Heirloom Tomatoes | Lore Patterson
This is an example of a traditional formal garden in Seattle for summer.

The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house. The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day. The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core. Photography: Charles Davis Smith

The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house. The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day. The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core. Photography: Charles Davis Smith

The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house. The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day. The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core. Photography: Charles Davis Smith

Small elegant gray one-story mixed siding gable roof photo in Charleston

The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house. The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day. The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core. Photography: Charles Davis Smith

We introduce to you one of our newer services we are providing here at Kitchen Design Concepts: spaces that just need a little reviving! As of recent, we are taking on projects that are in need of minimal updating, as in, spaces that don’t need a full-on remodel. Yes, you heard right! If your space has good bones, you like the layout of your kitchen, and you just need a few cosmetic changes, then today’s feature is for you! Recently, we updated a space where we did just this! The kitchen was in need of a little love, some fresh paint, and new finishes. And if we’re being honest here, the result looks almost as if the kitchen had a full-on remodel! To learn more about this space and how we did our magic, continue reading below: The Before and After First, see what an impact new finishes can make! The “before” image shows a kitchen with outdated finishes such as the tile countertops, backsplash, and cabinetry finish. The “after” image, is a kitchen that looks almost as if its brand new, the image speaks for itself! Cabinetry With the wooden cabinetry in this kitchen already having great bones, all we needed to do was our refinishing process that involved removing door and drawer fronts, sanding, priming, and painting. The main color of the cabinetry is white (Sherwin Williams Pure White 7005) and as an accent, we applied a deep navy blue that really pops in this space (Sherwin Willaims Naval 6244). As a special design element, we incorporated a natural wooden band across the hood which is subtle but adds an element of surprise. Countertops The original countertops in this space were a 12×12 tile with cracks and discolored grout from all the wear and tear. To replace the countertops, we installed a clean and crisp quartz that is not only durable but easy to maintain (no grout here!). The 3cm countertops are a Cambria quartz in a grey-tone color (Carrick). Backsplash Keeping things simple, yet classic, we installed a 3×6 subway tile from Interceramic. The crisp white pairs well with all the other finishes of the space and really brighten the space up! To spice things up, we paired the white tile with a contrasting grout color (Cape Grey) that matches the countertop. This is a simple method to add interest to your white backsplash! Fixtures and Fittings For the fixtures and fittings of the kitchen, we wanted pieces that made a statement. That’s why we selected this industrial style faucet from Brizo! The faucet is a Brizo LITZE™ PULL-DOWN FAUCET WITH ARC SPOUT AND INDUSTRIAL HANDLE (63044LF-BLGL). The matte black paired with the luxe gold elements really make a statement! To match the gold elements of the faucet, we installed cabinetry hardware from Topknobs in the same gold finish. The hardware is a Channing pull TK743HB. Lastly, the large single bowl sink (who doesn’t want a large sink?!) is a great functional touch to the kitchen. The sink is a Blanco Precision 16″ R10 super single with 16″ Drainer in stainless steel (516216).

The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house. The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day. The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core. Photography: Charles Davis Smith

'Carmello' tomato growing in a 15-gallon terra-cotta pot, week 1. Photo by Steve Masley
Example of an eclectic home design design in San Francisco

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession. Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm. They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm. “They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone. Design Process There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms. Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively. The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers. Exterior The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements. Interior The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers. “Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.” The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

Set inside a circle of 100-year-old maple and oak trees, while complimenting the main home’s architecture, these ‘tree houses’ give shelter, space for imagination & safe play outdoors for twins. Mimicking the trees’ height and scale, and mirrored in each of their designs, these two 6 foot square base by 14 foot tall twin play structures allow for each child to have its own personal space, yet are connected at the center swings. These unique treehouses have been built with sustainable sourcing and upcycled construction methods. When Martine Ilana, Principal designer of Temescal, considered what a ‘treehouse’ would look like for her twins, immediately it’s ideation was focused on keeping the integrity of the forest and problem solving how to use as many repurposed and sustainable materials as possible. Accessing the incredible selection of salvage materials from a salvage yard in Detroit, Temescal was able to source non-toxic, and structurally sound woods to build the structure itself. Healthy building materials include: Metal Roofing and Water based Low VOC paints. A slatted exterior structure was designed to create a rain screen and in addition complement the Main home’s exterior design. Designed with an end of life intention for longevity and a easy means to pull apart these structures apart once the children are older, the foundations can be used for a future ADU. The slide posed the largest problem to source as recycled plastic slides are not made available to residential projects by US based manufactures and repurposed from Facebook marketplace hit many dead ends. Ultimately, she chose to use a HDPE high density polyurethane plastic slide that would allow for its material to be recycled once at the end of this life. Every detail, both in their exterior and interior, of these upcycled treehouses was considered with care and an artistic touch that enhances the landscape and forest surrounding them.

