only flame effect Built in timer mode for shut off in 30 minutes to 7.5 hours. If mounting under a wall mounted flat panel TV, mount fireplace at least 12 inches below the bottom of the TV. Frame color: Matte Black Fireplace dimensions: 50.4" wide x 24" high x 5.5" deep Firebox dimensions: 47" wide x 20.25" high x 5.2" deep Shipping carton dimensions: 55 in. x 11 in. x 26 in Fire Dimensions: 45" wide x 12" tall Part number: 80013 Watts: 1,500 BTU's: 5,118 Room Coverage: 400 ft. Fireplace Weight: 59 pounds Shipping Weight: 66 pounds Voltage: 120v Amperes: 11 and up

Split Level 1970 home of a young and active family of four. The main pubic spaces in this home were remodeled to create a fresh, clean look. The Jack + Mare demo'd the kitchen and dining room down to studs and removed the wall between the kitchen/dining and living room to create an open concept space with a clean and fresh new kitchen and dining with ample storage. Now the family can all be together and enjoy one another's company even if mom or dad is busy in the kitchen prepping the next meal. The custom white cabinets and the blue accent island (and walls) really give a nice clean and fun feel to the space. The island has a gorgeous local solid slab of wood on top. A local artisan salvaged and milled up the big leaf maple for this project. In fact, the tree was from the University of Portland's campus located right where the client once rode the bus to school when she was a child. So it's an extra special custom piece! (fun fact: there is a bullet lodged in the wood that is visible...we estimate it was shot into the tree 30-35 years ago!) The 'public' spaces were given a brand new waterproof luxury vinyl wide plank tile. With 2 young daughters, a large golden retriever and elderly cat, the durable floor was a must. project scope at quick glance: - demo'd and rebuild kitchen and dining room. - removed wall separating kitchen/dining and living room - removed carpet and installed new flooring in public spaces - removed stair carpet and gave fresh black and white paint - painted all public spaces - new hallway doorknob harware - all new LED lighting (kitchen, dining, living room and hallway) Jason Quigley Photography

Gorgeous light-filled dining room with wide plank European White Oak floors. The alabaster white crown molding is a nice contrast to the soothing Worldly Gray walls. Solid 8' French doors, open to the beautiful views, bring the eyes up to the 12' ceilings and gorgeous crown molding.

When these homeowners needed new appliances, they used the opportunity to elevate their kitchen with a luxury partial remodel rooted in timeless Old World Mediterranean design. Since they had no plans to move, the goal was to create a more refined, functional kitchen that felt warm, intentional, and beautifully integrated with the existing home. By preserving the perimeter cabinetry and tile flooring, every new design decision was carefully selected to create a cohesive, custom-looking kitchen renovation. To enhance the existing cherry-stained cabinetry and eliminate the dust-collecting gap above the wall cabinets, we added 12 inches of layered crown molding, professionally stained to match the dark cherry finish. This created a seamless built-in appearance and added architectural richness to the luxury kitchen design. A bronze and glass multi-shelf display unit extended the visual line of the wall cabinetry, while a new 24-inch-deep cabinet above the refrigerator improved storage. The base cabinetry was also expanded with a beverage refrigerator and upgraded rollout drawers for more efficient, everyday kitchen functionality. Because the original island cabinetry was not functioning well for the homeowners, it was replaced with a custom kitchen island designed for beauty, storage, and performance. The new island cabinets were painted in an elegant gray-green finish, creating a refined contrast with the dark cherry perimeter cabinetry. Slender pullouts flanking the range keep spices and utensils organized within easy reach, while relocating the microwave below the island freed valuable counter space. On the seating side, tile was added beneath the island to protect the cabinetry from scuffs, creating a durable, thoughtful detail that supports everyday entertaining. A major luxury kitchen upgrade was replacing the failing island downdraft ventilation with a powerful ceiling-mounted statement hood. Custom made in hammered aged copper with graceful lines and dark bronze detailing, the ventilation hood became the dramatic focal point of the kitchen while complementing the cherry cabinetry and enhancing the Old World Mediterranean aesthetic. The homeowners had always disliked their double-bowl sink, so it was replaced with a large single workstation sink that dramatically improved prep, cleanup, and daily usability. The double wall ovens were upgraded to a steam oven and convection oven, while the lower drawer was replaced with a warming drawer that quickly became the client’s favorite and most-used appliance. These premium appliance upgrades brought modern performance into the timeless kitchen renovation. For the first time, the kitchen gained a backsplash, adding another layer of texture, polish, and luxury detail. A warm neutral polished marble tile in a large arabesque pattern offered a subtle nod to Mediterranean design while softening the transition between the dark cherry cabinetry, painted island, and updated appliances. The final finishing touch was replacing the outdated hardware. The original small round knobs on the 48-inch-tall wall cabinets were swapped for antique pewter linear pulls with an aged, muted finish, reinforcing the Old World kitchen style while giving the cabinetry a more tailored, elevated look. Every detail in this luxury kitchen remodel was chosen to refine the space, improve flow, and enhance functionality while making the new elements feel original to the home. The result is a warm, inviting, Old World Mediterranean kitchen that feels timeless, highly tailored, and beautifully suited to homeowners who love to cook and entertain.