SCOTT PETERSEN
Mountain style two-story stone gable roof photo in Salt Lake City

Subsequent additions are covered with living green walls to deemphasize stylistic conflicts imposed on a 1940’s Tudor and become backdrop surrounding a kitchen addition. On the interior, further added architectural inconsistencies are edited away, and the language of the Tudor’s original reclaimed integrity is referenced for the addition. Sympathetic to the home, windows and doors remain untrimmed and stark plaster walls contrast the original black metal windows. Sharp black elements contrast fields of white. With a ceiling pitch matching the existing and chiseled dormers, a stark ceiling hovers over the kitchen space referencing the existing homes plaster walls. Grid members in windows and on saw scored paneled walls and cabinetry mirror the machine age windows as do exposed steel beams. The exaggerated white field is pierced by an equally exaggerated 13 foot black steel tower that references the existing homes steel door and window members. Glass shelves in the tower further the window parallel. Even though it held enough dinner and glassware for eight, its thin members and transparent shelves defy its massive nature, allow light to flow through it and afford the kitchen open views and the feeling of continuous space. The full glass at the end of the kitchen reveres a grouping of 50 year old Hemlocks. At the opposite end, a window close to the peak looks up to a green roof.

Lincoln Barbour
Inspiration for a mid-sized 1960s l-shaped beige floor and concrete floor wet bar remodel in Portland with flat-panel cabinets, light wood cabinets, an undermount sink and white countertops

Subsequent additions are covered with living green walls to deemphasize stylistic conflicts imposed on a 1940’s Tudor and become backdrop surrounding a kitchen addition. On the interior, further added architectural inconsistencies are edited away, and the language of the Tudor’s original reclaimed integrity is referenced for the addition. Sympathetic to the home, windows and doors remain untrimmed and stark plaster walls contrast the original black metal windows. Sharp black elements contrast fields of white. With a ceiling pitch matching the existing and chiseled dormers, a stark ceiling hovers over the kitchen space referencing the existing homes plaster walls. Grid members in windows and on saw scored paneled walls and cabinetry mirror the machine age windows as do exposed steel beams. The exaggerated white field is pierced by an equally exaggerated 13 foot black steel tower that references the existing homes steel door and window members. Glass shelves in the tower further the window parallel. Even though it held enough dinner and glassware for eight, its thin members and transparent shelves defy its massive nature, allow light to flow through it and afford the kitchen open views and the feeling of continuous space. The full glass at the end of the kitchen reveres a grouping of 50 year old Hemlocks. At the opposite end, a window close to the peak looks up to a green roof.

Subsequent additions are covered with living green walls to deemphasize stylistic conflicts imposed on a 1940’s Tudor and become backdrop surrounding a kitchen addition. On the interior, further added architectural inconsistencies are edited away, and the language of the Tudor’s original reclaimed integrity is referenced for the addition. Sympathetic to the home, windows and doors remain untrimmed and stark plaster walls contrast the original black metal windows. Sharp black elements contrast fields of white. With a ceiling pitch matching the existing and chiseled dormers, a stark ceiling hovers over the kitchen space referencing the existing homes plaster walls. Grid members in windows and on saw scored paneled walls and cabinetry mirror the machine age windows as do exposed steel beams. The exaggerated white field is pierced by an equally exaggerated 13 foot black steel tower that references the existing homes steel door and window members. Glass shelves in the tower further the window parallel. Even though it held enough dinner and glassware for eight, its thin members and transparent shelves defy its massive nature, allow light to flow through it and afford the kitchen open views and the feeling of continuous space. The full glass at the end of the kitchen reveres a grouping of 50 year old Hemlocks. At the opposite end, a window close to the peak looks up to a green roof.

