Boasting anthracite-colored surfaces, wood elements, and the slender Fios shelving, the bar kitchen gives onto the dining area and the elegantly inviting lounge area. The exterior architecture and interior design are characterized by clean lines, concrete, and a reduced color palette. Photo credits- Qimin Wu (Kaoshiung | Taiwan) Architecture + Design- Keng-Fu Lo | Architect

Boasting anthracite-colored surfaces, wood elements, and the slender Fios shelving, the bar kitchen gives onto the dining area and the elegantly inviting lounge area. The exterior architecture and interior design are characterized by clean lines, concrete, and a reduced color palette. Photo credits- Qimin Wu (Kaoshiung | Taiwan) Architecture + Design- Keng-Fu Lo | Architect

Boasting anthracite-colored surfaces, wood elements, and the slender Fios shelving, the bar kitchen gives onto the dining area and the elegantly inviting lounge area. The exterior architecture and interior design are characterized by clean lines, concrete, and a reduced color palette. Photo credits- Qimin Wu (Kaoshiung | Taiwan) Architecture + Design- Keng-Fu Lo | Architect

Boasting anthracite-colored surfaces, wood elements, and the slender Fios shelving, the bar kitchen gives onto the dining area and the elegantly inviting lounge area. The exterior architecture and interior design are characterized by clean lines, concrete, and a reduced color palette. Photo credits- Qimin Wu (Kaoshiung | Taiwan) Architecture + Design- Keng-Fu Lo | Architect

Boasting anthracite-colored surfaces, wood elements, and the slender Fios shelving, the bar kitchen gives onto the dining area and the elegantly inviting lounge area. The exterior architecture and interior design are characterized by clean lines, concrete, and a reduced color palette. Photo credits- Qimin Wu (Kaoshiung | Taiwan) Architecture + Design- Keng-Fu Lo | Architect

Boasting anthracite-colored surfaces, wood elements, and the slender Fios shelving, the bar kitchen gives onto the dining area and the elegantly inviting lounge area. The exterior architecture and interior design are characterized by clean lines, concrete, and a reduced color palette. Photo credits- Qimin Wu (Kaoshiung | Taiwan) Architecture + Design- Keng-Fu Lo | Architect

Boasting anthracite-colored surfaces, wood elements, and the slender Fios shelving, the bar kitchen gives onto the dining area and the elegantly inviting lounge area. The exterior architecture and interior design are characterized by clean lines, concrete, and a reduced color palette. Photo credits- Qimin Wu (Kaoshiung | Taiwan) Architecture + Design- Keng-Fu Lo | Architect

KETHO. THE START OF A WONDERFUL FRIENDSHIP. | As modern life places greater demands upon us, we, in turn, also start to demand more. These demands also extend to the bathroom, which we expect to be attractive, inviting and also functional. Ketho takes this development into account: designed by Christian Werner, the new range of bathroom furniture is characterised by clear forms, well thought-out functionality and comfortable quality. The characteristic, ergonomic handles feature throughout the range and give Ketho its true originality. The reduced look of the range is fl exible enough to suit any modern bathroom ambience. Combined with good value for money, Ketho becomes the ideal range for first-time buyers. | Design by Christian Werner | Available at www.ShopStudio41.com

KETHO. THE START OF A WONDERFUL FRIENDSHIP. | As modern life places greater demands upon us, we, in turn, also start to demand more. These demands also extend to the bathroom, which we expect to be attractive, inviting and also functional. Ketho takes this development into account: designed by Christian Werner, the new range of bathroom furniture is characterised by clear forms, well thought-out functionality and comfortable quality. The characteristic, ergonomic handles feature throughout the range and give Ketho its true originality. The reduced look of the range is fl exible enough to suit any modern bathroom ambience. Combined with good value for money, Ketho becomes the ideal range for first-time buyers. | Design by Christian Werner | Available at www.ShopStudio41.com

