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Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

This light filled bath is the perfect spot for two active brothers to share. Double sinks and plenty of cabinet storage make this bath highly functional. Easy to clean porcelain floor tile and classic white subway tile complete this light filled space.

The den can be closed off from the living room so that separate activities can take place, simultaneously.
Family room library - mid-sized traditional enclosed medium tone wood floor family room library idea in Grand Rapids with blue walls and a wall-mounted tv
Family room library - mid-sized traditional enclosed medium tone wood floor family room library idea in Grand Rapids with blue walls and a wall-mounted tv
Find the right local pro for your project

Rachel Kay - Applebox Imaging
This model home is in a community at the foot of the Texas Hill Country. The setting is bucolic and appeals to families as well as active adults – the target market for this model home.
The builder, Brookfield Residential, offers four distinct styles of homes, one of which is the Modern Farmhouse. The design is focused on blending modern trends with traditional farmhouse characteristics. Traditional farmhouse interiors were simple and practical. Walls were often whitewashed wood, white or light paint. Hardwood floors were lightly stained and varnished for a natural look. Bringing exterior siding and board and batten inside gives dimension and interest to white walls. A barn door opens into a study niche at the entry and the popped-up ceiling is enhanced with board and batten.
The most popular features of this home include the open floor plan, large kitchen that opens to the great room and outdoor covered patio and the master suite with over-sized shower and walk-in closet. The lines between indoor and outdoor are blurred by the nano sliding doors that open up the house to the back porch.

This ocean-front shingled Gambrel style house is home to a young family with little kids who lead an active, outdoor lifestyle. My goal was to create a bespoke, colorful and eclectic interior that looked sophisticated and fresh, but that was tough enough to withstand salt, sand and wet kids galore. The palette of coral and blue is an obvious choice, but we tried to translate it into a less expected, slightly updated way, hence the front door! Liberal use of indoor-outdoor fabrics created a seamless appearance while preserving the utility needed for this full time seaside residence.
photo: Michael J Lee Photography

This 1920's house meets modern day with an edgy colorful but still classic redesign in this chic home remodel for an active family.
Example of a mid-sized trendy medium tone wood floor enclosed dining room design in Boston with white walls and no fireplace
Example of a mid-sized trendy medium tone wood floor enclosed dining room design in Boston with white walls and no fireplace

Truly a collaboration among the owners of the home, the architect, and the designers, this home reflects the active lifestyle of the busy family with three young boys both inside and out. The home features a mix of modern and traditional elements, plaster veneer walls, reclaimed solid timbers, and natural and organic materials with history and texture.
Architect: Rehkamp Larson Architects
Interior Design: Alecia Stevens Interiors
Photography: Scott Amundson

Perfectly embedded on an acre of land overlooking a pond, in the heart of Willow Bend of Plano, this dated, traditional home got more than a complete facelift. The wife is a “farmer’s daughter” and could have never imagined having a home like this to call her own one day. Finding a 15’ dining table was a tall task… especially for a family of four. Using a local craftsman, the most gorgeous white oak table was created to host everyone in the neighborhood! The clients told a lot of stories about their past and children. The designer realized that the stories were actually treasures as she incorporated their memories and symbols in every room. She brought these memories to life in a custom artwork collage above the family room mantel. From a tractor representing the grandfather, to the Russian alphabet portraying the roots of their adopted sons and some Cambodian script, there were meanings behind each piece. In order to bring nature indoors, the designer decided to demo the exterior wall to the patio to add a large folding door and blew out the wall dividing the formal dining room and breakfast room so there would be a clear sight through to the outdoors. Throughout the home, each family member was thought of. The fabrics and finishes had to withstand small boys, who were extremely active. The use of outdoor fabrics and beautiful scratch proof finishes were incorporated in every space – bring on the hotwheels.

