Taylor Photo
Inspiration for a transitional open concept family room remodel in Chicago with beige walls, a standard fireplace, a stone fireplace and a tv stand

Bathroom - traditional white tile bathroom idea in San Francisco with an undermount sink, gray cabinets, white walls and recessed-panel cabinets

Dawn Burkhart
Example of a mid-sized cottage l-shaped brown floor and dark wood floor kitchen design in Boise with a farmhouse sink, shaker cabinets, quartz countertops, white backsplash, mosaic tile backsplash, stainless steel appliances, an island, white countertops and white cabinets

Black and white can never make a comeback, because it's always around. Such a classic combo that never gets old and we had lots of fun creating a fun and functional space in this jack and jill bathroom. Used by one of the client's sons as well as being the bathroom for overnight guests, this space needed to not only have enough foot space for two, but be "cool" enough for a teenage boy to appreciate and show off to his friends. The vanity cabinet is a freestanding unit from WW Woods Shiloh collection in their Black paint color. A simple inset door style - Aspen - keeps it looking clean while really making it a furniture look. All of the tile is marble and sourced from Daltile, in Carrara White and Nero Marquina (black). The accent wall is the 6" hex black/white blend. All of the plumbing fixtures and hardware are from the Brizo Litze collection in a Luxe Gold finish. Countertop is Caesarstone Blizzard 3cm quartz.

Roxanne Gutierrez
Transitional kids' bathroom photo in Austin with a trough sink

Klopf Architecture and Outer space Landscape Architects designed a new warm, modern, open, indoor-outdoor home in Los Altos, California. Inspired by mid-century modern homes but looking for something completely new and custom, the owners, a couple with two children, bought an older ranch style home with the intention of replacing it. Created on a grid, the house is designed to be at rest with differentiated spaces for activities; living, playing, cooking, dining and a piano space. The low-sloping gable roof over the great room brings a grand feeling to the space. The clerestory windows at the high sloping roof make the grand space light and airy. Upon entering the house, an open atrium entry in the middle of the house provides light and nature to the great room. The Heath tile wall at the back of the atrium blocks direct view of the rear yard from the entry door for privacy. The bedrooms, bathrooms, play room and the sitting room are under flat wing-like roofs that balance on either side of the low sloping gable roof of the main space. Large sliding glass panels and pocketing glass doors foster openness to the front and back yards. In the front there is a fenced-in play space connected to the play room, creating an indoor-outdoor play space that could change in use over the years. The play room can also be closed off from the great room with a large pocketing door. In the rear, everything opens up to a deck overlooking a pool where the family can come together outdoors. Wood siding travels from exterior to interior, accentuating the indoor-outdoor nature of the house. Where the exterior siding doesn’t come inside, a palette of white oak floors, white walls, walnut cabinetry, and dark window frames ties all the spaces together to create a uniform feeling and flow throughout the house. The custom cabinetry matches the minimal joinery of the rest of the house, a trim-less, minimal appearance. Wood siding was mitered in the corners, including where siding meets the interior drywall. Wall materials were held up off the floor with a minimal reveal. This tight detailing gives a sense of cleanliness to the house. The garage door of the house is completely flush and of the same material as the garage wall, de-emphasizing the garage door and making the street presentation of the house kinder to the neighborhood. The house is akin to a custom, modern-day Eichler home in many ways. Inspired by mid-century modern homes with today’s materials, approaches, standards, and technologies. The goals were to create an indoor-outdoor home that was energy-efficient, light and flexible for young children to grow. This 3,000 square foot, 3 bedroom, 2.5 bathroom new house is located in Los Altos in the heart of the Silicon Valley. Klopf Architecture Project Team: John Klopf, AIA, and Chuang-Ming Liu 
Landscape Architect: Outer space Landscape Architects 
Structural Engineer: ZFA Structural Engineers 
Staging: Da Lusso Design 
Photography ©2018 Mariko Reed 
Location: Los Altos, CA
 Year completed: 2017

Vibra Stainless Steel Countertop and Backsplash with Integral Stainless Steel Sink by FourSeasons MetalWorks. Kitchen Design and Cabinets by Hermitage Kitchen Design Gallery in Nashville, TN

Trendy l-shaped dark wood floor and brown floor kitchen photo in Houston with a farmhouse sink, flat-panel cabinets, dark wood cabinets, gray backsplash, stainless steel appliances, two islands and white countertops

This Hamilton, MA kitchen blends classic and contemporary elements with a bright, two-tone design featuring crisp white upper cabinetry and rich gray lower cabinets. A spacious island with quartz countertops provides ample seating and storage, while glass pendant lights add a touch of modern elegance. The apron-front farmhouse sink beneath a large window creates a charming focal point, complemented by a soft, neutral backsplash. Warm wood flooring grounds the space, resulting in a functional and inviting kitchen that balances timeless style with everyday practicality.

Behold this exquisite two-toned kitchen, boasting glamorous inset cabinets. The contrast of black and gold adds a striking touch to the final aesthetic.

