Tucker Design Awards celebrate the innovation and vision that designers bring to their projects through the specification and use of natural stone materials. For members of the Natural Stone Institute, acknowledgement as a contributor to a Tucker Design Awards winning project is a genuine tribute to their traditional values, physicality of work and dedication to precise specifications required in the realization of such accomplished architectural design. Landscape Architect Design Workshop, Aspen, CO Architect Poss Architecture, Aspen, CO Landscape Contractor Landscape Workshop, Carbondale, CO Stone Supplier/Installer Gallegos Corporation, Wolcott, CO Stone Quarry Arkins Park Stone, Loveland, CO Within walled boundaries, Woody Creek Garden embraces its high alpine environment through explorations of stone and water that serve as unifying elements of form in the design of the various outdoor spaces. Through striking and distinctively detailed stonework, water is portrayed in its various states and forms – atmospheric mist, single rivulets, cascades, and still pools. Two courtyards interlink the residence allowing each room to enjoy the visual landscape. In the entrance courtyard, the sound from a carved 24”x 24” cut-granite fountain reverberates throughout the walled space. Placed for gathering and quiet contemplation, a pin-wheel arrangement of sculptural, granite slabs provide a honed surface for sitting while providing year-round interest. Each stone was individually specified with intentionally spaced core fractures, utilizing the extraction method to serve as sculpted details. Large sandstone pavers, set in sand and cut in an irregular, but geometric fashion bring a sense of modernity to the space. Throughout the property, stone detailing seek to heighten one’s experience of the landscape and views. Upon the home’s entry, an 18” rectilinear cut in the freestanding stone wall frames a distant peak, creating a singular reference to the outside world in this encased space. Emerging from the center of an organically-shaped carved sandstone slab, water is carried along a narrow 2” runnel sandstone cap, disappearing into the framed horizon. This glimpse to the west is the only opening in the tightly enclosed courtyard. From its opposite aspect, the feature creates a welcoming gesture at the home’s front entrance. The slender rivulet of water trickles from the sandstone slab above onto a honed granite plane, set within a sandstone terrace In contrast, a second promontory courtyard commands a strong presence over its alpine setting, leaving the steeply sloping site undisturbed. A 12’x 40’ reflecting pool – a thin sheet of water over honed black granite – captures the form and silence of the everchanging natural environment on its taut surface. Along its edge, water flows over a ½” radius edge, disappearing into a recirculating slot. Commissioned by Italian artist Bruno Romeda, a bronze sculpture rests upon an elevated granite plinth. Along its western edge, designers crafted a two-tiered, infinity edge detail. In the first vertical drop, water flows between the pool and perimeter stone walls, landing onto an intermediate bench, while the second drop introduces a chamfered edge, allowing water to embrace the vertical relief without splashing. Sandstone terraces provide continuous access to the various landscape features of the garden. At the base of the battered perimeter walls, a sandstone path leads to a fire pit, encircled by lichen-covered boulders. Along the courtyard’s eastern perimeter, water appears to emerge from the hillside, fracturing and falling against the irregular vertical stone wall, melting in a curtain-like formation behind the spa. The colors, distinctive detailing and striking stonework were selected based on their appropriateness to the context. From above, a rectilinear pool lies behind the wall, silently mirroring the sky above and offering no ostensible connection to the structure or to its source.

