This ocean-front shingled Gambrel style house is home to a young family with little kids who lead an active, outdoor lifestyle. My goal was to create a bespoke, colorful and eclectic interior that looked sophisticated and fresh, but that was tough enough to withstand salt, sand and wet kids galore. The palette of coral and blue is an obvious choice, but we tried to translate it into a less expected, slightly updated way, hence the front door! Liberal use of indoor-outdoor fabrics created a seamless appearance while preserving the utility needed for this full time seaside residence. photo: Michael J Lee Photography

This ocean-front shingled Gambrel style house is home to a young family with little kids who lead an active, outdoor lifestyle. My goal was to create a bespoke, colorful and eclectic interior that looked sophisticated and fresh, but that was tough enough to withstand salt, sand and wet kids galore. The palette of coral and blue is an obvious choice, but we tried to translate it into a less expected, slightly updated way, hence the front door! Liberal use of indoor-outdoor fabrics created a seamless appearance while preserving the utility needed for this full time seaside residence. photo: Michael J Lee Photography

This ocean-front shingled Gambrel style house is home to a young family with little kids who lead an active, outdoor lifestyle. My goal was to create a bespoke, colorful and eclectic interior that looked sophisticated and fresh, but that was tough enough to withstand salt, sand and wet kids galore. The palette of coral and blue is an obvious choice, but we tried to translate it into a less expected, slightly updated way, hence the front door! Liberal use of indoor-outdoor fabrics created a seamless appearance while preserving the utility needed for this full time seaside residence. photo: Michael J Lee Photography

Ulrich designer: Julia Kleyman Photography by Peter Rymwid This grand Saddle River kitchen was created in support of the Hackensack University Medical Center Designer Showhouse of New Jersey in 2012. The new design transformed a dreary and dated 80's kitchen into a functional, comfortable and eye-pleasing space with clean transitional lines and touches of traditional charm in its detail. The rich brown finish of the island cabinetry gives the room warmth, and juxtaposes in lovely contrast the white cabinetry of the perimeter. Large pendant lights add modern "bling" and balance the large room.

Natural modernism for a home on the park. A prominent Chicago lawyer and his beloved dogs live in this Modern Chicago Greystone. We consulted with Wheeler Kearns Architecture to create a warm and welcoming interior architecture that integrates seamlessly with the home’s modernist exterior and natural surroundings. Natural light and earthy materials, such as active limestones, warm woods, and reflective glass tiles, are used to comforting effect in the interior spaces. Wood window frames manipulate the play of light and highlight unobstructed views to Lincoln Park and Lake Michigan. The result is a uniquely integrated experience—from exterior to interior, modern to traditional.

This active family wanted the keys to enjoying their large back yard. The existing deck was in rough shape. The height and limited size kept activity disconnected from the rest of the property. Our designer configured the new space for distinct areas to take advantage of the shade offered by a beautiful existing shade tree while reserving another space for sun: the best of both worlds. So now they can come together to dine in shady comfort or enjoy some sun on the other end of the patio. The BBQ, fire pit, and landscape lighting work to extend the enjoyment well into the night and beyond our all-too-short summers. “Everyone was great to work with and we love the final product.”

Pineapple House designers replaced the client's old-school theater with a modernized configuration that includes polished walls, speakers hidden behind mesh grates, multi-levels with steps, oversized loungers and over-scale seating and a bar. Motorized drapery is integrated in the crown molding. When activated, the blue panels open and expose the 150” screen while simultaneously closing over the entrances into the room. A Bonisolli Photography

Inspiration for a timeless kitchen remodel in Seattle with recessed-panel cabinets, medium tone wood cabinets, white backsplash, ceramic backsplash and stainless steel appliances