Subsequent additions are covered with living green walls to deemphasize stylistic conflicts imposed on a 1940’s Tudor and become backdrop surrounding a kitchen addition. On the interior, further added architectural inconsistencies are edited away, and the language of the Tudor’s original reclaimed integrity is referenced for the addition. Sympathetic to the home, windows and doors remain untrimmed and stark plaster walls contrast the original black metal windows. Sharp black elements contrast fields of white. With a ceiling pitch matching the existing and chiseled dormers, a stark ceiling hovers over the kitchen space referencing the existing homes plaster walls. Grid members in windows and on saw scored paneled walls and cabinetry mirror the machine age windows as do exposed steel beams. The exaggerated white field is pierced by an equally exaggerated 13 foot black steel tower that references the existing homes steel door and window members. Glass shelves in the tower further the window parallel. Even though it held enough dinner and glassware for eight, its thin members and transparent shelves defy its massive nature, allow light to flow through it and afford the kitchen open views and the feeling of continuous space. The full glass at the end of the kitchen reveres a grouping of 50 year old Hemlocks. At the opposite end, a window close to the peak looks up to a green roof.

Subsequent additions are covered with living green walls to deemphasize stylistic conflicts imposed on a 1940’s Tudor and become backdrop surrounding a kitchen addition. On the interior, further added architectural inconsistencies are edited away, and the language of the Tudor’s original reclaimed integrity is referenced for the addition. Sympathetic to the home, windows and doors remain untrimmed and stark plaster walls contrast the original black metal windows. Sharp black elements contrast fields of white. With a ceiling pitch matching the existing and chiseled dormers, a stark ceiling hovers over the kitchen space referencing the existing homes plaster walls. Grid members in windows and on saw scored paneled walls and cabinetry mirror the machine age windows as do exposed steel beams. The exaggerated white field is pierced by an equally exaggerated 13 foot black steel tower that references the existing homes steel door and window members. Glass shelves in the tower further the window parallel. Even though it held enough dinner and glassware for eight, its thin members and transparent shelves defy its massive nature, allow light to flow through it and afford the kitchen open views and the feeling of continuous space. The full glass at the end of the kitchen reveres a grouping of 50 year old Hemlocks. At the opposite end, a window close to the peak looks up to a green roof.

Tom Harper
Entryway - transitional beige floor entryway idea in Miami with beige walls

Subsequent additions are covered with living green walls to deemphasize stylistic conflicts imposed on a 1940’s Tudor and become backdrop surrounding a kitchen addition. On the interior, further added architectural inconsistencies are edited away, and the language of the Tudor’s original reclaimed integrity is referenced for the addition. Sympathetic to the home, windows and doors remain untrimmed and stark plaster walls contrast the original black metal windows. Sharp black elements contrast fields of white. With a ceiling pitch matching the existing and chiseled dormers, a stark ceiling hovers over the kitchen space referencing the existing homes plaster walls. Grid members in windows and on saw scored paneled walls and cabinetry mirror the machine age windows as do exposed steel beams. The exaggerated white field is pierced by an equally exaggerated 13 foot black steel tower that references the existing homes steel door and window members. Glass shelves in the tower further the window parallel. Even though it held enough dinner and glassware for eight, its thin members and transparent shelves defy its massive nature, allow light to flow through it and afford the kitchen open views and the feeling of continuous space. The full glass at the end of the kitchen reveres a grouping of 50 year old Hemlocks. At the opposite end, a window close to the peak looks up to a green roof.

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation. Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land. This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage. Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form.

Subsequent additions are covered with living green walls to deemphasize stylistic conflicts imposed on a 1940’s Tudor and become backdrop surrounding a kitchen addition. On the interior, further added architectural inconsistencies are edited away, and the language of the Tudor’s original reclaimed integrity is referenced for the addition. Sympathetic to the home, windows and doors remain untrimmed and stark plaster walls contrast the original black metal windows. Sharp black elements contrast fields of white. With a ceiling pitch matching the existing and chiseled dormers, a stark ceiling hovers over the kitchen space referencing the existing homes plaster walls. Grid members in windows and on saw scored paneled walls and cabinetry mirror the machine age windows as do exposed steel beams. The exaggerated white field is pierced by an equally exaggerated 13 foot black steel tower that references the existing homes steel door and window members. Glass shelves in the tower further the window parallel. Even though it held enough dinner and glassware for eight, its thin members and transparent shelves defy its massive nature, allow light to flow through it and afford the kitchen open views and the feeling of continuous space. The full glass at the end of the kitchen reveres a grouping of 50 year old Hemlocks. At the opposite end, a window close to the peak looks up to a green roof.

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation. Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land. This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage. Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form. Construction is scheduled to begin in the spring of 2020.

Open-concept Kitchen & Dining featuring custom cabinetry, hardwood floors, quartzite countertops, and high-end appliances.
Inspiration for a mid-sized transitional l-shaped brown floor and dark wood floor open concept kitchen remodel in Minneapolis with a farmhouse sink, shaker cabinets, white cabinets, quartzite countertops, white backsplash, glass tile backsplash, stainless steel appliances, an island and beige countertops

Subsequent additions are covered with living green walls to deemphasize stylistic conflicts imposed on a 1940’s Tudor and become backdrop surrounding a kitchen addition. On the interior, further added architectural inconsistencies are edited away, and the language of the Tudor’s original reclaimed integrity is referenced for the addition. Sympathetic to the home, windows and doors remain untrimmed and stark plaster walls contrast the original black metal windows. Sharp black elements contrast fields of white. With a ceiling pitch matching the existing and chiseled dormers, a stark ceiling hovers over the kitchen space referencing the existing homes plaster walls. Grid members in windows and on saw scored paneled walls and cabinetry mirror the machine age windows as do exposed steel beams. The exaggerated white field is pierced by an equally exaggerated 13 foot black steel tower that references the existing homes steel door and window members. Glass shelves in the tower further the window parallel. Even though it held enough dinner and glassware for eight, its thin members and transparent shelves defy its massive nature, allow light to flow through it and afford the kitchen open views and the feeling of continuous space. The full glass at the end of the kitchen reveres a grouping of 50 year old Hemlocks. At the opposite end, a window close to the peak looks up to a green roof.

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation. Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land. This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage. Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form. Construction is scheduled to begin in the spring of 2020.

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation. Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land. This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage. Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form. Construction is scheduled to begin in the spring of 2020.

CHAD CHENIER PHOTOGRAHPY
Elegant medium tone wood floor enclosed dining room photo in New Orleans with beige walls and no fireplace

Bruce Damonte
Example of a trendy three-story townhouse exterior design in San Francisco

Nestled in an undeveloped thicket between two homes on Monmouth road, the Eastern corner of this client’s lot plunges ten feet downward into a city-designated stormwater collection ravine. Our client challenged us to design a home, referencing the Scandinavian modern style, that would account for this lot’s unique terrain and vegetation. Through iterative design, we produced four house forms angled to allow rainwater to naturally flow off of the roof and into a gravel-lined runoff area that drains into the ravine. Completely foregoing downspouts and gutters, the chosen design reflects the site’s topography, its mass changing in concert with the slope of the land. This two-story home is oriented around a central stacked staircase that descends into the basement and ascends to a second floor master bedroom with en-suite bathroom and walk-in closet. The main entrance—a triangular form subtracted from this home’s rectangular plan—opens to a kitchen and living space anchored with an oversized kitchen island. On the far side of the living space, a solid void form projects towards the backyard, referencing the entryway without mirroring it. Ground floor amenities include a bedroom, full bathroom, laundry area, office and attached garage. Among Architecture Office’s most conceptually rigorous projects, exterior windows are isolated to opportunities where natural light and a connection to the outdoors is desired. The Monmouth home is clad in black corrugated metal, its exposed foundations extending from the earth to highlight its form. Construction is scheduled to begin in the spring of 2020.