Tucker Design Awards celebrate the innovation and vision that designers bring to their projects through the specification and use of natural stone materials. For members of the Natural Stone Institute, acknowledgement as a contributor to a Tucker Design Awards winning project is a genuine tribute to their traditional values, physicality of work and dedication to precise specifications required in the realization of such accomplished architectural design. Landscape Architect Design Workshop, Aspen, CO Architect Poss Architecture, Aspen, CO Landscape Contractor Landscape Workshop, Carbondale, CO Stone Supplier/Installer Gallegos Corporation, Wolcott, CO Stone Quarry Arkins Park Stone, Loveland, CO Within walled boundaries, Woody Creek Garden embraces its high alpine environment through explorations of stone and water that serve as unifying elements of form in the design of the various outdoor spaces. Through striking and distinctively detailed stonework, water is portrayed in its various states and forms – atmospheric mist, single rivulets, cascades, and still pools. Two courtyards interlink the residence allowing each room to enjoy the visual landscape. In the entrance courtyard, the sound from a carved 24”x 24” cut-granite fountain reverberates throughout the walled space. Placed for gathering and quiet contemplation, a pin-wheel arrangement of sculptural, granite slabs provide a honed surface for sitting while providing year-round interest. Each stone was individually specified with intentionally spaced core fractures, utilizing the extraction method to serve as sculpted details. Large sandstone pavers, set in sand and cut in an irregular, but geometric fashion bring a sense of modernity to the space. Throughout the property, stone detailing seek to heighten one’s experience of the landscape and views. Upon the home’s entry, an 18” rectilinear cut in the freestanding stone wall frames a distant peak, creating a singular reference to the outside world in this encased space. Emerging from the center of an organically-shaped carved sandstone slab, water is carried along a narrow 2” runnel sandstone cap, disappearing into the framed horizon. This glimpse to the west is the only opening in the tightly enclosed courtyard. From its opposite aspect, the feature creates a welcoming gesture at the home’s front entrance. The slender rivulet of water trickles from the sandstone slab above onto a honed granite plane, set within a sandstone terrace In contrast, a second promontory courtyard commands a strong presence over its alpine setting, leaving the steeply sloping site undisturbed. A 12’x 40’ reflecting pool – a thin sheet of water over honed black granite – captures the form and silence of the everchanging natural environment on its taut surface. Along its edge, water flows over a ½” radius edge, disappearing into a recirculating slot. Commissioned by Italian artist Bruno Romeda, a bronze sculpture rests upon an elevated granite plinth. Along its western edge, designers crafted a two-tiered, infinity edge detail. In the first vertical drop, water flows between the pool and perimeter stone walls, landing onto an intermediate bench, while the second drop introduces a chamfered edge, allowing water to embrace the vertical relief without splashing. Sandstone terraces provide continuous access to the various landscape features of the garden. At the base of the battered perimeter walls, a sandstone path leads to a fire pit, encircled by lichen-covered boulders. Along the courtyard’s eastern perimeter, water appears to emerge from the hillside, fracturing and falling against the irregular vertical stone wall, melting in a curtain-like formation behind the spa. The colors, distinctive detailing and striking stonework were selected based on their appropriateness to the context. From above, a rectilinear pool lies behind the wall, silently mirroring the sky above and offering no ostensible connection to the structure or to its source.

These doors are made of Vertical Grain Douglas Fir. They are very stable and won't warp. They are outdoor doors and were made to hide some trash cans at a nice home in Coronado. The doors have a high UV protectant, in an oil finish. The maintenance is quite easy. Every few years, just put some more oil on them

This Wyoming home feature's Montana Timber Products prefinished ranchwood™ Eastern square edge lap wood siding and ranchwood™ Yellowstone reverse board and batten siding. - As the sun moves across the horizon, light beautifully contrasts with the vertical installation of ranchwood Yellowstone with the lower installation of ranchwood™ Eastern, blending seamlessly into the gorgeous Wyoming landscape. - Montana Timber Products' flagship product, ranchwood™, is a reclaimed barnwood alternative milled from new, kiln dried, chemical free, rough stock wood. Put through a colorizing and texturizing process, ranchwood™ is an aesthetically pleasing authentic reclaimed barn wood, rustic wood siding. ranchwood™ offers uncompromising rustic wood beauty typically less expensive than antique reclaimed barnwood. - Contrasting square edge lap profile with the reverse board batten profile extenuates the rich color of ranchwood™ Eastern, providing depth to the the siding with a 3-dimensional exposure. - Montana Timber Products is a custom millwork shop as shown with this application of a vertically installed shiplap milled with a 1/4" reveal. This reveal creates nice shadow lines and a multi-dimensional aesthetic to the finish of this siding. Wire Brushed and Circle Sawn are Montana Timber Products typical texturizing options. Circle Sawn texture seen on Montana Timber Products natural wood siding is created by large circular saw blades used in more traditional milling practices. Added physical and aesthetic depth to the wood grain is available as the Wire Brushed option. Greater surface area is added during the texturizing process, allowing Seal-Once, 100% NO VOC waterfproofer to more effectively penetrate the wood. Seal-Once is guaranteed for ten years from water ingress and is safe for exterior and interior use, pets and children. - The Yellowstone color is the lighter color, vertically installed on the top levels. Yellowstone’s lighter tones of gray — representing weathering through long windswept days — are perhaps one of the most treasured colors utilized from the feel of the old barn pallet. - Montana Timber Products does not use degenerative chemicals like some companies do to achieve texture and color. Environmentally responsible, Montana Timber Products produces wood siding, interior accents, flooring, reclaimed wood, beams, barn wood alternatives with environmentally friendly manufacturing techniques.

