The sun can be overwhelming at times with the brightness and high temperatures. Shades are also a great way to block harmful ultra-violet rays to protect your hardwood flooring, furniture and artwork from fading. There are different types of shades that were engineered to solve a specific dilemma. We work with clients in the Central Indiana Area. Contact us today to get started on your project. 317-273-8343

Modern Bedroom Set Motion by Up Huppe Made in Canada The Motion Bedroom by Huppe is manufactured in specially selected white oak veneer as well as solid white oak representative of the latest trend. The Motion bedroom collection is distinguished by its upholstered headboard. Its cushions bring comfort and character to the bedroom decor. The bed is available with wooden slats platform or a wooden panels platform on which a mattress can be used without a box spring. Optionally, the set also offers a dresser, chest and nightstands to give the bed a comfortable storage system. The backs of the upholstered headboard and night tables are completely finished, allowing for furniture placement in the center of a room. The drawer interiors are made of Russian birch treated and stained like the furniture and coated with a silky finish that protects the most delicate clothing. The drawers close softly and quietly thanks to hidden self-closing slow motion slides. Customers are ensured that this product, designed by Joel Dupras and manufactured in Canada by a passionate team, is unique, authentic and of top quality. Features: Designed by Joel Dupras Structure consists of solid and veneered wood Available in an aged, natural, gray, espresso, torrefied or smoked oak finish Headboard is available upholstered in fabric or leather Matching nightstands, dressers, chests and mirrors are available The drawers of the optional casegoods feature self-clothing slow motions slides Optionally, the dresser, chest and nightstands can be customized with a lacquered glass top Bed only requires a mattress that sits on a wooden platform with slats or panels The starting price is for the Motion Queen size bed in a Smoked Oak finish with the wooden slats platform and the headboard upholstered in a Chess #010 fabric. Dimensions: Queen Size Bed: W75" x D88.7" x H37.5" King Size Bed: W92" x D88.7" x H37.5" Night Stand (A-version): W20" x D20" x H18" Night Stand (B-version): W26" x D20" x H18 6-Drawer Dresser: W66" x D20" x H29" Lingerie Chest: W26" x D20" x H57.7" Horizontal Mirror: W47.3" x D1.3" x H22.3" Floor Mirror: W24.3" x D1.3" x H76.3"

  Download our free ebook, Creating the Ideal Kitchen. DOWNLOAD NOW   Lakefront property in the northwest suburbs of Chicago is hard to come by, so when we were hired by this young family with exactly that, we were immediately inspired by not just the unusually large footprint of this 1950’s colonial revival but also the lovely views of the manmade lake it was sited on. The large 5-bedroom home was solidly stuck in the 1980’s, but we saw tons of potential. We started out by updating the existing staircase with a fresh coat of paint and adding new herringbone slate to the entry hall. The powder room off the entryway also got a refresh - new flooring, new cabinets and fixtures. We ran the new slate right through into this space for some consistency. A fun wallpaper and shiplap trim add a welcoming feel and set the tone for the home. Next, we tackled the kitchen. Located away from the rest of the first floor, the kitchen felt a little isolated, so we immediately began planning for how to better connect it to the rest of the first floor. We landed on removing the wall between the kitchen and dining room and designed a modified galley style space with separate cooking and clean up zones. The cooking zone consists of the refrigerator, prep sink and cooktop, along with a nice long run of prep space at the island. The cleanup side of the kitchen consists of the main sink and dishwasher. Both areas are situated so that the user can view the lake during prep work and cleanup! One of the home’s main puzzles was how to incorporate the mudroom and area in front of the patio doors at the back of the house. We already had a breakfast table area, so the space by the patio doors was a bit of a no man’s land. We decided to separate the kitchen proper from what became the new mudroom with a large set of barn doors. That way you can quickly hide any mudroom messes but have easy access to the light coming in through the patio doors as well as the outdoor grilling station. We also love the impact the barn doors add to the overall space. The homeowners’ first words to us were “it’s time to ditch the brown,” so we did! We chose a lovely blue pallet that reflects the home’s location on the lake which is also vibrant yet easy on the eye. Countertops are white quartz, and the natural oak floor works well with the other honey accents. The breakfast table was given a refresh with new chairs, chandelier and window treatments that frame the gorgeous views of the lake out the back. We coordinated the slate mudroom flooring with that used in the home’s main entrance for a consistent feel. The storage area consists of open and closed storage to allow for some clutter control as needed. Next on our “to do” list was revamping the dated brown bar area in the neighboring dining room. We eliminated the clutter by adding some closed cabinets and did some easy updates to help the space feel more current. One snag we ran into here was the discovery of a beam above the existing open shelving that had to be modified with a smaller structural beam to allow for our new design to work. This was an unexpected surprise, but in the end we think it was well worth it! We kept the colors here a bit more muted to blend with the homeowner’s existing furnishings. Open shelving and polished nickel hardware add some simple detail to the new entertainment zone which also looks out onto the lake! Next we tackled the upstairs starting with the homeowner’s son’s bath. The bath originally had both a tub shower and a separate shower, so we decided to swap out the shower for a new laundry area. This freed up some space downstairs in what used to be the mudroom/laundry room and is much more convenient for daily laundry needs. We continued the blue palette here with navy cabinetry and the navy tile in the shower. Porcelain floor tile and chrome fixtures keep maintenance to a minimum while matte black mirrors and lighting add some depth the design. A low maintenance runner adds some warmth underfoot and ties the whole space together. We added a pocket door to the bathroom to minimize interference with the door swings. The left door of the laundry closet is on a 180 degree hinge to allow for easy full access to the machines. Next we tackled the master bath which is an en suite arrangement. The original was typical of the 1980’s with the vanity outside of the bathroom, situated near the master closet. And the brown theme continued here with multiple shades of brown. Our first move was to segment off the bath and the closet from the master bedroom. We created a short hall from the bedroom to the bathroom with his and hers walk-in closets on the left and right as well as a separate toilet closet outside of the main bathroom for privacy and flexibility. The original bathroom had a giant soaking tub with steps (dangerous!) as well as a small shower that did not work well for our homeowner who is 6’3”. With other bathtubs in the home, they decided to eliminate the tub and create an oversized shower which takes up the space where the old tub was located. The double vanity is on the opposite wall and a bench is located under the window for morning conversations and a place to set a couple of towels. The pallet in here is light and airy with a mix of blond wood, creamy porcelain and marble tile, and brass accents. A simple roman shade adds some texture and it’s top-down mechanism allows for light and privacy. This large whole house remodel gave our homeowners not only the ability to maximize the potential of their home but also created a lovely new frame from which to view their fabulous lake views. Designed by: Susan Klimala, CKD, CBD Photography by: Michael Kaskel For more information on kitchen and bath design ideas go to: www.kitchenstudio-ge.com

