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Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

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Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.
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Returning home after more than a decade living and working in Taiwan, our client envisioned something entirely different from the French Colonial aesthetic of his early-1990s Beaverton home. Through a comprehensive design-build renovation, this Portland metro whole-house remodel transformed a conventional suburban residence into a richly layered retreat inspired by global travel, natural materials, and timeless craftsmanship. The result is a warm, sophisticated home designed to showcase treasured artifacts and collectibles gathered from years abroad while providing modern functionality for everyday living.
From the moment you enter, the home's new character unfolds through a carefully curated palette of wood, stone, and metal. Rich ebony-stained knotty alder millwork draws the eye through the entry, where a newly created mudroom replaces the former office space. Beyond a set of dramatic barn doors, a striking stone fireplace becomes the focal point of the living room, anchored by a reclaimed wood mantel and rustic ceiling beams that add warmth and architectural depth. Nearby, the sunroom was completely refreshed through thoughtful window modifications and custom trim detailing, creating a seamless connection between the interior and the surrounding landscape.
The kitchen serves as the heart of the renovation, blending rustic elegance with refined craftsmanship. Custom alder cabinetry is paired with layered metal finishes, allowing subtle copper and bronze undertones to emerge from creamy quartz countertops. A textured slate backsplash echoes the flagstone-inspired flooring, while a newly created butler's pantry provides both beauty and functionality. Each material was selected to evoke the authenticity of old-world craftsmanship while supporting the practical needs of modern living.
One of the home's most dramatic architectural transformations is the custom floating staircase. Designed as both a sculptural centerpiece and a solution to circulation challenges, the staircase opens previously constricted pathways and enhances the home's flow. Hand-tooled hickory wraps each tread while weathered metal accents provide subtle industrial character. Upstairs, creative space planning allowed for the addition of a discreet laundry nook within an underutilized hallway area, improving convenience without sacrificing valuable living space.
The primary suite continues the home's story of understated luxury and global influence. Rustic ceiling beams mirror those seen throughout the main level, creating visual continuity and warmth. An antique carved door serves as a distinctive feature within the reconfigured closet layout, while the primary bathroom embraces a calming combination of stone, concrete, and matte black finishes. Large-format tile arranged in a custom Versailles-inspired pattern guides the eye through the spa-like retreat, where natural textures and abundant daylight create a serene atmosphere.
While the main and upper levels celebrate warmth and global influence, the basement renovation introduces an entirely different layer of the home's personality. To create the ultimate entertainment destination, the basement footprint was extended approximately seven feet beyond the original foundation, transforming previously underutilized space into a seamless indoor-outdoor gathering environment. Inspired by cultured industrial design, the newly expanded lower level was envisioned as a place where family and friends could relax, connect, and enjoy the home's resort-like backyard amenities.
At the heart of the basement renovation is a custom entertainment bar featuring reclaimed rustic cabinetry and chiseled-edge granite countertops that emphasize the natural character of the materials. Accordion-style serving windows create a direct connection between the interior bar and the outdoor living spaces, allowing drinks, food, and conversation to flow effortlessly between the entertainment room and the backyard pool, hot tub, and professionally landscaped grounds. The result is a true indoor-outdoor living experience designed for year-round enjoyment.
The expansive recreation area accommodates a variety of activities while maintaining a cohesive design aesthetic. A shuffleboard table, billiards area, and casual bar dining space provide multiple destinations for gathering, all unified by a sophisticated palette of brick, concrete, wood, and metal. Slim-profile brick walls introduce texture and authenticity, while custom decorative painting techniques create the appearance of cast concrete accent walls, reinforcing the basement's refined industrial character without overwhelming the space.
Supporting spaces throughout the lower level were equally transformed. An outdated bathroom was fully renovated to reflect the home's dark and moody aesthetic, incorporating a curbless shower, rustic vanity, and layered finishes that balance comfort with style. Two underutilized bedrooms were thoughtfully reconfigured to better support the homeowner's lifestyle, with one becoming a dedicated home office and the other opening into a flexible music room designed for creativity and relaxation. Additional unfinished crawlspace and storage areas were reclaimed to create a private home gym, maximizing every square foot of the home's footprint.
The renovation extended beyond the interior walls of the home. A newly rebuilt two-story deck strengthens the connection between indoor and outdoor spaces while providing multiple vantage points overlooking the backyard retreat. On the upper level, adjacent to the primary suite, a new enclosed sunroom addition creates a peaceful sanctuary elevated among the trees. Together, these exterior improvements complement the home's interior transformation, enhancing both livability and year-round enjoyment while creating a true extension of the living space outdoors.
Behind the finished spaces, this Beaverton full home remodel required significant structural and technical expertise. Replacing the original staircase involved extensive modifications to the upper-floor framing system, including the installation of concealed supports for the floating treads and the creation of a new landing structure. Throughout the home, natural materials presented unique installation challenges. The dimensional variation of the slate backsplash required each stone to be precisely shaped around electrical devices and surrounding elements, while reclaimed wood beams demanded extensive preparation before they could be securely installed. Careful coordination among multiple trades ensured every custom detail performed as beautifully as it appeared.
Because the homeowner remained in Taiwan for much of the renovation, collaboration relied on a highly organized design-build process and frequent communication across a fourteen-hour time difference. Detailed design presentations, material selections, and construction updates allowed key decisions to be made efficiently, even from across the globe. This partnership enabled the project team to successfully execute a highly customized vision despite logistical complexities and construction delays outside of the project's control.
Strategic planning also played a crucial role in maintaining the project budget. While the homeowner initially envisioned reclaimed wood flooring and natural flagstone throughout the home, carefully selected engineered hardwood and porcelain tile provided a similar aesthetic with improved performance and cost efficiency. Authenticity was preserved through the use of genuine stone at key focal points, including the fireplace surround and kitchen backsplash, as well as reclaimed wood incorporated into architectural beam details. Existing high-quality windows were retained and transformed through selective replacement, custom trim work, and thoughtful refinishing, delivering the desired look while avoiding unnecessary expense. Additional savings came from a creative exterior repair solution that replicated the home's original stucco detailing without requiring a complete façade replacement.
This luxury Beaverton whole-house renovation demonstrates how thoughtful design-build remodeling can completely reimagine an existing home. Through strategic space planning, custom craftsmanship, and budget-conscious decision making, a dated suburban residence was transformed into a distinctive rustic contemporary retreat that reflects its owner's global experiences, personal story, and vision for home.

