VILLA THEA is divine place for a luxury life on Zakynthos Island. Designed by architect Lucy Lago. The philosophy of the project is to find a balance between the architectural design and the environment. The villa has flowing natural forms, subtle curves in every line. Despite the construction of the building, the villa seems to float on the expanse of the mountain hill of the Keri region. The smoothness of the forms can be traced throughout the project, from the functional solution on the plan and ending with the terraces and the pool around the villa. This project has style and identity. The villa will be an expensive piece of jewelry placed in the vastness of nature. The architectural uniqueness and originality will make villa Thea special in the architectural portfolio of the whole world. Combining futurism with naturism is a step into the future. The use of modern technologies, ecological construction methods put the villa one step higher, and its significance is greater. It is possible to create the motives of nature and in the same time to touch the space theme on the Earth. Villa consists by open living, dining and kitchen area, 8 bedrooms, 7 bathrooms, gym, cellar, storage, big swimming pool, garden and parking areas. The interior of the villa is one piece with the entire architectural project designed by Lucy Lago. Organic shapes and curved, flowing lines are part of the space. For the interior, selected white, light shades, glass and reflective surfaces. All attention is directed to the panoramic sea view from the window. Beauty in every single detail, special attention to natural and artificial light. Green plants are the accents of the interior and remind us that we are on the wonderful island of Zakynthos.

These unique treehouses have been built with sustainable sourcing and upcycled construction methods. When Martine Ilana, Principal designer of Temescal, considered what a ‘treehouse’ would look like for her twins, immediately it’s ideation was focused on keeping the integrity of the forest and problem solving how to use as many repurposed and sustainable materials as possible. Set inside a circle of 100-year-old maple and oak trees and complimenting the home’s architecture, these ‘tree houses’ give shelter, space for imagination & safe play outdoors for the twins. Mimicking the trees’ height and scale, and mirrored in each of their designs, these two 6 foot square base by 14 foot tall twin play structures allow for each child to have its own personal space, yet are connected at the swings. Accessing the incredible selection of salvage materials from a salvage yard in Detroit, Temescal was able to source non-toxic & structurally sound woods to build the structure itself. Healthy Building Materials include: Metal Roofing and Water based Low VOC paints. A slatted exterior structure was designed to create a rain screen and in addition complement the Main home’s exterior design. The slide posed the largest problem to source as recycled plastic slides are not made available to residential projects by US based manufactures and repurposed from Facebook marketplace hit many dead ends. Ultimately, she chose to use a HDPE high density polyurethane plastic slide that would allow for its material to be recycled once at the end of this life.

VILLA THEA is divine place for a luxury life on Zakynthos Island. Designed by architect Lucy Lago. The philosophy of the project is to find a balance between the architectural design and the environment. The villa has flowing natural forms, subtle curves in every line. Despite the construction of the building, the villa seems to float on the expanse of the mountain hill of the Keri region. The smoothness of the forms can be traced throughout the project, from the functional solution on the plan and ending with the terraces and the pool around the villa. This project has style and identity. The villa will be an expensive piece of jewelry placed in the vastness of nature. The architectural uniqueness and originality will make villa Thea special in the architectural portfolio of the whole world. Combining futurism with naturism is a step into the future. The use of modern technologies, ecological construction methods put the villa one step higher, and its significance is greater. It is possible to create the motives of nature and in the same time to touch the space theme on the Earth. Villa consists by open living, dining and kitchen area, 8 bedrooms, 7 bathrooms, gym, cellar, storage, big swimming pool, garden and parking areas. The interior of the villa is one piece with the entire architectural project designed by Lucy Lago. Organic shapes and curved, flowing lines are part of the space. For the interior, selected white, light shades, glass and reflective surfaces. All attention is directed to the panoramic sea view from the window. Beauty in every single detail, special attention to natural and artificial light. Green plants are the accents of the interior and remind us that we are on the wonderful island of Zakynthos.

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

VILLA THEA is divine place for a luxury life on Zakynthos Island. Designed by architect Lucy Lago. The philosophy of the project is to find a balance between the architectural design and the environment. The villa has flowing natural forms, subtle curves in every line. Despite the construction of the building, the villa seems to float on the expanse of the mountain hill of the Keri region. The smoothness of the forms can be traced throughout the project, from the functional solution on the plan and ending with the terraces and the pool around the villa. This project has style and identity. The villa will be an expensive piece of jewelry placed in the vastness of nature. The architectural uniqueness and originality will make villa Thea special in the architectural portfolio of the whole world. Combining futurism with naturism is a step into the future. The use of modern technologies, ecological construction methods put the villa one step higher, and its significance is greater. It is possible to create the motives of nature and in the same time to touch the space theme on the Earth. Villa consists by open living, dining and kitchen area, 8 bedrooms, 7 bathrooms, gym, cellar, storage, big swimming pool, garden and parking areas. The interior of the villa is one piece with the entire architectural project designed by Lucy Lago. Organic shapes and curved, flowing lines are part of the space. For the interior, selected white, light shades, glass and reflective surfaces. All attention is directed to the panoramic sea view from the window. Beauty in every single detail, special attention to natural and artificial light. Green plants are the accents of the interior and remind us that we are on the wonderful island of Zakynthos.

