The design made critical balances between the sloppy site and the requirements of the client to have a house with two distinct uses; a private family house and a banqueting facility with a swimming pool and terrace, in addition to a parking lot, playgrounds, landscape and a design farm land with a wondering jogging track. All the functions entertain the main beautiful panoramic views from the land down the slope, balconies, terraces and roof top are equipped with relaxing seating and other needed services.

Natural cedar shingles are a classic choice for homes all over New England. Maibec Eastern White Cedar Shingles were chosen for this New Bedford, oceanfront home. This siding is very durable and requires little maintenance. It’s protected against rot and insects with natural preservatives and a 50 year warranty. You can even get them pre-dipped, which offers U.V. protection along with mildew resistance and water repellence. Pre-dipped shingles will also save you from having to hire an on-site painter.

This Coastal Acorn Home is a beautiful example of Acorn Deck House Company’s custom design flexibility to meet the needs of every site. This home is elevated on posts to meet the local zoning requirements and features “breakaway” panels in case of rising tides, hurricane winds and storm surges. The Coastal has three bedrooms, four bathrooms and is designed with a future elevator in mind.

Holly Hill, a retirement home, whose owner's hobbies are gardening and restoration of classic cars, is nestled into the site contours to maximize views of the lake and minimize impact on the site. Holly Hill is comprised of three wings joined by bridges: A wing facing a master garden to the east, another wing with workshop and a central activity, living, dining wing. Similar to a radiator the design increases the amount of exterior wall maximizing opportunities for natural ventilation during temperate months. Other passive solar design features will include extensive eaves, sheltering porches and high-albedo roofs, as strategies for considerably reducing solar heat gain. Daylighting with clerestories and solar tubes reduce daytime lighting requirements. Ground source geothermal heat pumps and superior to code insulation ensure minimal space conditioning costs. Corten steel siding and concrete foundation walls satisfy client requirements for low maintenance and durability. All light fixtures are LEDs. Open and screened porches are strategically located to allow pleasant outdoor use at any time of day, particular season or, if necessary, insect challenge. Dramatic cantilevers allow the porches to project into the site’s beautiful mixed hardwood tree canopy without damaging root systems. Guest arrive by vehicle with glimpses of the house and grounds through penetrations in the concrete wall enclosing the garden. One parked they are led through a garden composed of pavers, a fountain, benches, sculpture and plants. Views of the lake can be seen through and below the bridges. Primary client goals were a sustainable low-maintenance house, primarily single floor living, orientation to views, natural light to interiors, maximization of individual privacy, creation of a formal outdoor space for gardening, incorporation of a full workshop for cars, generous indoor and outdoor social space for guests and parties.

this large-scale landscape, created for an on-site family wedding, draws both inspiration and materials from the property’s location at the base of the topa topa mountains. situated on a dry creek bed, the site required considerable excavation and recompacting, yielding an abundance of boulders that were incorporated into long, dry-stacked retaining walls. flagstone patios and steel trellises front and back let the owners take in both sunrise and sunset views of the surrounding mountains and valley images | kurt jordan photography design collaboration | scott menzel landscape architect

The tightly constrained footprint of the affectionately named “Box on the Rock” is a response to a limited budget and difficult site. Shallow underground hillside waterways run across the site often daylighting in unexpected and unwanted locations. These necessitated relatively expensive pier footings thus motivating an extremely efficient 2,000 sq ft footprint. With no initial resources to develop the wild scrub and rock landscape of the 3-acre property, the home becomes a lone outpost settling the higher ground of the larger natural site --a literal box on a rock. Given these limitations, the architecture of this outpost needs to provide for all indoor and outdoor functions within its area. With the extremes of the wine country microclimate on the exposed site, this becomes an even more critical requirement for year-round comfort. The central courtyard and the cantilevered deck are strategically carved out of the diagrammatic box to ensure that over the course of the day, temperate options for both sun and shade are always available. In particular, the geometry of the overhang at the front cantilevered deck and the inward angle of its exterior glass walls are carefully calibrated to capture morning sun and winter warming while shielding the internal space from the harshest summer glare. Later in the day the central courtyard comes alive as the sunniest developed outdoor space, yet one that is naturally cooled by capturing the valley cross breezes. With an economy of means, this simple form morphs to amplify the experience of the dramatic site and create an expansive feeling home that belies its small footprint. Each adjustment to the diagrammatic box negotiates the functional and environmental needs to foster self-contained and site-specific living with a minimal environmental impact. Photo by Bruce Damonte

In Portland’s West End, the house is located on an incredibly tight site with neighbors to the south and north, a beautiful garden to preserve to the west, and a stone wall to the east. The owners were looking for an energy conscious green building that would require very little energy to heat and cool. A third party performed a blower door test and we were able to achieve an air change per hour of 0.73 (which is just above passive house for this size of house). To achieve such a low air change per hour, is a testament to our commitment to quality.

