This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

The interior of this spacious, upscale Bauhaus-style home, designed by our Boston studio, uses earthy materials like subtle woven touches and timber and metallic finishes to provide natural textures and form. The cozy, minimalist environment is light and airy and marked with playful elements like a recurring zig-zag pattern and peaceful escapes including the primary bedroom and a made-over sun porch. --- Project designed by Boston interior design studio Dane Austin Design. They serve Boston, Cambridge, Hingham, Cohasset, Newton, Weston, Lexington, Concord, Dover, Andover, Gloucester, as well as surrounding areas. For more about Dane Austin Design, click here: https://daneaustindesign.com/ To learn more about this project, click here: https://daneaustindesign.com/weston-bauhaus

Corner shower - mid-sized transitional master matchstick tile porcelain tile and white floor corner shower idea in San Francisco with shaker cabinets, dark wood cabinets, quartz countertops, an undermount sink, an undermount tub, white walls, a hinged shower door and white countertops

This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

Inspiration for a scandinavian kitchen remodel in Providence

This is an organic Lime Wash done with a true lime wash product as opposed to a brick mortar or concrete that is often seen on new houses. This product can be applied as a solid coating making the surface completely white, or can be applied and "washed off" in many artistic ways, as seen here. If you hate your brick or just want something unique this is a great option! Photo credit: Jeff Murrey

Farmhouse bathroom photo in Chicago

KOI carp is a recurring symbol of Japanese culture, highly appreciated by its decorative purposes, not only in water gardens but also in Irezumi practice or, most commonly, in tattoos. Its natural colour mutations reveal their capacity to adapt, just like the KOI bathtub that you can use to create a better sense of space division in your ambiences. The KOI scales that compose the panels of the bathtub shine and reflect – on its brass surface – the sun caught throughout the clear water. KOI and the Japanese word for love or affection are homophones, making the carp also a symbol of love and friendship.

Custom Anthony Monaco carpet. Kids Room designed by Martyn Lawrence Bullard as featured in Architectural Digest September 2014.
Inspiration for a contemporary carpeted bedroom remodel in Los Angeles with red walls

This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

KOI carp is a recurring symbol of Japanese culture, highly appreciated by its decorative purposes, not only in water gardens but also in Irezumi practice or, most commonly, in tattoos. Its natural colour mutations reveal their capacity to adapt, just like the KOI washbasin that you can use to create a better sense of space division in your ambiences. The KOI scales that compose the panels of the washbasin shine and reflect – on its brass surface – the sun caught throughout the clear water. KOI and the Japanese word for love or affection are homophones, making the carp also a symbol of love and friend - ship.

KOI carp is a recurring symbol of Japanese culture, highly appreciated by its decorative purposes, not only in water gardens but also in Irezumi practice or, most commonly, in tattoos. Its natural colour mutations reveal their capacity to adapt, just like the KOI wash basin that you can use to create a better sense of space division in your ambiences. The KOI scales that compose the panels of the wash basin shine and reflect – on its brass surface – the sun caught throughout the clear water. KOI and the Japanese word for love or affection are homophones, making the carp also a symbol of love and friend - ship.

The interior of this spacious, upscale Bauhaus-style home, designed by our Boston studio, uses earthy materials like subtle woven touches and timber and metallic finishes to provide natural textures and form. The cozy, minimalist environment is light and airy and marked with playful elements like a recurring zig-zag pattern and peaceful escapes including the primary bedroom and a made-over sun porch. --- Project designed by Boston interior design studio Dane Austin Design. They serve Boston, Cambridge, Hingham, Cohasset, Newton, Weston, Lexington, Concord, Dover, Andover, Gloucester, as well as surrounding areas. For more about Dane Austin Design, click here: https://daneaustindesign.com/ To learn more about this project, click here: https://daneaustindesign.com/weston-bauhaus