Gulf-Front Grandeur Private Residence / Alys Beach, Florida Architect: Khoury & Vogt Architects Builder: Hufham Farris Construction --- This one-of-a-kind Gulf-front residence in the New Urbanism community of Alys Beach, Florida, is truly a stunning piece of architecture matched only by its views. E. F. San Juan worked with the Alys Beach Town Planners at Khoury & Vogt Architects and the building team at Hufham Farris Construction on this challenging and fulfilling project. We supplied character white oak interior boxed beams and stair parts. We also furnished all of the interior trim and paneling. The exterior products we created include ipe shutters, gates, fascia and soffit, handrails, and newels (balcony), ceilings, and wall paneling, as well as custom columns and arched cased openings on the balconies. In addition, we worked with our trusted partners at Loewen to provide windows and Loewen LiftSlide doors. Challenges: This was the homeowners’ third residence in the area for which we supplied products, and it was indeed a unique challenge. The client wanted as much of the exterior as possible to be weathered wood. This included the shutters, gates, fascia, soffit, handrails, balcony newels, massive columns, and arched openings mentioned above. The home’s Gulf-front location makes rot and weather damage genuine threats. Knowing that this home was to be built to last through the ages, we needed to select a wood species that was up for the task. It needed to not only look beautiful but also stand up to those elements over time. Solution: The E. F. San Juan team and the talented architects at KVA settled upon ipe (pronounced “eepay”) for this project. It is one of the only woods that will sink when placed in water (you would not want to make a boat out of ipe!). This species is also commonly known as ironwood because it is so dense, making it virtually rot-resistant, and therefore an excellent choice for the substantial pieces of millwork needed for this project. However, ipe comes with its own challenges; its weight and density make it difficult to put through machines and glue. These factors also come into play for hinging when using ipe for a gate or door, which we did here. We used innovative joining methods to ensure that the gates and shutters had secondary and tertiary means of support with regard to the joinery. We believe the results speak for themselves! --- Photography by Layne Lillie, courtesy of Khoury & Vogt Architects

Set inside a circle of 100-year-old maple and oak trees, while complimenting the main home’s architecture, these ‘tree houses’ give shelter, space for imagination & safe play outdoors for twins. Mimicking the trees’ height and scale, and mirrored in each of their designs, these two 6 foot square base by 14 foot tall twin play structures allow for each child to have its own personal space, yet are connected at the center swings. These unique treehouses have been built with sustainable sourcing and upcycled construction methods. When Martine Ilana, Principal designer of Temescal, considered what a ‘treehouse’ would look like for her twins, immediately it’s ideation was focused on keeping the integrity of the forest and problem solving how to use as many repurposed and sustainable materials as possible. Accessing the incredible selection of salvage materials from a salvage yard in Detroit, Temescal was able to source non-toxic, and structurally sound woods to build the structure itself. Healthy building materials include: Metal Roofing and Water based Low VOC paints. A slatted exterior structure was designed to create a rain screen and in addition complement the Main home’s exterior design. Designed with an end of life intention for longevity and a easy means to pull apart these structures apart once the children are older, the foundations can be used for a future ADU. The slide posed the largest problem to source as recycled plastic slides are not made available to residential projects by US based manufactures and repurposed from Facebook marketplace hit many dead ends. Ultimately, she chose to use a HDPE high density polyurethane plastic slide that would allow for its material to be recycled once at the end of this life. Every detail, both in their exterior and interior, of these upcycled treehouses was considered with care and an artistic touch that enhances the landscape and forest surrounding them.

