Simple clean design...in this master bathroom renovation things were kept in the same place but in a very different interpretation. The shower is where the exiting one was, but the walls surrounding it were taken out, a curbless floor was installed with a sleek tile-over linear drain that really goes away. A free-standing bathtub is in the same location that the original drop in whirlpool tub lived prior to the renovation. The result is a clean, contemporary design with some interesting "bling" effects like the bubble chandelier and the mirror rounds mosaic tile located in the back of the niche.

The original kitchen was dark, dingy and dated! With the criteria given, we transformed this space into a bright uplifting and family friendly space. We retained the original kitchen footprint and kept plumbing and electrical in the same locations for budgetary considerations. The kitchen was redesigned with entertaining in mind. From custom two-toned cabinetry to sophisticated banquette seating, we re-imagined a bright space with a new personality reaping the benefits of the influx of natural light from the double height windows in the adjacent great room. From the calcutta marble tile backsplash, caesarstone counter tops and porcelain tile floors, this updated kitchen provided my clients with their dream kitchen …a bright white entertainers delight. Photo Credit: Bethany Nauert

In 1949, one of mid-century modern’s most famous NW architects, Paul Hayden Kirk, built this early “glass house” in Hawthorne Hills. Rather than flattening the rolling hills of the Northwest to accommodate his structures, Kirk sought to make the least impact possible on the building site by making use of it natural landscape. When we started this project, our goal was to pay attention to the original architecture--as well as designing the home around the client’s eclectic art collection and African artifacts. The home was completely gutted, since most of the home is glass, hardly any exterior walls remained. We kept the basic footprint of the home the same—opening the space between the kitchen and living room. The horizontal grain matched walnut cabinets creates a natural continuous movement. The sleek lines of the Fleetwood windows surrounding the home allow for the landscape and interior to seamlessly intertwine. In our effort to preserve as much of the design as possible, the original fireplace remains in the home and we made sure to work with the natural lines originally designed by Kirk.

Klopf Architecture and Jesse Ososki Art remodeled an existing Eichler atrium home into a brighter, more open, and more functional version of its original self. The goals were to preserve the Eichler look and feel without the need to strictly adhere to it. The scope of work included re-configuring the master bedroom/bath, the kitchen, and the hall bath/laundry area, as well as updating interior finishes throughout to be more sophisticated. The owners are detail-oriented and were very involved in the design process, down to the selection of lighting controls and stainless steel faceplates.Their design aesthetic leans toward the Scandinavian — light and bright, with simple straight lines and pure geometric shapes. The finish flooring is large porcelain tile (24” x 24”) in a neutral grey tone, providing a uniform backdrop against which other materials can stand out. The same tile continues into the shower floor (with a different finish texture for slip-resistance) and up the shower/tub walls (in a smaller size). Heath Classic Field ceramic tile in Modern Blue was used sparingly, to add color at the hall bath vanity backsplash and at the shampoo niches in both bathrooms. Back-painted soda glass in pale blue to match the Heath tile was used at the kitchen backsplash. This same accent color was also used at the front entry atrium door. Kitchen cabinetry, countertops, appliances, and light fixtures are all white, making the kitchen feel more airy and light. Countertops are Caesarstone Blizzard. The owners chose to keep some of the original Eichler elements: the concrete masonry fireplace; the stained tongue-and-groove redwood ceiling decking; and the luan wall paneling. The luan paneling was lightly sanded, cleaned, and re-stained. The owners also kept an added element that was installed by a previous owner: sliding shoji panels at all bedroom windows and sliding glass doors, for both privacy and sun control. Grooves were cut into the new tile flooring for the shoji panels to slide in, creating a more integrated look. Walnut was used to add warmth and contrast at the kitchen bar top and niche, the bathroom vanities, and the window sill/ledge under the kitchen window. This Burlingame Eichler Remodel is a 2,121 sf, 4 bedroom/2 bath home located in the heart of Silicon Valley. Klopf Architecture Project Team: John Klopf, Klara Kevane and Yegvenia Torres Zavala Contractor: Jesse Ososki Art Structural Engineer: Emmanuel Pun Photography ©2018 Mariko Reed Location: Burlingame, CA Year completed: 2017