Slopped spaces usually require retaining walls, and in an expansive backyard like this it's even more important.
Inspiration for a large traditional backyard landscaping in Salt Lake City.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Ever notice how your iron fence looks worse every spring after another Chicago winter? That slow deterioration is not cosmetic - it is active metal failure that compounds every freeze-thaw cycle until replacement becomes the only option. Windy City Painters works with homeowners across the Chicago North Side and Near West Side to restore original iron fencing on greystones, two-flats, Victorian brownstones, and coach houses before that point is reached. PROJECT OVERVIEW This iron fence restoration involved a classic Chicago residential property with original wrought iron fencing showing surface rust across the majority of pickets, flaking previous paint coats, and localized deep pitting near the base rails. A structural check identified two loose pickets requiring welding before any surface preparation or coating began. Total linear footage fell in the mid-range for a standard Chicago residential lot. MATERIALS AND PRODUCTS Windy City Painters selected Ospho rust converter for chemically neutralizing active iron oxide before priming. Ospho reacts with rust to form a stable phosphate compound that stops corrosion progression rather than simply sealing over it. Sherwin-Williams DTM rust-inhibitive primer was applied to all bare and converted surfaces, followed by two finish coats of Rust-Oleum DTM in satin black. DTM - direct to metal - formulas provide corrosion inhibitors built into the coating matrix, which matters significantly in Chicago's climate. THE PROCESS Step 1 - Structural Assessment and Welding Coordination. Before any surface preparation begins, Windy City Painters inspects every picket and rail connection for structural integrity. Loose or cracked iron must be welded before coating. Paint applied over a compromised joint will fail within one season as movement continues to break the bond. On this project, two pickets were tack-welded by a coordinating welder before prep started. Step 2 - Wire Wheel Grinding and Needle Gun Descaling. All rusted sections were ground to bare or near-bare metal using wire wheel attachments and needle gun descaling tools. This step removes loose scale, flaking previous coatings, and surface contamination that would prevent primer adhesion. Skipping mechanical prep is the single most common reason iron fence paint fails prematurely on Chicago properties. Step 3 - Ospho Rust Converter Application. Ospho was brushed into all pitted and converted areas and allowed to cure fully. The phosphoric acid chemistry converts iron oxide into iron phosphate, arresting active rust and creating a surface that accepts primer more effectively than bare metal alone. Corroseal is an equivalent alternative used on projects with heavier pitting. Step 4 - DTM Primer and Finish Coat Application. Sherwin-Williams DTM rust-inhibitive primer was applied across all prepared surfaces. Two topcoats of Rust-Oleum DTM in satin black followed after full primer cure. DTM finish coats add a second corrosion-inhibiting layer and provide the UV and weather resistance needed for Chicago exterior iron work. CHICAGO-SPECIFIC CHALLENGES Chicago iron fencing faces conditions that accelerate corrosion faster than most US markets. Lake humidity keeps metal surface moisture elevated through much of the year. Road salt splash from winter maintenance reaches fencing along parkways and sidewalk edges, introducing chlorides that aggressively attack iron. Freeze-thaw cycles expand any rust pocket that has formed under paint, lifting coatings from the inside and creating the classic bubbled-paint appearance homeowners notice every spring. WHAT TO EXPECT LONG-TERM With Ospho conversion, DTM primer, and two DTM finish coats properly applied over mechanically prepared surfaces, most Chicago residential iron fences hold 5-8 years before needing significant touch-up. Annual visual inspection for any chips or bare spots, with immediate touch-up using Rust-Oleum DTM, extends that window considerably. PRO TIPS Tip 1 - Address any bare metal spot the same season you notice it. A pinhole of exposed iron becomes a rust bubble within one Chicago winter and a flaking section by the following spring. Tip 2 - Never paint over active rust without a converter step. Ospho or Corroseal is inexpensive insurance against a complete repaint two years early. Tip 3 - Check picket bases at grade level every spring. Ground contact accelerates corrosion at the base faster than anywhere else on the fence. Catching it early keeps welding out of the equation. Contact Windy City Painters at windypainters.com for a project estimate. FAQ Q: What does iron fence painting cost in Chicago? A: Residential iron fence painting with proper rust prep typically runs $300-$900 for standard lot footage. Windy City Painters provides itemized estimates based on linear footage, rust severity, and whether structural welding is required before surface preparation begins. Q: Do you paint over rust or remove it first? A: Windy City Painters always addresses active rust before priming. Ospho or Corroseal rust converter chemically neutralizes iron oxide, and wire wheel grinding removes loose scale - coating over unaddressed rust guarantees early failure on Chicago iron fences. Q: When does an iron fence need welding before painting? A: Loose pickets, cracked rails, or connections with visible movement require welding before any coating work begins. Paint cannot stabilize a structural joint - Windy City Painters coordinates with welders when this condition is identified during initial assessment. Q: How long does iron fence paint last in Chicago? A: With mechanical prep, Ospho conversion, and Sherwin-Williams or Rust-Oleum DTM coatings, properly restored iron fencing holds 5-8 years in Chicago's freeze-thaw climate before needing significant maintenance. Q: Is Ospho better than Corroseal for Chicago iron fences? A: Both are effective rust converters. Ospho is a liquid phosphoric acid treatment suited for moderate rust and pitting. Corroseal is a latex-based converter-primer hybrid better suited to heavier rust profiles. Windy City Painters selects based on site conditions. Q: What finish sheen works best on iron fencing? A: Satin or semi-gloss black is the traditional and most durable choice for Chicago greystone and brownstone properties. Satin hides minor surface imperfections better than gloss while still providing adequate UV and moisture resistance. Q: Can iron fence painting be done in spring or fall in Chicago? A: Yes. Windy City Painters schedules iron fence work in temperatures above 50 degrees Fahrenheit with low ambient humidity - spring and early fall are often ideal windows that avoid both winter cold and peak summer humidity.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