Elizabeth Taich Design is a Chicago-based full-service interior architecture and design firm that specializes in sophisticated yet livable environments.

This spacious master bathroom is bright and elegant. It features white Calacatta marble tile on the floor, wainscoting treatment, and enclosed glass shower. The same Calacatta marble is also used on the two vanity countertops. Our crew spent time planning out the installation of the gorgeous water-jet floor tile insert, as well as the detailed Calacatta slab wall treatment in the shower.
This beautiful space was designed by Arnie of Green Eyed Designs.
Photography by Joseph Alfano.

The G150 features beautiful, traditional styling on a commercial grade frame. It will enhance the beauty of your home whether open and providing 94% UV protection or closed accenting your architecture. Your G150 will be manufactured with up to a 14'6" projection and 40' wide, assuring you all of the shade protection you desire. With arm components made from drop forged aluminum that is pound-for-pound four times stronger than typical castings, the G150 delivers unmatched durability and performance for those who demand the best.

https://pipafineart.com/products/a-journey-through-time-subdued-retro-photorealism-digital-artwork-loose-art-print. "A Journey Through Time" invites you to escape to a tranquil shoreline where a weathered beach cabin stands as a silent sentinel against the shifting tides. This evocative digital painting captures the essence of a bygone era, its vintage aesthetic reminiscent of faded photographs and cherished memories. The artist's meticulous technique highlights the subtle textures and muted colors of the scene, from the peeling paint on the cabin to the sun-bleached sand dunes. This nostalgic artwork evokes a sense of peace and longing, inviting you to step into a simpler time and embrace the quiet beauty of the coast.
Printed on high-quality photo paper with premium inks, "A Journey Through Time" will infuse any space with a touch of vintage charm and coastal serenity. Hang it in your living room to create a calming and nostalgic atmosphere, in your bedroom to inspire dreams of seaside escapes, or in your office to provide a momentary respite from the demands of daily life. This captivating artwork is a celebration of the enduring beauty of the natural world and a reminder to cherish the memories that shape our lives.

