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Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection. They also lacked any storage for all their pool “stuff”. With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle. We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.
The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage. By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment.
The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living. A single new secure connection is made into the house through the existing mudroom. Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency. With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.
Photographer: Brandon Stengelwww.farmkidstudios.com
Location: Edina, MN
Completed: 2013
Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge
Find the right local pro for your project

We wanted to give them a design that brought lots of natural light, while attempting to get the best views from downtown. We were careful to add bedroom windows in a way that would avoid a view of roofs, vents and chimneys. We achieved this with the large south facing windows which provide views of trees and sky but are well shaded from direct sunlight in the summer months. We created a master bathroom that included a double vanity, large walk-in shower, private water closet and linen storage closet. We met storage goals by adding a master closet that is almost as large as the original bedrooms in the house.

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection. They also lacked any storage for all their pool “stuff”. With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle. We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.
The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage. By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment.
The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living. A single new secure connection is made into the house through the existing mudroom. Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency. With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.
Photographer: Brandon Stengelwww.farmkidstudios.com
Location: Edina, MN
Completed: 2013
Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection. They also lacked any storage for all their pool “stuff”. With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle. We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.
The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage. By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment.
The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living. A single new secure connection is made into the house through the existing mudroom. Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency. With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.
Photographer: Brandon Stengelwww.farmkidstudios.com
Location: Edina, MN
Completed: 2013
Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection. They also lacked any storage for all their pool “stuff”. With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle. We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.
The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage. By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment.
The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living. A single new secure connection is made into the house through the existing mudroom. Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency. With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.
Photographer: Brandon Stengelwww.farmkidstudios.com
Location: Edina, MN
Completed: 2013
Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Sponsored
Delaware, OH
Buckeye Basements, Inc.
Central Ohio's Basement Finishing ExpertsBest Of Houzz '13-'21

Seems like the ‘80s weren’t all that long ago. Reminiscing about music from the period harkens me back to all kinds of good feelings. The era’s kitchen and bath design, however, causes me to repress a bit of vomit. The lack of creativity, coupled with a love of beige and cheap brass, still makes my skin crawl. Some builder must have purchased entire container ships of that tile. Enter this bath. The homeowners did their best to add color, but nothing could hide the elements so popular in the day.
In attempting to provide something outside the norm (the shower tower), yet warm and inviting, (curved half-wall behind the curved freestanding tub; compressed ceilings above smaller items), and safe (large, curbless shower with door wide enough for future wheelchair), I endeavored to create a bath that would stand time’s test. It didn’t hurt that the clients, second-timers (see Modern Walnut Kitchen and Great Room) and a delight to work with, had strong opinions. The photos will be retaken soon (we didn’t stage the shoot), but they give an idea of the space.

This urban infill project is a make-over of a decrepit structure that had been used as a student rental for close to 50 years. Situated on an elevated, 3300 sf lot, nothing in the original house was salvageable and the entire house was stripped down to the studs. Our challenge with this project was to then open up the original interiors, flood them with natural light while creating a design that appealed to the broadest buyer pool possible.
We solved this problem by organizing a compact floor plan that resulted in a 4 bedroom, 4 bath residence organized around a great room on the main level, a family room on the basement level and an additional 2 bedrooms with city views on the upper. By minimizing circulation space, we were able to re-purpose every square foot of floor area while creating a dramatic, light-filled staircase that tied all 3 levels of the house together into a unified living scheme. Clean lines and clean details, this is another of our attempts at a 'Not So Big House.'
Marketing of the final product lasted less than 10 days and resulted in 3 full priced offers that netted the developer a tidy profit.

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection. They also lacked any storage for all their pool “stuff”. With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle. We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.
The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage. By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment.
The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living. A single new secure connection is made into the house through the existing mudroom. Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency. With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.
Photographer: Brandon Stengelwww.farmkidstudios.com
Location: Edina, MN
Completed: 2013
Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Seems like the ‘80s weren’t all that long ago. Reminiscing about music from the period harkens me back to all kinds of good feelings. The era’s kitchen and bath design, however, causes me to repress a bit of vomit. The lack of creativity, coupled with a love of beige and cheap brass, still makes my skin crawl. Some builder must have purchased entire container ships of that tile. Enter this bath. The homeowners did their best to add color, but nothing could hide the elements so popular in the day.
In attempting to provide something outside the norm (the shower tower), yet warm and inviting, (curved half-wall behind the curved freestanding tub; compressed ceilings above smaller items), and safe (large, curbless shower with door wide enough for future wheelchair), I endeavored to create a bath that would stand time’s test. It didn’t hurt that the clients, second-timers (see Modern Walnut Kitchen and Great Room) and a delight to work with, had strong opinions. The photos will be retaken soon (we didn’t stage the shoot), but they give an idea of the space.