When my client had to move from her company office to work at home, she set up in the dining room. Despite her best efforts, this was not the long-term solution she was looking for. My client realized she needed a dedicated space not on the main floor of the home. On one hand, having your office space right next to the kitchen is handy. On the other hand, it made separating work and home life was not that easy. The house was a ranch. In essence, the basement would run entire length of the home. As we came down the steps, we entered a time capsule. The house was built in the 1950’s. The walls were covered with original knotty pine paneling. There was a wood burning fireplace and considering this was a basement, high ceilings. In addition, there was everything her family could not store at their own homes. As we wound though the space, I though “wow this has potential”, Eventually, after walking through the laundry room we came to a small nicely lit room. This would be the office. My client looked at me and asked what I thought. Undoubtedly, I said, this can be a great workspace, but do you really want to walk through this basement and laundry to get here? Without reservation, my client said where do we start? Once the design was in place, we started the renovation. The knotty pine paneling had to go. Specifically, to add some insulation and control the dampness and humidity. The laundry room wall was relocated to create a hallway to the office. At the far end of the room, we designated a workout zone. Weights, mats, exercise bike and television are at the ready for morning or afternoon workouts. The space can be concealed by a folding screen for party time. Doors to an old closet under the stairs were relocated to the workout area for hidden storage. Now we had nice wall for a beautiful console and mirror for storage and serving during parties. In order to add architectural details, we covered the old ugly support columns with simple recessed millwork panels. This detail created a visual division between the bar area and the seating area in front of the fireplace. The old red brick on the fireplace surround was replaced with stack stone. A mantle was made from reclaimed wood. Additional reclaimed wood floating shelves left and right of the fireplace provides decorative display while maintaining a rustic element balancing the copper end table and leather swivel rocker. We found an amazing rug which tied all of the colors together further defining the gathering space. Russet and burnt orange became the accent color unifying each space. With a bit of whimsy, a rather unusual light fixture which looks like roots from a tree growing through the ceiling is a conversation piece. The office space is quite and removed from the main part of the basement. There is a desk large enough for multiple screens, a small bookcase holding office supplies and a comfortable chair for conference calls. Because working from home requires many online meetings, we added a shiplap wall painted in Hale Navy to contrast with the orange fabric on the chair. We finished the décor with a painting from my client’s father. This is the background online visitors will see. The last and best part of the renovation is the beautiful bar. My client is an avid collector of wine. She already had the EuroCave refrigerator, so I incorporated it into the design. The cabinets are painted Temptation Grey from Benjamin Moore. The counter tops are my favorite hard working quartzite Brown Fantasy. The backsplash is a combination of rustic wood and old tin ceiling like porcelain tiles. Together with the textures of the reclaimed wood and hide poofs balanced against the smooth finish of the cabinets, we created a comfortable luxury for relaxing. There is ample storage for bottles, cans, glasses, and anything else you can think of for a great party. In addition to the wine storage, we incorporated a beverage refrigerator, an ice maker, and a sink. Floating shelves with integrated lighting illuminate the back bar. The raised height of the front bar provides the perfect wine tasting and paring spot. I especially love the pendant lights which look like wine glasses. Finally, I selected carpet for the stairs and office. It is perfect for noise reduction. Meanwhile for the overall flooring, I specifically selected a high-performance vinyl plank floor. We often use this product as it is perfect to install on a concrete floor. It is soft to walk on, easy to clean and does not reduce the overall height of the space.

