This master bathroom renovation in Frisco was completed for a repeat USI Design & Remodeling client as part of a larger first-floor transformation of the home. The original bathroom reflected a very typical North Texas layout of its era — dark stained cabinetry, granite countertops, compartmentalized vanities, a built-in tub adjoining a framed shower, and separated spaces that no longer aligned with how the homeowners wanted to live. As their aesthetic evolved toward a more transitional and contemporary direction, the goal became less about replacing finishes and more about redefining the experience of the room itself. The project needed to feel calmer, more architectural, and far more intentional in how the space functioned visually and emotionally. One of the most important changes was removing the original shower curb and pony wall in favor of a fully open curbless shower with ultra-clear ½-inch heavy glass. Achieving that look required recessing the slab, re-floating the shower floor toward a linear drain, and engineering the space so the room would read as visually uninterrupted from end to end. Throughout the project, many of the design decisions were rooted in restraint rather than excess. The oversized 24x48 Porcelanosa flooring carries very little shade variation, creating a quieter visual field, while the cabinetry was executed in rift-sawn white oak specifically because it produces a far more controlled and consistent finish outcome than more common cuts of wood. In luxury projects, consistency itself becomes part of the refinement. The floating vanity was designed more like custom furniture than traditional cabinetry, utilizing waterfall mitered edges and fully reworked plumbing locations so both homeowners could share in having generous functional countertop space. The original makeup station was repurposed into integrated storage with powered drawers and concealed organization for everyday items such as blow dryers and flat irons. Along the vanity wall, wall-mounted plumbing fixtures were paired with ribbed natural marble surfaces — a detail that required intentional planning long before construction began. Rather than allowing the ribbed material to terminate awkwardly behind the fixtures, the backsplash and stone transitions were specifically designed to resolve those conditions cleanly. Those are the types of details that distinguish highly coordinated design-build work from projects that simply assemble materials together. While the room contains a significant amount of luxury detailing — from the freestanding tub and geoprism marble focal wall to the custom rift-sawn white oak closet doors and elongated mirrors that leverage the 11-foot ceiling heights — the project was always guided by quiet luxury rather than visual competition. Even the water closet enclosure was handled with restraint through the use of a satin-etched glass door rather than another heavy solid opening. The intent throughout was to create a bathroom that feels restorative and serene rather than overdesigned. In our view, the best luxury spaces are the ones that feel composed long after the initial impression wears off.

This master bathroom renovation in Frisco was completed for a repeat USI Design & Remodeling client as part of a larger first-floor transformation of the home. The original bathroom reflected a very typical North Texas layout of its era — dark stained cabinetry, granite countertops, compartmentalized vanities, a built-in tub adjoining a framed shower, and separated spaces that no longer aligned with how the homeowners wanted to live. As their aesthetic evolved toward a more transitional and contemporary direction, the goal became less about replacing finishes and more about redefining the experience of the room itself. The project needed to feel calmer, more architectural, and far more intentional in how the space functioned visually and emotionally. One of the most important changes was removing the original shower curb and pony wall in favor of a fully open curbless shower with ultra-clear ½-inch heavy glass. Achieving that look required recessing the slab, re-floating the shower floor toward a linear drain, and engineering the space so the room would read as visually uninterrupted from end to end. Throughout the project, many of the design decisions were rooted in restraint rather than excess. The oversized 24x48 Porcelanosa flooring carries very little shade variation, creating a quieter visual field, while the cabinetry was executed in rift-sawn white oak specifically because it produces a far more controlled and consistent finish outcome than more common cuts of wood. In luxury projects, consistency itself becomes part of the refinement. The floating vanity was designed more like custom furniture than traditional cabinetry, utilizing waterfall mitered edges and fully reworked plumbing locations so both homeowners could share in having generous functional countertop space. The original makeup station was repurposed into integrated storage with powered drawers and concealed organization for everyday items such as blow dryers and flat irons. Along the vanity wall, wall-mounted plumbing fixtures were paired with ribbed natural marble surfaces — a detail that required intentional planning long before construction began. Rather than allowing the ribbed material to terminate awkwardly behind the fixtures, the backsplash and stone transitions were specifically designed to resolve those conditions cleanly. Those are the types of details that distinguish highly coordinated design-build work from projects that simply assemble materials together. While the room contains a significant amount of luxury detailing — from the freestanding tub and geoprism marble focal wall to the custom rift-sawn white oak closet doors and elongated mirrors that leverage the 11-foot ceiling heights — the project was always guided by quiet luxury rather than visual competition. Even the water closet enclosure was handled with restraint through the use of a satin-etched glass door rather than another heavy solid opening. The intent throughout was to create a bathroom that feels restorative and serene rather than overdesigned. In our view, the best luxury spaces are the ones that feel composed long after the initial impression wears off.