This luxury bespoke utility and laundry room was handcrafted and installed by us for our clients’ home in Guildford, Surrey. With made to measure cabinetry, quartz worktops and a farmhouse sink, the room makes everyday household tasks a breeze. The custom-built cabinets have been painted in Farrow and Ball’s Hardwick White, a deep grey white with a rich, chalky tone. This colour, combined with the white natural stone of the countertops, gives the utility room a serene and refreshing elegance. It’s a cohesive design that harmoniously connects the utility room with our clients’ other living spaces. Traditional cabinetry with a timeless quality The solid maple wood cabinets feature classic in-frame shaker style doors with a cockbead edge, and the solid oak dovetailed drawers extend fully on concealed soft closing runners. We customised the cabinets to house our clients’ freestanding appliances, which are easier to replace and maintain than more expensive integrated ones.The upper corner cabinet artfully conceals an unsightly central heating boiler while the upper open shelving makes it easy to access items such as folded linens and adds character to the laundry room. Features designed for a luxury utility room Tongue and V groove (TGV) beaded cladding made from sustainable timber has been fitted vertically to provide a classic panelled finish. Painted wall panelling protects your walls, looks attractive and can be easily cleaned. The deep French farmhouse sink in white porcelain with high quality lever style mixer tap adds a touch of rustic charm to the room. The worktops are also in white. Made from premium Carrera White quartz with a honed finish. This is a soft sheen with a more natural appearance. Every detail has been thoughtfully planned with even the black coated solid brass handles matching the electrical sockets and switches.

These doors are made of Vertical Grain Douglas Fir. They are very stable and won't warp. They are outdoor doors and were made to hide some trash cans at a nice home in Coronado. The doors have a high UV protectant, in an oil finish. The maintenance is quite easy. Every few years, just put some more oil on them

