Search results for "Responding" in Home Design Ideas

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Example of a large transitional l-shaped light wood floor and brown floor kitchen design with light wood cabinets, quartz countertops, white backsplash, stone slab backsplash, an island, white countertops and shaker cabinets
Example of a large transitional l-shaped light wood floor and brown floor kitchen design with light wood cabinets, quartz countertops, white backsplash, stone slab backsplash, an island, white countertops and shaker cabinets

Located near the foot of the Teton Mountains, the site and a modest program led to placing the main house and guest quarters in separate buildings configured to form outdoor spaces. With mountains rising to the northwest and a stream cutting through the southeast corner of the lot, this placement of the main house and guest cabin distinctly responds to the two scales of the site. The public and private wings of the main house define a courtyard, which is visually enclosed by the prominence of the mountains beyond. At a more intimate scale, the garden walls of the main house and guest cabin create a private entry court.
A concrete wall, which extends into the landscape marks the entrance and defines the circulation of the main house. Public spaces open off this axis toward the views to the mountains. Secondary spaces branch off to the north and south forming the private wing of the main house and the guest cabin. With regulation restricting the roof forms, the structural trusses are shaped to lift the ceiling planes toward light and the views of the landscape.
A.I.A Wyoming Chapter Design Award of Citation 2017
Project Year: 2008

The exterior of what looks like a vernacular Hamptons shingle cottage, designed by architect Blaze Makoid, is intentionally deceiving. For the interiors, Axis Mundi typically decided not to play by the rules. Instead of de rigeur nautical artifacts, floppy sofas and wicker furniture, the firm responded to Makoid’s all-white interior envelope by injecting rooms with comfortable modern elegance that’s more contemporary Cap Ferrat than Eastern Long Island. Clean furniture silhouettes—from Cassina, Poltrona Frau and B&B Italia—a Massimo Vitali beach scene, a Moooi chandelier and industrial finishes (such as the steel of the fireplace surround and the anodized aluminum of a sleek Bulthaup kitchen) spark a creative tension between indoors and out. The gray palette provides a quiet backdrop for the nature outside, except for the master suite, where custom oak panels and blue shades create a reassuring warmth conducive to sleep.
Size: 1,920 sf
Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom
Architect: Blaze Makoid Architecture
Photographer: Mark Roskams
© Axis Mundi Design LLC
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The exterior of what looks like a vernacular Hamptons shingle cottage, designed by architect Blaze Makoid, is intentionally deceiving. For the interiors, Axis Mundi typically decided not to play by the rules. Instead of de rigeur nautical artifacts, floppy sofas and wicker furniture, the firm responded to Makoid’s all-white interior envelope by injecting rooms with comfortable modern elegance that’s more contemporary Cap Ferrat than Eastern Long Island. Clean furniture silhouettes—from Cassina, Poltrona Frau and B&B Italia—a Massimo Vitali beach scene, a Moooi chandelier and industrial finishes (such as the steel of the fireplace surround and the anodized aluminum of a sleek Bulthaup kitchen) spark a creative tension between indoors and out. The gray palette provides a quiet backdrop for the nature outside, except for the master suite, where custom oak panels and blue shades create a reassuring warmth conducive to sleep.
Size: 1,920 sf
Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom
Architect: Blaze Makoid Architecture
Photographer: Mark Roskams
© Axis Mundi Design LLC

Good design must reflect the personality of the client. So when siblings purchased studios in Downtown by Philippe Starck, one of the first buildings to herald the revitalization of Manhattan’s Financial District, the aim was to create environments that were truly bespoke. The brother’s tastes jibed synchronously with the insouciant idea of France’s most popular prankster converting a building that once housed the buttoned-up offices of JP Morgan Chase. His collection of Takashi Murakami works, the gallery-like centerpiece of the main area, announces his boldness and flair up front, as do furnishings by Droog, Moooi and, of course Starck, as well as hide rugs and upholstery, and a predominantly red palette. His sister was after something soothing and discreet. So Axis Mundi responded with a neutrals and used glass to carve out a bedroom surrounded by drapes that transform it into a golden cocoon. Hide (albeit less flamboyantly applied) evokes a familial commonality, and built-in furniture and cabinetry optimize space restrictions inherent in studio apartments.
Design Team: John Beckmann, with Richard Rosenbloom
Photography: Mikiko Kikuyama
© Axis Mundi Design LLC