This master bathroom renovation in Frisco was completed for a repeat USI Design & Remodeling client as part of a larger first-floor transformation of the home. The original bathroom reflected a very typical North Texas layout of its era — dark stained cabinetry, granite countertops, compartmentalized vanities, a built-in tub adjoining a framed shower, and separated spaces that no longer aligned with how the homeowners wanted to live. As their aesthetic evolved toward a more transitional and contemporary direction, the goal became less about replacing finishes and more about redefining the experience of the room itself. The project needed to feel calmer, more architectural, and far more intentional in how the space functioned visually and emotionally. One of the most important changes was removing the original shower curb and pony wall in favor of a fully open curbless shower with ultra-clear ½-inch heavy glass. Achieving that look required recessing the slab, re-floating the shower floor toward a linear drain, and engineering the space so the room would read as visually uninterrupted from end to end. Throughout the project, many of the design decisions were rooted in restraint rather than excess. The oversized 24x48 Porcelanosa flooring carries very little shade variation, creating a quieter visual field, while the cabinetry was executed in rift-sawn white oak specifically because it produces a far more controlled and consistent finish outcome than more common cuts of wood. In luxury projects, consistency itself becomes part of the refinement. The floating vanity was designed more like custom furniture than traditional cabinetry, utilizing waterfall mitered edges and fully reworked plumbing locations so both homeowners could share in having generous functional countertop space. The original makeup station was repurposed into integrated storage with powered drawers and concealed organization for everyday items such as blow dryers and flat irons. Along the vanity wall, wall-mounted plumbing fixtures were paired with ribbed natural marble surfaces — a detail that required intentional planning long before construction began. Rather than allowing the ribbed material to terminate awkwardly behind the fixtures, the backsplash and stone transitions were specifically designed to resolve those conditions cleanly. Those are the types of details that distinguish highly coordinated design-build work from projects that simply assemble materials together. While the room contains a significant amount of luxury detailing — from the freestanding tub and geoprism marble focal wall to the custom rift-sawn white oak closet doors and elongated mirrors that leverage the 11-foot ceiling heights — the project was always guided by quiet luxury rather than visual competition. Even the water closet enclosure was handled with restraint through the use of a satin-etched glass door rather than another heavy solid opening. The intent throughout was to create a bathroom that feels restorative and serene rather than overdesigned. In our view, the best luxury spaces are the ones that feel composed long after the initial impression wears off.

This master bathroom renovation in Frisco was completed for a repeat USI Design & Remodeling client as part of a larger first-floor transformation of the home. The original bathroom reflected a very typical North Texas layout of its era — dark stained cabinetry, granite countertops, compartmentalized vanities, a built-in tub adjoining a framed shower, and separated spaces that no longer aligned with how the homeowners wanted to live. As their aesthetic evolved toward a more transitional and contemporary direction, the goal became less about replacing finishes and more about redefining the experience of the room itself. The project needed to feel calmer, more architectural, and far more intentional in how the space functioned visually and emotionally. One of the most important changes was removing the original shower curb and pony wall in favor of a fully open curbless shower with ultra-clear ½-inch heavy glass. Achieving that look required recessing the slab, re-floating the shower floor toward a linear drain, and engineering the space so the room would read as visually uninterrupted from end to end. Throughout the project, many of the design decisions were rooted in restraint rather than excess. The oversized 24x48 Porcelanosa flooring carries very little shade variation, creating a quieter visual field, while the cabinetry was executed in rift-sawn white oak specifically because it produces a far more controlled and consistent finish outcome than more common cuts of wood. In luxury projects, consistency itself becomes part of the refinement. The floating vanity was designed more like custom furniture than traditional cabinetry, utilizing waterfall mitered edges and fully reworked plumbing locations so both homeowners could share in having generous functional countertop space. The original makeup station was repurposed into integrated storage with powered drawers and concealed organization for everyday items such as blow dryers and flat irons. Along the vanity wall, wall-mounted plumbing fixtures were paired with ribbed natural marble surfaces — a detail that required intentional planning long before construction began. Rather than allowing the ribbed material to terminate awkwardly behind the fixtures, the backsplash and stone transitions were specifically designed to resolve those conditions cleanly. Those are the types of details that distinguish highly coordinated design-build work from projects that simply assemble materials together. While the room contains a significant amount of luxury detailing — from the freestanding tub and geoprism marble focal wall to the custom rift-sawn white oak closet doors and elongated mirrors that leverage the 11-foot ceiling heights — the project was always guided by quiet luxury rather than visual competition. Even the water closet enclosure was handled with restraint through the use of a satin-etched glass door rather than another heavy solid opening. The intent throughout was to create a bathroom that feels restorative and serene rather than overdesigned. In our view, the best luxury spaces are the ones that feel composed long after the initial impression wears off.

This master bathroom renovation in Frisco was completed for a repeat USI Design & Remodeling client as part of a larger first-floor transformation of the home. The original bathroom reflected a very typical North Texas layout of its era — dark stained cabinetry, granite countertops, compartmentalized vanities, a built-in tub adjoining a framed shower, and separated spaces that no longer aligned with how the homeowners wanted to live. As their aesthetic evolved toward a more transitional and contemporary direction, the goal became less about replacing finishes and more about redefining the experience of the room itself. The project needed to feel calmer, more architectural, and far more intentional in how the space functioned visually and emotionally. One of the most important changes was removing the original shower curb and pony wall in favor of a fully open curbless shower with ultra-clear ½-inch heavy glass. Achieving that look required recessing the slab, re-floating the shower floor toward a linear drain, and engineering the space so the room would read as visually uninterrupted from end to end. Throughout the project, many of the design decisions were rooted in restraint rather than excess. The oversized 24x48 Porcelanosa flooring carries very little shade variation, creating a quieter visual field, while the cabinetry was executed in rift-sawn white oak specifically because it produces a far more controlled and consistent finish outcome than more common cuts of wood. In luxury projects, consistency itself becomes part of the refinement. The floating vanity was designed more like custom furniture than traditional cabinetry, utilizing waterfall mitered edges and fully reworked plumbing locations so both homeowners could share in having generous functional countertop space. The original makeup station was repurposed into integrated storage with powered drawers and concealed organization for everyday items such as blow dryers and flat irons. Along the vanity wall, wall-mounted plumbing fixtures were paired with ribbed natural marble surfaces — a detail that required intentional planning long before construction began. Rather than allowing the ribbed material to terminate awkwardly behind the fixtures, the backsplash and stone transitions were specifically designed to resolve those conditions cleanly. Those are the types of details that distinguish highly coordinated design-build work from projects that simply assemble materials together. While the room contains a significant amount of luxury detailing — from the freestanding tub and geoprism marble focal wall to the custom rift-sawn white oak closet doors and elongated mirrors that leverage the 11-foot ceiling heights — the project was always guided by quiet luxury rather than visual competition. Even the water closet enclosure was handled with restraint through the use of a satin-etched glass door rather than another heavy solid opening. The intent throughout was to create a bathroom that feels restorative and serene rather than overdesigned. In our view, the best luxury spaces are the ones that feel composed long after the initial impression wears off.