A former summer camp, this site came with a unique set of challenges. An existing 1200 square foot cabin was perched on the shore of Thorndike Pond, well within the current required setbacks. Three additional outbuildings were part of the property, each of them small and non-conforming. By limiting reconstruction to the existing footprints we were able to gain planning consent to rebuild each structure. A full second story added much needed space to the main house. Two of the outbuildings have been rebuilt to accommodate guests, maintaining the spirit of the original camp. Black stained exteriors help the buildings blend into the landscape. The project is a collaboration with Spazio Rosso Interiors. Photos by Sean Litchfield.

BeachHaus is built on a previously developed site on Siesta Key. It sits directly on the bay but has Gulf views from the upper floor and roof deck. The client loved the old Florida cracker beach houses that are harder and harder to find these days. They loved the exposed roof joists, ship lap ceilings, light colored surfaces and inviting and durable materials. Given the risk of hurricanes, building those homes in these areas is not only disingenuous it is impossible. Instead, we focused on building the new era of beach houses; fully elevated to comfy with FEMA requirements, exposed concrete beams, long eaves to shade windows, coralina stone cladding, ship lap ceilings, and white oak and terrazzo flooring. The home is Net Zero Energy with a HERS index of -25 making it one of the most energy efficient homes in the US. It is also certified NGBS Emerald. Photos by Ryan Gamma Photography

This is an example of a mid-sized traditional front yard concrete paver driveway.

Located in, Summit Park, Park City UT lies one of the most efficient houses in the country. The Summit Haus – designed and built by Chris Price of PCD+B, is an exploration in design and construction of advanced high performance housing. Seeing a rising demand for sustainable housing along with rising Carbon emissions leading to global warming, this house strives to show that sensible, good design can create spaces adequate for today’s housing demands while adhering to strict standards. The house was designed to meet the very rigid Passiv House rating system – 90% more efficient than a typical home in the area. The house itself was intended to nestle neatly into the 45 degree sloped site and to take full advantage of the limited solar access and views. The views range from short, highly wooded views to a long corridor out towards the Uinta Mountain range towards the east. The house was designed and built based off Passiv Haus standards, and the framing and ventilation became critical elements to maintain such minimal energy requirements. Zola triple-pane, tilt-and-turn Thermo uPVC windows contribute substantially to the home’s energy efficiency, and takes advantage of the beautiful surrounding of the location, including forrest views from the deck off of the kitchen. Photographer: George Oakley

A young couple with three small children purchased this full floor loft in Tribeca in need of a gut renovation. The existing apartment was plagued with awkward spaces, limited natural light and an outdated décor. It was also lacking the required third child’s bedroom desperately needed for their newly expanded family. StudioLAB aimed for a fluid open-plan layout in the larger public spaces while creating smaller, tighter quarters in the rear private spaces to satisfy the family’s programmatic wishes. 3 small children’s bedrooms were carved out of the rear lower level connected by a communal playroom and a shared kid’s bathroom. Upstairs, the master bedroom and master bathroom float above the kid’s rooms on a mezzanine accessed by a newly built staircase. Ample new storage was built underneath the staircase as an extension of the open kitchen and dining areas. A custom pull out drawer containing the food and water bowls was installed for the family’s two dogs to be hidden away out of site when not in use. All wall surfaces, existing and new, were limited to a bright but warm white finish to create a seamless integration in the ceiling and wall structures allowing the spatial progression of the space and sculptural quality of the midcentury modern furniture pieces and colorful original artwork, painted by the wife’s brother, to enhance the space. The existing tin ceiling was left in the living room to maximize ceiling heights and remain a reminder of the historical details of the original construction. A new central AC system was added with an exposed cylindrical duct running along the long living room wall. A small office nook was built next to the elevator tucked away to be out of site.

Originally a nearly three-story tall 1920’s European-styled home was turned into a modern villa for work and home. A series of low concrete retaining wall planters and steps gradually takes you up to the second level entry, grounding or anchoring the house into the site, as does a new wrap around veranda and trellis. Large eave overhangs on the upper roof were designed to give the home presence and were accented with a Mid-century orange color. The new master bedroom addition white box creates a better sense of entry and opens to the wrap around veranda at the opposite side. Inside the owners live on the lower floor and work on the upper floor with the garage basement for storage, archives and a ceramics studio. New windows and open spaces were created for the graphic designer owners; displaying their mid-century modern furnishings collection. A lot of effort went into attempting to lower the house visually by bringing the ground plane higher with the concrete retaining wall planters, steps, wrap around veranda and trellis, and the prominent roof with exaggerated overhangs. That the eaves were painted orange is a cool reflection of the owner’s Dutch heritage. Budget was a driver for the project and it was determined that the footprint of the home should have minimal extensions and that the new windows remain in the same relative locations as the old ones. Wall removal was utilized versus moving and building new walls where possible. Photo Credit: John Sutton Photography.