Bathroom - country bathroom idea in Minneapolis

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

[Our Clients] We were so excited to help these new homeowners re-envision their split-level diamond in the rough. There was so much potential in those walls, and we couldn’t wait to delve in and start transforming spaces. Our primary goal was to re-imagine the main level of the home and create an open flow between the space. So, we started by converting the existing single car garage into their living room (complete with a new fireplace) and opening up the kitchen to the rest of the level. [Kitchen] The original kitchen had been on the small side and cut-off from the rest of the home, but after we removed the coat closet, this kitchen opened up beautifully. Our plan was to create an open and light filled kitchen with a design that translated well to the other spaces in this home, and a layout that offered plenty of space for multiple cooks. We utilized clean white cabinets around the perimeter of the kitchen and popped the island with a spunky shade of blue. To add a real element of fun, we jazzed it up with the colorful escher tile at the backsplash and brought in accents of brass in the hardware and light fixtures to tie it all together. Through out this home we brought in warm wood accents and the kitchen was no exception, with its custom floating shelves and graceful waterfall butcher block counter at the island. [Dining Room] The dining room had once been the home’s living room, but we had other plans in mind. With its dramatic vaulted ceiling and new custom steel railing, this room was just screaming for a dramatic light fixture and a large table to welcome one-and-all. [Living Room] We converted the original garage into a lovely little living room with a cozy fireplace. There is plenty of new storage in this space (that ties in with the kitchen finishes), but the real gem is the reading nook with two of the most comfortable armchairs you’ve ever sat in. [Master Suite] This home didn’t originally have a master suite, so we decided to convert one of the bedrooms and create a charming suite that you’d never want to leave. The master bathroom aesthetic quickly became all about the textures. With a sultry black hex on the floor and a dimensional geometric tile on the walls we set the stage for a calm space. The warm walnut vanity and touches of brass cozy up the space and relate with the feel of the rest of the home. We continued the warm wood touches into the master bedroom, but went for a rich accent wall that elevated the sophistication level and sets this space apart. [Hall Bathroom] The floor tile in this bathroom still makes our hearts skip a beat. We designed the rest of the space to be a clean and bright white, and really let the lovely blue of the floor tile pop. The walnut vanity cabinet (complete with hairpin legs) adds a lovely level of warmth to this bathroom, and the black and brass accents add the sophisticated touch we were looking for. [Office] We loved the original built-ins in this space, and knew they needed to always be a part of this house, but these 60-year-old beauties definitely needed a little help. We cleaned up the cabinets and brass hardware, switched out the formica counter for a new quartz top, and painted wall a cheery accent color to liven it up a bit. And voila! We have an office that is the envy of the neighborhood.

This kitchen renovation started when the ceiling light began to flicker on and off. Realizing the age of that light fixture brought the homeowners to wonder just how long the rest of their appliances would last. The kitchen was more than fifteen years old. Remodeling the kitchen was the opportunity they needed to create the space they desperately wanted. First on the list was an area to entertain and cook, second was that is be Kid friendly for their grandchildren, and third, they wanted the kitchen to open up to their adjacent living room. All new appliances, quality Fieldstone cabinets, and new hardwood flooring throughout the first floor brought this kitchen up to speed. They liked the idea of extending the counter to create a large seating area. This turned out to be the best loved feature of their new kitchen. Working with the designer and the granite company, they made a unique “tear drop” extension of the counter for seating. The old “breakfast” table moved out! Bright, airy and beautiful- the homeowners are thrilled.

DESIGNED BY TOC design CONSTRUCTION BY TOC design & Construction inc. PHOTOS BY : Tania Scardellato I was fortunate to have a young family approach me in desperate need to renovate there only 3 piece bathroom. This space was In dire need of a remodel, with old brown wall to wall tiles and a dated bulky yellow brown single sink vanity. Storage was a must, lighting a necessity, and proper accessibility to the shower bath area. We had a tight budget to respect, but a full gut of this bathroom was required. And a good thing too, once we started doing the demolition we noticed that mildew and rotting floors and walls had accumulated throughout the years. Doing it right the first time is no joke when dealing with water and electrical issues. We discarded all reminisce of old and built from scratch, new walls, new plumbing, new electrical ,new insulation and a new window, a new fan that actually exhausted outside ( I say this laughing as you would be amazed at how many fans are installed but don’t exhaust outside, and you the client would never know unless you go inside the attic space. Once all the hard stuff was done, the rest is just a matter of smart design. If you have a small bathroom here are some tips to guide you. 10 tips for making a small bathroom feel larger Is your tiny bathroom cramping your functionality and style, leaving you longing for the enormous bathrooms gracing the pages of design magazines? Even if your bathroom is a fraction of the size, all it takes is some design savvy to make the most of the space you have. Consider these 10 smart tips that will help your bathroom look, feel and function like those larger contenders. 1-Get creative with corners Space is at a premium in small bathrooms, so it's important to maximize every inch. Corners, for example, provide extra space for shelving, storage units and even hooks. Get creative and install unique design solutions that are not only functional, but also eye-catching. If you love the airiness of floating cabinets, add baskets or decorative boxes under for extra storage. If you are installing floating cabinets insure that they are installed securely to studs or plywood at wall. 2- Let solid colors shine Busy patterns have a shrinking effect and make small bathrooms seem even smaller. Conversely, light natural hues make a space feel more open. If you're itching to get creative with design, experiment with textures but keep overpowering patterns to a minimum. Tone on tone is the best to achieve this. 3 - Maximize your bathtub A bathtub takes up a significant portion of the room, but modern, compact options with curved basins, can make the tub feel larger when in use, all while conserving space. 4 - Select a smaller faucet A faucet is jewelry for the bathroom. And just as accessories can overpower an outfit, a big bulky faucet isn't flattering in a small bath. Single-handle designs conserve counter space, while a wall-mount installation frees it up all together and can create quite the wow-factor, if the budget can accommodate the required changes to plumbing behind the wall. 5 - Make vanity storage simple If you're in a storage war with your small bathroom, you're not alone in the battle. Toiletries and personal supplies without a place to call home only add clutter and chaos. Store smart with a space-saving vanity, the dual sink vanity shown here, looks quite simple, but in reality it has 4 sets of full extension drawers, and the vanity tower adds extra storage without overpowering the use of space. 6 - Show off the shower Shower curtains may be pretty, but they interrupt the visual flow of a bathing space and make it feel significantly smaller. In bathrooms with small footprints, opt for a clear glass sliding shower door that doesn't require the clearance of one with a hinged design. Or as shown in this design and for fraction less expensive a half hinged panel installed on a fixed tempered glass panel. If you're embarking on a big remodel, create the illusion of more space by using same tile in the shower that's used throughout; instead of seeing them as two separate zones, the eye will read them as one. 7 - Discover the treasure of hidden storage Work with a contractor, and you just might find some serious storage potential hidden behind your walls. Whether it's utilizing space between the studs for shallow shelving or a creating a small linen closet by annexing space from an adjacent room, even small additions can make a big difference. 8 - Focal Point Tile is a beautiful, durable addition to any bathroom. For dainty spaces, consider installing tile at a diagonal to accentuate the focal point or as in this bathroom I used an oversized textured pattern to bring depth to the space at the window wall. 9 - Choose the right lights Strategically install light to reflect and brighten a small bathroom to make it appear larger. Recessed lighting is an affordable solution for tiny rooms, offering ample light while taking up little space. Wall sconces alongside a mirror also reflect off the walls and make a room feel bright and airy. I always recommend going with LED lighting at 2800 to 3000K. 10 – Accessorize This is your time to shine in your decorating skills, have fun with your towels, you can change the color scheme daily just by adding pops of color in your accessories, make sure to get items that serve a dual purpose, like baskets, boxes they can always be used as hampers, storing of towels and even a nice display for your guest.