The exterior of what looks like a vernacular Hamptons shingle cottage, designed by architect Blaze Makoid, is intentionally deceiving. For the interiors, Axis Mundi typically decided not to play by the rules. Instead of de rigeur nautical artifacts, floppy sofas and wicker furniture, the firm responded to Makoid’s all-white interior envelope by injecting rooms with comfortable modern elegance that’s more contemporary Cap Ferrat than Eastern Long Island. Clean furniture silhouettes—from Cassina, Poltrona Frau and B&B Italia—a Massimo Vitali beach scene, a Moooi chandelier and industrial finishes (such as the steel of the fireplace surround and the anodized aluminum of a sleek Bulthaup kitchen) spark a creative tension between indoors and out. The gray palette provides a quiet backdrop for the nature outside, except for the master suite, where custom oak panels and blue shades create a reassuring warmth conducive to sleep.
Size: 1,920 sf
Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom
Architect: Blaze Makoid Architecture
Contractor: Greg D'Angelo Construction Inc.
Photographer: Mark Roskams
© Axis Mundi Design LLC.

This staircase makes a bold design statement through restraint and precision. Thick squared-off white oak treads appear to float between dramatic, black-painted stringers, while horizontal 1/2" round bars create an open, minimal balustrade. The uniform open risers allow natural light to cascade down to the basement level, transforming the stairwell into a light-transmitting vertical shaft.
The design thoughtfully responds to the surrounding spaces, connecting levels without interrupting sightlines or blocking light flow. The result is a staircase that feels almost sculptural in its simplicity, proving that sometimes less truly is more.
1976-2026 © Century Stair Company

Located near the foot of the Teton Mountains, the site and a modest program led to placing the main house and guest quarters in separate buildings configured to form outdoor spaces. With mountains rising to the northwest and a stream cutting through the southeast corner of the lot, this placement of the main house and guest cabin distinctly responds to the two scales of the site. The public and private wings of the main house define a courtyard, which is visually enclosed by the prominence of the mountains beyond. At a more intimate scale, the garden walls of the main house and guest cabin create a private entry court.
A concrete wall, which extends into the landscape marks the entrance and defines the circulation of the main house. Public spaces open off this axis toward the views to the mountains. Secondary spaces branch off to the north and south forming the private wing of the main house and the guest cabin. With regulation restricting the roof forms, the structural trusses are shaped to lift the ceiling planes toward light and the views of the landscape.
A.I.A Wyoming Chapter Design Award of Citation 2017
Project Year: 2008

This staircase makes a bold design statement through restraint and precision. Thick squared-off white oak treads appear to float between dramatic, black-painted stringers, while horizontal 1/2" round bars create an open, minimal balustrade. The uniform open risers allow natural light to cascade down to the basement level, transforming the stairwell into a light-transmitting vertical shaft.
The design thoughtfully responds to the surrounding spaces, connecting levels without interrupting sightlines or blocking light flow. The result is a staircase that feels almost sculptural in its simplicity, proving that sometimes less truly is more.
1976-2026 © Century Stair Company

After sitting on the market for three years, this property was purchased by a visionary client who understood that the right landscape designer could turn the unusable landscape into highly comfortable outdoor spaces. db Landscaping LLC designed a series of tiered outdoor living spaces, gardens, and access to the lake that responded to the steep lakeshore terrain of the property. Larger areas for entertaining were complimented by smaller, more intimate spaces for relaxing. The new landscape incorporated lake views and water access while utilizing environmentally responsible materials such as aged local stone and drought tolerant native plants. Storm-water runoff was also engineered to mitigate erosion and allow water to return to the ground rather than entering the lake directly. The resulting outdoor rooms and gardens were balanced, relaxing, and in harmony with the surrounding landscape.

Example of a transitional formal and enclosed dark wood floor and brown floor living room design with blue walls

When the owners of this Queen village contemporary townhouse embarked on upgrading their home to something more akin to their design sensibilities, high on their list was a true European kitchen.
We responded with a sleek stainless and oak design featuring Mobalco Cabinetry from Spain. Besides being a sensational backdrop to the adjacent open dining room, the kitchen also services their needs (and wants) as serious cooks.
The reflective nature of the huge, stainless pantry keeps its size and capacity from overwhelming while bouncing light into the windowless space.
In contrast, the grainflow-matched white oak, with it's sensual integrated handles, creates a soothing relief from the stainless's hard edges.
Similarly, the cubist lines of the white and deep gray quartz countertops play nicely off the gentle curves of the marble's veining.
The new kitchen, along with the new floors, stair railing and fireplace that the owners created have made a space that they love coming home to.

After sitting on the market for three years, this property was purchased by a visionary client who understood that the right landscape designer could turn the unusable landscape into highly comfortable outdoor spaces. db Landscaping LLC designed a series of tiered outdoor living spaces, gardens, and access to the lake that responded to the steep lakeshore terrain of the property. Larger areas for entertaining were complimented by smaller, more intimate spaces for relaxing. The new landscape incorporated lake views and water access while utilizing environmentally responsible materials such as aged local stone and drought tolerant native plants. Storm-water runoff was also engineered to mitigate erosion and allow water to return to the ground rather than entering the lake directly. The resulting outdoor rooms and gardens were balanced, relaxing, and in harmony with the surrounding landscape.

