Coronado Stone Products Versailles Travertine adds a beauty to your home that inspires absolute refinement. From its soft hues to its distinct tumbled textures, Versailles Travertine defines elegance. This beautiful floor tile stone can be used for interior or exterior projects. Product shown Versailles Travertine / Color: Wheatfield.See more from Coronado Stone Products

(c) S.R. Gambrel, 2015 | Our leather is featured in this month’s issue of Elle Décor Super Chic. Utah 1618 was chosen for the beautifully upholstered ottoman. Now, Utah is often described as having that “Old World” look. A two-tone effect and a bit of oil on the surface gives these aniline hides charm and character. A clear water based top coat is applied at the end of the tanning process for a soft, smooth feel and a bit of added durability and stain protection. If you’re interested in doing a project similar to the one below, we recommend Utah. It is one of our many collections reflecting elegant vintage luxury.

This piece of art is our floating platform with integrated nightstands. With a custom change, craft the headboard to have a double herringbone, it turned out absolutely amazing. Crafted with reclaimed barn board for the headboard and threshing board for the rails. Gord stained the rails grey to match the grey board in the headboard. As always finished with our water based satin clear coat.

The pictures below are of a Riven Slate floor at a house in in the Leeds suburb of Horsforth which had been laid ten years prior. It’s probably difficult to appreciate from the images but the sealer on this floor was well worn through in the high traffic areas making it patchy in places. Without the protection of the sealer dirt was now ingrained in the pores of the stone leaving it looking dull. Riven slate is always tricky to clean thoroughly due to the rough surface and that combined with the ingrained dirt was making it very difficult to keep clean. The floor now needed to be stripped of old sealer and then resealed and although I can provide a price for this over the phone my preference is to visit the property and survey the floor. In the case the owner had sent me some photographs via email however they were not too clear and so I felt it would be best if I paid the customer a visit to ensure I could give them an accurate price. The floor was indeed overdue a clean and seal, as suspected dirt was ingrained into the areas where the seal had worn off. The house was home to a very busy family, so the area was subject to the significant traffic. I carried out a test clean on a small area and they were surprised by the results, when you live with a floor for so long you don’t notice the very slow decline in its appearance. They agreed to my quote and we arranged a time to return and carry the deep clean out. When I arrived, I started off by protecting the skirting and surrounding woodwork. Given the rough surface of the floor I first applied Tile Doctor Wax Away which is a very effective coatings remover that is designed for removing wax but works very well in these situations. The product was left to dwell for a round ten minutes so it could get to work breaking down the old sealer and then scrubbed in using a black scrubbing pad fitted to a rotary machine. This process removed most of the dirt and old sealer, but some stubborn patches remained. To treat these, I replaced the black pad with a coarse 200-grit burnishing pad and finally some handheld diamond burnishing blocks for the edges and corners where more intricate work was required, and the circular pads struggle to reach. I gave the floor a rinse, and extracted the soil with a wet vacuum, the floor was then left to dry off overnight. The next day I returned, first the slate floor was checked for moisture using the moisture meter. Once I was happy it was within the correct parameters, I then sealed with four coats of Tile Doctor Seal and Go. This is a modern water-based blend of acrylic polymers that provides both a stain resistant surface seal and a durable low-sheen finish also being water based there’s no smell as it dries. The sealer really brought the stone to back to life and the lovely colours in the natural stones were now evident. The patchy appearance of the floor was gone, and the customer was happy. I discussed with them how they should maintain the floor and advised them to use Tile Doctor Neutral Tile Cleaner. This is pH neutral cleaner that won’t prematurely erode the new sealer like the stronger products you find in Supermarkets which are only for use on Vinyl and Ceramic floors. Nigel Stoker North West Yorkshire Tile Doctor

Textures - gravel, cement, grasses, rock-filled gabion walls, and corten steel planters - form dramatic layers.
Photo of a modern water fountain landscape in Seattle.