Inspiration for a small 1950s single-wall black floor dedicated laundry room remodel in San Francisco with flat-panel cabinets, white cabinets, white walls, a side-by-side washer/dryer and gray countertops

Our clients came to us wanting to update and open up their kitchen, breakfast nook, wet bar, and den. They wanted a cleaner look without clutter but didn’t want to go with an all-white kitchen, fearing it’s too trendy. Their kitchen was not utilized well and was not aesthetically appealing; it was very ornate and dark. The cooktop was too far back in the kitchen towards the butler’s pantry, making it awkward when cooking, so they knew they wanted that moved. The rest was left up to our designer to overcome these obstacles and give them their dream kitchen. We gutted the kitchen cabinets, including the built-in china cabinet and all finishes. The pony wall that once separated the kitchen from the den (and also housed the sink, dishwasher, and ice maker) was removed, and those appliances were relocated to the new large island, which had a ton of storage and a 15” overhang for bar seating. Beautiful aged brass Quebec 6-light pendants were hung above the island. All cabinets were replaced and drawers were designed to maximize storage. The Eclipse “Greensboro” cabinetry was painted gray with satin brass Emtek Mod Hex “Urban Modern” pulls. A large banquet seating area was added where the stand-alone kitchen table once sat. The main wall was covered with 20x20 white Golwoo tile. The backsplash in the kitchen and the banquette accent tile was a contemporary coordinating Tempesta Neve polished Wheaton mosaic marble. In the wet bar, they wanted to completely gut and replace everything! The overhang was useless and it was closed off with a large bar that they wanted to be opened up, so we leveled out the ceilings and filled in the original doorway into the bar in order for the flow into the kitchen and living room more natural. We gutted all cabinets, plumbing, appliances, light fixtures, and the pass-through pony wall. A beautiful backsplash was installed using Nova Hex Graphite ceramic mosaic 5x5 tile. A 15” overhang was added at the counter for bar seating. In the den, they hated the brick fireplace and wanted a less rustic look. The original mantel was very bulky and dark, whereas they preferred a more rectangular firebox opening, if possible. We removed the fireplace and surrounding hearth, brick, and trim, as well as the built-in cabinets. The new fireplace was flush with the wall and surrounded with Tempesta Neve Polished Marble 8x20 installed in a Herringbone pattern. The TV was hung above the fireplace and floating shelves were added to the surrounding walls for photographs and artwork. They wanted to completely gut and replace everything in the powder bath, so we started by adding blocking in the wall for the new floating cabinet and a white vessel sink. Black Boardwalk Charcoal Hex Porcelain mosaic 2x2 tile was used on the bathroom floor; coordinating with a contemporary “Cleopatra Silver Amalfi” black glass 2x4 mosaic wall tile. Two Schoolhouse Electric “Isaac” short arm brass sconces were added above the aged brass metal framed hexagon mirror. The countertops used in here, as well as the kitchen and bar, were Elements quartz “White Lightning.” We refinished all existing wood floors downstairs with hand scraped with the grain. Our clients absolutely love their new space with its ease of organization and functionality.