Blending contemporary forms and lush plantings, this Garden maximizes the sensory experience of the materials and planting from inside and outside the home. The garden occupies an interior courtyard framed by four interior walls. The home, designed by Architect Cliff May was built in 1948 and the following year was featured in House Beautiful Magazine. The clients list of needs and desires was brief. They wanted a space that would complement the mid century modern home and provide visual interest from inside the home. Some form of water was also requested. They had a budget of $30,000. In order to stay within their budget the clients performed the demolition of the old garden. The designer’s intent was to create a garden that would possess a clear sculptural quality and would be as visually striking from inside the home as it would be from inside the courtyard. The strategy behind the design was to use hardscape materials characterized by simple geometric forms and a planting palette that would emphasize form over color, and then to arrange the materials to achieve an interpretation of modern aesthetic. The views from inside the homes three main living rooms present the garden as a graphic composition of space, hardscape materials and planting. Inside the courtyard the edges are defined by stone and planting. The floor is composed of rectangular slabs of Teakwood flagstone with a counterpoint of Mexican beach pebbles set within the joints and around the edges. Concrete along the edges of the Teakwood pads reduces migration of the modified stone and sand base. The contrast of the Mexican beach pebbles accentuates the pattern of the flagstone. The outside perimeter of the pebbles is contained with low profile edging. An existing catch drain was utilized for storm water runoff. A concrete block pier set on a concrete footing is covered with black stucco and provides a perch for a custom made copper bowl that circulates water into the L shaped water feature. The water features subterranean basin is constructed of pressure treated wood with a custom box liner insert. Since the Teakwood flagstone was unavailable as coping for the water feature, the designer chose Shawnee Buff stone to complement the Teakwood flagstone. The subtle sound of water spilling from the copper bowl and the reflective qualities of the water help to create an atmosphere of relaxation. The planting is composed of shades of green with white flowers in order to accentuate the graphic design. ‘Justin Brouwer’ Boxwood, ‘Sum and Substance’ Hosta, white Anemones, black bamboo and ornamental grasses contrast dramatically with the clean lines of the hardscape elements. The black bamboo is set in 30” diameter concrete containers to control the vigorous plant from spreading. The construction of the interior courtyard space challenged the building team. They set up baffles between the front door and the door to the courtyard as well as temporary protection over the floor to allow the process to move forward without too much disturbance to the client’s lives. All of the materials were shuffled through the temporary portal. The clients love the space and recently said that “the design is so well thought out and simple that they would never get tired of it.” The designs sculptural quality compliments the modern feel of the home and creates a sublime yet dramatic view from within the house or within the courtyard. The clients plan to purchase two black Bertoia Diamond chairs with red cushions which should perfectly integrate with the space.

Inspiration for a transitional landscaping in San Francisco.

The project consist in a renovation of a ex-commercial space characterized by only one big opening facing the street the goal was to create a little condo of 8 units, each one with view, light, aeration and privacy. The project is located in an industrial area, in the northern part of Playa del Carmen, on the ground level of a three storey building, in a space was previously a storage space and a carpentry. The challenge of this project was to find a plan that could fit all the apartments and satisfy all the basic needs of each one of the apartments. The area of the floor was only about 300m² and the internal height 5m. The only source of light was the front window that occupy almost all the front wall. On one side was possible to open some little windows and on the other two sides I had to find my way to do it as well, because those sides were in contact with other constructions or a different lot. Every unit has a mezzanine, that divides the living room and kitchen on the first floor and the bedroom and bathroom upstairs. Since the fan shape plan was choose as the best option, all the internal areas of the apartments doesn't correspond to a regular polygon. in order to solve the problematic of the reduced space every unit has a different design theme that fills this gap.

This is an organic Lime Wash done with a true lime wash product as opposed to a brick mortar or concrete that is often seen on new houses. This product can be applied as a solid coating making the surface completely white, or can be applied and "washed off" in many artistic ways, as seen here. If you hate your brick or just want something unique this is a great option! Photo credit: Jeff Murrey

Latch hardware in upper cabinets.
Inspiration for a mid-sized craftsman u-shaped medium tone wood floor eat-in kitchen remodel in San Francisco with a single-bowl sink, shaker cabinets, white cabinets, quartz countertops, green backsplash, ceramic backsplash, stainless steel appliances and a peninsula

Beez Kneez Pleez is an ceramic sculpture approximately 8 to 10-feet high by 3-feet in diameter. The piece has grown into a concrete art concept after I participated as part of an unplanned group, called "The Bee Swarm" in the Marche du Nain Rouge parade in Detroit. Visually noticing the decline of the honey bee in addition to being fascinated with the structure of the bee itself, I've begun a love for all the bee represents: hard work, happiness, warm sun, clover, industriousness and flowers. The use of carved and stacked honeycomb cells, fun, furry colors, and whimsical characterizations present the underlying seriousness and interconnectivity of this environmental issue, with a more lighthearted approach. This sculpture is a nod to the bee and the imperative role they play in the delicate balance of survival. The bee reminds us to leave that dandelion, violet, reduce pesticide use and preserve habitat. A totem of ceramic bees, leaves, flowers, corn, butterflies, frogs, rabbits, extruded hexagons, and perhaps a few other surprises arranged along an 10-foot steel pole. The pole will thread into a sturdy base via a threaded rod. Weight should not exceed 250 hundred pounds. The use of celadon glazes will highlight the intricate carving on the bees, honeycomb and other items which are nestled, hung with manilla rope or stick mounted along the length of the totem. The stabile and it's stoneware components is suited to indoor or outdoor areas. Created for ArtPrize 10 in 2018: Venue: Grand Rapids Public Museum. Permanently installed at Central Insurance Company Headquarters, Van Wert, Ohio