1960s formal and open concept living room photo in San Francisco with gray walls

In 1949, one of mid-century modern’s most famous NW architects, Paul Hayden Kirk, built this early “glass house” in Hawthorne Hills. Rather than flattening the rolling hills of the Northwest to accommodate his structures, Kirk sought to make the least impact possible on the building site by making use of it natural landscape. When we started this project, our goal was to pay attention to the original architecture--as well as designing the home around the client’s eclectic art collection and African artifacts. The home was completely gutted, since most of the home is glass, hardly any exterior walls remained. We kept the basic footprint of the home the same—opening the space between the kitchen and living room. The horizontal grain matched walnut cabinets creates a natural continuous movement. The sleek lines of the Fleetwood windows surrounding the home allow for the landscape and interior to seamlessly intertwine. In our effort to preserve as much of the design as possible, the original fireplace remains in the home and we made sure to work with the natural lines originally designed by Kirk.

The original house was demolished to make way for a two-story house on the sloping lot, with an accessory dwelling unit below. The upper level of the house, at street level, has three bedrooms, a kitchen and living room. The “great room” opens onto an ocean-view deck through two large pocket doors. The master bedroom can look through the living room to the same view. The owners, acting as their own interior designers, incorporated lots of color with wallpaper accent walls in each bedroom, and brilliant tiles in the bathrooms, kitchen, and at the fireplace tiles in the bathrooms, kitchen, and at the fireplace. Architect: Thompson Naylor Architects Photographs: Jim Bartsch Photographer

The home office portion of the gift wrapping room uses the same white maple Wellborn cabinets connected by walnut countertops. The office space was originally set up so the lady of the house had a computer and printer for her craft projects, but the man of the house finds himself (and their dog!) spending a lot of time at this station because it's inviting and inspiring. Photo by Toby Weiss

Hi everyone, I'm Sarah and Ogun we are here with fine line kitchens. So we are a couple working together. I do the interior design and remodeling of the space material selection meeting with the clients. And I handled operations outside, you know meaning all the construction work that is taking place the inside. The houses that we work in. I handle all the aspects of the construction, so today's project is very special. We're in Vienna and the client had a very big family. It's a family of seven that lives here. So we had a few aspects that we needed to keep in mind while designing this one. Having everybody be able to sit on the island. So we wanted plenty of seating all the way around. We didn't want anybody standing or anything like that. So what we did is we maximize the space. The center island is the biggest part of the kitchen. We use a natural stone to kind of give it a beautiful texture versus quartz. It's kind of standard white or kind of fabricated, so I wanted something very natural. We did this because I took my inspiration from the outside, so the inspiration if you look at the view right in front of me is there are so many greens there's a lot of brass accents and I wanted to bring this. Into this kitchen while designing it for my clients. She is very warm very. She wanted a very homey, comfy kind of look for the kitchen. So that's what we did today. As you can see, the cabinets are sage green, very light, so I still think it's a neutral, but it's a lighter color that again brings the outside in and we combine that with the oak right behind me so it's a slightly warm oak. It's not very dark. It's not very light. It's a medium brown and the same color went on the island. To kind of tie these two in and the backsplash, my favorite part is where you can see a little bit of design. It is, in my opinion still classic, but includes a pattern so the outside part is as we said in the beginning, is handled by my husband. I'd like him to speak a little bit about that. Thanks, Sarah, I want to talk to you guys a little bit about the construction part of this project. Originally this kitchen was located mostly in this area. They had their stove there sing. It was more of a peninsula layout in Sarah's and the customer vision they wanted. They wanted to get rid of the peninsula and they want to be able to have a huge island that can at least sit seven people because they're familiar with seven. So we wanted to make sure that we can achieve this design and bring it to life so that they can be happy with this layout. Some of the challenges we had, the house, the home being, you know, old home. There were a lot of you know the older electrical and plumbing that had to be replaced. We had to relocate the stove from here to this area. Over here we had put a nice foot fan that we had to relocate all the ductwork and the plumbing. Was being on the peninsula area. We had to relocate it to the center islands. So we achieved all this and kind of like bring it to bring in this kitchen up to date it looks beautiful. That's true, so yes, the old layout did not function for my clients because everything was kind of gathered on one side of the kitchen. So there was like a peninsula right there. So the end of this island kind of continued straight. And that was just the L shape. Kind of where everything was and there used to be another big table here, so they were using only kind of half of the space. So like I said at the beginning, our vision was to kind of feed everybody at the island, create some symmetry. 'cause I love that. So as you can see behind me, this is kind of the focal point symmetrical. Everything is kind of even we wanted to also panel the fridge here so it mimics the pantry and another size. So when you're looking at it, it is bringing again that symmetry back again. I hope you enjoyed this kitchen and this video and I'll see you soon. So how do you think this project turned out? It's nice. I like the color. I think it turned out nice. It's kind of like a little bit different color than what we always do. So I realize. Are you giving me a little bit of credit here that I did something different? Are you proud? I'm so proud of you. Other than that I like it. That they have kind of like a two sink. So if this was our kitchen, if we ever like you can have your own. I can have mine if we ever get into a fight then this can be like my own kitchen. Why are we gonna bring in a fight right now? So I'm cooking anyway. You're grilling most of the time, So what are you even talking about? My kitchen? That's my kitchen. You can just take the small sink. That's fine. It's always good to have your own space right there, so anyways. Thank you guys for watching. We hope to see you soon and if you have any questions please click the link below. It'll lead you to our website, house, YouTube and all of the social media is so nice to have you guys. We'll see you soon. Thanks bye bye-bye.