With outstanding heat output and high-efficiency operation, the Montecito Estate™ wood-burning fireplace excels. The 4.0 cu. ft. firebox with 30" log capacity is one of the largest available in its category. The Montecito Estate beautifully combines the craftsmanship of a traditional masonry fireplace with clean and powerful non-catalytic combustion heating. The gorgeous selection of doors and facades allows you to achieve a customized look that reflects your style.
Aesthetics
Texured refractory-lined firebox recreates a traditional masonry fireplace appearance.
Decorative andirons add to the sophisticated look and feel.
Comfort
Up to 86.7% efficiency and 80,000 BTU heat output delivers clean and powerful heating.
EPA-certified 7.4 gr/hr emissions.
Burn time up to 8 hours and heating capacity up to 2,500 sq. ft.*
Heat-activated variable-speed blower and time-delayed heat distribution provides even comfort.
Time-delayed Air Boost system for fast and easy ignition.
Gravity vent kits – double duct for heating multiple rooms.
* Heated area depends a great deal on insulation and the design of the home.
Required Venting
7" Secure Temp S-2100, Nova Temp+ HT6000+, Secure Temp GX (U.S. only) or ACBI Chimney
Ease of Operation
Non-catalytic combustion provides virtually maintenance-free operation.
Air wash helps keep window clean for a beautiful view of the fire.
Design Versatility
Three optional door styles will make an impression in any room.
Two optional facade designs.
Outside air kit features 4" I.D. x 10' long insulated flex and register.
*Square-feet heating capacities are approximations only. Actual performance may vary depending upon home design and insulation, ceiling heights, climate, condition and type of wood used, appliance location, burn rate, accessories chosen, chimney installation and how the appliance is operated.

After photos - completed kitchen!
Example of a large arts and crafts u-shaped ceramic tile eat-in kitchen design in Denver with a double-bowl sink, raised-panel cabinets, dark wood cabinets, granite countertops, multicolored backsplash, stone slab backsplash, paneled appliances and an island
Example of a large arts and crafts u-shaped ceramic tile eat-in kitchen design in Denver with a double-bowl sink, raised-panel cabinets, dark wood cabinets, granite countertops, multicolored backsplash, stone slab backsplash, paneled appliances and an island

After photos - completed kitchen!
Eat-in kitchen - large rustic u-shaped travertine floor eat-in kitchen idea in Denver with a double-bowl sink, dark wood cabinets, granite countertops, stone slab backsplash, paneled appliances, an island, raised-panel cabinets and multicolored backsplash
Eat-in kitchen - large rustic u-shaped travertine floor eat-in kitchen idea in Denver with a double-bowl sink, dark wood cabinets, granite countertops, stone slab backsplash, paneled appliances, an island, raised-panel cabinets and multicolored backsplash

Truly a collaboration among the owners of the home, the architect, and the designers, this home reflects the active lifestyle of the busy family with three young boys both inside and out. The home features a mix of modern and traditional elements, plaster veneer walls, reclaimed solid timbers, and natural and organic materials with history and texture.
Architect: Rehkamp Larson Architects
Interior Design: Alecia Stevens Interiors
Photography: Spacecrafting

Project Overview: The Backyard Renovation 3D Rendering project was developed to visually communicate the design intent and vision for a residential outdoor space. The project aimed to provide clear and engaging representations for both the contractor and the homeowner's association, facilitating a shared understanding of the proposed enhancements.
Key Features:
1. New Driveway with Automatic Gates: The design features a contemporary driveway equipped with automated gates, providing convenience and improved security for the property.
2. Exercise Gym with Yoga Area: A dedicated space for fitness activities that includes both a traditional exercise gym and a serene yoga area, encouraging an active and healthy lifestyle.
3. Coffee Station with Juice Bar: This inviting area is designed for relaxation and socialization, featuring a coffee station complemented by a juice bar to enhance outdoor entertaining.
4. Secluded Meditation Space: A tranquil retreat is included, featuring a soothing wall fountain, cold plunge, and sauna, all surrounded by lush tropical vegetation to create an oasis for relaxation and mindfulness.
5. Lush Tropical Vegetation: The landscaping incorporates a variety of tropical plants that enhance privacy, beautify the space, and contribute to the overall calming atmosphere of the outdoor environment.
Project Goals: The main goals of the project were to:
• Visualize the backyard renovation to gain approval from the homeowner’s association.
• Facilitate collaboration with the contractor by providing detailed renderings.
• Create an aesthetically appealing and functional outdoor living space that meets the lifestyle needs of the homeowners.
The 3D renderings successfully encapsulated the vision for the backyard renovation, presenting a harmonious blend of design and functionality. The visualizations served as a critical tool in moving forward with the project, ensuring clarity in communication and direction for all stakeholders involved.

