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Chris Taylor
Home design - large coastal l-shaped concrete floor and brown floor home design idea in Dallas with a single-bowl sink, raised-panel cabinets, white cabinets, granite countertops, white backsplash, subway tile backsplash, stainless steel appliances and an island

Shadow

The Chambord Residence was a typical worker’s duplex house in the heart of the patrimonial neighbourhood of the Plateau Mont-Royal. The initial intent of this residential renovation project was to annex a master bedroom that would have a view over the iconic Mount Royal, and at the same time, a rooftop terrace. The new addition’s architecture had to contrast with the existing building which stayed untouched. It consisted of a simple volume laid gently over the duplex. We recessed the facade of the new construction to keep the initial alignment of the street. The client’s love for natural materials and bright colors made it easy for us to choose copper as the siding finish for the extension. The idea of seeing his house change color and evolve through time and natural oxidation made it clear for him that it was the most interesting material. We chose a diamond shaped tile to cover the new add-on construction, as it refers to the vernacular false-mansard found in the city, and adds a texture that will make the copper age unevenly. Our goal was to create a contemporary jewel that celebrates the patrimonial gem it sits on. © Lorelei L'Affeter

Finishing Details makes the difference.....
Example of a mountain style home design design in Hong Kong

THE SHADOW HOUSE IS A PRODUCT OF THE CONTEXT IT SITS WITHIN, YET IT SUBVERTS IT AT THE SAME TIME. IT’S IMPOSSIBLE TO IGNORE IT UP CLOSE, YET FROM AFAR IT DISAPPEARS INTO THE ETHER. A TINY LOT, A LARGE PROGRAM, RESTRICTIVE ZONING REGULATIONS AND AN INVOLVED NEIGHBORHOOD INTEREST GROUP WERE THE CONSTANT AND UNRELENTING PRESSURES THAT CREATED THIS HOUSE — AND THE RESULT IS BETTER OFF FOR IT. THE SCALLOPED SHINGLES ARE A COMMON ELEMENT ACROSS THE NEIGHBORHOOD, BUT ARE OFTEN RESERVED FOR DETAIL AREAS UNDER EAVES, AS THE MATERIAL WAS VERY EXPENSIVE ONE HUNDRED YEARS AGO. WE TOOK THAT HIGHLY-SPECIALIZED, VERY EXCLUSIVE MATERIAL AND APPLIED IT AS A BROAD, MASS-PRODUCED TEXTURE ACROSS THE ENTIRE RESIDENCE — TAKING SOMETHING FROM HIGHLIGHT TO BACKGROUND TEXTURE. THE SILHOUETTE DIRECTLY ECHOES THE ITALIANATE HOMES IN THE LARGER NEIGHBORHOOD — BUT WE STRIPPED THE TYPICAL ORNATE, DECORATED FAÇADE BACK TO UTTER MINIMALISM. WE ENLARGED THE TYPICAL WINDOW SIZE TO EXAGGERATE THE RIGID SYMMETRY OF THE STYLE, AND BROUGHT THEM TO THE FLOOR AND THE CEILING TO PROVIDE AS MUCH LIGHT AS POSSIBLE — AND THEN RECESSED THEM DEEP INTO THE FAÇADE TO MIMIC THE HEAVY BRICK AND STONE LINTELS OF THE PAST. THE HOUSE IS BLACK — THE ONLY COLOR IT COULD BE. IF WE’D PAINTED IT UP LIKE ITS VICTORIAN SISTERS, IT WOULD’VE COMPETED FOR ATTENTION. BLACK CAUSES THE HOUSE TO SIMULTANEOUSLY DISAPPEAR AND STAND OUT — IT IS IMPOSSIBLE TO IGNORE WHILE YOU’RE WALKING PAST, BUT A FEW BLOCKS AWAY IT BECOMES IMPOSSIBLE TO DISCERN AGAINST THE BACKGROUND. TWO BEDROOMS WITH EN-SUITE BATHS, FLOOR-TO-CEILING WINDOWS, AN AIRY AND OPEN STAIRCASE AND A MASSIVE GLASS ROOF DOOR MAKE THE SHADOW HOUSE IMPOSSIBLY LIGHT AND OPEN — YET IT’S ONLY 1,400 SQUARE FEET ON A 30’ X 50’ LOT.

Tuscan staircase photo in Houston