This wonderful bespoke country kitchen was designed and built for our clients’ new oak-framed extension at their Grade II listed home in the historic village of Billingshurst in West Sussex. Acorn Bespoke Carpentry and Joinery undertook the entire kitchen project which includes a hidden walk-in pantry, bar unit and solid hardwood windows. The owners wanted to achieve a high-quality interior that stayed true to the traditional character and heritage of their property. Their keen eye for design is evident in their chosen sophisticated colour palette and finishes. An AGA® was to be a focal point and key feature of the kitchen layout, and we designed the cabinetry to align perfectly with the extra depth and height of the cooker, leaving no unsightly gaps. There are no upper wall cabinets in this kitchen which creates an open airy feel and allows more natural light. Instead, a run of generous base cabinets with customised deep drawers and pull-outs, as well as a kitchen island, open shelving and large pantry provide a wealth of superb storage solutions. One empty wall has been dedicated for full-height floor to ceiling cabinets for integrated appliances and a pantry. Traditional style with a modern twist The custom-made cabinets have been traditionally constructed in an authentic shaker-style and feature solid oak dovetailed drawers. The doors and frames are in solid maple, which has a smooth grain and is an extremely hard and durable timber, and perfect for taking a painted finish. The cabinets are all spraypainted in Fired Earth Moon Grape, a deliciously distinctive purple-black colour. We then hand painted exterior surfaces for a textured effect which can also be easily touched up in the future. The shaker style in this striking dark colour adds grandeur to the space, without feeling too overbearing or showy. All the kitchen cabinets are internally finished with premium quality Egger MFC. The hardwearing Unistone worktops are Nero Assoluto with a Velluto finish - a durable, jet black, velvet-like black texture, which gives depth without gloss. Hidden walk-in pantry Floor-to-ceiling doors neatly conceal an impressive hidden walk-in pantry, which we cleverly integrated into the overall kitchen design. As soon as you open the doors, the interior shelves are automatically illuminated by a motion-activated sensor. Every inch of space has been utilised with a range of open shelving laden with artisan ingredients, deep handcrafted drawers and basket storage, perfect for storing anything from vegetables to fresh bread. Beautiful bespoke bar unit Innovative pocket doors fold elegantly away to reveal a stunning well-equipped bar with a vibrant pink glass back panel and painted interior. This bright pink is a signature colour from the 1970s - Leather by Little Greene. The colour is a strategic choice by our clients to create a statement and infuse their home with an uplifting, spirited atmosphere. Undershelf lighting and a spotlight are activated as soon as the doors are opened enhancing the wow factor. Bespoke freestanding island featuring upcycled wood A focal point of the room, the kitchen island provides extra storage and worktop space. We handcrafted the island in solid hardwood with the top was once our clients’ old French dining table which we repurposed. Reusing old wood creates beautiful and unique pieces of furniture and has significant environmental benefits too. The mantle above the range cooker is salvaged timber too, made from an old oak beam.