I recently helped a homeowner from my home town of Dursley who got in touch about her kitchen Flagstone floor. The problem revolved around an accident she had with raspberries which had stained the flagstones and the problem became compounded when a house hold clearing product was applied neat to clean up the mess. If you follow any of our Tile Doctor blogs, you will know that using strong household cleaning products can damage the sealer and, in this case, it had left white marks on the floor. I called round to the property to survey the floor as was surprised to find out that the floor had been cleaned and sealed only four months prior by another company. I don’t like to comment on other people’s work, but I found the grout lines and flagstones were still badly ingrained with dirt, so it wasn’t a through job. I completed by survey and demonstrated the process I would follow to resolve the issues on one of the flagstone tiles. She could not believe the difference I was able to make and booked me in straight away to restore the entire floor. My first task was to protect the wooden kitchen units from splashing that can happen when cleaning the floor. Once that was done, I set about stripping the sealer from the floor and deep cleaning the tile and grout with a strong dilution of Tile Doctor Pro-Clean. Pro-Clean is a concentrated, multi-purpose high-alkaline cleaner, stripper and degreaser which is safe to use on all types of tile, stone and grout including natural stone. Working in sections across the Kitchen and adjacent dining room I diluted one part Pro-Clean to two parts water and mopped it onto the flagstones and grout where I left it to soak in for roughly fifteen minutes. Then using a rotary floor buffer fitted with a black scrubbing pad I scrubbed the solution into the floor into the old sealer and trapped dirt came away turning the cleaning fluid black in the process. The soil was then rinsed off with water and then extracted with a powerful 3,000 watt wet and dry vacuum. This process was repeated until I was satisfied the floor was clean and I ran a stiff grout brush along the grout lines to ensure they also received a good scrub. After I was satisfied the section was clean it was rinsed thoroughly with water to neutralise the floor and remove any trace of product and then dried with the wet and dry vacuum. The cleaning process took up the whole day, but the flagstones would need to be dry before sealing so after giving the owner an update I left the floor for two days, so it could dry out thoroughly. On my return I tested the floor was dry in multiple places with a damp meter to ensure it was ready to be sealed. The readings showed that the wet and dry vacuum had done a good job in removing the moisture, so all was well. To seal I applied several coats of Tile Doctor Seal and Go allowing each coat to dry before applying the next however with such a large area to cover I was able to work in sections around the floor. Seal and Go works really well on Flagstones and leaves a very appealing sheen finish, also being water based it doesn’t leave a smell as it dries. The results were amazing, and the customer thanked me for making such a massive improvement on her floor. Before leaving I made sure to discuss after-care and to avoid the use of hash cleaning products. Malcolm Crowther Gloucester Tile Doctor

Water feature by Snow Creek Landscaping
Design ideas for a rustic water fountain landscape in Other.

San Marino based clients were interested in developing a property that had been in their family for generations. This was an exciting proposition as it was one of the last surviving bayside double lots on the scenic Coronado peninsula in San Diego. They desired a holiday home that would be a gathering place for their large, close- knit family. San Marino based clients were interested in developing a property that had been in their family for generations. This was an exciting proposition as it was one of the last surviving bayside double lots on the scenic Coronado peninsula in San Diego. They desired a holiday home that would be a gathering place for their large, close-knit family. Facing the Back Bay, overlooking downtown and the Bay Bridge, this property presented us with a unique opportunity to design a vacation home with a dual personality. One side faces a bustling harbor with a constant parade of yachts, cargo vessels and military ships while the other opens onto a deep, quiet contemplative garden. The home’s shingle-style influence carries on the historical Coronado tradition of clapboard and Craftsman bungalows built in the shadow of the great Hotel Del Coronado which was erected at the turn of the last century. In order to create an informal feel to the residence, we devised a concept that eliminated the need for a “front door”. Instead, one walks through the garden and enters the “Great Hall” through either one of two French doors flanking a walk-in stone fireplace. Both two-story bedroom wings bookend this central wood beam vaulted room which serves as the “heart of the home”, and opens to both views. Three sets of stairs are discretely tucked away inside the bedroom wings. In lieu of a formal dining room, the family convenes and dines around a beautiful table and banquette set into a circular window bay off the kitchen which overlooks the lights of the city beyond the harbor. Working with noted interior designer Betty Ann Marshall, we designed a unique kitchen that was inspired by the colors and textures of a fossil the couple found on a honeymoon trip to the quarries of Montana. We set that ancient fossil into a matte glass backsplash behind the professional cook’s stove. A warm library with walnut paneling and a bayed window seat affords a refuge for the family to read or play board games. The couple’s fine craft and folk art collection is on prominent display throughout the house and helps to set an intimate and whimsical tone. Another architectural feature devoted to family is the play room lit by a dramatic cupola which beacons the older grandchildren and their friends. Below the play room is a four car garage that allows the patriarch space to refurbish an antique fire truck, a mahogany launch boat and several vintage cars. Their jet skis and kayaks are housed in another garage designed for that purpose. Lattice covered skylights that allow dappled sunlight to bathe the loggia affords a comfortable refuge to watch the kids swim and gaze out upon the rushing water, the Coronado Bay Bridge and the romantic downtown San Diego skyline. Architect: Ward Jewell Architect, AIA Interior Design: Betty Ann Marshall Construction: Bill Lyons Photographer: Laura Hull Styling: Zale Design Studio

Martha O'Hara Interiors, Interior Design & Photo Styling | Corey Gaffer, Photography Please Note: All “related,” “similar,” and “sponsored” products tagged or listed by Houzz are not actual products pictured. They have not been approved by Martha O’Hara Interiors nor any of the professionals credited. For information about our work, please contact design@oharainteriors.com.