The goal of this project was to upgrade the builder grade finishes and create an ergonomic space that had a contemporary feel. This bathroom transformed from a standard, builder grade bathroom to a contemporary urban oasis. This was one of my favorite projects, I know I say that about most of my projects but this one really took an amazing transformation. By removing the walls surrounding the shower and relocating the toilet it visually opened up the space. Creating a deeper shower allowed for the tub to be incorporated into the wet area. Adding a LED panel in the back of the shower gave the illusion of a depth and created a unique storage ledge. A custom vanity keeps a clean front with different storage options and linear limestone draws the eye towards the stacked stone accent wall.
Houzz Write Up: https://www.houzz.com/magazine/inside-houzz-a-chopped-up-bathroom-goes-streamlined-and-swank-stsetivw-vs~27263720
The layout of this bathroom was opened up to get rid of the hallway effect, being only 7 foot wide, this bathroom needed all the width it could muster. Using light flooring in the form of natural lime stone 12x24 tiles with a linear pattern, it really draws the eye down the length of the room which is what we needed. Then, breaking up the space a little with the stone pebble flooring in the shower, this client enjoyed his time living in Japan and wanted to incorporate some of the elements that he appreciated while living there. The dark stacked stone feature wall behind the tub is the perfect backdrop for the LED panel, giving the illusion of a window and also creates a cool storage shelf for the tub. A narrow, but tasteful, oval freestanding tub fit effortlessly in the back of the shower. With a sloped floor, ensuring no standing water either in the shower floor or behind the tub, every thought went into engineering this Atlanta bathroom to last the test of time. With now adequate space in the shower, there was space for adjacent shower heads controlled by Kohler digital valves. A hand wand was added for use and convenience of cleaning as well. On the vanity are semi-vessel sinks which give the appearance of vessel sinks, but with the added benefit of a deeper, rounded basin to avoid splashing. Wall mounted faucets add sophistication as well as less cleaning maintenance over time. The custom vanity is streamlined with drawers, doors and a pull out for a can or hamper.
A wonderful project and equally wonderful client. I really enjoyed working with this client and the creative direction of this project.
Brushed nickel shower head with digital shower valve, freestanding bathtub, curbless shower with hidden shower drain, flat pebble shower floor, shelf over tub with LED lighting, gray vanity with drawer fronts, white square ceramic sinks, wall mount faucets and lighting under vanity. Hidden Drain shower system. Atlanta Bathroom.

Highly edited and livable, this Dallas mid-century residence is both bright and airy. The layered neutrals are brightened with carefully placed pops of color, creating a simultaneously welcoming and relaxing space. The home is a perfect spot for both entertaining large groups and enjoying family time -- exactly what the clients were looking for.

Clean and fresh white contemporary transitional kitchen dining area stands the test of time. The space features marble backsplash, solid surface white kitchen countertop, white painted shaker style cabinets, custom-made dining chairs with contrast color welt and adjustable solid maple wood table. Blue/gray furniture and trims keep the classic white space in balance.