THE DOOR NAME ORIGIN - "ALLUMINIO ELIVIA VERTICAL WOOD GRAIN 4HS" Of all the interior door models in the Elivia collection, this one is perhaps the most unapologetically elegant. Why? Hmm … That which is self-evident can be the most difficult to explain. Is it because it is built using the latest breakthroughs in interior door making technology? Look at the finish: the process of applying it utilizes something called “stretching” by professionals, which is to say that instead of simply slapping the finish on top of the interior door’s surface, our company fuses (for lack of a better word) the materials (on molecular level, no less), the result being that the finished product is more warp-resistant, scratch-resistant, and fade-proof than any interior door put together in the past. This is especially important in climates known for their high humidity levels. Yes, but this has more to do with engineering than aesthetics, right? Okay, so, is this interior door super-elegant because ... Show more! FINISH: WALNUT When it comes to interior door finishes, walnut may not be king per se, since “different folk have different views,” as the poet said, and it behooves a proper collection of finishes to be thoroughly democratic; but, but … you could view walnut as an important majority leader descended from royalty – like, say, Louis Napoleon back when he was still an elected official and not, as he eventually came to style himself, Napoleon III. Strictly speaking, a walnut is the seed of a drupaceous nut, and not a true nut in the botanical sense. It is native to Persia (walnut oil is a staple in Iranian cuisine to this day) and North America, even though approximately one half of the world’s production today is done in China. That said, one of its more historically curious uses would be the production of ink and dyes. Those are made, or used to be made, at least, from the husk surrounding the nut. The ink could be used to produce drawings – or darken paper to make it look older. It has (as it turned out by the by) excellent archival properties. It was used liberally by many capable and honest artists in the past. A keen observer of the human condition, a Florentine named Leonardo da Vinci never left his house (which featured some pretty interesting interior doors, but that’s a story for another day) … never left it without a vial – and a sketch book. As he took leisurely strolls around the streets and piazzas, he observed folks – socializing, arguing, fighting, striking bargains, and gossiping. Let us mention in passing – and this is merely an opinion, mind you – that his sketches seem to be a great deal livelier than his portraits, which for the most part adhere to the epoch’s somewhat mawkish standards and the algebraic, rather than harmonious, approach to depicting humans. The perpetual beguiling mystery of Mona Lisa’s smile is undoubtedly magnificent, but it is the Tuscan polymath’s quick yet amazingly insightful drawings that give us an idea – oftentimes a very comprehensive one – of what everyday life was truly like in Florence in the Sixteenth Century. An old man gloating at someone’s misfortune, two passionate merchants arguing over the price of some highly important delivery, a young woman lamenting the lack of decent men whom a reasonable person could view as husband material, and on and on – it’s all there in Leonardo’s sketches characterized by masterful lines and elegant shading despite the obvious – and necessary – impetuosity of each sketch. So precious and brilliant are those casual masterpieces that, had the scientifically inclined fellow eliminated the need for outdoor sketching by inventing photography, it would have been an historian’s immeasurable gain, certainly, but also an art lover’s great loss. The idea behind our Walnut Finish is to invoke in the interior door owner a feeling of timeless historicity. Some things change, but others are forever. Stability is an important quality in an interior door, is it not? Rembrandt van Rijn, who also used walnut ink extensively, was a studio artist, with only a few outdoor paintings in his legacy. Truth be told, he was a better draftsman than Leonardo, at least as far as technique goes (don’t let this get around). Well. He lived a century later and had the benefit of all the development art had undergone since the great Italian master. Just like these interior doors – your interior doors – are a huge improvement on anything that was available only twenty years ago, never mind a hundred years ago. The “oscillation” of Rembrandt’s line, the delightful shift from the descriptive to the aesthetic stroke, makes his production in that category quite unique. Upon reaching artistic maturity, the stubborn Dutch master began to shun the unbroken contour line, which caused a lot of trouble for his drawings a century later, when dealers and collectors who wished to “update” his sketches to fit the current fashion had the audacity to “complete” Rembrandt’s pen-and-inks. Fortunately, some of the sketches escaped this sorry fate and have been preserved in their original glorious state to this day. Rembrandt’s mastery is yet another thing this interior door finish might remind you of each time you look at your doors.

Artisan Masonry: Precision Tile & Textural Contrast This view of the daughter’s bathroom highlights the high-end stone integration that defines the entire Hayden estate. We approached this shower not just as a utility, but as a showcase for large-format Italian porcelain and technical tile transitions. The result is a clean, sophisticated environment that balances modern durability with classic "Inland Northwest" textures. Craftsmanship & Technical Details: Large-Format Stone Integration: We utilized expansive Italian porcelain body tiles to create a monolithic, seamless look. This requires expert layout and substrate preparation to ensure the veining and texture flow naturally across the vertical surfaces. Recessed Architectural Niche: A signature detail of our custom builds is the integrated shampoo niche. Note the precision mitered edges and the mosaic tile backset, which provides a subtle textural contrast to the smooth field tile while offering durable, high-end functionality. Professional Oil-Rubbed Fixtures: The dark, high-contrast hardware provides a bold architectural accent against the grey-toned stone. This high-flow showerhead and pressure-balanced valve system are engineered for long-term reliability in a busy family home. Textural Balance: The cool, organic tones of the masonry are warmed by the surrounding Knotty Alder casings, creating a cohesive design language that ties this suite into the rest of the home's "Mountain Modern" aesthetic. Heavy-Duty Frameless Glass: To keep the focus on the intricate tile work and the recessed niche, we utilized a custom-cut, heavy-gauge frameless glass enclosure, ensuring the space feels open and high-end.

