Anchored by the homeowner’s 42-foot-long painting, the interiors of this Palm Springs residence were designed to showcase the owner’s art collection, and create functional spaces for daily living that can be easily adapted for large social gatherings. Referencing the environment and architecture in both form and material, the finishes and custom furnishings bring the interior to life. Alluding to the roofs that suspend over the building, the sofas seem to hover above the carpets while the knife-edge table top appears to float above a metal base. Bleached and cerused wood mimic the “desert effect” that would naturally occur in this environment, while the textiles on the sofa are the same shade as the rocks of the landscape. Monolithic concrete floors connect all of the spaces while concealing mechanical systems, and stone thresholds signal vertical level changes and exterior transitions. Large wall masses provide the optimal backdrop for the homeowner’s oversized art. The wall structures ground the interior, while the opposing expanses of glass frame the desert views. The location and use of operable doors and windows allows the house to naturally ventilate, reducing cooling loads. The furnishings create spaces in an architectural fashion. Designed and fabricated for flexibility, the pieces easily accommodate the owners’ large social gatherings. The dining table can be split into two and the sofas can be pushed out along the walls, opening the center of the space to entertain. The design of the interior spaces and furnishings seamlessly integrates the setting, architecture, artwork and spaces into a cohesive whole.

Anchored by the homeowner’s 42-foot-long painting, the interiors of this Palm Springs residence were designed to showcase the owner’s art collection, and create functional spaces for daily living that can be easily adapted for large social gatherings. Referencing the environment and architecture in both form and material, the finishes and custom furnishings bring the interior to life. Alluding to the roofs that suspend over the building, the sofas seem to hover above the carpets while the knife-edge table top appears to float above a metal base. Bleached and cerused wood mimic the “desert effect” that would naturally occur in this environment, while the textiles on the sofa are the same shade as the rocks of the landscape. Monolithic concrete floors connect all of the spaces while concealing mechanical systems, and stone thresholds signal vertical level changes and exterior transitions. Large wall masses provide the optimal backdrop for the homeowner’s oversized art. The wall structures ground the interior, while the opposing expanses of glass frame the desert views. The location and use of operable doors and windows allows the house to naturally ventilate, reducing cooling loads. The furnishings create spaces in an architectural fashion. Designed and fabricated for flexibility, the pieces easily accommodate the owners’ large social gatherings. The dining table can be split into two and the sofas can be pushed out along the walls, opening the center of the space to entertain. The design of the interior spaces and furnishings seamlessly integrates the setting, architecture, artwork and spaces into a cohesive whole.

The Council Crest Residence is a renovation and addition to an early 1950s house built for inventor Karl Kurz, whose work included stereoscopic cameras and projectors. Designed by prominent local architect Roscoe Hemenway, the house was built with a traditional ranch exterior and a mid-century modern interior. It became known as “The View-Master House,” alluding to both the inventions of its owner and the dramatic view through the glass entry. Approached from a small neighborhood park, the home was re-clad maintaining its welcoming scale, with privacy obtained through thoughtful placement of translucent glass, clerestory windows, and a stone screen wall. The original entry was maintained as a glass aperture, a threshold between the quiet residential neighborhood and the dramatic view over the city of Portland and landscape beyond. At the south terrace, an outdoor fireplace is integrated into the stone wall providing a comfortable space for the family and their guests. Within the existing footprint, the main floor living spaces were completely remodeled. Raised ceilings and new windows create open, light filled spaces. An upper floor was added within the original profile creating a master suite, study, and south facing deck. Space flows freely around a central core while continuous clerestory windows reinforce the sense of openness and expansion as the roof and wall planes extend to the exterior. Images By: Jeremy Bitterman, Photoraphy Portland OR

The vacation home pays homage to the Queen Anne style, including turned porch posts, and decorative millwork or “gingerbread” trim. Exterior decorative brackets allude to nature and the vernacular tradition in drawing inspiration from the landscape. The siding and trim are made with Boral TruExterior, which provides authentic looks along with performance to withstand both the hot, humid summers and cold winters. Photo: Kim Smith Photo