Buying term papers from academic writing services and freelance writers is becoming a popular deal. Therefore, former and current professors are entering this industry to write papers for money more and more often. Such services as CourseworkService.com are becoming popular among students all over the world. An interesting fact is that they hire not only former graduates but also out-of-work academics.
When professors find a compromise about cheating
Jennifer Sunseri, a former assistant professor, lost her job in 2009. She has been looking for a job for almost three years. At long last, she had abandoned all hope of finding a new job and started working as an academic writing service creating papers for college students.
Jenifer says, “I realize that it is legal, but highly unethical especially regarding the fact that I am a former professor. For me this is an equivalent of prostitution. But I have been living in a tight situation for years without an opportunity to visit a doctor or pay my bills. I am 53, and I have no kids to help me when I am out-of-work.”
She has been a tutor in Texas Tech since 1998, where she established a Slavic folklore course. Jenifer didn’t have any publications during her working years at Texas Tech, so when the time has come to apply for a venture, she realized that she has no chances and left. She moved to her sister and her mom and now she is living in her studio apartment with her two cats.
Sunseri was worried when she lost her job even though she has master’s degrees in Slavic linguistics and technical communications.
“I thought that my educator’s and writer’s skills will be useful,” she said. “However, I was shocked at the quantity of applications for an instructor at the local college, as well as for the office manager, or an adjunct at the local institution. Even an effort to apply for a substitute teacher failed. I cannot believe that those who have academic background, experience and a degree are in less demand than those have not.”
When Ph.D. and master’s degrees lose their magical power, people with academic background have no choice but to start their term paper writing career. Once professors become unemployed, one may say that they feel themselves like high school graduates looking for a part-time job. However, you will be surprised, but according to statistics sometimes those with high school or college diplomas are more welcome than people with higher education. The reason is that a lot of new job places in America were created at times of economic recovery and, therefore, they are low-paying and require specialists with lower skills. It turns to be that it is much easier to learn a less-educated worker and train him/her in a particular way suitable for a certain company or service than to teach a higher-educated worker all over again. In addition, higher educated job candidates are more selective about their choice.
How to become a ghostwriter if you have been punishing others for paper cheating
Jenifer was not fastidious. She was looking for a job that would correspond her skills and finally decided to try herself as an online editor. While searching for an editing job, she ran against term paper writing service. This company asked her to send examples of her works and complete a test task. She has been accepted as a ghostwriter.
In fact, term paper writing services gladly accept people with higher education and offer them to write papers of all kinds for money. Jenifer says that her first assignments for sale included a 5-page paper on public debt, 10-page paper on linguistics, and an editing work of someone else’s 20-page paper. All these assignments brought her about $150. Jenifer reports that it is possible to turn a useful penny by writing academic papers.
Jenifer realized that ghostwriting is a good source of income after she read an article about an anonymous academic writer who earned almost $70,000 a year writing papers for high school and college students.
“Currently this business becomes more and more popular. During finals and midterms, we have a lot of work to do since there are a lot of students ready to pay for a custom paper and submit it as their own,” he says. “It is no wonder that students use writing services. I have seen a lot of their writings, and I realize why they are so desperate about writing their assignments. Some of them are unable to compose a grocery list without additional help. They really need it. We help them pass a course, that’s all.”
Jenifer says that this work helped her be on form and develop her core skills like writing and researching all the time. She was unemployed for a long time and was afraid that her skills might become lower due to a lack of practice. However, at a writing company she never stops practicing. She claims that this is a hard work mostly because you have to be meet urgent deadlines.
The other challenge was a paper that she couldn’t complete once. The problem was not in a lack of competency, but in ethics. She discovered that it was an order for a student from her former place of work, Tech University. She says that she felt weird about completing this work and refused to write it.
“I became angry when I realized that I am going to serve a kid who is partying in Florida, while being a former faculty member of the university he is attending.”
Currently, Jenifer is working as a Russian translator. However, she is not abandoning academic writing industry even though she feels a little awkward about helping students to cheat. It is not that bad that unemployable professors have an opportunity to earn for living being ghostwriters even though it is not very ethical.
Ironically, a place of work like academic writing company that makes out-of-job educators feel that they are performing a crime assisting students in cheating seems to be the only place in the job market that values their experience in the sphere of education.