Ask a kitchen designer in Chicago which countertop question comes up most and you will hear the same answer: white or off-white quartz, and which shade. Homeowners walk into showrooms with a photo saved on their phone, usually a bright, veined slab from a magazine spread, and leave an hour later realizing there are a dozen versions of that same look. The confusion is not about taste. It is about the fact that "white quartz" covers a huge range of patterns, undertones, and price points, and nobody explains the differences before the sale. Older bungalows and newer builds alike are getting stripped of their dated laminate and butcher block in favor of quartz, and the reasons are practical rather than trendy. Quartz does not need sealing, resists the kind of staining that granite can suffer over decades, and holds up to the freeze-thaw humidity swings that Chicago basements and kitchens go through every year. Once a homeowner commits to quartz, though, the real decision starts: which white, and does the pattern justify the difference in cost. This piece walks through three specific slabs that keep showing up in Chicago renovation projects, why designers reach for them in different rooms, and what actually separates a flat white surface from one with real depth. None of this requires a design background to follow. It is mostly about paying attention to how a slab behaves under kitchen lighting, how busy the vending gets, and how it photographs versus how it looks in person. Why White Quartz Took Over Chicago Kitchens Ten years ago, granite dominated Chicago kitchen remodels almost by default. It was durable, it looked expensive, and every fabricator in the metro area carried a wide range of colors. Quartz has since taken over that position, and the shift happened faster than most contractors expected. Engineered stone gave homeowners a more predictable surface, since natural granite varies slab to slab while quartz is manufactured to a consistent pattern batch after batch. The other driver is light. Chicago winters are long and gray, and a lot of kitchens, especially in older two-flats and courtyard buildings, do not get much direct sun. A dark granite countertop in a dim kitchen can make the whole room feel smaller. White and light-toned quartz reflects what little natural light comes through the windows, and it makes a galley kitchen or a north-facing space feel noticeably brighter without touching the cabinetry or the layout. There is also a resale argument that local real estate agents bring up constantly. White quartz photographs well for listings, reads as updated and low-maintenance to buyers touring in person, and does not compete visually with whatever cabinet color the next owner might prefer. It is a safer bet than a bold veined marble look or a colored quartz that might feel dated in five years. Arctic White and the Cost Question Among the flatter, more uniform whites, arctic white quartz price comes up constantly in budget conversations because the slab sits at a more approachable point than the heavily veined Italian-marble-inspired patterns. It reads as clean and bright without the busy movement that some homeowners find overwhelming in a small kitchen. Fabricators in the Chicago area tend to keep it in stock precisely because demand stays steady across both new construction and remodel projects. Part of what keeps this slab affordable relative to its heavily patterned cousins comes down to manufacturing complexity. A quartz surface with minimal veining and a consistent white base is simpler to produce at scale than one that mimics the irregular, high-contrast movement of natural Calacatta marble. That production difference shows up directly in what a homeowner pays per square foot, and it is worth asking a fabricator to walk through that pricing before assuming every white quartz costs the same. Homeowners planning a full kitchen, including an island, backsplash, and perimeter counters, often use a flatter white like this specifically because it lets other elements carry the visual interest. A patterned tile backsplash or a bold cabinet color reads more clearly against a calm countertop than against one already fighting for attention with heavy veining. Designers frequently pair simpler whites with statement lighting fixtures for exactly this reason. What Makes Calacatta Patterns Different Calacatta refers to a family of marble originally quarried in Italy, known for a bright white background broken up by bold, often gold-toned veining that moves in thick, dramatic streaks rather than thin gray lines. Natural Calacatta marble is soft, porous, and expensive to maintain, which is exactly why quartz manufacturers spent years developing engineered versions that replicate the look without the upkeep headaches. The challenge with any Calacatta-style quartz is getting the veining to look organic instead of printed. Early generations of engineered stone struggled with repetitive patterns that gave away the fact the slab was manufactured rather than cut from actual marble. Modern digital printing and layering techniques have closed that gap considerably, and the better Calacatta-inspired quartz lines now vary the veining across each slab batch so two counters in the same kitchen do not look identical. Chicago designers gravitate toward Calacatta patterns for kitchens that function as the visual centerpiece of an open floor plan, which describes a large share of the gut renovations happening in neighborhoods like Lincoln Park, Roscoe Village, and the North Shore suburbs. When the kitchen island is visible from the living room and dining area, a dramatic veined surface becomes part of the home's overall design language rather than a purely functional work surface. Calacatta Arno Under Kitchen Lighting One of the more popular options in this category, calacatta arno quartz, balances a warm white base with soft gray and gold veining that avoids looking too stark under the cooler LED lighting common in newer Chicago builds. Homeowners touring showrooms sometimes make the mistake of judging a slab entirely under warm incandescent lighting, then get surprised when the same surface looks slightly different once installed under their kitchen's actual fixtures. What separates this particular pattern from flatter competitors is how the veining clusters rather than spreading evenly across the slab. That clustering mimics the way real quarried marble forms, with denser mineral deposits in some sections and cleaner stretches in others. Fabricators cutting a large island slab from a single piece will often orient the pattern intentionally so the busiest veining lands somewhere visually interesting rather than getting cut off at an edge. Because the background reads warmer than a stark white, this pattern tends to pair well with brass or matte gold hardware, a combination that has been showing up repeatedly in Chicago kitchen remodels over the past few renovation seasons. Cabinet painters report a similar trend, with more clients requesting warm white or greige cabinet colors specifically because they complement this kind of veined quartz better than a cooler, blue-toned white would. Silestone's Version of the Calacatta Look Manufacturers compete directly in this Calacatta-inspired category, and silestone eternal calacatta gold represents one brand's specific take on the pattern, distinguished by richer gold veining set against a brighter white base than some competing slabs in the same family. Silestone has built a reputation around anti-bacterial surface treatments in addition to the standard quartz durability, a detail some homeowners specifically ask about for kitchens used heavily by families with young children. The veining in this particular slab tends to run in longer, more continuous lines compared to the clustered pattern found in some other Calacatta-style options, which gives large island surfaces a sense of visual flow from one end to the other. Fabricators working with bigger islands, the kind increasingly common in open-concept Chicago remodels, often favor patterns like this because there is less need to worry about seams interrupting a busy, disconnected pattern. Price positioning for this slab tends to sit toward the upper end of the engineered quartz category, reflecting both the brand's manufacturing process and the complexity of replicating that continuous gold veining consistently across production batches. Homeowners weighing this option against other Calacatta-style quartz should ask their fabricator directly about batch availability, since premium patterns sometimes have longer lead times than standard stock colors. Living With Quartz Day to Day Beyond how a slab looks in a showroom or a listing photo, the daily experience of owning quartz countertops matters more once the renovation dust settles. Quartz resists scratching far better than laminate and holds up to the acidic spills, hot pans, and general abuse of an active kitchen without the sealing maintenance that natural stone requires every year or two. That low-maintenance reputation is a large part of why quartz overtook granite in the first place. Heat resistance is a detail that gets less attention than it should. While quartz handles moderate heat well, manufacturers generally recommend using a trivet or pad for very hot pots straight off the stove, since sudden temperature shock can occasionally cause stress marks in the resin binder that holds the engineered stone together. This is a minor precaution rather than a major limitation, but it is worth mentioning to anyone assuming quartz is entirely indestructible. Cleaning routines stay simple across almost every pattern in this category. A damp cloth and mild soap handle daily messes, and the nonporous surface means wine, coffee, and tomato-based sauces do not soak in the way they can with unsealed granite or marble. Homeowners moving from an older stone counter often mention how much less they worry about everyday spills once quartz is installed, which is a quality-of-life change that rarely makes it into the initial design conversation. Choosing Between the Three There is no single correct answer among these three slabs, and that is exactly why they keep coming up together in the same design conversations across Chicago renovation projects. A flatter white with minimal veining suits kitchens where other elements need to carry the visual interest, while a bolder Calacatta-inspired pattern makes sense when the countertop itself is meant to be the centerpiece of an open floor plan. Budget matters too, and it is worth having a direct conversation with a fabricator about where each option lands before falling in love with a specific slab in a showroom. Lighting, cabinet color, and how the kitchen connects to the rest of the home all play into which pattern will actually look right once installation is finished rather than just in a photo. Whatever direction a homeowner leans, seeing a full slab in person under actual kitchen lighting remains the single most useful step before signing off. Photos only go so far once the countertop is sitting in the room it will live in for years.