"To design a house with a garage, an office, three bedrooms and three bathrooms in a 16-foot-wide space was a challenge. The result is a great way to live downtown." Cecil Baker, Philadelphia Style Magazine
11th Street Residence is one of a series of three townhouses built in the Washington Square West neighborhood of Philadelphia. Once a vacant lot owned by the redevelopment authority, the project was seen as an opportunity to infuse new residential life onto 11th Street. The design of the three 16-foot homes was based on maximum flexibility. The 'residence' is encompassed within the second and third floors; the rear portion of the first floor and the entirety of the fourth floor were offered for customization - either as two office suites, as a standalone rental opportunity (in the case of the first floor), or as expansions of the basic residence.
The design resolution of the 11th Street facades attempts to echo the rhythms and materials of the eclectic streetscape without lapsing into historical repetition. Brick, Arriscraft Renaissance masonry units, and Kalwall combine at the exterior to create a thoroughly modern façade in the city.
Barry Halkin and Todd Mason Photography

Seems like the ‘80s weren’t all that long ago. Reminiscing about music from the period harkens me back to all kinds of good feelings. The era’s kitchen and bath design, however, causes me to repress a bit of vomit. The lack of creativity, coupled with a love of beige and cheap brass, still makes my skin crawl. Some builder must have purchased entire container ships of that tile. Enter this bath. The homeowners did their best to add color, but nothing could hide the elements so popular in the day.
In attempting to provide something outside the norm (the shower tower), yet warm and inviting, (curved half-wall behind the curved freestanding tub; compressed ceilings above smaller items), and safe (large, curbless shower with door wide enough for future wheelchair), I endeavored to create a bath that would stand time’s test. It didn’t hurt that the clients, second-timers (see Modern Walnut Kitchen and Great Room) and a delight to work with, had strong opinions. The photos will be retaken soon (we didn’t stage the shoot), but they give an idea of the space.

Sponsored
Columbus, OH
Hope Restoration & General Contracting
Columbus Design-Build, Kitchen & Bath Remodeling, Historic Renovations

Previn consisted of scraping grass down to dirt with a bobcat then work began on the deck. Posts were set, frame was built, and decking was put into place. After the deck was finished, a pergola was built on top of the structure, everything was pressure washed, then later stained. After the deck was stained, we dug out the rest of the area around the pool (not shown), all the way to the front in attempts to make a circle around the pool. A square was dug out of the ground, and butter sticks were put into place, barrier was put into place, and the fire pit constructed. Liner was placed down throughout the entire project site, and mulch was placed in both the back of the pool (not shown) from the back and side fence, circling the pool, and up to the deck. Cypress trees were planted around the pool, and various bushes along the mulch edge up against the deck by the ramp. Pavers were set into place to create a path around the patio and shadow rock was brought in, and spread all throughout remaining project area.
In short: Demoed job site, added deck, added fire pit, added butter sticks, placed down liner, added metal edging, created borders, planted cypress trees, planted bushes, added mulch, added pavers, added shadow rock.

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection. They also lacked any storage for all their pool “stuff”. With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle. We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.
The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage. By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment.
The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living. A single new secure connection is made into the house through the existing mudroom. Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency. With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.
Photographer: Brandon Stengelwww.farmkidstudios.com
Location: Edina, MN
Completed: 2013
Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Previn consisted of scraping grass down to dirt with a bobcat then work began on the deck. Posts were set, frame was built, and decking was put into place. After the deck was finished, a pergola was built on top of the structure, everything was pressure washed, then later stained. After the deck was stained, we dug out the rest of the area around the pool (not shown), all the way to the front in attempts to make a circle around the pool. A square was dug out of the ground, and butter sticks were put into place, barrier was put into place, and the fire pit constructed. Liner was placed down throughout the entire project site, and mulch was placed in both the back of the pool (not shown) from the back and side fence, circling the pool, and up to the deck. Cypress trees were planted around the pool, and various bushes along the mulch edge up against the deck by the ramp. Pavers were set into place to create a path around the patio and shadow rock was brought in, and spread all throughout remaining project area.
In short: Demoed job site, added deck, added fire pit, added butter sticks, placed down liner, added metal edging, created borders, planted cypress trees, planted bushes, added mulch, added pavers, added shadow rock.