Photography by Bernard Andre
Minimalist exterior home photo in San Francisco

The Council Crest Residence is a renovation and addition to an early 1950s house built for inventor Karl Kurz, whose work included stereoscopic cameras and projectors. Designed by prominent local architect Roscoe Hemenway, the house was built with a traditional ranch exterior and a mid-century modern interior. It became known as “The View-Master House,” alluding to both the inventions of its owner and the dramatic view through the glass entry. Approached from a small neighborhood park, the home was re-clad maintaining its welcoming scale, with privacy obtained through thoughtful placement of translucent glass, clerestory windows, and a stone screen wall. The original entry was maintained as a glass aperture, a threshold between the quiet residential neighborhood and the dramatic view over the city of Portland and landscape beyond. At the south terrace, an outdoor fireplace is integrated into the stone wall providing a comfortable space for the family and their guests. Within the existing footprint, the main floor living spaces were completely remodeled. Raised ceilings and new windows create open, light filled spaces. An upper floor was added within the original profile creating a master suite, study, and south facing deck. Space flows freely around a central core while continuous clerestory windows reinforce the sense of openness and expansion as the roof and wall planes extend to the exterior. Images By: Jeremy Bitterman, Photoraphy Portland OR

In the backyard of a home dating to 1910 in the Hudson Valley, a modest 250 square-foot outbuilding, at one time used as a bootleg moonshine distillery, and more recently as a bare bones man-cave, was given new life as a sumptuous home office replete with not only its own WiFi, but also abundant southern light brought in by new windows, bespoke furnishings, a double-height workstation, and a utilitarian loft. The original barn door slides open to reveal a new set of sliding glass doors opening into the space. Dark hardwood floors are a foil to crisp white defining the walls and ceiling in the lower office, and soft shell pink in the double-height volume punctuated by charcoal gray barn stairs and iron pipe railings up to a dollhouse-like loft space overhead. The desktops -- clad on the top surface only with durable, no-nonsense, mushroom-colored laminate -- leave birch maple edges confidently exposed atop punchy red painted bases perforated with circles for visual and functional relief. Overhead a wrought iron lantern alludes to a birdcage, highlighting the feeling of being among the treetops when up in the loft. Photography: Rikki Snyder

The Council Crest Residence is a renovation and addition to an early 1950s house built for inventor Karl Kurz, whose work included stereoscopic cameras and projectors. Designed by prominent local architect Roscoe Hemenway, the house was built with a traditional ranch exterior and a mid-century modern interior. It became known as “The View-Master House,” alluding to both the inventions of its owner and the dramatic view through the glass entry. Approached from a small neighborhood park, the home was re-clad maintaining its welcoming scale, with privacy obtained through thoughtful placement of translucent glass, clerestory windows, and a stone screen wall. The original entry was maintained as a glass aperture, a threshold between the quiet residential neighborhood and the dramatic view over the city of Portland and landscape beyond. At the south terrace, an outdoor fireplace is integrated into the stone wall providing a comfortable space for the family and their guests. Within the existing footprint, the main floor living spaces were completely remodeled. Raised ceilings and new windows create open, light filled spaces. An upper floor was added within the original profile creating a master suite, study, and south facing deck. Space flows freely around a central core while continuous clerestory windows reinforce the sense of openness and expansion as the roof and wall planes extend to the exterior. Images By: Jeremy Bitterman, Photoraphy Portland OR

In the backyard of a home dating to 1910 in the Hudson Valley, a modest 250 square-foot outbuilding, at one time used as a bootleg moonshine distillery, and more recently as a bare bones man-cave, was given new life as a sumptuous home office replete with not only its own WiFi, but also abundant southern light brought in by new windows, bespoke furnishings, a double-height workstation, and a utilitarian loft. The original barn door slides open to reveal a new set of sliding glass doors opening into the space. Dark hardwood floors are a foil to crisp white defining the walls and ceiling in the lower office, and soft shell pink in the double-height volume punctuated by charcoal gray barn stairs and iron pipe railings up to a dollhouse-like loft space overhead. The desktops -- clad on the top surface only with durable, no-nonsense, mushroom-colored laminate -- leave birch maple edges confidently exposed atop punchy red painted bases perforated with circles for visual and functional relief. Overhead a wrought iron lantern alludes to a birdcage, highlighting the feeling of being among the treetops when up in the loft. Photography: Rikki Snyder