A 6,000 square foot 2-story new home complex in Milpitas was designed to facilitate the owners’ large business parties and gatherings, to have rooms for the kids to come back to upstairs, and a ground floor master suite with a huge walk-in closet. Several separate structures make up the dwelling: The main house, 3-car garage with carport for overflow parking, and a separate entertainment and recreation building separated by a courtyard from the main house. The business activities include gatherings in the hundreds of people, so parking was maximized and guests can flow in through a separate gate to party in the courtyard and recreation building. Inside this structure is a wet bar, billiard room, workout gym and home theater. The main house ground floor has formal and informal living rooms, open kitchen and master suite with views and expansive windows in every direction. The house is sited on the crestline of a hill with views of the San Francisco Bay and private golf course below. The indoor-outdoor aspect of the house is further accentuated with outside living and dining areas. High ceilings and expansive glass walls dissolve the sense of enclosure taking advantage of the site’s openness and privacy. The owner’s suite is downstairs in anticipation of aging-in-place, and upstairs there are three bedrooms and four bathrooms plus a sitting area lounge and casual TV loft area. The house sits on one acre at the top of a low hill range overlooking Milpitas. The city was very cognizant of the importance of keeping a low profile at this crestline and required extensive story poles and photo evidence of the proper height and siting so as not to be seen from certain selected vantage points. GENERAL CONTRACTOR: JCD Builders Inc. LANDSCAPE DESIGN: Morf Chang Landscape Architecture / ODS Architecture PHOTOGRAPHS: Paul Dyer Photography

This pool and spa is built in an affluent neighborhood with many new homes that are traditional in design but have modern, clean details. Similar to the homes, this pool takes a traditional pool and gives it a clean, modern twist. The site proved to be perfect for a long lap pool that the client desired with plenty of room for a separate spa. The two bodies of water, though separate, are visually linked together by a custom limestone raised water feature wall with 10 custom Bobe water scuppers. Quality workmanship as required throughout the entire build to ensure the automatic pool cover would remain square the entire 50 foot length of the pool. Features of this pool and environment that enhance the aesthetic appeal of this project include: -Glass waterline tile -Glass seat and bench tile -Glass tile swim lane marking on pool floor -Custom limestone coping and deck -PebbleTec pool finish -Synthetic Turf Lawn This outdoor environment cohesively brings the clean & modern finishes of the home seamlessly to the outdoors to a pool and spa for play, exercise and relaxation. Photography: Daniel Driensky

The detached garage required a driveway across the lawn and we installed Stabiligrid recycled plastic grids for a driveable lawn. Here you can see the grids have completely reestablished into lawn. The grids keep the crown of the grass plants from getting crushed from vehicular traffic so the grass doesn't die and the site doesn't get muddy or mushy. We maintain this site with our organic based compost teas (called BeeSafe) to keep the grass healthy naturally instead of using chemical fertilizers. Bacterial-dominant lawns are much thicker and happier in our Western WA forests, and can withstand shade better as well. This photo is taken in November.

@ShadesofGreen

The City of Farmington is comprised of numerous historic structures that make up the Farmington Historic District. This Historic District surrounds the project site and played a huge role in the design and construction of the streetscape. While the plans look fascinating on paper, bringing the project to life became a challenge on its own – upon the initial layout of the site, we found that none of the existing buildings were square, so additional cutting would be required for the bricks abutting these structures and the curbs along the road. Another challenge faced during this project was after the demolition and removal of the existing concrete sidewalk. The demolition had caused damage to the face of the historic buildings, and required careful repairs. These unexpected repairs consisted of turning brick on end to cover blemishes, mortaring bricks on the buildings back into position, and re-cutting concrete sills. Throughout the project, the stacked diamond pattern involving two different color bricks proved to be a challenge as well. One brick laid out of position could alter the aesthetics of the project and would not be accepted. When working with clay bricks, the dimension tolerances are somewhat loose, which make it difficult to keep clean site-lines due to the carrying sized bricks. Furthermore, the different colored bricks used for this project were created by different manufactures, which amplified the dimension tolerance issue. Coordination with the project took careful planning and communication. The bricks specified were coming from two different states, one being California. With materials being shipped from across the continent, and tight deadline, managing logistics was key to insuring the success of this project. Further, all of the storefronts remained open during the course of the project, as did the road. This created tight working quarters, and required coordination with shop owners, and careful attention to pedestrians as they walked through the worksite to shop in the stores. For each storefront, the team had to strike the leveling layer up to the entrance, lay the brick pavers, and get past the door in a timely manner as not to interrupt the normal business operations. The tight deadline and unfavorable weather conditions caused the team to work 21 consecutive days to finish on schedule. Upon completion of the project, the new streetscape complimented the historic feel of the city and looked as if it was meant-to-be. The architect was happy with our workmanship, and pleased with the results.