In 1949, one of mid-century modern’s most famous NW architects, Paul Hayden Kirk, built this early “glass house” in Hawthorne Hills. Rather than flattening the rolling hills of the Northwest to accommodate his structures, Kirk sought to make the least impact possible on the building site by making use of it natural landscape. When we started this project, our goal was to pay attention to the original architecture--as well as designing the home around the client’s eclectic art collection and African artifacts. The home was completely gutted, since most of the home is glass, hardly any exterior walls remained. We kept the basic footprint of the home the same—opening the space between the kitchen and living room. The horizontal grain matched walnut cabinets creates a natural continuous movement. The sleek lines of the Fleetwood windows surrounding the home allow for the landscape and interior to seamlessly intertwine. In our effort to preserve as much of the design as possible, the original fireplace remains in the home and we made sure to work with the natural lines originally designed by Kirk.

The kitchen is in the exact same place as the original kitchen but with a full new look and feel.
Kitchen - transitional kitchen idea in Atlanta

In 1949, one of mid-century modern’s most famous NW architects, Paul Hayden Kirk, built this early “glass house” in Hawthorne Hills. Rather than flattening the rolling hills of the Northwest to accommodate his structures, Kirk sought to make the least impact possible on the building site by making use of it natural landscape. When we started this project, our goal was to pay attention to the original architecture--as well as designing the home around the client’s eclectic art collection and African artifacts. The home was completely gutted, since most of the home is glass, hardly any exterior walls remained. We kept the basic footprint of the home the same—opening the space between the kitchen and living room. The horizontal grain matched walnut cabinets creates a natural continuous movement. The sleek lines of the Fleetwood windows surrounding the home allow for the landscape and interior to seamlessly intertwine. In our effort to preserve as much of the design as possible, the original fireplace remains in the home and we made sure to work with the natural lines originally designed by Kirk.