Buying term papers from academic writing services and freelance writers is becoming a popular deal. Therefore, former and current professors are entering this industry to write papers for money more and more often. Such services as CourseworkService.com are becoming popular among students all over the world. An interesting fact is that they hire not only former graduates but also out-of-work academics.
When professors find a compromise about cheating
Jennifer Sunseri, a former assistant professor, lost her job in 2009. She has been looking for a job for almost three years. At long last, she had abandoned all hope of finding a new job and started working as an academic writing service creating papers for college students.
Jenifer says, “I realize that it is legal, but highly unethical especially regarding the fact that I am a former professor. For me this is an equivalent of prostitution. But I have been living in a tight situation for years without an opportunity to visit a doctor or pay my bills. I am 53, and I have no kids to help me when I am out-of-work.”
She has been a tutor in Texas Tech since 1998, where she established a Slavic folklore course. Jenifer didn’t have any publications during her working years at Texas Tech, so when the time has come to apply for a venture, she realized that she has no chances and left. She moved to her sister and her mom and now she is living in her studio apartment with her two cats.
Sunseri was worried when she lost her job even though she has master’s degrees in Slavic linguistics and technical communications.
“I thought that my educator’s and writer’s skills will be useful,” she said. “However, I was shocked at the quantity of applications for an instructor at the local college, as well as for the office manager, or an adjunct at the local institution. Even an effort to apply for a substitute teacher failed. I cannot believe that those who have academic background, experience and a degree are in less demand than those have not.”
When Ph.D. and master’s degrees lose their magical power, people with academic background have no choice but to start their term paper writing career. Once professors become unemployed, one may say that they feel themselves like high school graduates looking for a part-time job. However, you will be surprised, but according to statistics sometimes those with high school or college diplomas are more welcome than people with higher education. The reason is that a lot of new job places in America were created at times of economic recovery and, therefore, they are low-paying and require specialists with lower skills. It turns to be that it is much easier to learn a less-educated worker and train him/her in a particular way suitable for a certain company or service than to teach a higher-educated worker all over again. In addition, higher educated job candidates are more selective about their choice.
How to become a ghostwriter if you have been punishing others for paper cheating
Jenifer was not fastidious. She was looking for a job that would correspond her skills and finally decided to try herself as an online editor. While searching for an editing job, she ran against term paper writing service. This company asked her to send examples of her works and complete a test task. She has been accepted as a ghostwriter.
In fact, term paper writing services gladly accept people with higher education and offer them to write papers of all kinds for money. Jenifer says that her first assignments for sale included a 5-page paper on public debt, 10-page paper on linguistics, and an editing work of someone else’s 20-page paper. All these assignments brought her about $150. Jenifer reports that it is possible to turn a useful penny by writing academic papers.
Jenifer realized that ghostwriting is a good source of income after she read an article about an anonymous academic writer who earned almost $70,000 a year writing papers for high school and college students.
“Currently this business becomes more and more popular. During finals and midterms, we have a lot of work to do since there are a lot of students ready to pay for a custom paper and submit it as their own,” he says. “It is no wonder that students use writing services. I have seen a lot of their writings, and I realize why they are so desperate about writing their assignments. Some of them are unable to compose a grocery list without additional help. They really need it. We help them pass a course, that’s all.”
Jenifer says that this work helped her be on form and develop her core skills like writing and researching all the time. She was unemployed for a long time and was afraid that her skills might become lower due to a lack of practice. However, at a writing company she never stops practicing. She claims that this is a hard work mostly because you have to be meet urgent deadlines.
The other challenge was a paper that she couldn’t complete once. The problem was not in a lack of competency, but in ethics. She discovered that it was an order for a student from her former place of work, Tech University. She says that she felt weird about completing this work and refused to write it.
“I became angry when I realized that I am going to serve a kid who is partying in Florida, while being a former faculty member of the university he is attending.”
Currently, Jenifer is working as a Russian translator. However, she is not abandoning academic writing industry even though she feels a little awkward about helping students to cheat. It is not that bad that unemployable professors have an opportunity to earn for living being ghostwriters even though it is not very ethical.
Ironically, a place of work like academic writing company that makes out-of-job educators feel that they are performing a crime assisting students in cheating seems to be the only place in the job market that values their experience in the sphere of education.