The exterior of what looks like a vernacular Hamptons shingle cottage, designed by architect Blaze Makoid, is intentionally deceiving. For the interiors, Axis Mundi typically decided not to play by the rules. Instead of de rigeur nautical artifacts, floppy sofas and wicker furniture, the firm responded to Makoid’s all-white interior envelope by injecting rooms with comfortable modern elegance that’s more contemporary Cap Ferrat than Eastern Long Island. Clean furniture silhouettes—from Cassina, Poltrona Frau and B&B Italia—a Massimo Vitali beach scene, a Moooi chandelier and industrial finishes (such as the steel of the fireplace surround and the anodized aluminum of a sleek Bulthaup kitchen) spark a creative tension between indoors and out. The gray palette provides a quiet backdrop for the nature outside, except for the master suite, where custom oak panels and blue shades create a reassuring warmth conducive to sleep.
Size: 1,920 sf
Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom
Architect: Blaze Makoid Architecture
Contractor: Greg D'Angelo Construction Inc.
Photographer: Mark Roskams
© Axis Mundi Design LLC.

This waterfront home was conceived by the architects as a series of identically scaled, simply articulated gable-roofed elements linked by flat-roofed connectors. From the entrance driveway, the house appears almost as a village of individual granite residences. These two elements – gables and flat roofs – complement each other, establishing a dynamic of light and dark, smooth and rough, grounded and floating.
It was critical to the ultimate success of this building that it be well suited and connected to tits content so that it seems like it could not be anywhere else. The home was positioned to capture this view and, in a way, imbue it with power. We responded to this directive by incorporating large expanses of windows that allow one to literally look through the house from the front yard to the sailboats bobbing on the water at the rear.
A short bridge passes over an exterior passage connecting front and rear.

The exterior of what looks like a vernacular Hamptons shingle cottage, designed by architect Blaze Makoid, is intentionally deceiving. For the interiors, Axis Mundi typically decided not to play by the rules. Instead of de rigeur nautical artifacts, floppy sofas and wicker furniture, the firm responded to Makoid’s all-white interior envelope by injecting rooms with comfortable modern elegance that’s more contemporary Cap Ferrat than Eastern Long Island. Clean furniture silhouettes—from Cassina, Poltrona Frau and B&B Italia—a Massimo Vitali beach scene, a Moooi chandelier and industrial finishes (such as the steel of the fireplace surround and the anodized aluminum of a sleek Bulthaup kitchen) spark a creative tension between indoors and out. The gray palette provides a quiet backdrop for the nature outside, except for the master suite, where custom oak panels and blue shades create a reassuring warmth conducive to sleep.
Size: 1,920 sf
Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom
Architect: Blaze Makoid Architecture
Photographer: Mark Roskams
© Axis Mundi Design LLC

The exterior of what looks like a vernacular Hamptons shingle cottage, designed by architect Blaze Makoid, is intentionally deceiving. For the interiors, Axis Mundi typically decided not to play by the rules. Instead of de rigeur nautical artifacts, floppy sofas and wicker furniture, the firm responded to Makoid’s all-white interior envelope by injecting rooms with comfortable modern elegance that’s more contemporary Cap Ferrat than Eastern Long Island. Clean furniture silhouettes—from Cassina, Poltrona Frau and B&B Italia—a Massimo Vitali beach scene, a Moooi chandelier and industrial finishes (such as the steel of the fireplace surround and the anodized aluminum of a sleek Bulthaup kitchen) spark a creative tension between indoors and out. The gray palette provides a quiet backdrop for the nature outside, except for the master suite, where custom oak panels and blue shades create a reassuring warmth conducive to sleep.
Size: 1,920 sf
Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom
Architect: Blaze Makoid Architecture
Contractor: Greg D'Angelo Construction Inc.
Photographer: Mark Roskams
© Axis Mundi Design LLC.

This staircase makes a bold design statement through restraint and precision. Thick squared-off white oak treads appear to float between dramatic, black-painted stringers, while horizontal 1/2" round bars create an open, minimal balustrade. The uniform open risers allow natural light to cascade down to the basement level, transforming the stairwell into a light-transmitting vertical shaft.
The design thoughtfully responds to the surrounding spaces, connecting levels without interrupting sightlines or blocking light flow. The result is a staircase that feels almost sculptural in its simplicity, proving that sometimes less truly is more.
1976-2026 © Century Stair Company
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