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The addition included large windows and more space for an active family. Below the outdoor terrace is an indoor gym.
Mid-sized elegant white two-story painted brick gable roof photo in St Louis with a shingle roof and a gray roof
Mid-sized elegant white two-story painted brick gable roof photo in St Louis with a shingle roof and a gray roof

Creating a dream bedroom involves more than just selecting furniture and color schemes; it’s about curating every detail to reflect your personal style and provide comfort. One of the most impactful elements in achieving this is choosing the right area rug. Whether you envision a serene sanctuary or a chic retreat, the perfect rug can enhance your bedroom decor and make a striking statement.
Imagine stepping into a bedroom where the first thing that greets you is a luxurious hand-tufted rug, its rich textures and plush pile inviting you to sink your toes into its softness. Hand-tufted rugs offer not only comfort but also a touch of artistry, with designs that can range from contemporary geometric patterns to traditional motifs. For those who appreciate the craftsmanship of a bygone era, hand-knotted rugs bring an unparalleled level of detail and durability, making them timeless treasures in any bedroom setting.
If a more modern or transitional look is what you’re after, machine-woven and heat-set rugs provide both style and practicality. These rugs, available in various patterns and vibrant colors, are designed to maintain their appearance and texture with minimal maintenance. Machine-washable options add an extra layer of convenience, ensuring that your rug remains fresh and clean even in the most active spaces.
For a touch of classic elegance, consider flat-woven rugs such as kilims, known for their reversible design and lightweight feel. These rugs offer a textured look and can seamlessly blend into both traditional and contemporary decors. Hand-loomed rugs also fall into this category, offering a handcrafted quality that adds uniqueness to your bedroom while maintaining a sophisticated edge.
Shag and flokati rugs are perfect for those who value comfort and a cozy ambiance. Their long, plush fibers create a sumptuous feel underfoot, making them ideal for creating a warm and inviting space. Meanwhile, braided and hand-hooked rugs add an artisanal charm and a bit of rustic flair, while organic and distressed designs bring a natural, lived-in feel to the room.
When selecting your area rug, it’s important to consider practical features to enhance both safety and durability. Non-slip and adhesive backings ensure that your rug stays securely in place, protecting hardwood floors from potential damage. Water-resistant and stain-resistant properties make these rugs practical choices for busy bedrooms, while cushioned options add an extra layer of comfort.
Personalization is key in making a space uniquely yours. Rug sets, including options sized like 8x10, allow you to create a cohesive look that fits perfectly within your room's dimensions. Whether you opt for contemporary designs with fringe details or traditional patterns with intricate textures, there’s a rug that can meet your needs.
In summary, the 15 best area rugs are not just about covering the floor; they’re about adding personality and comfort to your bedroom. With a variety of styles ranging from modern to traditional, and features that cater to both aesthetic and functional needs, the right rug can transform your bedroom into a personal oasis of style and comfort.

Designed for a young, active family, our Windswept in Wellesley project centers around two adjoining yet distinct spaces: the great room and living room. Connected by French doors, these rooms called for a thoughtful balance—cohesive in flow, yet each with its own personality and purpose.
The living room was envisioned as a calm, inviting retreat with a fresh palette of soft greens and blues. We layered transitional furnishings with subtle traditional elements to create a space that feels both timeless and approachable. While slightly more elevated in tone, the design remains inherently livable—reflecting our clients’ desire for a room that welcomes both adults and children with ease.
Durability was key throughout. Every fabric and finish was carefully selected with real family life in mind, ensuring nothing feels too precious or off-limits. The result is a home that supports everyday living beautifully—effortless, comfortable, and designed to be enjoyed.

Designed for a young, active family, our Windswept in Wellesley project centers around two adjoining yet distinct spaces: the great room and living room. Connected by French doors, these rooms called for a thoughtful balance—cohesive in flow, yet each with its own personality and purpose.
The living room was envisioned as a calm, inviting retreat with a fresh palette of soft greens and blues. We layered transitional furnishings with subtle traditional elements to create a space that feels both timeless and approachable. While slightly more elevated in tone, the design remains inherently livable—reflecting our clients’ desire for a room that welcomes both adults and children with ease.
Durability was key throughout. Every fabric and finish was carefully selected with real family life in mind, ensuring nothing feels too precious or off-limits. The result is a home that supports everyday living beautifully—effortless, comfortable, and designed to be enjoyed.