This spacious master bathroom is bright and elegant. It features white Calacatta marble tile on the floor, wainscoting treatment, and enclosed glass shower. The same Calacatta marble is also used on the two vanity countertops. Our crew spent time planning out the installation of the gorgeous water-jet floor tile insert, as well as the detailed Calacatta slab wall treatment in the shower.
This beautiful space was designed by Arnie of Green Eyed Designs.
Photography by Joseph Alfano.

Ocean front, Luxury home in Miami Beach - Living Room.
Projects by J Design Group, Your friendly Interior designers firm in Miami, FL. at your service.
AVENTURA MAGAZINE selected our client’s luxury 5000 Sf ocean front apartment in Miami Beach, to publish it in their issue and they Said:
Story by Linda Marx, Photography by Daniel Newcomb
Light & Bright
New York snowbirds redesigned their Miami Beach apartment to take advantage of the tropical lifestyle.
New York snowbirds redesigned their Miami Beach apartment to take advantage of the tropical lifestyle.
WHEN INTERIOR DESIGNER JENNIFER CORREDOR was asked to recreate a four-bedroom, six-bath condominium at The Bath Club in Miami Beach, she seized the opportunity to open the rooms and better utilize the vast ocean views.
In five months last year, the designer transformed a dark and closed 5,000-square-foot unit located on a high floor into a series of sweeping waterfront spaces and updated the well located apartment into a light and airy retreat for a sports-loving family of five.
“They come down from New York every other weekend and wanted to make their waterfront home a series of grand open spaces,” says Jennifer Corrredor, of the J. Design Group in Miami, a firm specializing in modern and contemporary interiors. “Since many of the rooms face the ocean, it made sense to open and lighten up the home, taking advantage of the awesome views of the sea and the bay.”
The designer used 40 x 40 all white tile throughout the apartment as a clean base. This way, her sophisticated use of color would stand out and bring the outdoors in.
The close-knit family members—two parents and three boys in college—like to do things together. But there were situations to overcome in the process of modernizing and opening the space. When Jennifer Corredor was briefed on their desires, nothing seemed too daunting. The confident designer was ready to delve in. For example, she fixed an area at the front door
that was curved. “The wood was concave so I straightened it out,” she explains of a request from the clients. “It was an obstacle that I overcame as part of what I do in a redesign. I don’t consider it a difficult challenge. Improving what I see is part of the process.”
She also tackled the kitchen with gusto by demolishing a wall. The kitchen had formerly been enclosed, which was a waste of space and poor use of available waterfront ambience. To create a grand space linking the kitchen to the living room and dining room area, something had to go. Once the wall was yesterday’s news, she relocated the refrigerator and freezer (two separate appliances) to the other side of the room. This change was a natural functionality in the new open space. “By tearing out the wall, the family has a better view of the kitchen from the living and dining rooms,” says Jennifer Corredor, who also made it easier to walk in and out of one area and into the other. “The views of the larger public space and the surrounding water are breathtaking.
Opening it up changed everything.”
They clients can now see the kitchen from the living and dining areas, and at the same time, dwell in an airy and open space instead of feeling stuck in a dark enclosed series of rooms. In fact, the high-top bar stools that Jennifer Corredor selected for the kitchen can be twirled around to use for watching TV in the living room.
In keeping with the theme of moving seamlessly from one room to the other, Corredor designed a subtle wall of glass in the living room along with lots of comfortable seating. This way, all family members feel at ease while relaxing, talking, or watching sporting events on the large flat screen television. “For this room, I wanted more open space, light and a supreme airy feeling,” she says. “With the glass design making a statement, it quickly became the star of the show.”…….
….. To add texture and depth, Jennifer Corredor custom created wood doors here, and in other areas of the home. They provide a nice contrast to the open Florida tropical feel. “I added character to the openness by using exotic cherry wood,” she says. “I repeated this throughout the home and it works well.”
Known for capturing the client’s vision while adding her own innovative twists, Jennifer Corredor lightened the family room, giving it a contemporary and modern edge with colorful art and matching throw pillows on the sofas. She added a large beige leather ottoman as the center coffee table in the room. This round piece was punctuated with a bold-toned flowering plant atop. It effortlessly matches the pillows and colors of the contemporary canvas.
Jennifer Corredor also gutted all of the bathrooms, resulting in a major redesign of the master. She jettisoned the whirlpool and created the dazzling illusion of a floating tub. From an area where there were two toilets, she eliminated one to make a grand rectangular shower, which became an overall showpiece. The master bath went from being just a functional water closet to a sophisticated spa-like space. “The client said I was ‘delicious’ after seeing the change,” laughed Jennifer Corredor, who emphasized that her clients love their part-time life in South Florida more each time they come down. Even when the husband has to work from their Miami Beach digs, he is surrounded by tropical beauty. For instance, there are times when the master bedroom must double as the husband’s home office.
The room had to be large enough to accommodate a working space for this purpose. So Jennifer Corredor placed an appropriate table near the window and across from the king-size bed. “No blocking of the amazing water view was necessary,” she says. “I kept an open space with a lot of white so It functions well and the work space fits right in.” She repeated the bold modern art in the room as well as in the guest bedroom, which also has a workspace for the sons when they are home from school and need to study.
The designer is still happy and glowing with the results of her toil in this apartment. She gets a “spiritual feeling” when she walks inside. “It is so peaceful and serene, with subtle hints of explosive statements,” she says. “The entire space is open, yet anchored by the warmth of the exotic woods.” The client wrote Jennifer Corredor a letter at the end of the project congratulating her on a
job well done. She revealed that owning a Miami Beach home was her husband’s dream 30 years ago. “Now we have a quality perfect yet practical home,” she wrote to the designer. “You solved the challenges, and the end
result far exceeds our expectations. We love it.”
Thanks for your interest in our Contemporary Interior Design projects and if you have any question please do not hesitate to ask us.
http://www.JDesignGroup.com
305.444.4611
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http://www.JDesignGroup.com
305.444.4611