A family that spends a lot of time in and around their beautiful saltwater pool, did not have a place in their home that provided them a visual or physical connection. They also lacked any storage for all their pool “stuff”. With small children and a love for entertaining, they needed a room that served and supported their watery lifestyle. We took over an empty and unused notch along the back of the house adjacent to the pool patio to create a new bright and airy pool house.
The new out building attempts to unify 4 areas; an existing deck, an upper master bedroom balcony, a lower lawn, and the pool itself, and provide the missing storage. By locating the pool house at the juxtaposition of these areas, the new room was able to provide a new expanded rooftop balcony for the master, anchor and define the dining and barbeque deck, extend and connect to the pool and patio, and create a new access to integrate the lower lawn – and carve out the much needed storage for the variety of pool toys and equipment.
The building itself is 400 sf with bath, laundry, storage, mechanical, kitchen, and living. A single new secure connection is made into the house through the existing mudroom. Clad with crisply detailed ship lap cedar, it draws on the existing material palate of the house and nods to the boat aesthetic in expression and efficiency. With pocketing glass walls the pool house is both the utility building needed, and an expansion of the vibrant pool scene itself, inside and outside, along the poolside.
Photographer: Brandon Stengelwww.farmkidstudios.com
Location: Edina, MN
Completed: 2013
Project Team:
Ben Awes AIA, Principal-In-Charge
Bob Ganser AIA
Christian Dean AIA
Nate Dodge

Sponsored
Delaware, OH
Buckeye Basements, Inc.
Central Ohio's Basement Finishing ExpertsBest Of Houzz '13-'21

The existing kitchen was separated from the family room by a 17’ long bookcase. It was the first thing you saw upon entering and it hid much of the light and views to the backyard making the space feel claustrophobic. The laundry room was part of the kitchen space without any attempt to conceal the washer and dryer. Removing the long bookcase opened the opportunity to add counter stools in the kitchen and decided to align a target wall opposite the front door to help maintain some division within the main space while creating a space for the refrigerator. This also allowed us to create an open laundry room concept that would be hidden from view from all other areas.
We kept the industrial feel of the exposed building materials, which we complimented with textured melamine slab doors for the new kitchen cabinets. We maintained the galley set up but defined the kitchen from the utility area by changing both thickness and color of the countertop materials. Because the back of the house is mainly windows, there was very little wall space for upper cabinets and everyday dish storage. We designed a custom ceiling hung shelf system that floats in front of the windows, and is mostly out of view from the sitting area. Tall cabinets are installed along the only available wall to support both kitchen and laundry room functions. We used cable lighting threaded through the beams which really punctuates the industrial aesthetic.

Previn consisted of scraping grass down to dirt with a bobcat then work began on the deck. Posts were set, frame was built, and decking was put into place. After the deck was finished, a pergola was built on top of the structure, everything was pressure washed, then later stained. After the deck was stained, we dug out the rest of the area around the pool (not shown), all the way to the front in attempts to make a circle around the pool. A square was dug out of the ground, and butter sticks were put into place, barrier was put into place, and the fire pit constructed. Liner was placed down throughout the entire project site, and mulch was placed in both the back of the pool (not shown) from the back and side fence, circling the pool, and up to the deck. Cypress trees were planted around the pool, and various bushes along the mulch edge up against the deck by the ramp. Pavers were set into place to create a path around the patio and shadow rock was brought in, and spread all throughout remaining project area.
In short: Demoed job site, added deck, added fire pit, added butter sticks, placed down liner, added metal edging, created borders, planted cypress trees, planted bushes, added mulch, added pavers, added shadow rock.

Raised island ends create storage for cookbook display adding a touch of farmhouse charm. At the end of the kitchen is a large walk-in pantry.
Mandi B Photography
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