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Buckeye Basements, Inc.
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Creating a dream bedroom involves more than just selecting furniture and color schemes; it’s about curating every detail to reflect your personal style and provide comfort. One of the most impactful elements in achieving this is choosing the right area rug. Whether you envision a serene sanctuary or a chic retreat, the perfect rug can enhance your bedroom decor and make a striking statement.
Imagine stepping into a bedroom where the first thing that greets you is a luxurious hand-tufted rug, its rich textures and plush pile inviting you to sink your toes into its softness. Hand-tufted rugs offer not only comfort but also a touch of artistry, with designs that can range from contemporary geometric patterns to traditional motifs. For those who appreciate the craftsmanship of a bygone era, hand-knotted rugs bring an unparalleled level of detail and durability, making them timeless treasures in any bedroom setting.
If a more modern or transitional look is what you’re after, machine-woven and heat-set rugs provide both style and practicality. These rugs, available in various patterns and vibrant colors, are designed to maintain their appearance and texture with minimal maintenance. Machine-washable options add an extra layer of convenience, ensuring that your rug remains fresh and clean even in the most active spaces.
For a touch of classic elegance, consider flat-woven rugs such as kilims, known for their reversible design and lightweight feel. These rugs offer a textured look and can seamlessly blend into both traditional and contemporary decors. Hand-loomed rugs also fall into this category, offering a handcrafted quality that adds uniqueness to your bedroom while maintaining a sophisticated edge.
Shag and flokati rugs are perfect for those who value comfort and a cozy ambiance. Their long, plush fibers create a sumptuous feel underfoot, making them ideal for creating a warm and inviting space. Meanwhile, braided and hand-hooked rugs add an artisanal charm and a bit of rustic flair, while organic and distressed designs bring a natural, lived-in feel to the room.
When selecting your area rug, it’s important to consider practical features to enhance both safety and durability. Non-slip and adhesive backings ensure that your rug stays securely in place, protecting hardwood floors from potential damage. Water-resistant and stain-resistant properties make these rugs practical choices for busy bedrooms, while cushioned options add an extra layer of comfort.
Personalization is key in making a space uniquely yours. Rug sets, including options sized like 8x10, allow you to create a cohesive look that fits perfectly within your room's dimensions. Whether you opt for contemporary designs with fringe details or traditional patterns with intricate textures, there’s a rug that can meet your needs.
In summary, the 15 best area rugs are not just about covering the floor; they’re about adding personality and comfort to your bedroom. With a variety of styles ranging from modern to traditional, and features that cater to both aesthetic and functional needs, the right rug can transform your bedroom into a personal oasis of style and comfort.

Adding on to this modern mountain home was complex and rewarding. The nature-loving Bend homeowners wanted to create an outdoor space to better enjoy their spectacular river view. They also wanted to Provide direct access to a covered outdoor space, create a sense of connection between the interior and exterior, add gear storage for outdoor activities, and provide additional bedroom and office space. The Neil Kelly team led by Paul Haigh created a covered deck extending off the living room, re-worked exterior walls, added large 8’ tall French doors for easy access and natural light, extended garage with 3rd bay, and added a bedroom addition above the garage that fits seamlessly into the existing structure.