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Do you know what ends our time of enjoying the wonderful Fall colors? Rain. The other day when it rained, it took most of those bright yellow leaves and brought them to the ground. It saddened me not only because the colors were gone, but now the leaves have to be cleaned up. And with the trees being larger, those leaves went everywhere. All over the ground, in the tall bushes, stuck on the window sills, lodged in the gutters and up at the chimney. Nature’s going to happen so, what are the effects of Fall rain and the Chimney? Let’s take a further look. Fall Rain and the Chimney The Fall leaves are gorgeous and fall is many homeowners favorite time of year. But as with all seasons, it comes to an end. The Fall rain combined with wind takes those colorful leaves and distributes them…everywhere. Especially on the roof where your chimney is located. By having an annual chimney inspection, we’ll take a look to ensure the safety of your chimney stays intact for the upcoming harsher season: Winter. The Exterior Chimney With Fall, we have two of the elements to be concerned about and that’s the leaves and rain. Here are a few areas we check and the effects of fall rain and the chimney. Let’s start at the top: Chimney Cap: The chimney cap is vital for protecting the opening of your chimney which leads to the interior of your home. We inspect the chimney cap ensuring it is tightly secured to the exterior chimney termination. The chimney is typically the tallest part of your home and gets exposed to the harshest winds, rain, snow, animals and blowing debris. All of that hits the chimney cap trying to find that weak spot so it can get inside the chimney. If it does, that debris is easily ignited and can cause harm to your home. Chimney Crown: This is the slab of concrete that covers the chimney and extends beyond the bricks or materials that make up the chimney. This is to provide protection from the elements. But remember the chimney crown can also develop cracks over time. This is where crown coat can extend the life of the chimney crown ensuring the elements stay where they should… outside. Brick, Stone and Mortar: The structure of the chimney can be made of brick, stone or other materials. If it is made of brick or stone, then mortar is involved. All of these materials are porous, meaning that it can absorb water and snow melt, which breaks down over time. As a result, this needs to be checked looking for loose bricks, missing mortar, cracks in either one of these materials and more. Tuckpointing is a good solution to ensure the elements stay out. The use of Chimney Saver is a great way to preserve the bricks, stones and mortar as it waterproofs and protects the materials for about 8 – 10 years and slows down the aging process. Flashing: This is the material that protects the connection of the roof to the chimney. A critical and common area for leaks. The flashing moves the water away from the chimney and down the roof. The flashing adheres to the chimney with a seal, which dries out over time. This area needs to be checked to ensure the seal is strong and doesn’t allow water to get in. Before the cold sets in and you want to turn on or fire up the fireplace, be sure to take into consideration the effects of fall rain and the chimney. Contact us today at 877-244-6349 to set up an appointment.

Due to its deteriorating condition, the asphalt roll roofing on this ADU required replacement before the Fall rains. Asphalt roll roofing generally lasts only 5-10 years, leading to ongoing maintenance challenges. The original 1×10 sheathing showed significant sagging in several spots, resulting in standing water not suitable for asphalt. Additionally, there was a complete absence of ventilation after improper installation of R-21 fiberglass insulation, leaving no air gap between the sheathing and insulation. A noticeable hump along the center of the roof indicated that the load-bearing wall had been supporting that section since construction, contributing to light sagging between the walls. The old roof was completely removed down to the joists, revealing a solid base for the new installation. The central hump was eliminated by shaving the high point along that line. 2×6 beams were ripped in half then nailed on top of the existing joists, creating a 1.5″ gap for insulation and providing strong attachment points for the OSB sheathing, which was secured with screws to prevent any potential issues with nail heads popping through over the roof’s expected lifespan of over 50 years. The EPDM membrane was then adhered using glue and contact cement along the edges of each sheet, with the ends folded over the roof edges and secured with termination bars. Drip edge flashing was added and taped to ensure a water-tight seal, and EPDM-safe caulking was applied over the seams for additional protection. Finally, all exposed wood was primed and painted. The new roof features a 60mil commercial-grade EPDM rubber membrane, offering a lifespan exceeding 50 years, in stark contrast to the 5-10 year lifespan of asphalt roll roofing. Using two sheets of EPDM for installation streamlined the process, resulting in one single seam across the entire roof, compared to the asphalt roll’s dimensions of 3 feet wide by 33 feet long, which created 8 vertical seams and 9 horizontal seams—significantly increasing the risk of leakage and failure. Wrapping the rubber over the edge of the roof effectively addressed concerns about water infiltration at the edges, an issue prevalent with the asphalt and drip edge interface. Another benefit to removing the splitting 1×10 decking and replacing it with OSB sheathing is the increase in structural integrity, moisture resistance, longevity and consistency. The project successfully transformed the ADU’s roof from a maintenance-prone asphalt roll system to a highly durable 60mil EPDM rubber membrane. By addressing critical structural issues, including sagging sheathing and inadequate ventilation, the team ensured that the new roof not only offers superior water resistance and longevity but also meets higher performance standards for insulation and durability. The replacement process eliminated common weak points, such as numerous seams and poor edge sealing, which were vulnerabilities in the old roofing system. The result is a streamlined, secure installation that provides peace of mind and long-term value, with a lifespan extending well beyond the original roof.