This wonderful bespoke country kitchen was designed and built for our clients’ new oak-framed extension at their Grade II listed home in the historic village of Billingshurst in West Sussex. Acorn Bespoke Carpentry and Joinery undertook the entire kitchen project which includes a hidden walk-in pantry, bar unit and solid hardwood windows. The owners wanted to achieve a high-quality interior that stayed true to the traditional character and heritage of their property. Their keen eye for design is evident in their chosen sophisticated colour palette and finishes. An AGA® was to be a focal point and key feature of the kitchen layout, and we designed the cabinetry to align perfectly with the extra depth and height of the cooker, leaving no unsightly gaps. There are no upper wall cabinets in this kitchen which creates an open airy feel and allows more natural light. Instead, a run of generous base cabinets with customised deep drawers and pull-outs, as well as a kitchen island, open shelving and large pantry provide a wealth of superb storage solutions. One empty wall has been dedicated for full-height floor to ceiling cabinets for integrated appliances and a pantry. Traditional style with a modern twist The custom-made cabinets have been traditionally constructed in an authentic shaker-style and feature solid oak dovetailed drawers. The doors and frames are in solid maple, which has a smooth grain and is an extremely hard and durable timber, and perfect for taking a painted finish. The cabinets are all spraypainted in Fired Earth Moon Grape, a deliciously distinctive purple-black colour. We then hand painted exterior surfaces for a textured effect which can also be easily touched up in the future. The shaker style in this striking dark colour adds grandeur to the space, without feeling too overbearing or showy. All the kitchen cabinets are internally finished with premium quality Egger MFC. The hardwearing Unistone worktops are Nero Assoluto with a Velluto finish - a durable, jet black, velvet-like black texture, which gives depth without gloss. Hidden walk-in pantry Floor-to-ceiling doors neatly conceal an impressive hidden walk-in pantry, which we cleverly integrated into the overall kitchen design. As soon as you open the doors, the interior shelves are automatically illuminated by a motion-activated sensor. Every inch of space has been utilised with a range of open shelving laden with artisan ingredients, deep handcrafted drawers and basket storage, perfect for storing anything from vegetables to fresh bread. Beautiful bespoke bar unit Innovative pocket doors fold elegantly away to reveal a stunning well-equipped bar with a vibrant pink glass back panel and painted interior. This bright pink is a signature colour from the 1970s - Leather by Little Greene. The colour is a strategic choice by our clients to create a statement and infuse their home with an uplifting, spirited atmosphere. Undershelf lighting and a spotlight are activated as soon as the doors are opened enhancing the wow factor. Bespoke freestanding island featuring upcycled wood A focal point of the room, the kitchen island provides extra storage and worktop space. We handcrafted the island in solid hardwood with the top was once our clients’ old French dining table which we repurposed. Reusing old wood creates beautiful and unique pieces of furniture and has significant environmental benefits too. The mantle above the range cooker is salvaged timber too, made from an old oak beam.

This wonderful bespoke country kitchen was designed and built for our clients’ new oak-framed extension at their Grade II listed home in the historic village of Billingshurst in West Sussex. Acorn Bespoke Carpentry and Joinery undertook the entire kitchen project which includes a hidden walk-in pantry, bar unit and solid hardwood windows. The owners wanted to achieve a high-quality interior that stayed true to the traditional character and heritage of their property. Their keen eye for design is evident in their chosen sophisticated colour palette and finishes. An AGA® was to be a focal point and key feature of the kitchen layout, and we designed the cabinetry to align perfectly with the extra depth and height of the cooker, leaving no unsightly gaps. There are no upper wall cabinets in this kitchen which creates an open airy feel and allows more natural light. Instead, a run of generous base cabinets with customised deep drawers and pull-outs, as well as a kitchen island, open shelving and large pantry provide a wealth of superb storage solutions. One empty wall has been dedicated for full-height floor to ceiling cabinets for integrated appliances and a pantry. Traditional style with a modern twist The custom-made cabinets have been traditionally constructed in an authentic shaker-style and feature solid oak dovetailed drawers. The doors and frames are in solid maple, which has a smooth grain and is an extremely hard and durable timber, and perfect for taking a painted finish. The cabinets are all spraypainted in Fired Earth Moon Grape, a deliciously distinctive purple-black colour. We then hand painted exterior surfaces for a textured effect which can also be easily touched up in the future. The shaker style in this striking dark colour adds grandeur to the space, without feeling too overbearing or showy. All the kitchen cabinets are internally finished with premium quality Egger MFC. The hardwearing Unistone worktops are Nero Assoluto with a Velluto finish - a durable, jet black, velvet-like black texture, which gives depth without gloss. Hidden walk-in pantry Floor-to-ceiling doors neatly conceal an impressive hidden walk-in pantry, which we cleverly integrated into the overall kitchen design. As soon as you open the doors, the interior shelves are automatically illuminated by a motion-activated sensor. Every inch of space has been utilised with a range of open shelving laden with artisan ingredients, deep handcrafted drawers and basket storage, perfect for storing anything from vegetables to fresh bread. Beautiful bespoke bar unit Innovative pocket doors fold elegantly away to reveal a stunning well-equipped bar with a vibrant pink glass back panel and painted interior. This bright pink is a signature colour from the 1970s - Leather by Little Greene. The colour is a strategic choice by our clients to create a statement and infuse their home with an uplifting, spirited atmosphere. Undershelf lighting and a spotlight are activated as soon as the doors are opened enhancing the wow factor. Bespoke freestanding island featuring upcycled wood A focal point of the room, the kitchen island provides extra storage and worktop space. We handcrafted the island in solid hardwood with the top was once our clients’ old French dining table which we repurposed. Reusing old wood creates beautiful and unique pieces of furniture and has significant environmental benefits too. The mantle above the range cooker is salvaged timber too, made from an old oak beam.