This year round two-family cottage is comprised of seven modules which required just 25 days to construct in an off-site facility. When assembled, these prefabricated units form a building that is 38 metres long but less than 5 metres wide. The length offers a variety of living spaces while the constricted width maintains a level of intimacy and affords views of the lake from every room. Sited along a north-south axis, the cottage sits obliquely on a ridge. Each of the three levels has a point of access at grade. The shared living spaces are entered from the top of the ridge with the sleeping spaces a level below. Facing the lake, the east elevation consists entirely of sliding glass doors and provides every room with access to the forest or balconies. Materials fall into two categories: reflective surfaces – glazing and mirror, and those with a muted colouration – unfinished cedar, zinc cladding, and galvanized steel. The objective is to visually push the structure into the background. Photos by Tom Arban

Custom two-tone kitchen cabinetry with painted upper cabinets featuring reeded glass-panel doors and a natural white oak island. The warm wood tones of the island create a striking contrast against the painted finish, while brass pendant lighting ties the palette together. Built by WeissWorks Cabinetry.

This year round two-family cottage is comprised of seven modules which required just 25 days to construct in an off-site facility. When assembled, these prefabricated units form a building that is 38 metres long but less than 5 metres wide. The length offers a variety of living spaces while the constricted width maintains a level of intimacy and affords views of the lake from every room. Sited along a north-south axis, the cottage sits obliquely on a ridge. Each of the three levels has a point of access at grade. The shared living spaces are entered from the top of the ridge with the sleeping spaces a level below. Facing the lake, the east elevation consists entirely of sliding glass doors and provides every room with access to the forest or balconies. Materials fall into two categories: reflective surfaces – glazing and mirror, and those with a muted colouration – unfinished cedar, zinc cladding, and galvanized steel. The objective is to visually push the structure into the background. Photos by Tom Arban

Kitchen - transitional kitchen idea in Philadelphia

Transitional gray tile dark wood floor powder room photo in Charleston with gray walls and a vessel sink

Room design by Sari Sunshine Photograph by Fine Photography by Stephanie
Example of a trendy blue floor bedroom design in New York with blue walls

Scott Davis Photography
Example of a classic white tile and stone tile bathroom design in Salt Lake City with a console sink

This Master Bathroom had a lot of angles and dated materials and lacked storage. The drawers under the vanity allow for maximum storage, the clean lines are a welcome change and the steam shower is large enough for two. Photos by Matt Kocourek

This is a 50'' Orton Style Rumford Fireplace at my home in Oxford,CT. A Rumford Firplace is made with either a straight rear wall or a slanted one. The slanted ones are the better heaters and I just proved "the more efficient" as they do not have a bigger throat area than the straight variety. The book "The Forgotten Art of Building a Good Fireplace" written bu Vrest Orton in the late 60's descibes the slanted variety well and that is where they picked up the name. He did not invent them rather he wrote of what he witnessed as being nice enjoyable good heating Rumfords . It uses my self made damper and burns all winter long with the damper blade at only a 1-3/4'''' gap opening. This represents a throat area to fireplace opening area of 1 to 30 a achievement that recently left the top authority on Rumford Fireplaces in awe and disbelief as his straight backed Rumfords only get to a 1:20 ratio. Although he remained skeptical and wanting more explicit videos and refusing to sign a nondisclosure agreement, he wanted to know if I could do the same with his chosen styled Rumfords. With a large or small fire the damper stays fixed. Weather is a non issue, even foggy drizzly nights do not effect this fireplace. There are videos at FCasini on You Tube showing the 50'' burning along with my basement 36'' Orton which I did experimenting last winter . The basement [never used before] has no face, so I affixed a steel panel on it to see if it could burn at the same ratio as my 50'' which uses my self made 30 year old damper. Iinstead it has a custom vestal damper which I cut the front off as I occasionally do when the budget is limited. It burned good at a 1 to 26 ratio which is way above the 1/17 that Straight Back Rumfords normally do although their very best is 1/20 ..both of which depend on the use of the highly suggested Tee Pee Fire which will assist any fireplace in smoke evacuation due to solely emitting the smoke form the high end of the standing logs! Both of my fireplaces certainly can use this style fire but I enjoy the horizontal log cabin style because of the easy loading and longer lasting fire per load. This winter I am going to affix a glass panel to get a good look at the throat and inner breast chamber while the fireplace is burning. This will be done in my third [ also un faced like the basement] Rumford. This one uses an outside chimney that is about 18' tall, much shorter than the other two and not as warm an environment being the other two are interior chimneys. I am anxious to see if it will compete with a lesser draft ? I have been searching the patent data base and to date there is nothing close to even resemble the way I get these slanted fireplaces to pass the smoke through such a ridiculously thin throat which I call "The Gates Of Hell". The prototype is complete and installed into this fireplace which is in it's second year of performance testing and doing better than I expected, in fact before installing it last week I cleaned the throat and chimney and damper blade which hasn't been done in 6 years. This did help the performance a lot as the passage is so thin any build up greatly slows it down from the added viscosity ie flow drag. For those that don't understand the benefit of a 1:30 ratio it is half the loss of heated air up the chimney and results in a 50% increase in heat efficiency. This equals a 100% enjoyment factor for anyone whom takes fireplace burning seriously like have done and do for the past 30 years! The house doesn't get sucked cold!