Chris Golden
Inspiration for a transitional carpeted living room remodel in Phoenix with beige walls, a standard fireplace and a tile fireplace

The Challenge: Create a rugged yet warm farmhouse feel in a high rise tower. Start with an entire 9600 gross square foot penthouse floor of raw concrete floor, walls and ceiling. Devise inventive ways to address intractable existing conditions including a plumbing layout inconsistent with our Client program, a relatively low ceiling and a massive elevator core and yet take of advantage of panoramic views of the city from all sides. For example, rather than make a bulky drywall enclosure for existing pipes that poke thru the kitchen counter, they are wrapped with antique painted galvanized sheet metal to keep sight lines around the corner as open as possible. Or, transform an unattractive and inconveniently located 24” diameter vertical duct in the middle of Samantha’s and Hannah’s (grandchildren’s) guest bedroom into part of a lovely arched top bed nook. Or, disguise a chase for above floor plumbing runs as the base for an open buffet counter. The oppressive elevator lobby was shortened; terminating in handmade glass and steel garden doors at both ends. Custom details include a groined vaulted ceiling and arched openings with stone pilasters (for future trompe-l’oeil images of a Tuscany countryside). To maximize a feeling of height, the ceilings start low and get higher as they progress to the outside walls. The Program: Create a five bedroom condo for an elderly couple with specific and different needs. Mr. likes his privacy and to stay up late into the night on the internet. He likes order. Mrs. has some physical limits that have been addressed in various ways such as shorter travel distances, a step down shower, raised dishwasher and custom cast (to ensure that they won’t rust) iron grab bars. She prefers more disorder. Spaces should be visually arresting, full of detail and easy to maintain. Private spaces include separate master bathrooms, his and her offices and a multi screened Media Room. The balance of the floor must link spaces into one continuous open room along the south and east elevations using large elements yet keeping an intimate scale, sound control and privacy. For example, a substantial fireplace made of old barn timber framing, country stone and a hammered iron grill is strategically located at the critical Southeast corner. Above, black iron offset pintel hardware allow custom double doors to hide a large flat screen TV. High technology is in place for inconspicuous yet easy use. Icon driven key pads operate lighting, window treatments, audio visual systems with multiple sources and access to movie and music databases and five HVAC zones with independent humidity controls. Outstanding Features: Exterior masonry walls have stone culled from five quarries. Sprinkled throughout are surprises - bricks with words as messages from the past, wood trimmed niches and colored glass. Glass pieces set in window corners offer bursts of color when backlit by the sun. These materials are assembled in a rough irregular fashion to look like the work of a mason from the Italian countryside. Interior ceilings and walls have overlapping layers of two plaster colors. Perimeter ceilings are made of smooth random width cedar. Rough planed cedar beams hide ductwork and allow the maximum ceiling height between them. Custom details are everywhere-consider the ten foot barn doors on overhead track at the service elevator, cedar benches/storage areas that run below window banks, antique air registers, acid washed piano hinges and transom window operators and existing concrete piers that are featured instead of hidden. The floors are made of random width wide plank old oak with hand planed faces and edges. Overall, the elements were carefully selected or painted/stained to form a soft muted gray palate The Country kitchen features an old fashioned style ice box appearance for the refrigerator/freezer, a tin ceiling, a distressed assortment of cabinets in multiple heights, colors and woods such as the cherry wood buffet cabinet with sliding glass doors on both sides. A backlit breakfast counter, a hammered copper hood and chicken wire inserts are part of the effort to make a comfortable, eclectic old fashioned looking Kitchen while containing the latest appliances and storage systems. Awards: This project has won several kitchen and bath awards: Felman Kitchen Awards 2009 St. Louis Homes and Lifestyles Kitchen of the Year – Gold Award 2008-2009 SubZero Wolf Kitchen Design Contest – Regional Winner, Regional Designer’s Choice 2010 NKBA Art of the Industry – Pinnacle of Design Award 2010 NKBA Art of the Industry – First Place Medium Kitchen 2010 NKBA Art of the Industry – Consumer’s Choice Award 2010 K&BB Kitchen of the Year Award Felman Bath Awards 2010 Ladue News Award—Master Bathroom