Compact laundry and utility area featuring built-in blue cabinetry, a deep dark utility sink, matte black faucet, and white subway tile backsplash. The small footprint uses vertical storage and durable finishes to create a practical support space for the renovated home.

This Wyoming home feature's Montana Timber Products prefinished ranchwood™ Eastern square edge lap wood siding and ranchwood™ Yellowstone reverse board and batten siding. - As the sun moves across the horizon, light beautifully contrasts with the vertical installation of ranchwood Yellowstone with the lower installation of ranchwood™ Eastern, blending seamlessly into the gorgeous Wyoming landscape. - Montana Timber Products' flagship product, ranchwood™, is a reclaimed barnwood alternative milled from new, kiln dried, chemical free, rough stock wood. Put through a colorizing and texturizing process, ranchwood™ is an aesthetically pleasing authentic reclaimed barn wood, rustic wood siding. ranchwood™ offers uncompromising rustic wood beauty typically less expensive than antique reclaimed barnwood. - Contrasting square edge lap profile with the reverse board batten profile extenuates the rich color of ranchwood™ Eastern, providing depth to the the siding with a 3-dimensional exposure. - Montana Timber Products is a custom millwork shop as shown with this application of a vertically installed shiplap milled with a 1/4" reveal. This reveal creates nice shadow lines and a multi-dimensional aesthetic to the finish of this siding. Wire Brushed and Circle Sawn are Montana Timber Products typical texturizing options. Circle Sawn texture seen on Montana Timber Products natural wood siding is created by large circular saw blades used in more traditional milling practices. Added physical and aesthetic depth to the wood grain is available as the Wire Brushed option. Greater surface area is added during the texturizing process, allowing Seal-Once, 100% NO VOC waterfproofer to more effectively penetrate the wood. Seal-Once is guaranteed for ten years from water ingress and is safe for exterior and interior use, pets and children. - The Yellowstone color is the lighter color, vertically installed on the top levels. Yellowstone’s lighter tones of gray — representing weathering through long windswept days — are perhaps one of the most treasured colors utilized from the feel of the old barn pallet. - Montana Timber Products does not use degenerative chemicals like some companies do to achieve texture and color. Environmentally responsible, Montana Timber Products produces wood siding, interior accents, flooring, reclaimed wood, beams, barn wood alternatives with environmentally friendly manufacturing techniques.