  Free ebook, Creating the Ideal Kitchen. DOWNLOAD NOW   This project started out as a kitchen remodel but ended up as so much more. As the original plan started to take shape, some water damage provided the impetus to remodel a small upstairs hall bath. Once this bath was complete, the homeowners enjoyed the result so much that they decided to set aside the kitchen and complete a large master bath remodel. Once that was completed, we started planning for the kitchen! The original kitchen was just large enough to accommodate an island and a separate pantry but felt a little cramped, especially during the weekends when the couple likes to entertain. The primary goal was to maintain the functionality of the current space, but to add some breathing room as well as to provide a view to the homeowner’s side yard and substantial Hosta garden. The solution was to bump out the space about 10 feet which provided ample room for large pro appliances, a large island for gathering and an upgraded pantry space. It was important to the homeowners to create a space that felt like it belonged in their historic 1866 home. Details such as matching new trim to the existing large custom profiles in the original home and re-purposing an existing door to be used for the new pantry, provided these touches. A large window at the main sink provides that view into the yard and a beautiful focal point for the room. A mix of painted wood and stained cabinetry gives the new kitchen a sense of belonging in the older home, as do the Super White quartzite that has the look of marble, subway tile backsplash, polished nickel lanterns and glass and mirrored doors. The large pantry, filled with custom shelving built to the homeowner’s specifications, stainless steel appliances and the two Galley Workstations – sinks that do double duty as prep space – ensure that not only does the kitchen look great, but also functions in a personalized manner that works perfectly for the occupants. Doing the bump out also allowed the opportunity for a small mudroom and powder room right off the kitchen as well as re-arranging some openings to allow for better traffic flow throughout the entire first floor. The result is a comfortable up-to-date home that feels both steeped in history yet allows for today’s style of living. Designed by: Susan Klimala, CKD, CBD Photography by: Michael Alan Kaskel For more information on kitchen and bath design ideas go to: www.kitchenstudio-ge.com