Manufacturer: Showplace EVO Style: Pendleton Finish: Cherry - Autumn Countertop: Kitchen & Baths - Haverhill Quartz (Lakeside Surfaces); Laundry – Jamocha Granite Laminate (RCI) Sink: Kitchen - 16 gauge stainless steel 40/60 bowl sink (IPT); Powder – oval under-mount in “bisque”; Main/Master Baths – rectangular under-mount in “white” Faucets: Kitchen – Delta Trinsic Single Handle Pull-down in “stainless”; Baths – Customer’s Own Hardware: Kitchen – Stanton; Baths – Sullivan (Hardware Resources) Tile: Kitchen Backsplash – Nature Marengo 3” x 6” Crackle w/ Praline Grout (Virginia Tile); Laundry & Powder Floor – Motion Ivory 12” x 24” (Genesee Tile) Designer: Devon Moore Contractor: Larry Davis Tile Installer: Sterling Tile (Mike Shumard)

This bedroom and full bathroom are part of an adventuresome project my wife and I embarked upon to create a complete apartment in the basement of our townhouse. We designed a floor plan that creatively and efficiently used all of the 385-square-foot-space, without sacrificing beauty, comfort or function – and all without breaking the bank! To maximize our budget, we did the work ourselves and added everything from thrift store finds to DIY wall art to bring it all together. A partial double closet bar adds a little extra space while still leaving room for longer hanging clothes.

With the help of Jonathan McGrath Construction, this Heathrow, FL home got a complete make over!! Floors, cabinets, bathrooms, you name it.... we refreshed it! Especially the Master Bathroom, a pass through shower, free standing tub and leather finished granite transformed the space with a subtle and modern touch. Hues of blue and purple are found throughout the home and we found creative ways to apply pops of interesting the tile application and window treatment details. Custom art by Rick Lowe, custom furniture by A.Clore Interiors, florals by Stacked & Co., photos by Abby Liga Photography. Designed by Amber Clore and Desiree Joseph.

Shutter roller grilles recommend The security fancy handcrafts grilles are an excellent choice for interior and exterior areas, Display section store fronts, bars, receptions, counters, airports, shopping malls, museums, bookstores, gift stores, gates, luxury store fronts, and all interior and exterior public walking areas, and many other places. Order please contact us info@wroughtironconcept.com 1718 4152325 1718 5507670 Manufacturing progress Solid iron round bar natural finish OD size 1/4“ and 5/16“ Thickness Stainless steel fine finish 304 Grade round solid bar OD size 1/4” Thickness Manufacturing and pressing grilles iron bar locked with interconnected U-clips collar on all the middle side bars joined each other and pressed tag point weld it We are manufacturing and suppliers of shutters roller grilles USA designed for interior exterior residential,commercial, application architect,designer project specification Luxury eye catching project fantastic crafts Europian style security grilles luxury project This product we are offering recommends remarkable design, high-quality material, and USA norms and standards. We are producing for european style shutters grılles roller front store ,and other architectural project aplication Manufacturing and supplying USA store front and display window security roller grilles shutters for architects' and designers' fancy projects, grilles are used in homes, showrooms, and display stores. Order please contact us info@wroughtironconcept.com 1718 4152325 1718 5507670 Material Manufacturing by solid round iron bars 1/4“ or 5/16“ and center joint place U clip collar ring pressing and tag point weld it 304 grade fine finish round solid stainless steel 1/4“ bar U clip collar ring pressing and tag point weld security fancy grilles are produced in the USA. We fabricate your measurement and layout specifications custom made fabrication Order please contact us info@wroughtironconcept.com 1718 4152325 1718 5507670 European style shutters roller grilles The fancy crafts rolling grilles is available in any size. Handcrafted security rolling grilles storefront display Architectural european style roller grilles luxury window guards Luxury european style roller grilles crafts railing balcony Handcrafted fancy roller grilles for a hotel, airport, mall, terminal, or any grilles project Designer roller grilles decorative luxury grilles project Public show plase display screen architectural fancy grilles Manufacturing roller grilles safety and security your fancy project application Roller grilles great sellect on public area display Color ,zinc,silver ,gold ,customer favorite (optional ) Shutter roller grilles USA manufacturing supply Excellent strength ,and flexible any position round and curve, twisty Captivation design,crafts, product luxury smooth finish Eye catching fantastic custom build crafst man hand made We are expertise and our experience we are offering remarkable grilles roller shutters in USA market hig quality product customer request Order please contact us info@wroughtironconcept.com 1718 4152325 1718 5507670 Thank You

