Collins Design-Build, Inc.
Inspiration for a timeless freestanding desk carpeted craft room remodel in Raleigh with beige walls

Located on farmland in McLean, Virginia, the American Farmhouse balances the expected comforts of a new home with the bucolic beauty of an old farmhouse. The final site plan still has evidence showing parallel courses of the barn’s destiny. The house mass is broken and lowered so that the home can remain secondary to the monolithic barn structure. Earthy and elemental materials are selected for the home that reference the barn without directly mimicking it. Wooden members found inside the barn and from other barns bridge ceilings and are used in floors along with rustic slate adding to a sense of simplicity to the farmhouse design. The age and patina of the barn is reflected in the house’s textural use of board and batten and field stone layered similar to stone foundations. The original development plan was to demolish the existing barn and construct three suburban homes. Part of an endangered breed, as one of the few remaining barns in the area, it was originally viewed as a challenge in a luxury home construction with several difficulties posed to the impending project: it would be expensive to renovate, vulnerable to demolition, and threatened by urban sprawl. However, instead of trying to alter or destroy the barn, the structure was fully embraced into the traditional architecture project as a centerpiece and was used as the inspiration for the home. The new house was sited parallel to the barn so that views to the barn gable were accessible.

Great Room which is open to banquette dining + kitchen. The glass doors leading to the screened porch can be folded to provide three large openings for the Southern breeze to travel through the home. Photography: Garett + Carrie Buell of Studiobuell/ studiobuell.com

Shiflet Group Architects Photographer Nick Johnson
Example of a cottage dining room design in Austin

This project presented unique opportunities that are not often found in residential landscaping. The homeowners were not only restoring their 1840's era farmhouse, a piece of their family’s history, but also enlarging and updating the home for modern living. The landscape designers continued this idea by creating a space that is a modern day interpretation of an 1840s era farm rather then a strict recreation. The resulting design combines elements of farm living from that time, as well as acknowledging the property’s history as a horse farm, with staples of 21st century landscapes such as space for outdoor living, lighting, and newer plant varieties. Guests approach from the main driveway which winds through the property and ends at the main barn. There is secondary gated driveway just for the homeowners. Connected to this main driveway is a narrower gravel lane which leads directly to the residence. The lane passes near fruit trees planted in broken rows to give the illusion that they are the remains of an orchard that once existed on the site. The lane widens at the entrance to the gardens where there is a hitching post built into the fence that surrounds the gardens and a watering trough. The widened section is intended as a place to park a golf cart or, in a nod to the home’s past, tie up horses before entering. The gravel lane passes between two stone pillars and then ends at a square gravel court edged in cobblestones. The gravel court transitions into a wide flagstone walk bordered with yew hedges and lavender leading to the front door. Directly to the right, upon entering the gravel court, is located a gravel and cobblestone edged walk leading to a secondary entrance into the residence. The walk is gated where it connects with the gravel court to close it off so as not to confuse visitors and guests to the main residence and to emphasize the primary entrance. An area for a bench is provided along this walk to encourage stopping to view and enjoy the gardens. On either side of the front door, gravel and cobblestone walks branch off into the garden spaces. The one on the right leads to a flagstone with cobblestone border patio space. Since the home has no designated backyard like most modern suburban homes the outdoor living space had to be placed in what would traditionally be thought of as the front of the house. The patio is separated from the entrance walk by the yew hedge and further enclosed by three Amelanchiers and a variety of plantings including modern cultivars of old fashioned plants such as Itea and Hydrangea. A third entrance, the original front door to the 1840’s era section, connects to the patio from the home’s kitchen, making the space ideal for outdoor dining. The gravel and cobblestone walk branching off to the left of the front door leads to the vegetable and perennial gardens. The idea for the vegetable garden was to recreate the tradition of a kitchen garden which would have been planted close to the residence for easy access. The vegetable garden is surrounded by mixed perennial beds along the inside of the wood picket fence which surrounds the entire garden space. Another area designated for a bench is provided here to encourage stopping and viewing. The home’s original smokehouse, completely restored and used as a garden shed, provides a strong architectural focal point to the vegetable garden. Behind the smokehouse is planted lilacs and other plants to give mass and balance to the corner and help screen the garden from the neighboring subdivision. At the rear corner of the garden a wood arbor was constructed to provide a structure on which to grow grapes or other vines should the homeowners choose to. The landscape and gardens for this restored farmhouse and property are a thoughtfully designed and planned recreation of a historic landscape reinterpreted for modern living. The idea was to give a sense of timelessness when walking through the gardens as if they had been there for years but had possibly been updated and rejuvenated as lifestyles changed. The attention to materials and craftsmanship blend seamlessly with the residence and insure the gardens and landscape remain an integral part of the property. The farm has been in the homeowner’s family for many years and they are thrilled at the results and happy to see respect given to the home’s history and to its meticulous restoration.