Tucker Design Awards celebrate the innovation and vision that designers bring to their projects through the specification and use of natural stone materials. For members of the Natural Stone Institute, acknowledgement as a contributor to a Tucker Design Awards winning project is a genuine tribute to their traditional values, physicality of work and dedication to precise specifications required in the realization of such accomplished architectural design. Landscape Architect Design Workshop, Aspen, CO Architect Poss Architecture, Aspen, CO Landscape Contractor Landscape Workshop, Carbondale, CO Stone Supplier/Installer Gallegos Corporation, Wolcott, CO Stone Quarry Arkins Park Stone, Loveland, CO Within walled boundaries, Woody Creek Garden embraces its high alpine environment through explorations of stone and water that serve as unifying elements of form in the design of the various outdoor spaces. Through striking and distinctively detailed stonework, water is portrayed in its various states and forms – atmospheric mist, single rivulets, cascades, and still pools. Two courtyards interlink the residence allowing each room to enjoy the visual landscape. In the entrance courtyard, the sound from a carved 24”x 24” cut-granite fountain reverberates throughout the walled space. Placed for gathering and quiet contemplation, a pin-wheel arrangement of sculptural, granite slabs provide a honed surface for sitting while providing year-round interest. Each stone was individually specified with intentionally spaced core fractures, utilizing the extraction method to serve as sculpted details. Large sandstone pavers, set in sand and cut in an irregular, but geometric fashion bring a sense of modernity to the space. Throughout the property, stone detailing seek to heighten one’s experience of the landscape and views. Upon the home’s entry, an 18” rectilinear cut in the freestanding stone wall frames a distant peak, creating a singular reference to the outside world in this encased space. Emerging from the center of an organically-shaped carved sandstone slab, water is carried along a narrow 2” runnel sandstone cap, disappearing into the framed horizon. This glimpse to the west is the only opening in the tightly enclosed courtyard. From its opposite aspect, the feature creates a welcoming gesture at the home’s front entrance. The slender rivulet of water trickles from the sandstone slab above onto a honed granite plane, set within a sandstone terrace In contrast, a second promontory courtyard commands a strong presence over its alpine setting, leaving the steeply sloping site undisturbed. A 12’x 40’ reflecting pool – a thin sheet of water over honed black granite – captures the form and silence of the everchanging natural environment on its taut surface. Along its edge, water flows over a ½” radius edge, disappearing into a recirculating slot. Commissioned by Italian artist Bruno Romeda, a bronze sculpture rests upon an elevated granite plinth. Along its western edge, designers crafted a two-tiered, infinity edge detail. In the first vertical drop, water flows between the pool and perimeter stone walls, landing onto an intermediate bench, while the second drop introduces a chamfered edge, allowing water to embrace the vertical relief without splashing. Sandstone terraces provide continuous access to the various landscape features of the garden. At the base of the battered perimeter walls, a sandstone path leads to a fire pit, encircled by lichen-covered boulders. Along the courtyard’s eastern perimeter, water appears to emerge from the hillside, fracturing and falling against the irregular vertical stone wall, melting in a curtain-like formation behind the spa. The colors, distinctive detailing and striking stonework were selected based on their appropriateness to the context. From above, a rectilinear pool lies behind the wall, silently mirroring the sky above and offering no ostensible connection to the structure or to its source.

Tucker Design Awards celebrate the innovation and vision that designers bring to their projects through the specification and use of natural stone materials. For members of the Natural Stone Institute, acknowledgement as a contributor to a Tucker Design Awards winning project is a genuine tribute to their traditional values, physicality of work and dedication to precise specifications required in the realization of such accomplished architectural design. Landscape Architect Design Workshop, Aspen, CO Architect Poss Architecture, Aspen, CO Landscape Contractor Landscape Workshop, Carbondale, CO Stone Supplier/Installer Gallegos Corporation, Wolcott, CO Stone Quarry Arkins Park Stone, Loveland, CO Within walled boundaries, Woody Creek Garden embraces its high alpine environment through explorations of stone and water that serve as unifying elements of form in the design of the various outdoor spaces. Through striking and distinctively detailed stonework, water is portrayed in its various states and forms – atmospheric mist, single rivulets, cascades, and still pools. Two courtyards interlink the residence allowing each room to enjoy the visual landscape. In the entrance courtyard, the sound from a carved 24”x 24” cut-granite fountain reverberates throughout the walled space. Placed for gathering and quiet contemplation, a pin-wheel arrangement of sculptural, granite slabs provide a honed surface for sitting while providing year-round interest. Each stone was individually specified with intentionally spaced core fractures, utilizing the extraction method to serve as sculpted details. Large sandstone pavers, set in sand and cut in an irregular, but geometric fashion bring a sense of modernity to the space. Throughout the property, stone detailing seek to heighten one’s experience of the landscape and views. Upon the home’s entry, an 18” rectilinear cut in the freestanding stone wall frames a distant peak, creating a singular reference to the outside world in this encased space. Emerging from the center of an organically-shaped carved sandstone slab, water is carried along a narrow 2” runnel sandstone cap, disappearing into the framed horizon. This glimpse to the west is the only opening in the tightly enclosed courtyard. From its opposite aspect, the feature creates a welcoming gesture at the home’s front entrance. The slender rivulet of water trickles from the sandstone slab above onto a honed granite plane, set within a sandstone terrace In contrast, a second promontory courtyard commands a strong presence over its alpine setting, leaving the steeply sloping site undisturbed. A 12’x 40’ reflecting pool – a thin sheet of water over honed black granite – captures the form and silence of the everchanging natural environment on its taut surface. Along its edge, water flows over a ½” radius edge, disappearing into a recirculating slot. Commissioned by Italian artist Bruno Romeda, a bronze sculpture rests upon an elevated granite plinth. Along its western edge, designers crafted a two-tiered, infinity edge detail. In the first vertical drop, water flows between the pool and perimeter stone walls, landing onto an intermediate bench, while the second drop introduces a chamfered edge, allowing water to embrace the vertical relief without splashing. Sandstone terraces provide continuous access to the various landscape features of the garden. At the base of the battered perimeter walls, a sandstone path leads to a fire pit, encircled by lichen-covered boulders. Along the courtyard’s eastern perimeter, water appears to emerge from the hillside, fracturing and falling against the irregular vertical stone wall, melting in a curtain-like formation behind the spa. The colors, distinctive detailing and striking stonework were selected based on their appropriateness to the context. From above, a rectilinear pool lies behind the wall, silently mirroring the sky above and offering no ostensible connection to the structure or to its source.