Photography by Matthew Momberger
Example of a trendy home theater design in Los Angeles with black walls
Example of a trendy home theater design in Los Angeles with black walls

With its tall back, clean lines, leather look and topstitching accents, the fact that this sofa also reclines isn’t all that hard to believe.
Example of a minimalist living room design in Detroit
Example of a minimalist living room design in Detroit

Adrienne DeRosa © 2014 Houzz Inc.
A massive range setup anchors the open-plan kitchen. All pieces are by Viking, including the commercial-grade vent hood complete with warming lights and shelving. Jennifer and Raymond had found it at an estate sale during the time that they were building their home. They bought it for a song, and years later were shocked when they had it appraised. "This is by far one of the best scores I have ever come across!" Jennifer exclaims.
While the openness of the space works perfectly with the couple's lifestyle, there are changes ahead for surfaces and cabinetry. "Because of the color palette in the house, it no longer works with anything else," Jennifer explains. "It's only 14 years old, but time has changed and its time is up!"
Range and vent hood: Viking; refrigerator: Sub Zero; cabinetry: Ikea
Photo: Adrienne DeRosa © 2014 Houzz

Now their favorite spot in the house, the living room evokes a fresh, easy feeling. "The former decor was too dated and fussy," admits Sherri. Knowing what they were after, but unsure of how to get there, the couple enlisted the help of interior designer Ingrid Porter.
Pulling from the existing palette in the dining room makes this update a natural progression in the grand scheme of the home. Keeping some pieces, such as John's mother's rocker, was essential. Porter had the chair reupholstered to reflect the new feeling of the space. "With a lot of demands during the workday, they both needed a space that was quiet and calm to refuel their minds," explains the designer. "John has told me that he spends a lot more time in this room now."
Photo: Adrienne DeRosa © Houzz 2014

Courtesy Coastal Living, a division of the Time Inc. Lifestyle Group, photography by Tria Giovan. Coastal Living is a registered trademark of Time Inc. and is used with permission.
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