This wonderful bespoke country kitchen was designed and built for our clients’ new oak-framed extension at their Grade II listed home in the historic village of Billingshurst in West Sussex. Acorn Bespoke Carpentry and Joinery undertook the entire kitchen project which includes a hidden walk-in pantry, bar unit and solid hardwood windows. The owners wanted to achieve a high-quality interior that stayed true to the traditional character and heritage of their property. Their keen eye for design is evident in their chosen sophisticated colour palette and finishes. An AGA® was to be a focal point and key feature of the kitchen layout, and we designed the cabinetry to align perfectly with the extra depth and height of the cooker, leaving no unsightly gaps. There are no upper wall cabinets in this kitchen which creates an open airy feel and allows more natural light. Instead, a run of generous base cabinets with customised deep drawers and pull-outs, as well as a kitchen island, open shelving and large pantry provide a wealth of superb storage solutions. One empty wall has been dedicated for full-height floor to ceiling cabinets for integrated appliances and a pantry. Traditional style with a modern twist The custom-made cabinets have been traditionally constructed in an authentic shaker-style and feature solid oak dovetailed drawers. The doors and frames are in solid maple, which has a smooth grain and is an extremely hard and durable timber, and perfect for taking a painted finish. The cabinets are all spraypainted in Fired Earth Moon Grape, a deliciously distinctive purple-black colour. We then hand painted exterior surfaces for a textured effect which can also be easily touched up in the future. The shaker style in this striking dark colour adds grandeur to the space, without feeling too overbearing or showy. All the kitchen cabinets are internally finished with premium quality Egger MFC. The hardwearing Unistone worktops are Nero Assoluto with a Velluto finish - a durable, jet black, velvet-like black texture, which gives depth without gloss. Hidden walk-in pantry Floor-to-ceiling doors neatly conceal an impressive hidden walk-in pantry, which we cleverly integrated into the overall kitchen design. As soon as you open the doors, the interior shelves are automatically illuminated by a motion-activated sensor. Every inch of space has been utilised with a range of open shelving laden with artisan ingredients, deep handcrafted drawers and basket storage, perfect for storing anything from vegetables to fresh bread. Beautiful bespoke bar unit Innovative pocket doors fold elegantly away to reveal a stunning well-equipped bar with a vibrant pink glass back panel and painted interior. This bright pink is a signature colour from the 1970s - Leather by Little Greene. The colour is a strategic choice by our clients to create a statement and infuse their home with an uplifting, spirited atmosphere. Undershelf lighting and a spotlight are activated as soon as the doors are opened enhancing the wow factor. Bespoke freestanding island featuring upcycled wood A focal point of the room, the kitchen island provides extra storage and worktop space. We handcrafted the island in solid hardwood with the top was once our clients’ old French dining table which we repurposed. Reusing old wood creates beautiful and unique pieces of furniture and has significant environmental benefits too. The mantle above the range cooker is salvaged timber too, made from an old oak beam.

