Search results for "Bleeding" in Home Design Ideas

Edging this bluestone patio is a dry stack fieldstone wall. Incorporated into the stonework are beds filled with tulip, creeping phlox, catnip, bleeding hearts, dianthus and other perennials, staged for three season interest.

We make these pillows from old grain sacks from Eastern Europe. The pair have a deep red triple stripe down the center, and the body is a medium oatmeal color. They are sewn with a zipper closure, and since we prewash all our vintage fabrics in a hot wash cycle, you can re wash them over an over again without fearing color bleed or shrinking. We try to retain any original patches, hems, seams, flanges, and or ties that were original to the bags. Comes with a down feather insert. Measures 20 x 20 sold as a pair only.
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Cadence’s family monitors her closely every single day for evidence of bleeds. If she wakes up with a bruise, or splotchy marks on her skin, it can mean a trip to the hospital for infusions to bring her platelet levels up. Often, the process of an infusion leads to other infections and complications, which can lead to long hospital stays for Cadence and her family.
As a result, Cadence has limited exposure to external activities and her families daily goal is to keep her safe and protect her from bumps. A tall order for any sweet and bubbly five year old.

Example of a mid-sized classic medium tone wood floor and brown floor hallway design in Miami with beige walls

RDP Photography
Inspiration for a large victorian partial sun side yard landscaping in Boston.
Inspiration for a large victorian partial sun side yard landscaping in Boston.

The footprint of the kitchen was not drastically altered; however it was fully redesigned to seamlessly integrate with the dining and living areas. Walls were removed that framed the existing layout and separated the kitchen from the adjacent rooms. The side of the cabinetry facing the dining room and living room now showcase a dramatic bar and counter seating area clad in steel panels and a 7” thick walnut countertop with hidden storage.
The cabinets are white with a twist: rift cut white oak with a semi-transparent paint, allowing the natural color to slightly bleed through thus enhancing its rustic nature. Grey quartz countertops echo the abundant natural rock formations on the property further connecting the kitchen to the home and gorgeous exterior surroundings. Unique details include the steel cladding behind the cooktop and sink to protect the wood countertop, reusing steel for the sleek custom kitchen table support, and a steel backsplash adjacent to the refrigerator. General lighting was thoughtfully considered and incorporates small aperture, square trimmed LED recessed fixtures throughout.
Photo: Peter Krupenye

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was.
Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom
Kitchen by Minimal USA
Photography: Federica Carlet
Contractor: James Sappho
© Axis Mundi Design LLC.

Studio Saxe was commissioned to design a beachfront house in the beautiful town of Santa Teresa in Costa Rica. We decided to integrate the jungle experience into the house and also frame the views of the ocean whilst blending with nature.
Concept
Studio Saxe decomposed the mass of the building into a series of pavilions with overlapping roofs that create interesting circulation spaces between the volumes. By dematerializing the volumes, we integrated the home into its lush surroundings.
Design
Studio Saxe used the decomposition of volumes to house the different programs of the project. Pavilions are divided into bedrooms, living spaces, service areas, and together they create a harmony that is weaved together through the circulation of indoor/outdoor spaces. This in turn allows the inhabitant to experience the intense natural surrounding every time they have to move from one place to the other.
Sustainability
The project was conceived as a decomposition of the volumes and this allowed for cross-ventilation due to the exposure of every space to at least 2 or 3 walls to the outside. The extended rooflines are carefully placed to protect from the sun and the rain through a process of bioclimatic design which analyzes the sun patterns, winds, and precipitation to create comfort without the use of energy. An array of sustainable systems such as rainwater catchment, water recycling systems, energy generation, and clever design makes this project a pioneer in sustainable tropical architecture that has passive design at its core.
Construction
Studio Saxe was interested in creating the sensation of floating rooflines, thus a series of thin columns support the roof planes in a way that they seem as they are floating A combination of steel and wood construction with concrete foundations allowed for the lightness of space, and this bleeding of boundaries between the structure and the outside.

We make these pillows from old grain sacks from Eastern Europe. The pair have a deep red triple stripe down the center, and the body is a medium oatmeal color. They are sewn with a zipper closure, and since we prewash all our vintage fabrics in a hot wash cycle, you can re wash them over an over again without fearing color bleed or shrinking. We try to retain any original patches, hems, seams, flanges, and or ties that were original to the bags. Comes with a down feather insert. Measures 20 x 20 sold as a pair only.