In the backyard of a home dating to 1910 in the Hudson Valley, a modest 250 square-foot outbuilding, at one time used as a bootleg moonshine distillery, and more recently as a bare bones man-cave, was given new life as a sumptuous home office replete with not only its own WiFi, but also abundant southern light brought in by new windows, bespoke furnishings, a double-height workstation, and a utilitarian loft. The original barn door slides open to reveal a new set of sliding glass doors opening into the space. Dark hardwood floors are a foil to crisp white defining the walls and ceiling in the lower office, and soft shell pink in the double-height volume punctuated by charcoal gray barn stairs and iron pipe railings up to a dollhouse-like loft space overhead. The desktops -- clad on the top surface only with durable, no-nonsense, mushroom-colored laminate -- leave birch maple edges confidently exposed atop punchy red painted bases perforated with circles for visual and functional relief. Overhead a wrought iron lantern alludes to a birdcage, highlighting the feeling of being among the treetops when up in the loft. Photography: Rikki Snyder

The vacation home pays homage to the Queen Anne style, with its steep-pitched roof, multiple gable forms, turned porch posts, and decorative millwork or “gingerbread” trim. Exterior decorative brackets allude to nature and the vernacular tradition in drawing inspiration from the landscape. The siding and trim are made with Boral TruExterior, which provides authentic looks along with performance to withstand both the hot, humid summers and cold winters. Photo: Kim Smith Photography

ARCHITECTURE: Certificate of Merit PROJECT: School of Freshwater Sciences CLIENT: University of Wisconsin–Milwaukee ARCHITECTURE FIRM: Bohlin Cywinski Jackson with Continuum Architects + Planners ENGINEERS: GRAEF; Henneman Engineering; PSJ Engineering; Bloom Companies, LLC CONTRACTORS: J.P. Cullen & Sons, Inc. PHOTOGRAPHER: Christopher Barrett DESCRIPTION: The location of the site along the Kinnickinnic River as it flows into Lake Michigan is replete with industrial activity – shipping containers, tug boats, freighters, and coal pile reserves. Within this context, the School of Freshwater Sciences was designed to be an icon for important freshwater research and a stimulus for future development, with inspiration found in expressing the nature of water. JURY COMMENTS: The architect successfully alluded to the past use of the building as a ceramics plant, while providing a simple straight ahead solution that reflects its current use as a building dedicated to freshwater sciences and its location near the Great Lakes with a playful façade that has movement, color, texture ,and beauty.

The Council Crest Residence is a renovation and addition to an early 1950s house built for inventor Karl Kurz, whose work included stereoscopic cameras and projectors. Designed by prominent local architect Roscoe Hemenway, the house was built with a traditional ranch exterior and a mid-century modern interior. It became known as “The View-Master House,” alluding to both the inventions of its owner and the dramatic view through the glass entry. Approached from a small neighborhood park, the home was re-clad maintaining its welcoming scale, with privacy obtained through thoughtful placement of translucent glass, clerestory windows, and a stone screen wall. The original entry was maintained as a glass aperture, a threshold between the quiet residential neighborhood and the dramatic view over the city of Portland and landscape beyond. At the south terrace, an outdoor fireplace is integrated into the stone wall providing a comfortable space for the family and their guests. Within the existing footprint, the main floor living spaces were completely remodeled. Raised ceilings and new windows create open, light filled spaces. An upper floor was added within the original profile creating a master suite, study, and south facing deck. Space flows freely around a central core while continuous clerestory windows reinforce the sense of openness and expansion as the roof and wall planes extend to the exterior. Images By: Jeremy Bitterman, Photoraphy Portland OR

In the backyard of a home dating to 1910 in the Hudson Valley, a modest 250 square-foot outbuilding, at one time used as a bootleg moonshine distillery, and more recently as a bare bones man-cave, was given new life as a sumptuous home office replete with not only its own WiFi, but also abundant southern light brought in by new windows, bespoke furnishings, a double-height workstation, and a utilitarian loft. The original barn door slides open to reveal a new set of sliding glass doors opening into the space. Dark hardwood floors are a foil to crisp white defining the walls and ceiling in the lower office, and soft shell pink in the double-height volume punctuated by charcoal gray barn stairs and iron pipe railings up to a dollhouse-like loft space overhead. The desktops -- clad on the top surface only with durable, no-nonsense, mushroom-colored laminate -- leave birch maple edges confidently exposed atop punchy red painted bases perforated with circles for visual and functional relief. Overhead a wrought iron lantern alludes to a birdcage, highlighting the feeling of being among the treetops when up in the loft. Photography: Rikki Snyder