Hunter Douglas Pirouette provides an elegant look with sophisticated functionality. The Hunter Douglas Pirouette gives the look of a roman shade with the functionality of a silhouette sheer shade. The Pirouette’s fabric vanes open to a sheer fabric to provide a view through area and allowing light into the room. The sheer fabric provides protection from the harsh UV rays. The shade also closes completely for privacy. The Pirouette has the look of roman shades with the functionality of blinds. The Pirouette also comes in specialty shades that can fit many types of windows such as, arches or angles. The structure of the Pirouette is clean and elegant because the lifting system for the vanes have the patented Invisi-Lift system. This system allows the floating vanes to operate without having the unsightly cords or tapes. The vanes of the Hunter Douglas Pirouette can be flattened or contoured for complete privacy or opened for wide view-through. Protect your wood flooring, furniture or artwork from the damaging ultraviolet rays. The Pirouette Roman Shades block up to 81% of the harmful UV rays with vanes open and 99% with the vanes closed. There is a large selection of fabrics to choose from and two vane sizes. The Pirouette can also be operated manually or by remote control. Hunter Douglas has an app that can control the Pirouette on your iPhone or iPad. At Abda, we make the draperies, curtains, valances, cornices, pillow shams, accent throw pillows, duvet covers, comforters, coverlets and bed skirts…even custom fabric headboards in a variety of styles, sizes and shapes. We also make draperies, roman shades, valances or cornices to coordinate. If you have an existing piece of furniture, we also do upholstery. The possibilities are endless when you go custom. If you’re not sure where to start, no worries because we have design specialists that can help you create the home you’ve always dreamed of! We’re known for our attention to detail, great quality and outstanding service. We not only work with Indiana clients but also across the nation. HOW DO WE HAVE QUALITY PRODUCTS WITHOUT BREAKING THE BUDGET? At Abda, we believe in providing quality products, great customer service without breaking the pocket book for our customers! We’ve been in business since 1998 and have learned a few things over the years. Customers want excellent, reliable products without spending more than necessary. We decided to not have a large flashy retail store and focus on referrals rather than traditional advertising. In doing so, we’re able to provide the same great quality products as our competitors at a better price. And the amazing thing is, we do all of this while putting our focus on excellent customer service for our clients. Don’t take our word for it, check out what some of our customers are saying about us. www.abdawindowfashions.com LIVE OUT OF STATE OR TOO BUSY? Talk with our professional design specialists and let them help you transform your home! It’s simple and easy. This is a great solution for persons who live out of state or are too busy for a traditional home consultation. We have a “virtual interior designer” that will work with you each step of the way. With our great reviews, solid company and company values- you know that your home is in great hands! For more information, contact Talitha at 317-273-8343 or email: talitha@abdawindowfashions.com or check out our houzz.com store! LIVE IN CENTRAL INDIANA? For our local customers we offer, FREE In-home consultation or showroom appointment to meet your lifestyle and design needs. At Abda, we have the perfect blend of high-end and affordable solutions for every style and budget. Affordable doesn’t mean cheap! We pride ourselves on quality products with excellent service. We’re so confident of our products that we give our customers more than the manufacturers guarantee! At Abda, you will find knowledgeable staff that will turn your visions into a reality. Stop in our showroom or schedule a Free In-home consultation today! We know you will be happy with the results but don’t take our word for it, check out what some of our customers say about us on Houzz and Angie’s List! http://www.angieslist.com/companylist/us/in/indianapolis/abda-inc-custom-window-fashions-reviews-60394.htm?cid=ssabadge WHY CHOOSE US? We have been in business since November 1998 and started in the window covering business by cleaning & repairing blinds. This gave us a unique perspective from most window covering dealers. We have always considered how well products hold up and which manufacturers stand behind their products the best. We let our clients know the benefits of more expensive products and give honest feedback. We take pride in showing alternative products to fit all budgets. We also give our customers an additional 2 year warranty on top of the manufacturers guarantee! Our great testimonials on Angie’s List, Houzz.com and referrals have helped our company grow without the need for “conventional” advertising. Abda means ‘servant’. At Abda, we approach every customer with a servant’s attitude. This philosophy has helped our customers feel confident in their purchases and well-taken care of. Our number one focus is customer service and we believe in putting the customer’s needs first. We offer our clients an additional 2 year warranty on top of the manufacturer’s warranty and want each and every client to be completely happy with their purchase. We’ve been awarded the prestigious 2014 Angie’s List Super Service Award, an honor bestowed annually on approximately 5 percent of all the businesses rated on the nation’s leading provider of consumer reviews. We’ve grown over the years and have added more team members to our company and we’re very excited at the direction our company is going. Contact us today to get started on your project. Abda, Inc 1159 Country Club Road Indianapolis, In 46234 317-273-8343 (Ext. 103) Other Common Names For Pirouette: Roman Shades Roman Blinds Blinds Pirouette Blinds Vertical Blinds Venetian Blinds Shades Fabric Shades Hunter Douglas Blinds Hunter Douglas Shades Hunter Douglas Pirouette Energy Efficient Blinds Sun Protection Shades Sun Protection Blinds Child Safety Blinds Child Safety Window Treatments Indianapolis Blinds Indianapolis Shades Indianapolis Fabric Roman Shades Custom Blinds www.abdawindowfashions.com

KitchenLab Interiors’ first, entirely new construction project in collaboration with GTH architects who designed the residence. KLI was responsible for all interior finishes, fixtures, furnishings, and design including the stairs, casework, interior doors, moldings and millwork. KLI also worked with the client on selecting the roof, exterior stucco and paint colors, stone, windows, and doors. The homeowners had purchased the existing home on a lakefront lot of the Valley Lo community in Glenview, thinking that it would be a gut renovation, but when they discovered a host of issues including mold, they decided to tear it down and start from scratch. The minute you look out the living room windows, you feel as though you're on a lakeside vacation in Wisconsin or Michigan. We wanted to help the homeowners achieve this feeling throughout the house - merging the causal vibe of a vacation home with the elegance desired for a primary residence. This project is unique and personal in many ways - Rebekah and the homeowner, Lorie, had grown up together in a small suburb of Columbus, Ohio. Lorie had been Rebekah's babysitter and was like an older sister growing up. They were both heavily influenced by the style of the late 70's and early 80's boho/hippy meets disco and 80's glam, and both credit their moms for an early interest in anything related to art, design, and style. One of the biggest challenges of doing a new construction project is that it takes so much longer to plan and execute and by the time tile and lighting is installed, you might be bored by the selections of feel like you've seen them everywhere already. “I really tried to pull myself, our team and the client away from the echo-chamber of Pinterest and Instagram. We fell in love with counter stools 3 years ago that I couldn't bring myself to pull the trigger on, thank god, because then they started showing up literally everywhere", Rebekah recalls. Lots of one of a kind vintage rugs and furnishings make the home feel less brand-spanking new. The best projects come from a team slightly outside their comfort zone. One of the funniest things Lorie says to Rebekah, "I gave you everything you wanted", which is pretty hilarious coming from a client to a designer.