San Marino based clients were interested in developing a property that had been in their family for generations. This was an exciting proposition as it was one of the last surviving bayside double lots on the scenic Coronado peninsula in San Diego. They desired a holiday home that would be a gathering place for their large, close- knit family. San Marino based clients were interested in developing a property that had been in their family for generations. This was an exciting proposition as it was one of the last surviving bayside double lots on the scenic Coronado peninsula in San Diego. They desired a holiday home that would be a gathering place for their large, close-knit family. Facing the Back Bay, overlooking downtown and the Bay Bridge, this property presented us with a unique opportunity to design a vacation home with a dual personality. One side faces a bustling harbor with a constant parade of yachts, cargo vessels and military ships while the other opens onto a deep, quiet contemplative garden. The home’s shingle-style influence carries on the historical Coronado tradition of clapboard and Craftsman bungalows built in the shadow of the great Hotel Del Coronado which was erected at the turn of the last century. In order to create an informal feel to the residence, we devised a concept that eliminated the need for a “front door”. Instead, one walks through the garden and enters the “Great Hall” through either one of two French doors flanking a walk-in stone fireplace. Both two-story bedroom wings bookend this central wood beam vaulted room which serves as the “heart of the home”, and opens to both views. Three sets of stairs are discretely tucked away inside the bedroom wings. In lieu of a formal dining room, the family convenes and dines around a beautiful table and banquette set into a circular window bay off the kitchen which overlooks the lights of the city beyond the harbor. Working with noted interior designer Betty Ann Marshall, we designed a unique kitchen that was inspired by the colors and textures of a fossil the couple found on a honeymoon trip to the quarries of Montana. We set that ancient fossil into a matte glass backsplash behind the professional cook’s stove. A warm library with walnut paneling and a bayed window seat affords a refuge for the family to read or play board games. The couple’s fine craft and folk art collection is on prominent display throughout the house and helps to set an intimate and whimsical tone. Another architectural feature devoted to family is the play room lit by a dramatic cupola which beacons the older grandchildren and their friends. Below the play room is a four car garage that allows the patriarch space to refurbish an antique fire truck, a mahogany launch boat and several vintage cars. Their jet skis and kayaks are housed in another garage designed for that purpose. Lattice covered skylights that allow dappled sunlight to bathe the loggia affords a comfortable refuge to watch the kids swim and gaze out upon the rushing water, the Coronado Bay Bridge and the romantic downtown San Diego skyline. Architect: Ward Jewell Architect, AIA Interior Design: Betty Ann Marshall Construction: Bill Lyons Photographer: Laura Hull Styling: Zale Design Studio

This natural and industrial kitchen features the elegant contrast of both light and dark, and old world and new. A sleek and streamlined concrete countertop spans the perimeter of the kitchen making this the room’s points of focus. Brandon Columbus of Oklahoma Construction LLC cast-in-place using SS Specialties enCOUNTER Grey Mix followed by SS Water Base 40 Epoxy and top coated with SS Water Base 60 Urethane as suggested by the manufacturer to ensure that it remains impermeable and stain proof. No color was added to the grey mix, which allows the authentic beauty of the mix to emerge. The contrast between dark hand scraped, rustic wood floors and the refined pure white cabinetry truly make this kitchen a work of art. Other nice touches include corrugated metal applied to the vertical wall facing the bar stools, reclaimed old barn wood on the sides of the center island with the butcher block on top and industrial lighting. Photo by: Jennifer Parker Courtesy of Loren Schatzel Shawnee, Oklahoma Builder: Oklahoma Construction, LLC

San Marino based clients were interested in developing a property that had been in their family for generations. This was an exciting proposition as it was one of the last surviving bayside double lots on the scenic Coronado peninsula in San Diego. They desired a holiday home that would be a gathering place for their large, close- knit family. San Marino based clients were interested in developing a property that had been in their family for generations. This was an exciting proposition as it was one of the last surviving bayside double lots on the scenic Coronado peninsula in San Diego. They desired a holiday home that would be a gathering place for their large, close-knit family. Facing the Back Bay, overlooking downtown and the Bay Bridge, this property presented us with a unique opportunity to design a vacation home with a dual personality. One side faces a bustling harbor with a constant parade of yachts, cargo vessels and military ships while the other opens onto a deep, quiet contemplative garden. The home’s shingle-style influence carries on the historical Coronado tradition of clapboard and Craftsman bungalows built in the shadow of the great Hotel Del Coronado which was erected at the turn of the last century. In order to create an informal feel to the residence, we devised a concept that eliminated the need for a “front door”. Instead, one walks through the garden and enters the “Great Hall” through either one of two French doors flanking a walk-in stone fireplace. Both two-story bedroom wings bookend this central wood beam vaulted room which serves as the “heart of the home”, and opens to both views. Three sets of stairs are discretely tucked away inside the bedroom wings. In lieu of a formal dining room, the family convenes and dines around a beautiful table and banquette set into a circular window bay off the kitchen which overlooks the lights of the city beyond the harbor. Working with noted interior designer Betty Ann Marshall, we designed a unique kitchen that was inspired by the colors and textures of a fossil the couple found on a honeymoon trip to the quarries of Montana. We set that ancient fossil into a matte glass backsplash behind the professional cook’s stove. A warm library with walnut paneling and a bayed window seat affords a refuge for the family to read or play board games. The couple’s fine craft and folk art collection is on prominent display throughout the house and helps to set an intimate and whimsical tone. Another architectural feature devoted to family is the play room lit by a dramatic cupola which beacons the older grandchildren and their friends. Below the play room is a four car garage that allows the patriarch space to refurbish an antique fire truck, a mahogany launch boat and several vintage cars. Their jet skis and kayaks are housed in another garage designed for that purpose. Lattice covered skylights that allow dappled sunlight to bathe the loggia affords a comfortable refuge to watch the kids swim and gaze out upon the rushing water, the Coronado Bay Bridge and the romantic downtown San Diego skyline. Architect: Ward Jewell Architect, AIA Interior Design: Betty Ann Marshall Construction: Bill Lyons Photographer: Laura Hull Styling: Zale Design Studio

San Marino based clients were interested in developing a property that had been in their family for generations. This was an exciting proposition as it was one of the last surviving bayside double lots on the scenic Coronado peninsula in San Diego. They desired a holiday home that would be a gathering place for their large, close- knit family. San Marino based clients were interested in developing a property that had been in their family for generations. This was an exciting proposition as it was one of the last surviving bayside double lots on the scenic Coronado peninsula in San Diego. They desired a holiday home that would be a gathering place for their large, close-knit family. Facing the Back Bay, overlooking downtown and the Bay Bridge, this property presented us with a unique opportunity to design a vacation home with a dual personality. One side faces a bustling harbor with a constant parade of yachts, cargo vessels and military ships while the other opens onto a deep, quiet contemplative garden. The home’s shingle-style influence carries on the historical Coronado tradition of clapboard and Craftsman bungalows built in the shadow of the great Hotel Del Coronado which was erected at the turn of the last century. In order to create an informal feel to the residence, we devised a concept that eliminated the need for a “front door”. Instead, one walks through the garden and enters the “Great Hall” through either one of two French doors flanking a walk-in stone fireplace. Both two-story bedroom wings bookend this central wood beam vaulted room which serves as the “heart of the home”, and opens to both views. Three sets of stairs are discretely tucked away inside the bedroom wings. In lieu of a formal dining room, the family convenes and dines around a beautiful table and banquette set into a circular window bay off the kitchen which overlooks the lights of the city beyond the harbor. Working with noted interior designer Betty Ann Marshall, we designed a unique kitchen that was inspired by the colors and textures of a fossil the couple found on a honeymoon trip to the quarries of Montana. We set that ancient fossil into a matte glass backsplash behind the professional cook’s stove. A warm library with walnut paneling and a bayed window seat affords a refuge for the family to read or play board games. The couple’s fine craft and folk art collection is on prominent display throughout the house and helps to set an intimate and whimsical tone. Another architectural feature devoted to family is the play room lit by a dramatic cupola which beacons the older grandchildren and their friends. Below the play room is a four car garage that allows the patriarch space to refurbish an antique fire truck, a mahogany launch boat and several vintage cars. Their jet skis and kayaks are housed in another garage designed for that purpose. Lattice covered skylights that allow dappled sunlight to bathe the loggia affords a comfortable refuge to watch the kids swim and gaze out upon the rushing water, the Coronado Bay Bridge and the romantic downtown San Diego skyline. Architect: Ward Jewell Architect, AIA Interior Design: Betty Ann Marshall Construction: Bill Lyons Photographer: Laura Hull Styling: Zale Design Studio

Paint by Sherwin Williams Body Color - Anonymous - SW 7046 Accent Color - Urban Bronze - SW 7048 Trim Color - Worldly Gray - SW 7043 Front Door Stain - Northwood Cabinets - Custom Truffle Stain Exterior Stone by Eldorado Stone Stone Product Rustic Ledge in Clearwater Outdoor Fireplace by Heat & Glo Doors by Western Pacific Building Materials Windows by Milgard Windows & Doors Window Product Style Line® Series Window Supplier Troyco - Window & Door Lighting by Destination Lighting Garage Doors by NW Door Decorative Timber Accents by Arrow Timber Timber Accent Products Classic Series LAP Siding by James Hardie USA Fiber Cement Shakes by Nichiha USA Construction Supplies via PROBuild Landscaping by GRO Outdoor Living Customized & Built by Cascade West Development Photography by ExposioHDR Portland Original Plans by Alan Mascord Design Associates

  Morning routines shouldn’t involve a traffic jam at the sink. The 2025 Houzz Bathroom Trends Study found that 65 percent of U.S. renovators now choose a double-sink vanity to skip the wait. Designers agree: Titan Builders dubbed 2025 “the year of bigger, storage-packed double vanities,” forecasting dual-basin setups in family, guest, and even powder baths. As KBIS 2025 launches land, prototypes for 2026 layer in spa-grade wood, built-in outlets, and planet-friendly finishes. In this guide, we rank six standout models and show you how to size, install, and enjoy a clutter-free, two-sink future.   Methodology and selection criteria   A well-planned double-sink vanity keeps busy morning routines calm and clutter-free.   Before we crowned any winners, we mapped the entire 2024–2026 double-sink (dual-basin) market. That meant parsing KBIS exhibitor releases, scraping bestseller lists from Home Depot, Lowe’s, and Wayfair, and reviewing designer short lists in trade magazines. The sweep produced 110 candidate vanities, giving us visibility into every style, price tier, and material in play.   We then scored each model against six weighted factors that continue to matter long after installers leave:  

1. Build quality – 25 percent.Solid hardwood frames, dovetail drawers, and furniture-grade plywood backs, never particleboard in disguise.  
2. Design versatility – 20 percent.Lines and finishes that suit modern, classic, or farmhouse baths without dating quickly.  
3. Sustainability – 15 percent.FSC-certified wood, CARB 2 compliance, and low-VOC finishes for healthier air.  
4. Storage efficiency – 15 percent.Deep drawers, tilt-outs, or power cubbies that corral countertop clutter.  
5. Value for money – 15 percent.Fair street price for the materials, stone tops, sinks, and soft-close hardware included.  
6. Brand reputation and warranty – 10 percent.Manufacturers with responsive support and at least a one-year parts guarantee.

  Three hard gates kept the field honest: each finalist had to ship in North America by early 2026, include a countertop plus two sinks, and hold a minimum four-star user rating. We also filtered out mass-produced MDF boxes and pay-to-play “editor’s picks” in favor of furniture-grade builds with transparent spec sheets. Double-sink listings on Willowbathandvanity.com spell out hardwood or birch-and-plywood construction, specify when MDF and pressboard are not used, and list dovetail drawer boxes, soft-close hardware, and downloadable spec drawings, the kind of detail that made it easier to confirm build quality and layout before shortlisting a model.   After the cuts, six vanities remained, each leading a different use case: luxury showpiece, budget hero, small-bath savior, tech lover’s pick, farmhouse favorite, or bold-color newcomer. The following sections explain why each model earned its spot and where it may have trade-offs, helping you buy with confidence.   Best overall: Willow “Charlotte” 72-inch solid-teak double vanity   The Willow “Charlotte” 72-inch solid-teak double vanity blends heirloom warmth with a durable marble top and deep storage.   Imagine yacht-grade teak refashioned into bathroom furniture; that is Willow’s Charlotte. Stretching 72 × 22 inches (183 × 56 cm), the cabinet feels built-in yet warms the room with genuine wood grain. Every panel and drawer front is solid teak, not veneer, so the wood’s natural oils resist humidity while MDF competitors swell and peel. Willow sources its teak from FSC-certified plantations and finishes it with low-VOC sealers, earning points for durability and indoor-air health.   Open a drawer and you notice commercial-grade heft: dovetail joinery, full-extension soft-close glides, and storage tall enough for a 10-inch (25 cm) hairspray can. Two under-sink bays flank four center drawers, and the factory-installed 1-inch Carrara marble top arrives pre-drilled for 8-inch widespread faucets, eliminating stone-shop delays. Need plumbing diagrams or alternative countertop choices? Check out Willow Bath and Vanity for downloadable spec drawings, finish upgrades, and matching teak mirrors before you order.   Key specs

• Footprint: 72 W × 22 D × 36 H in. (183 × 56 × 91 cm)
• Crated weight: 506 lb / 230 kg
• Street price: about $2,575 with marble top and basins, Q4 2025  

  Reality check: at a quarter ton, Charlotte requires a two-person lift or pro delivery, and marble benefits from yearly sealing. Treat it well and expect decades of service. For a dual-basin centerpiece that blends heirloom character with commercial-grade build, Charlotte sets the benchmark.   Best budget buy: Spring Mill “Emlyn” 60-inch double vanity   Spring Mill’s Emlyn vanity delivers double-sink convenience, a shallow profile and turnkey under-$800 pricing for tight hall baths.   When you want dual-basin convenience without draining the budget, Emlyn delivers. The 60.5 × 18.75 × 32.9 in. cabinet (154 × 48 × 84 cm) arrives fully assembled with its top attached and usually lists between $700 and $800 online. That price is roughly one-third of most mid-tier doubles, a welcome break when tile, plumbing, and lighting costs stack up.   Spring Mill controls costs with painted MDF sides and a laminate backer, yet the finish still feels designer: Admiral Blue or Pearl Gray over Shaker doors, finished with a seamless cultured-marble top. One integrated slab means no grout lines and no undermount rims to caulk.   The trim 18.75-in. (48-cm) depth fits hall baths where standard 22-in. units block door swings. Storage stays simple but useful: two under-sink cabinets plus a pair of full-extension drawers for brushes, toothpaste, and floss.   Treat Emlyn gently and expect five to seven years of service, perfect for rentals, flips, or a stopgap remodel. A quick silicone bead along the back edge stops splash creep, and felt pads prevent metal bins from scratching the resin surface.   Installation suits a single Saturday. Level the feet, connect two 4-in. centerset faucets, and move on to paint touch-ups; no stone-shop scheduling or custom templates required. Dollar for dollar, Emlyn delivers more visual impact than any budget vanity in our test group.   Best for small spaces: Allen + Roth “Haverhill” 48-inch weathered-oak double vanity   Allen + Roth’s Haverhill vanity squeezes dual sinks and barn-door storage into a space-friendly 48-inch footprint.   Small bathroom, big wish list? Haverhill packs dual-basin convenience into a 48 × 22 × 34.8 in. frame (122 × 56 × 88 cm) without feeling cramped. Its signature move is a sliding barn-style center door that glides sideways, preserving clearance in tight rooms.   The cabinet uses a plywood core wrapped in hand-distressed oak veneer, finished in a soft weathered gray that pairs with matte-black or brushed-nickel fixtures. A pre-sealed black engineered-stone top shrugs off splash marks; a quick wipe keeps it spotless.   Storage surprises: two under-sink bays plus three full-extension drawers provide soft-close hardware and a rock-solid feel.   Trade-offs: basins sit close, so elbows can bump, and the dark top highlights toothpaste specks; keep a microfiber cloth handy. For condos, kids’ Jack-and-Jill baths, or any remodel where walls refuse to move, Haverhill delivers two sinks in the footprint of one.   Quick specs

• Footprint: 48 W × 22 D in. (122 × 56 cm)
• Height: 34.8 in. (88 cm) with backsplash
• Sliding barn door plus 3 drawers
• Pre-drilled 8-in. faucet spacing, sinks included

  Best smart vanity: OVE Decors “Tahoe III” 60-inch midnight-blue double vanity Tired of cord clutter? Tahoe III fixes it. Each top drawer holds a UL-listed power bar with four outlets and two USB ports, so razors, toothbrushes, and hair tools stay plugged in yet out of sight.     Tahoe III tucks power outlets and grooming tools into the top drawer, keeping the double-sink countertop blissfully clear.   Built with solid-wood rails and furniture-grade plywood, the cabinet wears a velvety midnight-blue lacquer and a 1.25-in. (3 cm) sealed quartz top that shrugs off spills. Interior organizers sort cotton pads and clippers, while a heat-safe holster stores a hair dryer.   An integrated junction box connects to a nearby GFCI in minutes. Soft-close drawers, adjustable shelves, and full-extension glides complete the premium feel.   Quick specs

• Footprint: 60 W × 21 D × 34 H in. (152 × 53 × 86 cm)
• Integrated power: 4 AC + 2 USB, UL-listed
• Crated weight: 300 lb / 136 kg
• Street price: about $2,349 at Home Depot, Q4 2025  

  Factor in professional delivery and install, and reviews still praise the “zero-countertop-clutter” payoff. For households running on devices, Tahoe III pairs dual-basin style with built-in smarts.   Best modern farmhouse: Water Creation “Paisley” 72-inch rustic-sienna double vanity   Water Creation’s Paisley vanity brings warm Rustic Sienna wood and apron-front basins to a modern farmhouse bath.   Farmhouse rooms often rely on painted shiplap, while Paisley flips the script with warm hardwood in a Rustic Sienna stain, topped by crisp Carrara marble and two apron-front basins for equal parts country charm and boutique-hotel polish.   Built from solid birch and oak with undermount soft-close glides, the 72 × 22 × 34 in. cabinet (183 × 56 × 86 cm) leaves space for perfume on the left, a beard trimmer on the right, and still provides breathing room. Three center drawers keep razors separate from hair ties, while each under-sink bay includes an adjustable shelf for tall bottles. Oil-rubbed bronze pulls ship standard, and the 8-32 screw pattern works with most aftermarket knobs.   Marble benefits from a yearly sealer and quick wipe-downs, and it rewards care with timeless style. The vanity arrives fully assembled; crate weight sits near 380 lb / 172 kg, so confirm doorway widths and recruit lifting help. Street price averaged $2,299 at Home Depot in late 2025.   Quick specs

• Footprint: 72 W × 22 D in. (183 × 56 cm)
• Height: 34 in. (86 cm) plus 4 in. backsplash
• Counter: 1 in. Carrara marble, apron-front sinks included
• Hardware: oil-rubbed bronze, soft-close doors and drawers  

  For remodels inspired by barn doors, patterned cement tile, or reclaimed wood accents, Paisley anchors the look and delivers long-term durability.   Best statement color: Kohler “Tone” 60-inch double vanity (2026 preview)   Kohler’s upcoming Tone vanity brings hotel-inspired color and a waterfall quartz top to double-sink baths.   After a decade of white and gray, rich color returns, and Kohler’s upcoming Tone vanity moves it into the mainstream. Slated for Spring 2026, according to product managers at the KBIS 2025 press briefing, the collection wraps a Shaker shell in hotel-inspired finishes: Forest Green, Deep Terracotta, and Midnight Teal.   Design touches match the drama. Brushed-gold pulls, a waterfall quartz top that folds over both sides, and razor-thin 3 mm door reveals create a tailored look. Beneath the lacquer, a solid-poplar frame and furniture-grade plywood mirror the proven Kohler Jute recipe, so strength keeps pace with style.   Inside, adjustable dividers, a bamboo organizer tray, and soft-close hardware rated for 50,000 cycles control clutter. Engineers also added a slim power bank behind the top drawer for charging shavers or phones. Shipped in two main pieces (base and top), Tone can navigate stairs more easily than fully assembled units.   Quick preview specs*

• Footprint: 60 W × 22 D × 34 H in. (152 × 56 × 86 cm)
• Construction: solid poplar and plywood, waterfall quartz top
• Integrated slim power bank, soft-close doors and drawers
• Target price: just under $2,300 with top and basins  