The vacation home pays homage to the Queen Anne style, with its steep-pitched roof, multiple gable forms, turned porch posts, and decorative millwork or “gingerbread” trim. Exterior decorative brackets allude to nature and the vernacular tradition in drawing inspiration from the landscape. Silhouettes of the sun and crescent moon in the gable end panels evoke the cosmos, and are metaphors for a larger order and the owner’s own proclivities. The siding and trim are made with Boral TruExterior, which provides authentic looks along with performance to withstand both the hot, humid summers and cold winters. Photo: Kim Smith Photo

In the backyard of a home dating to 1910 in the Hudson Valley, a modest 250 square-foot outbuilding, at one time used as a bootleg moonshine distillery, and more recently as a bare bones man-cave, was given new life as a sumptuous home office replete with not only its own WiFi, but also abundant southern light brought in by new windows, bespoke furnishings, a double-height workstation, and a utilitarian loft. The original barn door slides open to reveal a new set of sliding glass doors opening into the space. Dark hardwood floors are a foil to crisp white defining the walls and ceiling in the lower office, and soft shell pink in the double-height volume punctuated by charcoal gray barn stairs and iron pipe railings up to a dollhouse-like loft space overhead. The desktops -- clad on the top surface only with durable, no-nonsense, mushroom-colored laminate -- leave birch maple edges confidently exposed atop punchy red painted bases perforated with circles for visual and functional relief. Overhead a wrought iron lantern alludes to a birdcage, highlighting the feeling of being among the treetops when up in the loft. Photography: Rikki Snyder

A conceptual framework of long, straight lines anchors the landscape design for this proposed contemporary house set in a rural wetland environment. Against this datum, the site’s subtleties reveal themselves for interpretation and appreciation. The iconic element of a strong axial grass ‘runway’ serves both as a horizontal extrusion against which to read the natural topography and also as a platform for viewing the site’s wetlands. A monolithic retaining wall stratifies the entry area into a lower, private parking court and an upper, public one, which is further defined by a series of rough-hewn stone planters containing formal plantings of dogwoods. These planters break the plane of the retaining wall and extend to the ground, alluding to the substantial bedrock deposits that underlie much of the site. Stepped down from this plane is the fire pit terrace, nestled into the rocky structure of the site and offering views towards a vernal pond. Scott Carman

In the backyard of a home dating to 1910 in the Hudson Valley, a modest 250 square-foot outbuilding, at one time used as a bootleg moonshine distillery, and more recently as a bare bones man-cave, was given new life as a sumptuous home office replete with not only its own WiFi, but also abundant southern light brought in by new windows, bespoke furnishings, a double-height workstation, and a utilitarian loft. The original barn door slides open to reveal a new set of sliding glass doors opening into the space. Dark hardwood floors are a foil to crisp white defining the walls and ceiling in the lower office, and soft shell pink in the double-height volume punctuated by charcoal gray barn stairs and iron pipe railings up to a dollhouse-like loft space overhead. The desktops -- clad on the top surface only with durable, no-nonsense, mushroom-colored laminate -- leave birch maple edges confidently exposed atop punchy red painted bases perforated with circles for visual and functional relief. Overhead a wrought iron lantern alludes to a birdcage, highlighting the feeling of being among the treetops when up in the loft. Photography: Rikki Snyder

In the backyard of a home dating to 1910 in the Hudson Valley, a modest 250 square-foot outbuilding, at one time used as a bootleg moonshine distillery, and more recently as a bare bones man-cave, was given new life as a sumptuous home office replete with not only its own WiFi, but also abundant southern light brought in by new windows, bespoke furnishings, a double-height workstation, and a utilitarian loft. The original barn door slides open to reveal a new set of sliding glass doors opening into the space. Dark hardwood floors are a foil to crisp white defining the walls and ceiling in the lower office, and soft shell pink in the double-height volume punctuated by charcoal gray barn stairs and iron pipe railings up to a dollhouse-like loft space overhead. The desktops -- clad on the top surface only with durable, no-nonsense, mushroom-colored laminate -- leave birch maple edges confidently exposed atop punchy red painted bases perforated with circles for visual and functional relief. Overhead a wrought iron lantern alludes to a birdcage, highlighting the feeling of being among the treetops when up in the loft. Photography: Rikki Snyder