Terran Landscapes http://www.terranlandscapes.com
Project Entry: Fishers Woodland Garden
2014 PLNA Awards for Landscape Excellence Winner
Category: Theme Garden $15,000-$30,000
Award Level: Bronze
Photo Description:
We were contracted by the client to design a calming space for their staff to relax, take a walk, and enjoy a leisurely lunch as well as to provide their grandchildren a place to run and pick flowers. The space was originally dominated by large trees and had been overgrown with ivy, sumac and aggressive vines, providing an unwelcome, dark space with little color or visual appeal. The client requested a colorful blend of shrubs and perennials that would provide interest throughout the seasons, as well as provide privacy by screening the street traffic along Carisbrooke Road.
Our goal was to create the privacy screen along the road by layering plants from the ground to the tree canopy. The theme was to let nature inspire the landscape, allowing a space that was originally woodland to become an enhanced version of itself, creating a beautiful habitat for birds and butterflies to excite the senses and satisfy all who enjoy the beauty of nature.
We began by clearing the brush and removing all aggressive vines and ivy that jeopardized the health of the trees. We kept and transplanted all non- invasive or native plant material in the area to various locations throughout the property. Several yards of compost were then tilled into the soil and the existing trees fertilized to provide a rich growing environment.
A few challenges occurred during the design process. It was decided that a new generator was to be installed in the woodland and due to a future addition to the house, we were forced to eliminate planned additional impervious pathway surfaces. We provided screening to hide the generator and buffer the noise, and created a meandering path and sitting area out of natural woodchips instead of the proposed bluestone to solve the impervious space issue. The woodchips add a sense of informality and invite the viewer to walk slowly through the space. The reduced noise from the additional screening of the generator allows for quiet reflection as chipmunks scurry and hummingbirds dart about between the flowers.
Our plant palette consists of shady understory plants that thrive and flower vigorously from spring through fall. A tall, lush, evergreen backdrop of Ilex opaca and Prunus laurocerasus ‘Schipkaensis’ provides the screening and blends into a middle layer of ‘Ivory Halo’ dogwood, hydrangeas and winterberry hollies. Beautiful perennials and groundcovers bloom along the woodland path, providing a low visual layer of color and texture. Movement throughout the garden is provided by the graceful Calamagrostis brachytricha and Hakenchloa that soften the nearby hardscaping. The woodland floor is full of shade-loving Solomon’s seal, hosta, astilbe, ferns, bleeding heart, Tiarella and Aconitum.
The street side of this woodland required plants with a preference for a little more sun and drought tolerance. A palette of oakleaf hydrangea, Agastache, Liatris and Rudbeckia softens the fence line and provides the desired color.
As designed and installed, the woodland garden successfully provides the client’s family and office staff a quiet space where they can take a peaceful moment and enjoy nature.
Photo Credit: Lisa C. Falls

http://www.guinardcp.com/
Light brown Maple hardwood floors with a french bleed.

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Cadence’s family monitors her closely every single day for evidence of bleeds. If she wakes up with a bruise, or splotchy marks on her skin, it can mean a trip to the hospital for infusions to bring her platelet levels up. Often, the process of an infusion leads to other infections and complications, which can lead to long hospital stays for Cadence and her family.
As a result, Cadence has limited exposure to external activities and her families daily goal is to keep her safe and protect her from bumps. A tall order for any sweet and bubbly five year old.

Photographer: Rafael Soldi
Remodel and addition to a 1970's home was designed to blur the line between common and private space, indoor and outdoor space, single family and multifamily space. There are no fences on this block. Yards bleed into each other and outdoor dinner tables span property lines.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was.
Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom
Kitchen by Minimal USA
Photography: Federica Carlet
© Axis Mundi Design LLC

SAXOPHONE MAN is from George Diebold's ROAD TRIP portfolio. It is pictured here as a full bleed, plexi-glass laminated archival print, floated out from the wall with an aluminum brace.

Photo of a small contemporary shade backyard flower bed in Toronto for spring.
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