Set inside a circle of 100-year-old maple and oak trees, while complimenting the main home’s architecture, these ‘tree houses’ give shelter, space for imagination & safe play outdoors for twins. Mimicking the trees’ height and scale, and mirrored in each of their designs, these two 6 foot square base by 14 foot tall twin play structures allow for each child to have its own personal space, yet are connected at the center swings. These unique treehouses have been built with sustainable sourcing and upcycled construction methods. When Martine Ilana, Principal designer of Temescal, considered what a ‘treehouse’ would look like for her twins, immediately it’s ideation was focused on keeping the integrity of the forest and problem solving how to use as many repurposed and sustainable materials as possible. Accessing the incredible selection of salvage materials from a salvage yard in Detroit, Temescal was able to source non-toxic, and structurally sound woods to build the structure itself. Healthy building materials include: Metal Roofing and Water based Low VOC paints. A slatted exterior structure was designed to create a rain screen and in addition complement the Main home’s exterior design. Designed with an end of life intention for longevity and a easy means to pull apart these structures apart once the children are older, the foundations can be used for a future ADU. The slide posed the largest problem to source as recycled plastic slides are not made available to residential projects by US based manufactures and repurposed from Facebook marketplace hit many dead ends. Ultimately, she chose to use a HDPE high density polyurethane plastic slide that would allow for its material to be recycled once at the end of this life. Every detail, both in their exterior and interior, of these upcycled treehouses was considered with care and an artistic touch that enhances the landscape and forest surrounding them.

Set inside a circle of 100-year-old maple and oak trees, while complimenting the main home’s architecture, these ‘tree houses’ give shelter, space for imagination & safe play outdoors for twins. Mimicking the trees’ height and scale, and mirrored in each of their designs, these two 6 foot square base by 14 foot tall twin play structures allow for each child to have its own personal space, yet are connected at the center swings. These unique treehouses have been built with sustainable sourcing and upcycled construction methods. When Martine Ilana, Principal designer of Temescal, considered what a ‘treehouse’ would look like for her twins, immediately it’s ideation was focused on keeping the integrity of the forest and problem solving how to use as many repurposed and sustainable materials as possible. Accessing the incredible selection of salvage materials from a salvage yard in Detroit, Temescal was able to source non-toxic, and structurally sound woods to build the structure itself. Healthy building materials include: Metal Roofing and Water based Low VOC paints. A slatted exterior structure was designed to create a rain screen and in addition complement the Main home’s exterior design. Designed with an end of life intention for longevity and a easy means to pull apart these structures apart once the children are older, the foundations can be used for a future ADU. The slide posed the largest problem to source as recycled plastic slides are not made available to residential projects by US based manufactures and repurposed from Facebook marketplace hit many dead ends. Ultimately, she chose to use a HDPE high density polyurethane plastic slide that would allow for its material to be recycled once at the end of this life. Every detail, both in their exterior and interior, of these upcycled treehouses was considered with care and an artistic touch that enhances the landscape and forest surrounding them.

Set inside a circle of 100-year-old maple and oak trees, while complimenting the main home’s architecture, these ‘tree houses’ give shelter, space for imagination & safe play outdoors for twins. Mimicking the trees’ height and scale, and mirrored in each of their designs, these two 6 foot square base by 14 foot tall twin play structures allow for each child to have its own personal space, yet are connected at the center swings. These unique treehouses have been built with sustainable sourcing and upcycled construction methods. When Martine Ilana, Principal designer of Temescal, considered what a ‘treehouse’ would look like for her twins, immediately it’s ideation was focused on keeping the integrity of the forest and problem solving how to use as many repurposed and sustainable materials as possible. Accessing the incredible selection of salvage materials from a salvage yard in Detroit, Temescal was able to source non-toxic, and structurally sound woods to build the structure itself. Healthy building materials include: Metal Roofing and Water based Low VOC paints. A slatted exterior structure was designed to create a rain screen and in addition complement the Main home’s exterior design. Designed with an end of life intention for longevity and a easy means to pull apart these structures apart once the children are older, the foundations can be used for a future ADU. The slide posed the largest problem to source as recycled plastic slides are not made available to residential projects by US based manufactures and repurposed from Facebook marketplace hit many dead ends. Ultimately, she chose to use a HDPE high density polyurethane plastic slide that would allow for its material to be recycled once at the end of this life. Every detail, both in their exterior and interior, of these upcycled treehouses was considered with care and an artistic touch that enhances the landscape and forest surrounding them.