Small elegant gray one-story mixed siding gable roof photo in Charleston

Blending contemporary forms and lush plantings, this Garden maximizes the sensory experience of the materials and planting from inside and outside the home. The garden occupies an interior courtyard framed by four interior walls. The home, designed by Architect Cliff May was built in 1948 and the following year was featured in House Beautiful Magazine. The clients list of needs and desires was brief. They wanted a space that would complement the mid century modern home and provide visual interest from inside the home. Some form of water was also requested. They had a budget of $30,000. In order to stay within their budget the clients performed the demolition of the old garden. The designer’s intent was to create a garden that would possess a clear sculptural quality and would be as visually striking from inside the home as it would be from inside the courtyard. The strategy behind the design was to use hardscape materials characterized by simple geometric forms and a planting palette that would emphasize form over color, and then to arrange the materials to achieve an interpretation of modern aesthetic. The views from inside the homes three main living rooms present the garden as a graphic composition of space, hardscape materials and planting. Inside the courtyard the edges are defined by stone and planting. The floor is composed of rectangular slabs of Teakwood flagstone with a counterpoint of Mexican beach pebbles set within the joints and around the edges. Concrete along the edges of the Teakwood pads reduces migration of the modified stone and sand base. The contrast of the Mexican beach pebbles accentuates the pattern of the flagstone. The outside perimeter of the pebbles is contained with low profile edging. An existing catch drain was utilized for storm water runoff. A concrete block pier set on a concrete footing is covered with black stucco and provides a perch for a custom made copper bowl that circulates water into the L shaped water feature. The water features subterranean basin is constructed of pressure treated wood with a custom box liner insert. Since the Teakwood flagstone was unavailable as coping for the water feature, the designer chose Shawnee Buff stone to complement the Teakwood flagstone. The subtle sound of water spilling from the copper bowl and the reflective qualities of the water help to create an atmosphere of relaxation. The planting is composed of shades of green with white flowers in order to accentuate the graphic design. ‘Justin Brouwer’ Boxwood, ‘Sum and Substance’ Hosta, white Anemones, black bamboo and ornamental grasses contrast dramatically with the clean lines of the hardscape elements. The black bamboo is set in 30” diameter concrete containers to control the vigorous plant from spreading. The construction of the interior courtyard space challenged the building team. They set up baffles between the front door and the door to the courtyard as well as temporary protection over the floor to allow the process to move forward without too much disturbance to the client’s lives. All of the materials were shuffled through the temporary portal. The clients love the space and recently said that “the design is so well thought out and simple that they would never get tired of it.” The designs sculptural quality compliments the modern feel of the home and creates a sublime yet dramatic view from within the house or within the courtyard. The clients plan to purchase two black Bertoia Diamond chairs with red cushions which should perfectly integrate with the space.

We used: Custom cherry cabinetry in Arts & Crafts Shaker style by Kabinart in Boulder and Espresso stains. Liberty Hardware Venetian bronze 1-1/2" cabinet knobs. KitchenAid Architect II Series 22 CF counter-depth French door refrigerator. KitchenAid Architect Series II 27" convection single wall oven. KitchenAid 36" 6-burner dual fuel freestanding commercial-style range. KitchenAid Architect II Series 24" dishwasher. Sharp Insight Pro Series 24" built-in microwave drawer (Model #KB6524PS). Crystorama Solaris 12" wide pendant lights in English bronze. Granite countertops in Brown Fantasy. 3"x6" polished marble backsplash. Paint colors: Walls: Glidden Silver Cloud 30YY 63/024 Ceilings/Trims/Doors: Glidden Swan White GLC23 Robert B. Narod Photography

Rhino hooks Patrick Cline
Mid-sized eclectic master carpeted bedroom photo in New York with purple walls and no fireplace