This luxury bespoke utility and laundry room was handcrafted and installed by us for our clients’ home in Guildford, Surrey. With made to measure cabinetry, quartz worktops and a farmhouse sink, the room makes everyday household tasks a breeze. The custom-built cabinets have been painted in Farrow and Ball’s Hardwick White, a deep grey white with a rich, chalky tone. This colour, combined with the white natural stone of the countertops, gives the utility room a serene and refreshing elegance. It’s a cohesive design that harmoniously connects the utility room with our clients’ other living spaces. Traditional cabinetry with a timeless quality The solid maple wood cabinets feature classic in-frame shaker style doors with a cockbead edge, and the solid oak dovetailed drawers extend fully on concealed soft closing runners. We customised the cabinets to house our clients’ freestanding appliances, which are easier to replace and maintain than more expensive integrated ones.The upper corner cabinet artfully conceals an unsightly central heating boiler while the upper open shelving makes it easy to access items such as folded linens and adds character to the laundry room. Features designed for a luxury utility room Tongue and V groove (TGV) beaded cladding made from sustainable timber has been fitted vertically to provide a classic panelled finish. Painted wall panelling protects your walls, looks attractive and can be easily cleaned. The deep French farmhouse sink in white porcelain with high quality lever style mixer tap adds a touch of rustic charm to the room. The worktops are also in white. Made from premium Carrera White quartz with a honed finish. This is a soft sheen with a more natural appearance. Every detail has been thoughtfully planned with even the black coated solid brass handles matching the electrical sockets and switches.