VILLA THEA is divine place for a luxury life on Zakynthos Island. Designed by architect Lucy Lago. The philosophy of the project is to find a balance between the architectural design and the environment. The villa has flowing natural forms, subtle curves in every line. Despite the construction of the building, the villa seems to float on the expanse of the mountain hill of the Keri region. The smoothness of the forms can be traced throughout the project, from the functional solution on the plan and ending with the terraces and the pool around the villa. This project has style and identity. The villa will be an expensive piece of jewelry placed in the vastness of nature. The architectural uniqueness and originality will make villa Thea special in the architectural portfolio of the whole world. Combining futurism with naturism is a step into the future. The use of modern technologies, ecological construction methods put the villa one step higher, and its significance is greater. It is possible to create the motives of nature and in the same time to touch the space theme on the Earth. Villa consists by open living, dining and kitchen area, 8 bedrooms, 7 bathrooms, gym, cellar, storage, big swimming pool, garden and parking areas. The interior of the villa is one piece with the entire architectural project designed by Lucy Lago. Organic shapes and curved, flowing lines are part of the space. For the interior, selected white, light shades, glass and reflective surfaces. All attention is directed to the panoramic sea view from the window. Beauty in every single detail, special attention to natural and artificial light. Green plants are the accents of the interior and remind us that we are on the wonderful island of Zakynthos.

These unique treehouses have been built with sustainable sourcing and upcycled construction methods. When Martine Ilana, Principal designer of Temescal, considered what a ‘treehouse’ would look like for her twins, immediately it’s ideation was focused on keeping the integrity of the forest and problem solving how to use as many repurposed and sustainable materials as possible. Set inside a circle of 100-year-old maple and oak trees and complimenting the home’s architecture, these ‘tree houses’ give shelter, space for imagination & safe play outdoors for the twins. Mimicking the trees’ height and scale, and mirrored in each of their designs, these two 6 foot square base by 14 foot tall twin play structures allow for each child to have its own personal space, yet are connected at the swings. Accessing the incredible selection of salvage materials from a salvage yard in Detroit, Temescal was able to source non-toxic & structurally sound woods to build the structure itself. Healthy Building Materials include: Metal Roofing and Water based Low VOC paints. A slatted exterior structure was designed to create a rain screen and in addition complement the Main home’s exterior design. The slide posed the largest problem to source as recycled plastic slides are not made available to residential projects by US based manufactures and repurposed from Facebook marketplace hit many dead ends. Ultimately, she chose to use a HDPE high density polyurethane plastic slide that would allow for its material to be recycled once at the end of this life.

VILLA THEA is divine place for a luxury life on Zakynthos Island. Designed by architect Lucy Lago. The philosophy of the project is to find a balance between the architectural design and the environment. The villa has flowing natural forms, subtle curves in every line. Despite the construction of the building, the villa seems to float on the expanse of the mountain hill of the Keri region. The smoothness of the forms can be traced throughout the project, from the functional solution on the plan and ending with the terraces and the pool around the villa. This project has style and identity. The villa will be an expensive piece of jewelry placed in the vastness of nature. The architectural uniqueness and originality will make villa Thea special in the architectural portfolio of the whole world. Combining futurism with naturism is a step into the future. The use of modern technologies, ecological construction methods put the villa one step higher, and its significance is greater. It is possible to create the motives of nature and in the same time to touch the space theme on the Earth. Villa consists by open living, dining and kitchen area, 8 bedrooms, 7 bathrooms, gym, cellar, storage, big swimming pool, garden and parking areas. The interior of the villa is one piece with the entire architectural project designed by Lucy Lago. Organic shapes and curved, flowing lines are part of the space. For the interior, selected white, light shades, glass and reflective surfaces. All attention is directed to the panoramic sea view from the window. Beauty in every single detail, special attention to natural and artificial light. Green plants are the accents of the interior and remind us that we are on the wonderful island of Zakynthos.

VILLA THEA is divine place for a luxury life on Zakynthos Island. Designed by architect Lucy Lago. The philosophy of the project is to find a balance between the architectural design and the environment. The villa has flowing natural forms, subtle curves in every line. Despite the construction of the building, the villa seems to float on the expanse of the mountain hill of the Keri region. The smoothness of the forms can be traced throughout the project, from the functional solution on the plan and ending with the terraces and the pool around the villa. This project has style and identity. The villa will be an expensive piece of jewelry placed in the vastness of nature. The architectural uniqueness and originality will make villa Thea special in the architectural portfolio of the whole world. Combining futurism with naturism is a step into the future. The use of modern technologies, ecological construction methods put the villa one step higher, and its significance is greater. It is possible to create the motives of nature and in the same time to touch the space theme on the Earth. Villa consists by open living, dining and kitchen area, 8 bedrooms, 7 bathrooms, gym, cellar, storage, big swimming pool, garden and parking areas. The interior of the villa is one piece with the entire architectural project designed by Lucy Lago. Organic shapes and curved, flowing lines are part of the space. For the interior, selected white, light shades, glass and reflective surfaces. All attention is directed to the panoramic sea view from the window. Beauty in every single detail, special attention to natural and artificial light. Green plants are the accents of the interior and remind us that we are on the wonderful island of Zakynthos.