This wonderful bespoke country kitchen was designed and built for our clients’ new oak-framed extension at their Grade II listed home in the historic village of Billingshurst in West Sussex. Acorn Bespoke Carpentry and Joinery undertook the entire kitchen project which includes a hidden walk-in pantry, bar unit and solid hardwood windows. The owners wanted to achieve a high-quality interior that stayed true to the traditional character and heritage of their property. Their keen eye for design is evident in their chosen sophisticated colour palette and finishes. An AGA® was to be a focal point and key feature of the kitchen layout, and we designed the cabinetry to align perfectly with the extra depth and height of the cooker, leaving no unsightly gaps. There are no upper wall cabinets in this kitchen which creates an open airy feel and allows more natural light. Instead, a run of generous base cabinets with customised deep drawers and pull-outs, as well as a kitchen island, open shelving and large pantry provide a wealth of superb storage solutions. One empty wall has been dedicated for full-height floor to ceiling cabinets for integrated appliances and a pantry. Traditional style with a modern twist The custom-made cabinets have been traditionally constructed in an authentic shaker-style and feature solid oak dovetailed drawers. The doors and frames are in solid maple, which has a smooth grain and is an extremely hard and durable timber, and perfect for taking a painted finish. The cabinets are all spraypainted in Fired Earth Moon Grape, a deliciously distinctive purple-black colour. We then hand painted exterior surfaces for a textured effect which can also be easily touched up in the future. The shaker style in this striking dark colour adds grandeur to the space, without feeling too overbearing or showy. All the kitchen cabinets are internally finished with premium quality Egger MFC. The hardwearing Unistone worktops are Nero Assoluto with a Velluto finish - a durable, jet black, velvet-like black texture, which gives depth without gloss. Hidden walk-in pantry Floor-to-ceiling doors neatly conceal an impressive hidden walk-in pantry, which we cleverly integrated into the overall kitchen design. As soon as you open the doors, the interior shelves are automatically illuminated by a motion-activated sensor. Every inch of space has been utilised with a range of open shelving laden with artisan ingredients, deep handcrafted drawers and basket storage, perfect for storing anything from vegetables to fresh bread. Beautiful bespoke bar unit Innovative pocket doors fold elegantly away to reveal a stunning well-equipped bar with a vibrant pink glass back panel and painted interior. This bright pink is a signature colour from the 1970s - Leather by Little Greene. The colour is a strategic choice by our clients to create a statement and infuse their home with an uplifting, spirited atmosphere. Undershelf lighting and a spotlight are activated as soon as the doors are opened enhancing the wow factor. Bespoke freestanding island featuring upcycled wood A focal point of the room, the kitchen island provides extra storage and worktop space. We handcrafted the island in solid hardwood with the top was once our clients’ old French dining table which we repurposed. Reusing old wood creates beautiful and unique pieces of furniture and has significant environmental benefits too. The mantle above the range cooker is salvaged timber too, made from an old oak beam.

This wonderful bespoke country kitchen was designed and built for our clients’ new oak-framed extension at their Grade II listed home in the historic village of Billingshurst in West Sussex. Acorn Bespoke Carpentry and Joinery undertook the entire kitchen project which includes a hidden walk-in pantry, bar unit and solid hardwood windows. The owners wanted to achieve a high-quality interior that stayed true to the traditional character and heritage of their property. Their keen eye for design is evident in their chosen sophisticated colour palette and finishes. An AGA® was to be a focal point and key feature of the kitchen layout, and we designed the cabinetry to align perfectly with the extra depth and height of the cooker, leaving no unsightly gaps. There are no upper wall cabinets in this kitchen which creates an open airy feel and allows more natural light. Instead, a run of generous base cabinets with customised deep drawers and pull-outs, as well as a kitchen island, open shelving and large pantry provide a wealth of superb storage solutions. One empty wall has been dedicated for full-height floor to ceiling cabinets for integrated appliances and a pantry. Traditional style with a modern twist The custom-made cabinets have been traditionally constructed in an authentic shaker-style and feature solid oak dovetailed drawers. The doors and frames are in solid maple, which has a smooth grain and is an extremely hard and durable timber, and perfect for taking a painted finish. The cabinets are all spraypainted in Fired Earth Moon Grape, a deliciously distinctive purple-black colour. We then hand painted exterior surfaces for a textured effect which can also be easily touched up in the future. The shaker style in this striking dark colour adds grandeur to the space, without feeling too overbearing or showy. All the kitchen cabinets are internally finished with premium quality Egger MFC. The hardwearing Unistone worktops are Nero Assoluto with a Velluto finish - a durable, jet black, velvet-like black texture, which gives depth without gloss. Hidden walk-in pantry Floor-to-ceiling doors neatly conceal an impressive hidden walk-in pantry, which we cleverly integrated into the overall kitchen design. As soon as you open the doors, the interior shelves are automatically illuminated by a motion-activated sensor. Every inch of space has been utilised with a range of open shelving laden with artisan ingredients, deep handcrafted drawers and basket storage, perfect for storing anything from vegetables to fresh bread. Beautiful bespoke bar unit Innovative pocket doors fold elegantly away to reveal a stunning well-equipped bar with a vibrant pink glass back panel and painted interior. This bright pink is a signature colour from the 1970s - Leather by Little Greene. The colour is a strategic choice by our clients to create a statement and infuse their home with an uplifting, spirited atmosphere. Undershelf lighting and a spotlight are activated as soon as the doors are opened enhancing the wow factor. Bespoke freestanding island featuring upcycled wood A focal point of the room, the kitchen island provides extra storage and worktop space. We handcrafted the island in solid hardwood with the top was once our clients’ old French dining table which we repurposed. Reusing old wood creates beautiful and unique pieces of furniture and has significant environmental benefits too. The mantle above the range cooker is salvaged timber too, made from an old oak beam.