Tucker Design Awards celebrate the innovation and vision that designers bring to their projects through the specification and use of natural stone materials. For members of the Natural Stone Institute, acknowledgement as a contributor to a Tucker Design Awards winning project is a genuine tribute to their traditional values, physicality of work and dedication to precise specifications required in the realization of such accomplished architectural design. Landscape Architect Design Workshop, Aspen, CO Architect Poss Architecture, Aspen, CO Landscape Contractor Landscape Workshop, Carbondale, CO Stone Supplier/Installer Gallegos Corporation, Wolcott, CO Stone Quarry Arkins Park Stone, Loveland, CO Within walled boundaries, Woody Creek Garden embraces its high alpine environment through explorations of stone and water that serve as unifying elements of form in the design of the various outdoor spaces. Through striking and distinctively detailed stonework, water is portrayed in its various states and forms – atmospheric mist, single rivulets, cascades, and still pools. Two courtyards interlink the residence allowing each room to enjoy the visual landscape. In the entrance courtyard, the sound from a carved 24”x 24” cut-granite fountain reverberates throughout the walled space. Placed for gathering and quiet contemplation, a pin-wheel arrangement of sculptural, granite slabs provide a honed surface for sitting while providing year-round interest. Each stone was individually specified with intentionally spaced core fractures, utilizing the extraction method to serve as sculpted details. Large sandstone pavers, set in sand and cut in an irregular, but geometric fashion bring a sense of modernity to the space. Throughout the property, stone detailing seek to heighten one’s experience of the landscape and views. Upon the home’s entry, an 18” rectilinear cut in the freestanding stone wall frames a distant peak, creating a singular reference to the outside world in this encased space. Emerging from the center of an organically-shaped carved sandstone slab, water is carried along a narrow 2” runnel sandstone cap, disappearing into the framed horizon. This glimpse to the west is the only opening in the tightly enclosed courtyard. From its opposite aspect, the feature creates a welcoming gesture at the home’s front entrance. The slender rivulet of water trickles from the sandstone slab above onto a honed granite plane, set within a sandstone terrace In contrast, a second promontory courtyard commands a strong presence over its alpine setting, leaving the steeply sloping site undisturbed. A 12’x 40’ reflecting pool – a thin sheet of water over honed black granite – captures the form and silence of the everchanging natural environment on its taut surface. Along its edge, water flows over a ½” radius edge, disappearing into a recirculating slot. Commissioned by Italian artist Bruno Romeda, a bronze sculpture rests upon an elevated granite plinth. Along its western edge, designers crafted a two-tiered, infinity edge detail. In the first vertical drop, water flows between the pool and perimeter stone walls, landing onto an intermediate bench, while the second drop introduces a chamfered edge, allowing water to embrace the vertical relief without splashing. Sandstone terraces provide continuous access to the various landscape features of the garden. At the base of the battered perimeter walls, a sandstone path leads to a fire pit, encircled by lichen-covered boulders. Along the courtyard’s eastern perimeter, water appears to emerge from the hillside, fracturing and falling against the irregular vertical stone wall, melting in a curtain-like formation behind the spa. The colors, distinctive detailing and striking stonework were selected based on their appropriateness to the context. From above, a rectilinear pool lies behind the wall, silently mirroring the sky above and offering no ostensible connection to the structure or to its source.

This bathroom cabinet features double-height pull out shelves with notched handles for easy opening and closing on the left side, and a double-height pull out shelf with a single-height riser on the right.

Custom screen porch features a cozy stone fireplace, cathedral ceilings, and vinyl 4-track windows. A flagstone walkway wraps around the porch, leading to the front of the home. ~Mokena, IL http://chicagoland.archadeck.com/

.....where new, hip young homeowners have rediscovered this midcentury modern gem and made it fit their own lifestyle.
Design ideas for a mid-century modern landscaping in Charlotte.

Photography: Stephani Buchman, Floral: Bluebird Event Design
Mid-sized danish galley porcelain tile utility room photo in Toronto with white walls

The Tice Residences replace a run-down and aging duplex with two separate, modern, Santa Barbara homes. Although the unique creek-side site (which the client’s original home looked toward across a small ravine) proposed significant challenges, the clients were certain they wanted to live on the lush “Riviera” hillside. The challenges presented were ultimately overcome through a thorough and careful study of site conditions. With an extremely efficient use of space and strategic placement of windows and decks, privacy is maintained while affording expansive views from each home to the creek, downtown Santa Barbara and Pacific Ocean beyond. Both homes appear to have far more openness than their compact lots afford. The solution strikes a balance between enclosure and openness. Walls and landscape elements divide and protect two private domains, and are in turn, carefully penetrated to reveal views. Both homes are variations on one consistent theme: elegant composition of contemporary, “warm” materials; strong roof planes punctuated by vertical masses; and floating decks. The project forms an intimate connection with its setting by using site-excavated stone, terracing landscape planters with native plantings, and utilizing the shade provided by its ancient Riviera Oak trees. 2012 AIA Santa Barbara Chapter Merit Award Jim Bartsch Photography