f. dubois
Kitchen - contemporary l-shaped kitchen idea in Brussels

Drop-in bathtub - country white tile white floor drop-in bathtub idea in Chicago with recessed-panel cabinets, black cabinets, white walls, an undermount sink, a hinged shower door and white countertops

Daughters go to college—that's typical. But when they come home for the summer to find their parents now living in the neighbor's house? Not so typical. That's exactly what happened to Sue and John McKinley's twin daughters when their parents downsized to a house just two doors down. "We were already familiar with the home and liked its open floor plan and high ceilings," says Sue. "We just customized the interior to suit our tastes." In their kitchen, the couple worked with designer Suzanne Kasler to combine practicality with style. Photo by Erica George Dines for Southern Living

This project combines high end earthy elements with elegant, modern furnishings. We wanted to re invent the beach house concept and create an home which is not your typical coastal retreat. By combining stronger colors and textures, we gave the spaces a bolder and more permanent feel. Yet, as you travel through each room, you can't help but feel invited and at home.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

photos by Ken Gutmaker
Inspiration for a transitional kitchen remodel in San Francisco with open cabinets, white cabinets, wood countertops, white backsplash and stainless steel appliances

10x12 Studio Shed home office - Lifestyle Interior plus our added height option. The standard height of most models is 8'6" but you can choose to add 1 or even 2 extra feet of ceiling height. Our small kit "Pinyon" sits perpendicular to the office, holding garden tools and other supplies in a 4x8 footprint. The concrete pad, which extends to serve as the interior floor as well, was poured and stained by the home owner once the design phase of his project was complete.

While this new home had an architecturally striking exterior, the home’s interior fell short in terms of true functionality and overall style. The most critical element in this renovation was the kitchen and dining area, which needed careful attention to bring it to the level that suited the home and the homeowners. As a graduate of Culinary Institute of America, our client wanted a kitchen that “feels like a restaurant, with the warmth of a home kitchen,” where guests can gather over great food, great wine, and truly feel comfortable in the open concept home. Although it follows a typical chef’s galley layout, the unique design solutions and unusual materials set it apart from the typical kitchen design. Polished countertops, laminated and stainless cabinets fronts, and professional appliances are complemented by the introduction of wood, glass, and blackened metal – materials introduced in the overall design of the house. Unique features include a wall clad in walnut for dangling heavy pots and utensils; a floating, sculptural walnut countertop piece housing an herb garden; an open pantry that serves as a coffee bar and wine station; and a hanging chalkboard that hides a water heater closet and features different coffee offerings available to guests. The dining area addition, enclosed by windows, continues to vivify the organic elements and brings in ample natural light, enhancing the darker finishes and creating additional warmth. Photography by Ira Montgomery

Martha O'Hara Interiors, Interior Design & Photo Styling | John Kraemer & Sons, Remodel | Troy Thies, Photography Please Note: All “related,” “similar,” and “sponsored” products tagged or listed by Houzz are not actual products pictured. They have not been approved by Martha O’Hara Interiors nor any of the professionals credited. For information about our work, please contact design@oharainteriors.com.

Custom design by Cynthia Soda of Soda Pop Design Inc. in Toronto, Canada. Photography by Stephani Buchman Photography.
Example of a large transitional l-shaped medium tone wood floor open concept kitchen design in Toronto with recessed-panel cabinets, white cabinets, beige backsplash, stone tile backsplash and an island

Inspiration for a transitional orange floor bedroom remodel in San Francisco with brown walls

photos by Steve Chenn
Example of a mountain style kitchen design in Houston with recessed-panel cabinets and stainless steel appliances

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Design Credit: Mary Michael O'Hare (MMO Designs) Photo Credit: Emily O'Brien
Elegant bedroom photo in Boston with blue walls

Photos by Dawn M. Smith http://www.dawnmsmithphotography.com/

Dino Tonn Photography
Inspiration for a mid-sized mediterranean master beige tile and limestone tile limestone floor alcove shower remodel in Phoenix with raised-panel cabinets, dark wood cabinets, limestone countertops, an undermount sink, beige walls, an undermount tub and a one-piece toilet

Inspiration for a rustic front door remodel in Salt Lake City with a dark wood front door

Siberian Floors - Russian White Oak, Fumed, Prime Grade, Hardwax Oil White Tint Please visit our website for more information and floor treatments!
Example of a beach style light wood floor kitchen design in Boston with subway tile backsplash and an island

This clean profile, streamlined kitchen embodies today's transitional look. The white painted perimeter cabinetry contrasts the grey stained island, while perfectly blending cool and warm tones.