**Spatial Composition & Architectural Volume** The kitchen is organized as a tightly disciplined L-configuration, with a perimeter run terminating against a full-height flanking volume of pale oak that functions less as cabinetry than as a piece of architecture — a plinth-like wall plane that crops the composition and establishes a deliberate foreground register. The photograph is constructed around this layered depth: a near-field vertical panel in figured, high-gloss timber, a middle ground of stone counter and backsplash, and a partial view of the island's marble slab entering from the right, its mitred waterfall edge implying a broader room beyond the frame. Overhead, a recessed coffer with a slender illuminated reveal introduces a subtractive geometry that lightens the ceiling plane and visually widens the volume, while a bronze-toned reveal band above the upper cabinetry acts as a horizontal datum, resolving the tall casework into a controlled cornice line. The millwork is resolutely frameless and handleless — grain-matched, push-latch or channel-pull, with a single elongated vertical bar as the sole legible hardware gesture — producing an unbroken rhythm of vertical joints that reads as continuous paneling rather than a sequence of doors. Sightlines are horizontal and calm, with the sink and cooktop absorbed into the counter plane so that no appliance disrupts the elevation's monolithic character. **Materiality, Color & Texture** The palette is a study in tonal wood contrast: a light, straight-grained rift-cut white oak with cool, slightly greyed undertones on the flanking wall and upper wall plane, set against a deeply fumed or shou-sugi-ban-inflected timber — likely charred cedar or ebonized ash — whose cathedral figuring erupts across the cabinet fronts in swirling, almost calligraphic pattern. The dark casework carries a lacquered or oiled sheen high enough to register soft specular reflection, an unexpected gloss that animates the grain and prevents the mass from reading as flat or inert. Countertops and the full-height backsplash are executed in a pale calcite or quartzite with a scratched, hairline-veined surface and a warm ivory-to-buff cast, honed rather than polished so that light diffuses rather than bounces. Metals are exclusively unlacquered brass in varying states of patina — the gooseneck faucet, cross-handle valves and pot-filler read as aged, almost archaeological, their warm amber oxidation echoed by the burnished spun-brass pendant. Accessory objects sustain the discipline: a dark turned-wood fruit bowl with citrus supplying the only chromatic accent, matte stoneware mugs in a two-tone glaze, and a raw olivewood board with sage — organic, low-saturation, tactile counterpoints to the machined precision of the joinery. **Lighting, Atmosphere & Style Profile** Illumination is almost entirely architectural and indirect. A concealed linear source beneath the upper cabinets grazes the stone backsplash, throwing a soft luminous gradient that dissolves upward and makes the slab appear internally lit — the room's principal light event and its emotional center. This is reinforced by the ceiling's perimeter reveal, which washes the plane without visible fixtures, and by the alabaster-diffused brass pendant, whose disc of translucent stone glows with a low-kelvin warmth entirely consonant with the metalwork below. Daylight appears to enter obliquely from beyond the frame, modelling the oak wall in a gentle falloff; the overall exposure is low-key and chiaroscuro-adjacent, with deep, velvety shadow permitted in the lower casework. The resulting atmosphere is hushed, cellar-cool yet materially warm — contemplative rather than performative. Stylistically, the project synthesizes into a refined **warm minimalism with distinct Japandi inheritance**: the reductive planarity and joint discipline of European modernist cabinetry married to a Japanese sensibility for charred timber, grain expression, and the elevation of patina and imperfection. It is a kitchen conceived as a quiet interior landscape — appliance-suppressed, ornament-free, and dependent for its richness entirely on the intrinsic character of its materials.

**Paragraph 1: Spatial Composition & Architectural Volume** This terrace operates as an outdoor room in the fullest architectural sense — a compressed foreground plane opening onto one of the most consequential borrowed landscapes in the world. The composition is organized along a strong diagonal: an L-shaped seating arrangement anchors the lower left and right quadrants, its low-slung horizontality deliberately calibrated to sit beneath the sightline of the parapet rail so that the vista remains uninterrupted from a seated position. The spatial logic is one of layered thresholds. First, the intimate zone of the furniture group; second, the clipped boxwood hedge set within a matte-dark planter, functioning as a green datum line and soft balustrade; third, the slender vertical picket railing, whose rhythmic cadence reads as a fine-grained screen rather than a barrier; and finally the middle-ground canopy of Central Park and the distant supergraphic of the Billionaires' Row skyline. To the left, a mature juniper mass performs as a living pilaster, terminating the composition and screening the adjacent stone masonry wall — a rough-hewn ashlar remnant of the prewar building envelope that grounds the scheme in its architectural provenance. The stepped stone paving and the raked geometry of the railing as it descends to the right introduce a subtle asymmetry, preventing the picturesque from becoming static. **Paragraph 2: Materiality, Color & Texture** The material palette is disciplined to the point of austerity, precisely so the horticulture and the skyline may carry the chromatic load. Powder-coated aluminum in a deep graphite-bronze forms the furniture armature — slender, squared-section framing with an almost Miesian restraint — paired with performance-grade upholstery in a warm dove grey whose greige undertone reads neither cold nor sallow against the surrounding foliage. The single decorative gesture, ikat-patterned scatter cushions in charcoal and ecru, introduces a hand-loomed irregularity that humanizes the machined frames. Underfoot, large-format bluestone or cast-stone pavers in a cool grey provide a matte, granular ground plane, echoed in the honed surface of the low cocktail table. Against this monochrome scaffolding, the botanical register supplies saturation: the dense, glossy, small-leaf texture of the boxwood; the feathery, blue-green needling of the juniper; trailing ivy softening the planter edge; and, in the near foreground, the blowsy, dessicating panicles of hydrangea in blush, sage and antique rose. A ceramic vessel of coral-and-butter garden roses and a pair of banded stoneware cups on a rimmed tray introduce warm terracotta accents — small, deliberate points of chromatic heat within an otherwise tonal field. **Paragraph 3: Lighting, Atmosphere & Style Profile** The scheme is lit almost entirely by ambient, high-latitude daylight, diffused through a stratus-laced sky that acts as an enormous softbox. The result is shadowless modeling: the upholstery reads as luminous rather than glaring, the foliage retains full chromatic depth without specular hotspots, and the pale limestone and glass towers beyond are rendered in atmospheric perspective, receding into a silvered haze. No artificial fixtures assert themselves in the frame — a confident editorial choice that keeps the scheme legible as a daytime sanctuary and defers entirely to the natural theatre of the site. The prevailing mood is one of cultivated repose: urbane but unhurried, private without being hermetic. Stylistically, the project synthesizes into what might be termed **Refined Metropolitan Naturalism** — a hybrid of Soft Minimalism's tonal restraint and reductive geometry with the structured horticultural formality of a classical English terrace garden. The vocabulary is contemporary and materially honest, yet it observes the compositional manners of the prewar building it inhabits, treating the skyline not as backdrop but as the primary work of art around which the entire interior architecture of the terrace has been quietly framed.