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

Our design for the expansion and gut renovation of a small 1200 square foot house in a residential neighborhood triples is size, and reworks the living arrangement. The rear addition takes advantage of southern exposure with a "greenhouse" room that provides solar heat gain in winter, shading in summer, and a vast connection to the rear yard. Architecturally, we used an approach we call "willful practicality." The new soaring ceiling ties together first and second floors in a dramatic volumetric expansion of space, while providing increased ventilation and daylighting from greenhouse to operable windows and skylights at the peak. Exterior pockets of space are created from curved forces pushing in from outside to form cedar clad porch and stoop. Sustainable design is employed throughout all materials, energy systems and insulation. Masonry exterior walls and concrete floors provide thermal mass for the interior by insulating the exterior. An ERV system facilitates increased air changes and minimizes changes to the interior air temperature. Energy and water saving features and renewable, non-toxic materal selections are important aspects of the house design. Environmental community issues are addressed with a drywell in the side yard to mitigate rain runoff into the town sewer system. The long sloping south facing roof is in anticipation of future solar panels, with the standing seam metal roof providing anchoring opportunities for the panels. The exterior walls are clad in stucco, cedar, and cement-fiber panels defining different areas of the house. Closed cell spray insulation is applied to exterior walls and roof, giving the house an "air-tight" seal against air infiltration and a high R-value. The ERV system provides the ventilation needed with this tight envelope. The interior comfort level and economizing are the beneficial results of the building methods and systems employed in the house. Photographer: Peter Kubilus

Inspiration for a contemporary home design remodel in Charlotte

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

Shou sugi ban, weathered mesquite wood and white walls around found throughout this modern home, including in the stairway.
Staircase - modern wooden straight metal railing staircase idea in Austin

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

We introduce to you one of our newer services we are providing here at Kitchen Design Concepts: spaces that just need a little reviving! As of recent, we are taking on projects that are in need of minimal updating, as in, spaces that don’t need a full-on remodel. Yes, you heard right! If your space has good bones, you like the layout of your kitchen, and you just need a few cosmetic changes, then today’s feature is for you! Recently, we updated a space where we did just this! The kitchen was in need of a little love, some fresh paint, and new finishes. And if we’re being honest here, the result looks almost as if the kitchen had a full-on remodel! To learn more about this space and how we did our magic, continue reading below: The Before and After First, see what an impact new finishes can make! The “before” image shows a kitchen with outdated finishes such as the tile countertops, backsplash, and cabinetry finish. The “after” image, is a kitchen that looks almost as if its brand new, the image speaks for itself! Cabinetry With the wooden cabinetry in this kitchen already having great bones, all we needed to do was our refinishing process that involved removing door and drawer fronts, sanding, priming, and painting. The main color of the cabinetry is white (Sherwin Williams Pure White 7005) and as an accent, we applied a deep navy blue that really pops in this space (Sherwin Willaims Naval 6244). As a special design element, we incorporated a natural wooden band across the hood which is subtle but adds an element of surprise. Countertops The original countertops in this space were a 12×12 tile with cracks and discolored grout from all the wear and tear. To replace the countertops, we installed a clean and crisp quartz that is not only durable but easy to maintain (no grout here!). The 3cm countertops are a Cambria quartz in a grey-tone color (Carrick). Backsplash Keeping things simple, yet classic, we installed a 3×6 subway tile from Interceramic. The crisp white pairs well with all the other finishes of the space and really brighten the space up! To spice things up, we paired the white tile with a contrasting grout color (Cape Grey) that matches the countertop. This is a simple method to add interest to your white backsplash! Fixtures and Fittings For the fixtures and fittings of the kitchen, we wanted pieces that made a statement. That’s why we selected this industrial style faucet from Brizo! The faucet is a Brizo LITZE™ PULL-DOWN FAUCET WITH ARC SPOUT AND INDUSTRIAL HANDLE (63044LF-BLGL). The matte black paired with the luxe gold elements really make a statement! To match the gold elements of the faucet, we installed cabinetry hardware from Topknobs in the same gold finish. The hardware is a Channing pull TK743HB. Lastly, the large single bowl sink (who doesn’t want a large sink?!) is a great functional touch to the kitchen. The sink is a Blanco Precision 16″ R10 super single with 16″ Drainer in stainless steel (516216).

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture