Mid-sized elegant formal and enclosed carpeted and blue floor living room photo in Other with gray walls

Lauren Rubenstein Photography
Example of a large classic white one-story wood exterior home design in Atlanta with a metal roof

'Farmer's Long Purple' eggplant growing in a large terra-cotta pot. Photo by Steve Masley
Deck - eclectic deck idea in San Francisco

This is an example of a mid-sized traditional front yard concrete paver landscaping in Other.

Katie Merkle
Bedroom - mid-sized transitional master medium tone wood floor bedroom idea in Baltimore

u2014 ALE: Wayne Rain Garden Pennsylvania Landscape & Nursery Association u2014 ALE: Wayne Rain Garden Terren Landscapes http://www.terrenlandscapes.com 2014 PLNA Awards for Landscape Excellence winner Category: Residential Up to $15,000 Award Level: Gold Project Description: Our company was contracted by the client to provide a creative solution to an ongoing drainage problem. Their property is located within 30 feet of a local stream that collects storm water from the surrounding area. The nearby stream and high water table caused the lawn area at the side of their home to flood and to remain waterlogged for a few days after each storm. The client not only had difficulty growing plants in the existing conditions, but also had a problem with mosquitoes due to standing water. Our goal was to design a self-contained, naturalistic rain garden that slowed storm water runoff, allowed for percolation, and promoted infiltration while permitting excess clean water to enter the nearby stream with diminished force. As designed, the rain garden allows the earth to slowly and more naturally absorb excess storm water while filtering out toxins such as excess nitrogen and phosphorous which are frequently found in the landscape, therefore reducing the contaminants entering the stream. A percolation test was conducted with criteria of absorbing a one-inch rainstorm within four hours without overflow. The one-inch storm calculation included an existing downspout from the home, which would be piped into the rain garden to reduce roof runoff. The first test failed due to a deep layer of high clay-content soil. Excavation continued until a layer of sandy loam was reached, the percolation test was repeated, and a successful test result was achieved. Next, the entire rain garden basin was excavated to the sandy loam layer and the soil amended with compost and sand to create a highly porous planting media. Geotextile fabric was placed to help reduce migration of the surface stone into the soil and allow for minimal maintenance. Gravel, river stone and small boulders were carefully placed to achieve the look of a natural streambed. A palette of mostly native plants with a few non-invasive ornamentals were chosen for their ability to survive in extreme conditions ranging from floods to drought and were placed according to their specific preferences. Wetland plants were chosen for the lowest portion of the rain garden as that area remains saturated for longer periods of time, with a Chionanthus virginicus as a focal point surrounded by irises and ferns at the lowest depth. Plants tolerant of drier conditions were chosen for the upper edges of the garden. The beautiful colors of Monarda, Ligularia, Eupatorium, Solidago, Chelone, and Rudbeckia were scattered within the upper edge, while movement and softness were incorporated by use of the graceful Nassella that lines the border. Finally, winter interest was provided with a backdrop of Cornus sericea. As built, this small rain garden creates tremendous impact by decreasing the amount of storm water runoff not only on our client's property, but also in the neighboring stream. It serves as a means of slowing the water and providing an area for infiltration back into the earth. The plants provide a habitat for birds, butterflies, and insects, working in harmony with nature and providing beautiful visual interest year-round. Photo Credit: Lisa C. Falls

Photographer: Bernard Andre Interior Designer: Kimberly Larzelere
Minimalist basement photo in San Francisco

Second floor basketball/ sports court - perfect place for just running around - need this with Chicago's winters! Landmark Photography
Indoor basketball/tennis/multi-game court - contemporary indoor basketball/tennis/multi-game court idea in Chicago with gray walls

FINISH: PRIMED The advantages of this approach – of this type of interior door finish – are fairly obvious. Pick a color, any color that suits your projects best. Mix and apply. Re- coat whenever you feel it is necessary to do so. Touch it up. It gives you, the proud owner of these interior doors, complete freedom of choice, and the significant savings, especially where it comes to bulk orders, can be a true source of joy. As Kurt Vonnegut mentions in one of his novels (Bluebeard, unless I’m mistaken … check it out when you get a chance), the thrill of laying on colors is a large part of the artist’s professional satisfaction. In other words, a keen pleasure. When back in the remote past visual arts became a field dominated by professionals rather than hobbyists, the main problem of “just laying on paint” became obvious: you can’t. The medium of choice back then was egg tempera, a permanent, fast-drying substance consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Portraits and ornaments were executed in this medium, and the wood panel was the surface of choice. One of tempera’s interesting features is that it is not as easily absorbed by wood as other mediums. Some sort of primer was necessary, of course, but pretty much any substance that dried evenly could be used. The drawbacks of tempera, or pintura al temple, as the Spanish call it, only became obvious with the advent of the Renaissance, when the leading representatives of the trade turned to oil (and interior doors suddenly became a great deal less crude, but that’s a story for another day). Oil painting is the process of “painting with pigments with a medium of drying oil as the binder.” Commonly used types include linseed (highly preferable in art, though not necessarily in interior doors, mind you), poppy seed, walnut, and safflower. Today, five hundred years later, it is safe to say that oil is more versatile than pintura al temple – by orders of magnitude. Specifically, the contrasts achieved through the former are much greater, the darks are far deeper, and three- dimensional, highly realistic images are much easier to achieve. Next time you visit a museum, take a closer look at pintura al temple portraits. All of them, without exception, come off as a bit “flat” as opposed to their latter-day counterparts. Also, where glazing is concerned … Glazing: a painting technique in which a transparent layer, with just a touch of pigment, is laid over a previously painted surface, allowing light to travel through the glaze and be reflected back off of the opaque layer below. Gentle shadows, subtle changes of color, smooth transitions – all these can be achieved through glazing, which was used by all artists up until the middle of the Nineteenth Century, when artist tubes were invented, revolutionizing the field, and other techniques began to be explored. Tempera enthusiasts (it takes all kinds to make a world) will assure you that glazing is not just possible in pintura al temple but is actually the basis of the whole enterprise. Well, what are you going to do? They’re enthusiasts. Anyway, la peinture à l'huile, as the French call it, re-introduced the ancient problem of most surface’s propensity to absorb dipingere, as the Italians call the stuff. Wood or canvas, it is all the same: you’re not going to get very far without a good primer. Experiments were conducted, and soon rabbit skin glue emerged as the least expensive and most effective solution. It was easy to apply. It dried evenly. It made the application of the l’huile stuff on top of it a walk in the park. There were drawbacks. Today, rabbit skin glue is considered to be a major cause of cracking by most modern conservators. (Remember, when you visited the Metropolitan Museum of Art – and did you see those interior doors? … some of them are quite something … - most “old masters” pictures are completely covered with a cobweb of cracks? There you go). Because the glue is hygroscopic, it continually absorbs moisture from the atmosphere, causing the glue to swell and shrink as ambient humidity levels change. Over many humidity cycles, this repeated flexing causes the brittle oily layers to crack. To combat this problem, modern primers are made of acrylic materials which are guaranteed not to cause any damage to the dipingere. No bubbling, no cracks. Your interior doors are safe.

© Sharon Risedorph
Inspiration for a contemporary entryway remodel in San Francisco with white walls

Working with Ashleigh Weatherill Interiors on this amazing Denver home. We painted the walls throughout the home. Photos by: Libbie Holmes
Example of a large 1950s medium tone wood floor dining room design in Denver with beige walls

Ron Blunt Photography
Dining room - coastal dining room idea in DC Metro

Eat-in kitchen - mid-sized country single-wall medium tone wood floor and brown floor eat-in kitchen idea in Philadelphia with white backsplash, ceramic backsplash, white appliances, an undermount sink, shaker cabinets, white cabinets, concrete countertops and no island

Charlie Cho Designed by Gabriela Eisenhart and Holly Conlan
Enclosed dining room - mid-sized modern dark wood floor enclosed dining room idea in Los Angeles with white walls and no fireplace

Carolyn Bates Photography
Example of a classic slate floor mudroom design in Burlington with white walls

Photo: Jason Snyder © 2013 Houzz
Example of a trendy rooftop rooftop deck design in Other with no cover

Photo: Sarah Greenman © 2015 Houzz
Contemporary exterior home idea in Dallas

John Cole Photography
Inspiration for a modern shed remodel in DC Metro

Matthew Carbone
Minimalist exterior home photo in New York