This wonderful bespoke country kitchen was designed and built for our clients’ new oak-framed extension at their Grade II listed home in the historic village of Billingshurst in West Sussex. Acorn Bespoke Carpentry and Joinery undertook the entire kitchen project which includes a hidden walk-in pantry, bar unit and solid hardwood windows. The owners wanted to achieve a high-quality interior that stayed true to the traditional character and heritage of their property. Their keen eye for design is evident in their chosen sophisticated colour palette and finishes. An AGA® was to be a focal point and key feature of the kitchen layout, and we designed the cabinetry to align perfectly with the extra depth and height of the cooker, leaving no unsightly gaps. There are no upper wall cabinets in this kitchen which creates an open airy feel and allows more natural light. Instead, a run of generous base cabinets with customised deep drawers and pull-outs, as well as a kitchen island, open shelving and large pantry provide a wealth of superb storage solutions. One empty wall has been dedicated for full-height floor to ceiling cabinets for integrated appliances and a pantry. Traditional style with a modern twist The custom-made cabinets have been traditionally constructed in an authentic shaker-style and feature solid oak dovetailed drawers. The doors and frames are in solid maple, which has a smooth grain and is an extremely hard and durable timber, and perfect for taking a painted finish. The cabinets are all spraypainted in Fired Earth Moon Grape, a deliciously distinctive purple-black colour. We then hand painted exterior surfaces for a textured effect which can also be easily touched up in the future. The shaker style in this striking dark colour adds grandeur to the space, without feeling too overbearing or showy. All the kitchen cabinets are internally finished with premium quality Egger MFC. The hardwearing Unistone worktops are Nero Assoluto with a Velluto finish - a durable, jet black, velvet-like black texture, which gives depth without gloss. Hidden walk-in pantry Floor-to-ceiling doors neatly conceal an impressive hidden walk-in pantry, which we cleverly integrated into the overall kitchen design. As soon as you open the doors, the interior shelves are automatically illuminated by a motion-activated sensor. Every inch of space has been utilised with a range of open shelving laden with artisan ingredients, deep handcrafted drawers and basket storage, perfect for storing anything from vegetables to fresh bread. Beautiful bespoke bar unit Innovative pocket doors fold elegantly away to reveal a stunning well-equipped bar with a vibrant pink glass back panel and painted interior. This bright pink is a signature colour from the 1970s - Leather by Little Greene. The colour is a strategic choice by our clients to create a statement and infuse their home with an uplifting, spirited atmosphere. Undershelf lighting and a spotlight are activated as soon as the doors are opened enhancing the wow factor. Bespoke freestanding island featuring upcycled wood A focal point of the room, the kitchen island provides extra storage and worktop space. We handcrafted the island in solid hardwood with the top was once our clients’ old French dining table which we repurposed. Reusing old wood creates beautiful and unique pieces of furniture and has significant environmental benefits too. The mantle above the range cooker is salvaged timber too, made from an old oak beam.