ver look at your iron fence and wonder how rust crept up so fast? For homeowners across Chicago's North Side and Near West Side, that moment of recognition often comes too late. Windy City Painters built this project guide to help you understand exactly what a professional iron fence restoration involves, what products matter, and what Chicago's climate demands from every coat of paint applied to exposed metal.
PROJECT OVERVIEW
This iron fence restoration involved a multi-unit property featuring an ornamental iron perimeter fence typical of Chicago's greystone and courtyard building streetscape. The fence presented moderate-to-severe surface rust, multiple areas of paint delamination, and two sections with deep pitting requiring needle gun descaling before any coating could be applied. The goal was full rust remediation and a durable topcoat finish built for Chicago's demanding climate. Windy City Painters completed the project in two days with zero damage to surrounding hardscape.
MATERIALS AND PRODUCTS
Ospho Rust Converter - A phosphoric acid-based treatment that chemically transforms iron oxide into iron phosphate, halting active corrosion before primer is applied. Essential on Chicago iron exposed to decades of salt air and freeze-thaw cycling.
Corroseal Rust-Inhibitive Primer - A water-based latex primer with built-in rust inhibitors, applied over converted surfaces to seal and prepare metal for topcoating.
Sherwin-Williams DTM Acrylic Coating - Direct-to-Metal formulation delivering exceptional adhesion, flexibility, and corrosion resistance. Available in satin and semi-gloss, ideal for ornamental iron fence painting across Chicago properties.
THE PROCESS
Step 1 - Mechanical Surface Preparation: Wire wheel grinding with angle grinder attachments removed all loose rust scale, failing paint, and surface contamination. Heavily pitted sections received needle gun descaling to expose clean stable metal beneath. This step determines everything. No primer or topcoat performs correctly over compromised metal, regardless of product quality. Windy City Painters treats prep as the primary investment on every iron fence project.
Step 2 - Rust Conversion: Ospho was applied liberally to all areas showing active rust. The phosphoric acid reaction was allowed to complete fully before any priming began. On severely oxidized sections, a second Ospho application ensured complete conversion. This step is non-negotiable in Chicago where freeze-thaw cycles push moisture into every surface irregularity.
Step 3 - Priming with Corroseal: Full coverage Corroseal primer coat sealed the converted surface and established adhesion for the finish coats. Corroseal's rust-inhibitive chemistry adds a secondary barrier against moisture penetration, extending the effective life of the topcoat by years in Chicago's humid lakefront environment.
Step 4 - DTM Topcoat Application: Two coats of Sherwin-Williams DTM acrylic in satin black were applied by brush to ensure full penetration into ornamental detail. DTM's flexibility accommodates the metal expansion and contraction Chicago temperatures demand, from minus-15 winters to 95-degree July afternoons. Final coverage was uniform and true to color.
CHICAGO-SPECIFIC CHALLENGES
Chicago iron faces challenges most other markets do not. Lake Michigan humidity accelerates surface oxidation year-round. Road salt from winter de-icing migrates to fence bases and lower rails. Freeze-thaw cycling cracks poorly adhered coatings within a single winter. Greystones, two-flats, and Victorian brownstones often feature original ornamental ironwork with decades of layered paint that must be assessed before any new coating is added. Windy City Painters factors all of these conditions into every iron fence estimate and material selection.
WHAT TO EXPECT LONG-TERM
A properly prepared and coated iron fence using the Ospho, Corroseal, and Sherwin-Williams DTM system should deliver 5-8 years of performance in Chicago conditions. Annual visual inspection for chips or scratches, followed by prompt spot priming, extends that timeline significantly. Full refinishing cycles become less frequent when the initial prep work is done correctly.
PRO TIPS
Tip 1 - Never skip the rust converter. Painting over active rust with even the best topcoat guarantees early failure. Ospho or a comparable phosphoric acid treatment must precede any primer on iron showing orange or brown oxidation.
Tip 2 - Assess for weld repairs before scheduling painting. If rust has eaten through the metal creating structural voids or broken sections, a welder must address those areas before painting begins. Windy City Painters identifies weld repair needs during the free estimate.
Tip 3 - Choose satin or semi-gloss finish on iron. Flat finishes on metal hold moisture and show wear faster. Satin DTM provides enough sheen to shed water while maintaining the traditional look Chicago ornamental iron demands.
Ready to restore your iron fence the right way? Visit windypainters.com to schedule your free estimate with Windy City Painters.
FAQ
Q: What does iron fence painting cost in Chicago?
A: Most residential iron fence projects range from $500 to $1,800 depending on linear footage, rust severity, and prep requirements. Windy City Painters provides free detailed on-site estimates for accurate iron fence painting cost in Chicago.
Q: How do I know if my fence needs rust conversion or just repainting?
A: Any visible orange or brown rust requires chemical conversion before priming. Windy City Painters evaluates every fence during the estimate to determine whether Ospho, mechanical prep, or weld repair is needed before coating begins.
Q: Can you paint iron in cold Chicago weather?
A: DTM coatings have lower application temperature thresholds than standard exterior paint, but we avoid application below 35 degrees Fahrenheit. Windy City Painters schedules iron fence projects for appropriate weather windows throughout the season.
Q: How long does iron fence paint last in Chicago?
A: With complete rust conversion, Corroseal priming, and Sherwin-Williams DTM topcoat, iron fence painting in Chicago lasts 5-8 years. Annual inspections and prompt touch-ups of chips extend that timeline further.
Q: Do I need a welder before an iron fence can be painted?
A: Only if rust has created structural voids or breaks in the metal. Windy City Painters assesses this during the free estimate and can coordinate with welders when needed before our painting crew begins.
Q: What is the difference between Ospho and Corroseal?
A: Ospho is a rust converter applied directly to active rust to chemically neutralize it. Corroseal is a rust-inhibitive primer applied over converted or clean metal. Windy City Painters often uses both in sequence for maximum protection on Chicago iron.
Q: How often should Chicago iron fences be inspected?
A: Annual inspection is recommended, ideally in early spring after winter salt and freeze-thaw exposure. Catching small chips and bare spots early allows simple touch-up rather than full iron fence repainting, saving significant cost.
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