Klopf Architecture and Jesse Ososki Art remodeled an existing Eichler atrium home into a brighter, more open, and more functional version of its original self. The goals were to preserve the Eichler look and feel without the need to strictly adhere to it. The scope of work included re-configuring the master bedroom/bath, the kitchen, and the hall bath/laundry area, as well as updating interior finishes throughout to be more sophisticated. The owners are detail-oriented and were very involved in the design process, down to the selection of lighting controls and stainless steel faceplates.Their design aesthetic leans toward the Scandinavian — light and bright, with simple straight lines and pure geometric shapes. The finish flooring is large porcelain tile (24” x 24”) in a neutral grey tone, providing a uniform backdrop against which other materials can stand out. The same tile continues into the shower floor (with a different finish texture for slip-resistance) and up the shower/tub walls (in a smaller size). Heath Classic Field ceramic tile in Modern Blue was used sparingly, to add color at the hall bath vanity backsplash and at the shampoo niches in both bathrooms. Back-painted soda glass in pale blue to match the Heath tile was used at the kitchen backsplash. This same accent color was also used at the front entry atrium door. Kitchen cabinetry, countertops, appliances, and light fixtures are all white, making the kitchen feel more airy and light. Countertops are Caesarstone Blizzard. The owners chose to keep some of the original Eichler elements: the concrete masonry fireplace; the stained tongue-and-groove redwood ceiling decking; and the luan wall paneling. The luan paneling was lightly sanded, cleaned, and re-stained. The owners also kept an added element that was installed by a previous owner: sliding shoji panels at all bedroom windows and sliding glass doors, for both privacy and sun control. Grooves were cut into the new tile flooring for the shoji panels to slide in, creating a more integrated look. Walnut was used to add warmth and contrast at the kitchen bar top and niche, the bathroom vanities, and the window sill/ledge under the kitchen window. This Burlingame Eichler Remodel is a 2,121 sf, 4 bedroom/2 bath home located in the heart of Silicon Valley. Klopf Architecture Project Team: John Klopf, Klara Kevane and Yegvenia Torres Zavala Contractor: Jesse Ososki Art Structural Engineer: Emmanuel Pun Photography ©2018 Mariko Reed Location: Burlingame, CA Year completed: 2017

Originally a nearly three-story tall 1920’s European-styled home was turned into a modern villa for work and home. A series of low concrete retaining wall planters and steps gradually takes you up to the second level entry, grounding or anchoring the house into the site, as does a new wrap around veranda and trellis. Large eave overhangs on the upper roof were designed to give the home presence and were accented with a Mid-century orange color. The new master bedroom addition white box creates a better sense of entry and opens to the wrap around veranda at the opposite side. Inside the owners live on the lower floor and work on the upper floor with the garage basement for storage, archives and a ceramics studio. New windows and open spaces were created for the graphic designer owners; displaying their mid-century modern furnishings collection. A lot of effort went into attempting to lower the house visually by bringing the ground plane higher with the concrete retaining wall planters, steps, wrap around veranda and trellis, and the prominent roof with exaggerated overhangs. That the eaves were painted orange is a cool reflection of the owner’s Dutch heritage. Budget was a driver for the project and it was determined that the footprint of the home should have minimal extensions and that the new windows remain in the same relative locations as the old ones. Wall removal was utilized versus moving and building new walls where possible. Photo Credit: John Sutton Photography.

In 1949, one of mid-century modern’s most famous NW architects, Paul Hayden Kirk, built this early “glass house” in Hawthorne Hills. Rather than flattening the rolling hills of the Northwest to accommodate his structures, Kirk sought to make the least impact possible on the building site by making use of it natural landscape. When we started this project, our goal was to pay attention to the original architecture--as well as designing the home around the client’s eclectic art collection and African artifacts. The home was completely gutted, since most of the home is glass, hardly any exterior walls remained. We kept the basic footprint of the home the same—opening the space between the kitchen and living room. The horizontal grain matched walnut cabinets creates a natural continuous movement. The sleek lines of the Fleetwood windows surrounding the home allow for the landscape and interior to seamlessly intertwine. In our effort to preserve as much of the design as possible, the original fireplace remains in the home and we made sure to work with the natural lines originally designed by Kirk.