  *Specifications and pricing remain provisional until the official launch. Fans of bold color at a mid-market price can set a calendar alert now; early production runs often sell out quickly. Quick-glance comparison table   Model Footprint (W × D) Frame material Countertop Signature perk Street price* Willow Charlotte 72 × 22 in. (183 × 56 cm) Solid teak 1-in. Carrara marble FSC-certified hardwood $1,900 Spring Mill Emlyn 60 × 18.75 in. (152 × 48 cm) Painted MDF Seamless cultured marble Turnkey under-$800 kit $700 Allen + Roth Haverhill 48 × 21.5 in. (122 × 55 cm) Plywood and oak veneer Black engineered stone Sliding barn door $1,200 OVE Tahoe III 60 × 21 in. (152 × 53 cm) Solid wood and plywood 1.25-in. quartz Drawer-integrated power $1,999 Water Creation Paisley 72 × 22 in. (183 × 56 cm) Solid birch and oak 1-in. Carrara marble Apron-front sinks $1,900 Kohler Tone† 60 × 22 in. (152 × 56 cm) Solid poplar and plywood Waterfall quartz Saturated designer colors < $2,300   If cabinet depth limits your layout, Emlyn’s 18.75-inch body wins. Want built-in outlets? Tahoe III stands alone. Looking for heirloom durability? Charlotte’s solid teak leads the pack. Use the grid for quick elimination, then check the detailed reviews; warranty, service quality, and installation quirks often decide the final pick.   Buying guide: how to pick the right double vanity Measure first, mood-board later. A comfortable dual-basin vanity requires at least 60 in. (152 cm) of wall, plus a few extra inches so doors and drawers clear. In narrow baths, depth becomes the deal breaker. Units measuring 21 in. (53 cm) or less keep morning traffic moving.     Use at least 60 inches of wall, a shallow depth in narrow baths and 30 inches of clear floor space in front of your double-sink vanity.   Plumbing reality check. Converting a single to a double adds a second drain and tees off the hot- and cold-water lines. Floor-exit pipes favor a back panel you can notch, while wall-mounted vanities depend on in-wall supplies and solid blocking for support.   Materials equal lifespan. Solid hardwood and furniture-grade plywood shrug off steam, whereas particleboard swells. If budget points to MDF, seal every raw edge with caulk on day one; the barrier can add several extra years.   Storage style vs. plumbing clutter. Drawers keep makeup and chargers tidy but steal space where P-traps sit. Cabinets swallow tall bottles yet turn into black holes unless you add rollout trays. Many households choose a hybrid: drawers in the center, doors beneath each sink.   Top talk. Marble feels luxe but benefits from annual sealing. Quartz costs a bit more yet laughs at self-tanner and curling-iron heat. Seamless cultured-marble tops lower cost and simplify cleaning, though they scratch more easily.   Accessibility and clearance. Maintain at least 30 in. (760 mm) of clear floor space in front of the vanity to satisfy ADA guidelines and allow two people to bend without bumping hips. ADA also requires floating units to offer 27 in. (685 mm) of knee space for wheelchair users.   Last, vet the brand. A vanity proves its worth when a company can overnight replacement hinges after a move. Established manufacturers publish part numbers and answer the phone, peace of mind worth a small premium.  

I was recently contacted by a client who had just moved into a house in Crowborough, a town in East Sussex which by the way was once home to Sir Arthur Conan Doyle, the author of the Sherlock Holmes novels and short stories. The riven Slate tiled floor in the kitchen had trapped bits of dirt and also food which had become ingrained in the tile. Needless to say, the new homeowner wanted to give the kitchen floor a thorough clean. However, she had tried every cleaning product she could find in the supermarket, but to no avail. Struggling to find a solution she sought out professional assistance and naturally I was happy to help. My first task was to mix up a strong solution of Tile Doctor Pro-Clean. The product was only slightly diluted with water, since the floor was quite heavily soiled and a higher concentration of Pro-Clean was needed to help remove several layers of dirt and food waste. Once applied to the floor, the solution was left to dwell for roughly five minutes before I began to work it into the stone with a deck brush. I did the best I could here to clean the floor without using my buffing machine as, since the floor was riven, my black buffing pad would have been ruined by the ridges. Making up for the lack of a buffing machine, I made sure to scrub the floor with Pro-Clean for several hours to remove as much grime as possible. One the cleaning was finally completed I rinsed the floor several times with clean, hot water. I then used a wet-dry vac machine to remove any excess moisture to clear the floor for sealing when I returned 48 hours later. Upon leaving, I left my client with instructions to avoid spilling anything on the floor as, again, any liquid left on the surface might affect the performance of the sealer. After a period of two days, I returned to commence the sealing. My choice of sealer was Tile Doctor Seal & Go, which is suitable for use on internal, unsealed surfaces such as Slate, textured Quarry, Victorian tile, and others. Seal and Go is also a water based sealer so you there’s very little smell given off whilst it dries compares to solvent based sealers. In this case, the client did not want the surface of the floor to be too shiny, so I only used two coatings of Seal & Go, whereas for a shinier result I would have used a few more. My client was exceptionally pleased with the results, which had not only cleaned the floor but brought out the beautiful colours in the stone that had once been hidden under several layers of muck.

Photography by Studio H Landscape Architecture. Post processing by Isabella Li.
Inspiration for a contemporary landscaping in Orange County.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

The water feature is 24” deep 500 s.f. and filled with 6” of Black Mexican beach pebbles. Multiple Techobloc Raffinato planters each equipped with drip irrigation. Plantings were installed by our client. Six sheer descent waterfalls and multi-colored underwater lights are controlled from the clients mobile phone or iPad. All the paving is a Turkish Travertine with a connecting floating bridge that leads to a more private sunken patio/pavilion area, where one can sit and enjoy the tranquil sound of sheer descent waterfalls. The addition of the contemporary sculpture and a bubbling granite boulder completes this backyard transformation!