Set inside a circle of 100-year-old maple and oak trees, while complimenting the main home’s architecture, these ‘tree houses’ give shelter, space for imagination & safe play outdoors for twins. Mimicking the trees’ height and scale, and mirrored in each of their designs, these two 6 foot square base by 14 foot tall twin play structures allow for each child to have its own personal space, yet are connected at the center swings. These unique treehouses have been built with sustainable sourcing and upcycled construction methods. When Martine Ilana, Principal designer of Temescal, considered what a ‘treehouse’ would look like for her twins, immediately it’s ideation was focused on keeping the integrity of the forest and problem solving how to use as many repurposed and sustainable materials as possible. Accessing the incredible selection of salvage materials from a salvage yard in Detroit, Temescal was able to source non-toxic, and structurally sound woods to build the structure itself. Healthy building materials include: Metal Roofing and Water based Low VOC paints. A slatted exterior structure was designed to create a rain screen and in addition complement the Main home’s exterior design. Designed with an end of life intention for longevity and a easy means to pull apart these structures apart once the children are older, the foundations can be used for a future ADU. The slide posed the largest problem to source as recycled plastic slides are not made available to residential projects by US based manufactures and repurposed from Facebook marketplace hit many dead ends. Ultimately, she chose to use a HDPE high density polyurethane plastic slide that would allow for its material to be recycled once at the end of this life. Every detail, both in their exterior and interior, of these upcycled treehouses was considered with care and an artistic touch that enhances the landscape and forest surrounding them.

Interior Design Show 2016, Toronto, ON, Canada The windrow table and imbue light were designed and built to showcase our studios unique and adventurous operation. These pieces of sculptural furniture are inspired by elements found in our Manitoba landscape, by the raw material of nature, and our intimate understanding of process. Every component to these pieces was made in house, from the milling and drying of salvaged trees to the forging and machining of custom aluminum parts. The aim is to constantly stretch the limits of materials and seek new methods of making. Imbue Light--200 year old white bur oak salvaged from development sites (trees in areas of development typically are land filled), cast aluminum in wood molds, cast and machined aluminum. The Oak is cut green on our sawmill and then bent into the beautiful folding continuous rings and then dried. The oak is left raw to celebrate the color and strength that this wood has. The aluminum is cast in wood molds, a technique Wood Anchor developed from countless hours of experimenting and becoming familiar with our materials. This leaves the aluminum with a beautiful purple/blue coloring and a texture that is reminiscent rough stone. Areas of the aluminum are polished to contrast the cast pieces and pay homage to the countless hours that we spend perfecting our craft. Windrow Table--150 year old black ash salvaged from urban development (trees in areas of development typically are land filled), sheet aluminum is sculpted and seam welded by hand, the ground and polished. The Ash is selected based on it’s suitability for the piece. It’s then cut on our sawmill, kiln dried and machined into a perfect table top. The aluminum is cut and sculpted by hand using heat. There is no pattern for the piece; the artist creates it from his mind, studying the form as it develops. It is seam welded and the ground and polished by hand paying attention to every detail. 2016 © Ray Chan Photo, All Rights Reserved

Set inside a circle of 100-year-old maple and oak trees, while complimenting the main home’s architecture, these ‘tree houses’ give shelter, space for imagination & safe play outdoors for twins. Mimicking the trees’ height and scale, and mirrored in each of their designs, these two 6 foot square base by 14 foot tall twin play structures allow for each child to have its own personal space, yet are connected at the center swings. These unique treehouses have been built with sustainable sourcing and upcycled construction methods. When Martine Ilana, Principal designer of Temescal, considered what a ‘treehouse’ would look like for her twins, immediately it’s ideation was focused on keeping the integrity of the forest and problem solving how to use as many repurposed and sustainable materials as possible. Accessing the incredible selection of salvage materials from a salvage yard in Detroit, Temescal was able to source non-toxic, and structurally sound woods to build the structure itself. Healthy building materials include: Metal Roofing and Water based Low VOC paints. A slatted exterior structure was designed to create a rain screen and in addition complement the Main home’s exterior design. Designed with an end of life intention for longevity and a easy means to pull apart these structures apart once the children are older, the foundations can be used for a future ADU. The slide posed the largest problem to source as recycled plastic slides are not made available to residential projects by US based manufactures and repurposed from Facebook marketplace hit many dead ends. Ultimately, she chose to use a HDPE high density polyurethane plastic slide that would allow for its material to be recycled once at the end of this life. Every detail, both in their exterior and interior, of these upcycled treehouses was considered with care and an artistic touch that enhances the landscape and forest surrounding them.