Jennifer Brown
Example of a large ornate master light wood floor freestanding bathtub design in New York with a vessel sink, white walls, flat-panel cabinets and light wood cabinets

Hot tub - large traditional backyard tile and custom-shaped infinity hot tub idea in DC Metro

This property was transformed from an 1870s YMCA summer camp into an eclectic family home, built to last for generations. Space was made for a growing family by excavating the slope beneath and raising the ceilings above. Every new detail was made to look vintage, retaining the core essence of the site, while state of the art whole house systems ensure that it functions like 21st century home. This home was featured on the cover of ELLE Décor Magazine in April 2016. G.P. Schafer, Architect Rita Konig, Interior Designer Chambers & Chambers, Local Architect Frederika Moller, Landscape Architect Eric Piasecki, Photographer

At Murakami Design Inc., we are in the business of creating and building residences that bring comfort and delight to the lives of their owners. Murakami provides the full range of services involved in designing and building new homes, or in thoroughly reconstructing and updating existing dwellings. From historical research and initial sketches to construction drawings and on-site supervision, we work with clients every step of the way to achieve their vision and ensure their satisfaction. We collaborate closely with such professionals as landscape architects and interior designers, as well as structural, mechanical and electrical engineers, respecting their expertise in helping us develop fully integrated design solutions. Finally, our team stays abreast of all the latest developments in construction materials and techniques.

Tria Giovan, Photo, Paul Rankin Interiors
Entryway - traditional entryway idea in New York

This is an organic Lime Wash done with a true lime wash product as opposed to a brick mortar or concrete that is often seen on new houses. This product can be applied as a solid coating making the surface completely white, or can be applied and "washed off" in many artistic ways, as seen here. If you hate your brick or just want something unique this is a great option! Photo credit: Jeff Murrey

Judy Proctor
Country exterior home photo in New York

Boston's Beacon Hill neighborhood is decidedly Victorian to the casual observer. However, while this young family appreciates the Beacon Hill aesthetic, they preferred a more updated, contemporary interior to fit their urban lifestyle. We created living spaces with elements that both respected the historic architecture and gave the homeowners the modern, clean-lines they desired. Our solutions incorporated traditional forms using materials in fresh and modern ways. Michael J. Lee Photography

An extraordinary opportunity taken, applying a client driven design concept into a residence surpassing all expectations. Client collaboration and pursuant work combine to satisfy requirements of modernism, respect of streetscape, family privacy, and applications of art and function. Interior Furnishings by Client. Exclusive Photography and Videography by Michael Blevins of MB Productions.

This stone and cement-stucco carriage house with second floor art studio overlooks the beautifully lush garden below. (Beth Singer Photography)
Example of a country white two-story exterior home design in Detroit

Reimagined as a quiet retreat on a mixed-use Mission block, this former munitions depot was transformed into a single-family residence by reworking existing forms. A bunker-like concrete structure was cut in half to form a covered patio that opens onto a new central courtyard. The residence behind was remodeled around a large central kitchen, with a combination skylight/hatch providing ample light and roof access. The multiple structures are tied together by untreated cedar siding, intended to gradually fade to grey to match the existing concrete and corrugated steel.

Designing the Master Suite custom furnishings, bedding, window coverings and artwork to compliment the modern architecture while offering an elegant, serene environment for peaceful reflection were the chief objectives. The color scheme remains a warm neutral, like the limestone walls, along with soft accents of subdued greens, sage and silvered blues to bring the colors of the magnificent, long Hill country views into the space. Special effort was spent designing custom window coverings that wouldn't compete with the architecture, but appear integrated and operate easily to open wide the prized view fully and provide privacy when needed. To achieve an understated elegance, the textures are rich and refined with a glazed linen headboard fabric, plush wool and viscose rug, soft leather bench, velvet pillow, satin accents to custom bedding and an ultra fine linen for the drapery with accents of natural wood mixed with warm bronze and aged brass metal finishes. The original oil painting curated for this room sets a calming and serene tone for the space with an ever important focus on the beauty of nature. The original fine art landscape painting for this room was created by Christa Brothers, of Brothers Fine Art Marfa.

photo by Tre Dunham
Farmhouse green two-story stucco house exterior photo in Austin with a metal roof

The Historic Home lies at the heart of Michael Carter’s passion for interior design. Well versed in the academics of period architecture and antiques, Carter continues to be called on to bring fresh and inspiring ideas to historic properties that are undergoing restoration or redecoration. It is never the goal to have these homes feel like museums. Instead, Carter & Company strives to blend the function of contemporary life with design ideas that are appropriate – they respect the past in a way that is stylish, timeless and elegant.