The Challenge: Create a rugged yet warm farmhouse feel in a high rise tower. Start with an entire 9600 gross square foot penthouse floor of raw concrete floor, walls and ceiling. Devise inventive ways to address intractable existing conditions including a plumbing layout inconsistent with our Client program, a relatively low ceiling and a massive elevator core and yet take of advantage of panoramic views of the city from all sides. For example, rather than make a bulky drywall enclosure for existing pipes that poke thru the kitchen counter, they are wrapped with antique painted galvanized sheet metal to keep sight lines around the corner as open as possible. Or, transform an unattractive and inconveniently located 24” diameter vertical duct in the middle of Samantha’s and Hannah’s (grandchildren’s) guest bedroom into part of a lovely arched top bed nook. Or, disguise a chase for above floor plumbing runs as the base for an open buffet counter. The oppressive elevator lobby was shortened; terminating in handmade glass and steel garden doors at both ends. Custom details include a groined vaulted ceiling and arched openings with stone pilasters (for future trompe-l’oeil images of a Tuscany countryside). To maximize a feeling of height, the ceilings start low and get higher as they progress to the outside walls. The Program: Create a five bedroom condo for an elderly couple with specific and different needs. Mr. likes his privacy and to stay up late into the night on the internet. He likes order. Mrs. has some physical limits that have been addressed in various ways such as shorter travel distances, a step down shower, raised dishwasher and custom cast (to ensure that they won’t rust) iron grab bars. She prefers more disorder. Spaces should be visually arresting, full of detail and easy to maintain. Private spaces include separate master bathrooms, his and her offices and a multi screened Media Room. The balance of the floor must link spaces into one continuous open room along the south and east elevations using large elements yet keeping an intimate scale, sound control and privacy. For example, a substantial fireplace made of old barn timber framing, country stone and a hammered iron grill is strategically located at the critical Southeast corner. Above, black iron offset pintel hardware allow custom double doors to hide a large flat screen TV. High technology is in place for inconspicuous yet easy use. Icon driven key pads operate lighting, window treatments, audio visual systems with multiple sources and access to movie and music databases and five HVAC zones with independent humidity controls. Outstanding Features: Exterior masonry walls have stone culled from five quarries. Sprinkled throughout are surprises - bricks with words as messages from the past, wood trimmed niches and colored glass. Glass pieces set in window corners offer bursts of color when backlit by the sun. These materials are assembled in a rough irregular fashion to look like the work of a mason from the Italian countryside. Interior ceilings and walls have overlapping layers of two plaster colors. Perimeter ceilings are made of smooth random width cedar. Rough planed cedar beams hide ductwork and allow the maximum ceiling height between them. Custom details are everywhere-consider the ten foot barn doors on overhead track at the service elevator, cedar benches/storage areas that run below window banks, antique air registers, acid washed piano hinges and transom window operators and existing concrete piers that are featured instead of hidden. The floors are made of random width wide plank old oak with hand planed faces and edges. Overall, the elements were carefully selected or painted/stained to form a soft muted gray palate The Country kitchen features an old fashioned style ice box appearance for the refrigerator/freezer, a tin ceiling, a distressed assortment of cabinets in multiple heights, colors and woods such as the cherry wood buffet cabinet with sliding glass doors on both sides. A backlit breakfast counter, a hammered copper hood and chicken wire inserts are part of the effort to make a comfortable, eclectic old fashioned looking Kitchen while containing the latest appliances and storage systems. Awards: This project has won several kitchen and bath awards: Felman Kitchen Awards 2009 St. Louis Homes and Lifestyles Kitchen of the Year – Gold Award 2008-2009 SubZero Wolf Kitchen Design Contest – Regional Winner, Regional Designer’s Choice 2010 NKBA Art of the Industry – Pinnacle of Design Award 2010 NKBA Art of the Industry – First Place Medium Kitchen 2010 NKBA Art of the Industry – Consumer’s Choice Award 2010 K&BB Kitchen of the Year Award Felman Bath Awards 2010 Ladue News Award—Master Bathroom