This project's final result exceeded even our vision for the space! This kitchen is part of a stunning traditional log home in Evergreen, CO. The original kitchen had some unique touches, but was dated and not a true reflection of our client. The existing kitchen felt dark despite an amazing amount of natural light, and the colors and textures of the cabinetry felt heavy and expired. The client wanted to keep with the traditional rustic aesthetic that is present throughout the rest of the home, but wanted a much brighter space and slightly more elegant appeal. Our scope included upgrades to just about everything: new semi-custom cabinetry, new quartz countertops, new paint, new light fixtures, new backsplash tile, and even a custom flue over the range. We kept the original flooring in tact, retained the original copper range hood, and maintained the same layout while optimizing light and function. The space is made brighter by a light cream primary cabinetry color, and additional feature lighting everywhere including in cabinets, under cabinets, and in toe kicks. The new kitchen island is made of knotty alder cabinetry and topped by Cambria quartz in Oakmoor. The dining table shares this same style of quartz and is surrounded by custom upholstered benches in Kravet's Cowhide suede. We introduced a new dramatic antler chandelier at the end of the island as well as Restoration Hardware accent lighting over the dining area and sconce lighting over the sink area open shelves. We utilized composite sinks in both the primary and bar locations, and accented these with farmhouse style bronze faucets. Stacked stone covers the backsplash, and a handmade elk mosaic adorns the space above the range for a custom look that is hard to ignore. We finished the space with a light copper paint color to add extra warmth and finished cabinetry with rustic bronze hardware. This project is breathtaking and we are so thrilled our client can enjoy this kitchen for many years to come!

This project's final result exceeded even our vision for the space! This kitchen is part of a stunning traditional log home in Evergreen, CO. The original kitchen had some unique touches, but was dated and not a true reflection of our client. The existing kitchen felt dark despite an amazing amount of natural light, and the colors and textures of the cabinetry felt heavy and expired. The client wanted to keep with the traditional rustic aesthetic that is present throughout the rest of the home, but wanted a much brighter space and slightly more elegant appeal. Our scope included upgrades to just about everything: new semi-custom cabinetry, new quartz countertops, new paint, new light fixtures, new backsplash tile, and even a custom flue over the range. We kept the original flooring in tact, retained the original copper range hood, and maintained the same layout while optimizing light and function. The space is made brighter by a light cream primary cabinetry color, and additional feature lighting everywhere including in cabinets, under cabinets, and in toe kicks. The new kitchen island is made of knotty alder cabinetry and topped by Cambria quartz in Oakmoor. The dining table shares this same style of quartz and is surrounded by custom upholstered benches in Kravet's Cowhide suede. We introduced a new dramatic antler chandelier at the end of the island as well as Restoration Hardware accent lighting over the dining area and sconce lighting over the sink area open shelves. We utilized composite sinks in both the primary and bar locations, and accented these with farmhouse style bronze faucets. Stacked stone covers the backsplash, and a handmade elk mosaic adorns the space above the range for a custom look that is hard to ignore. We finished the space with a light copper paint color to add extra warmth and finished cabinetry with rustic bronze hardware. This project is breathtaking and we are so thrilled our client can enjoy this kitchen for many years to come!

Our clients were looking for a way to update this original bathroom in their 1940's home for their twin girls. We had the challenge of keeping all of the original tile, and adding colors and frills to make the bathroom more girly. A custom roman treatment, shower curtain and sink skirt added softness to all of the tile. The sink was original to the home, and in great condition. Photos by Ehlen Creative

The owner of this Devil’s Glen Ski Resort chalet was determined to honour the original structure built by his father. At the same time, a growing family created the need for an amplified space. The design for the enlarged chalet attempts to incorporate proportions and angles from the original craftsman styled structure while simultaneously taking cues from the challenging mountain site. Stonework and timber beams create a framework for expansive glazing that affords sweeping views to the mountain, snow and sky. As a result, a new generation of skiers is engaged with the mountain and it’s community in the same way the owner’s father provided him.