The photograph is constructed as a deliberate act of framing — an enfilade view captured through a threshold, in which the aperture of a doorway becomes both proscenium and compositional device. The image is organized around a strong vertical tripartite division: a dark stile of paneled millwork at the left edge, the luminous rectangle of the adjacent sitting room at center, and a substantial pier of figured hardwood joinery at right, terminating in a plinth-like pedestal. This asymmetrical clamping of the bright volume between two dark masses produces a pronounced sense of compression and release, a Wrightian sequencing in which the constricted, wood-lined passage funnels the eye toward the softer, higher-key room beyond. The architectural vocabulary within that inner volume is restrained and orthogonal: crisp painted plaster planes, a shallow soffit or dropped beam crossing the ceiling to modulate the overhead datum, and a simple flat-stock baseboard that reads as a quiet ground line rather than an ornamental flourish. The sightline is layered and telescopic — foreground jamb, mid-ground seating group, background artwork on the far wall — establishing depth through overlapping planes rather than perspectival theatrics. Underfoot, a herringbone-laid oak parquet in the passage gives way to a large-format sisal rug bound in linen tape, its rectilinear geometry reinforcing the axis while softening the transition between circulation and repose. The material argument here is one of calibrated opposition: dense, saturated hardwood against pale, absorptive plaster and textile. The framing joinery — most plausibly a rich mahogany or stained cherry, its cathedral grain and ribbon figure fully legible under raking light — carries a deep oxblood-to-umber tonality and a satin, hand-rubbed sheen that lends the passage a library-like gravity. Against this, the interior room is rendered in a warm off-white with distinctly yellow-ochre undertones, avoiding the clinical chill of a true cool white and instead reading as parchment or unbleached linen. The upholstery — a rolled-arm wing chair and matching ottoman in a camel or buff-toned cotton velvet — supplies the tactile fulcrum of the composition: a napped, light-absorbing pile that contrasts against the coarse, tightly woven boucle of the sisal below and the smooth lacquer of the vertical joinery. Accent notes are sparing and precise: a pale celadon embroidered cushion introduces the only cool chromatic interruption; a rectilinear bench in blond ash with a woven black leather strap deck delivers a graphic, near-Nordic counterpoint; and a monolithic white ceramic vessel atop the pedestal provides a hard, matte punctuation. The abstract work on paper — a gestural monochrome in charcoal, ink and Payne's grey, generously matted behind glass — functions as the room's tonal anchor, its cool achromatics preventing the warm palette from tipping into sentimentality. Sprays of yellow oncidium orchid supply the single high-chroma gesture, echoing the ochre undertone of the walls. The lighting strategy is layered, low-lumen and unapologetically warm, eschewing ambient wash in favor of discrete pools of illumination. A slim linear picture light, bronze-finished and cantilevered from the wall, grazes the artwork with a scalloped throw that reveals the tooth of the paper and establishes the far wall as the room's luminous terminus. A chrome-shaded articulating floor lamp — a modernist task fixture with a distinctly mid-century pedigree — provides a secondary, reflective glint and introduces the only cool metallic in the palette. Daylight enters obliquely and unseen from the left, softly modeling the plaster and the velvet nap without ever flattening the composition; the foreground joinery, meanwhile, sits in deep shadow, its grain caught only in a slow, specular gradient. The cumulative atmosphere is one of hushed, crepuscular intimacy — a room calibrated for reading and retreat rather than reception. Stylistically, the project resolves into a form of Transitional Warm Modernism: the classical proportioning, paneled millwork and rolled-arm seating are drawn from a traditional American vocabulary, yet they are stripped of applied ornament, edited to essentials, and disciplined by the graphic austerity of the abstract art and the blond-and-black bench. It is a sensibility best characterized as quiet luxury — tonal, textural, and materially honest, deriving its authority from the resonance of grain, nap and light rather than from any declarative gesture.

Shutter roller grilles recommend The security fancy handcrafts grilles are an excellent choice for interior and exterior areas, Display section store fronts, bars, receptions, counters, airports, shopping malls, museums, bookstores, gift stores, gates, luxury store fronts, and all interior and exterior public walking areas, and many other places. Order please contact us info@wroughtironconcept.com 1718 4152325 1718 5507670 Manufacturing progress Solid iron round bar natural finish OD size 1/4“ and 5/16“ Thickness Stainless steel fine finish 304 Grade round solid bar OD size 1/4” Thickness Manufacturing and pressing grilles iron bar locked with interconnected U-clips collar on all the middle side bars joined each other and pressed tag point weld it We are manufacturing and suppliers of shutters roller grilles USA designed for interior exterior residential,commercial, application architect,designer project specification Luxury eye catching project fantastic crafts Europian style security grilles luxury project This product we are offering recommends remarkable design, high-quality material, and USA norms and standards. We are producing for european style shutters grılles roller front store ,and other architectural project aplication Manufacturing and supplying USA store front and display window security roller grilles shutters for architects' and designers' fancy projects, grilles are used in homes, showrooms, and display stores. Order please contact us info@wroughtironconcept.com 1718 4152325 1718 5507670 Material Manufacturing by solid round iron bars 1/4“ or 5/16“ and center joint place U clip collar ring pressing and tag point weld it 304 grade fine finish round solid stainless steel 1/4“ bar U clip collar ring pressing and tag point weld security fancy grilles are produced in the USA. We fabricate your measurement and layout specifications custom made fabrication Order please contact us info@wroughtironconcept.com 1718 4152325 1718 5507670 European style shutters roller grilles The fancy crafts rolling grilles is available in any size. Handcrafted security rolling grilles storefront display Architectural european style roller grilles luxury window guards Luxury european style roller grilles crafts railing balcony Handcrafted fancy roller grilles for a hotel, airport, mall, terminal, or any grilles project Designer roller grilles decorative luxury grilles project Public show plase display screen architectural fancy grilles Manufacturing roller grilles safety and security your fancy project application Roller grilles great sellect on public area display Color ,zinc,silver ,gold ,customer favorite (optional ) Shutter roller grilles USA manufacturing supply Excellent strength ,and flexible any position round and curve, twisty Captivation design,crafts, product luxury smooth finish Eye catching fantastic custom build crafst man hand made We are expertise and our experience we are offering remarkable grilles roller shutters in USA market hig quality product customer request Order please contact us info@wroughtironconcept.com 1718 4152325 1718 5507670 Thank You