Modern Wall Unit Lyrics 14 by Up Huppe Made in Canada The Lyrics by Up Huppe is a modular line of wall units made out of a specially selected American walnut veneer and lacquered in a blend of micro-textured lacquer. The collection is equipped with the highest quality hardware, and the drawers, which are specially treated and stained to match the exterior, are able to close gently and silently due to the invisible, self-closing slow-motion slides. All the modules within the Lyric line can be set on a base, placed on the floor or hung on a wall to allow for the creation of unique configurations, with plenty of storage space within the modules to make them functional as well. The black smoked glass front of the TV base units are made so that they do not interrupt any wireless device signal, and the cut-outs on the back and the adjustable shelves of each unit help provide maximum ventilation for any electronics. Designed by Joel Dupras and manufactured in Canada by a passionate and professional team, the Lyrics line guarantees the highest build quality for each of its units. The Lyrics line offers flexibility with its design, providing you with the option to create your own composition through the many different units available, or giving you the option to choose from the many different pre-designed compositions available. Features: Designed by Joel Dupras Modular line which allows for unique composition building Veneered wood structure available in a natural, smoky, chocolate, espresso or tobacco walnut finish TV base units feature cut-outs for wires and a black smoked glass front to prevent wireless device disruption Front of the closed units and the T-shaped Top available in several lacquered finishes Drawers are fully finished and equipped with invisible self-closing slow-motion slides Optional LED Light can be ordered for the TV back panel (for the extra charge) The starting price is for the Lyrics Wall Unit Composition 14 in a Tobacco Walnut and Amber Lacquered finish as shown in the main picture. (Glass Front TV Base W60" + Glass Front TV Base W30" + T-shaped Sliding Top W60" + TV Back Panel + 9046B Bookcase + 9046C Bookcase + 9061A Bookcase + 9061D Bookcase). Dimensions: Wall Unit: W132" x D21.5" x H61.5" Individual Components: TV Base W60": W60" x D21.5" x H15.5" Glass Front TV Base W30" W30" x D21.5" x H15.5" T-shaped Sliding Top: W60" x D17" x H17.6" TV Back Panel: W60" x D2" x H44" 9046B Bookcase: W17.2" x D15.7" x H46" 9046C Bookcase: W12.7" x D15.7" x H46" 9061A Bookcase: W12.7" x D15.7" x H61.5" 9061D Bookcase: W17.0" x D15.7" x H61.5"

Conceived of as a C-shaped house with a small private courtyard and a large private rear yard, this new house maximizes the floor area available to build on this smaller Palo Alto lot. An Accessory Dwelling Unit (ADU) integrated into the main structure gave a floor area bonus. For now, it will be used for visiting relatives. One challenge of this design was keeping a low profile and proportional design while still meeting the FEMA flood plain requirement that the finished floor start about 3′ above grade. The new house has four bedrooms (including the attached ADU), a separate family room with a window seat, a music room, a prayer room, and a large living space that opens to the private small courtyard as well as a large covered patio at the rear. Mature trees around the perimeter of the lot were preserved, and new ones planted, for private indoor-outdoor living. C-shaped house, New home, ADU, Palo Alto, CA, courtyard, KA Project Team: John Klopf, AIA, Angela Todorova, Lucie Danigo
Structural Engineer: ZFA Structural Engineers
Landscape Architect: Outer Space Landscape Architects
Contractor: Coast to Coast Development
Photography: ©2023 Mariko Reed
Year Completed: 2022 Location: Palo Alto, CA

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Lake Burton Area . Knowing the areas and resources of Lake Burton is our specialty Lake Burton is a 2,775 acre man-made lake with 62 miles of shoreline located in the northeastern corner of Georgia in Rabun County. It is the first lake in a five-lake series called the Tallulah River Watershed that follows the original course of the Tallulah River. The series of lakes starts with Lake Burton as the northernmost lake followed by Lake Seed, Lake Rabun, Lake Tallulah Falls and the eastern arm of Lake Tugalo (the western arm is formed by the Chattooga River. The lakes are owned and operated by the Georgia Power Company to generate hydroelectric energy for Georgia's largest city, Atlanta. At one time these lakes were the largest producers of electricity in the state of Georgia. Now, they only provide peak power supply. The lake was built in a deep valley located along a 10 mile section of the Tallulah River. The Lake Burton Dam was closed on December 22, 1919 and the lake started to fill. The dam is a gravity concrete dam, with a height of 128 feet and a span of 1,100 feet. The spillway is equipped with eight gates 22 feet wide by 6.6 feet high. The total capacity at an elevation of 1,866.6 feet is 108,000 acre-ft, of which 106,000 acre-ft is usable storage. The generating capacity of the dam is 6,120 kilowatts (two units).Lake Burton is the highest Georgia Power lake in Georgia. Lake Burton gets its named from the town of Burton, which was the second largest town in Rabun County with a population of approximately 200 but now lies below the lake's surface. The town (and the lake) was named after local prominent citizen Jeremiah Burton and was situated along the road from Clayton, Georgia to the Nacoochee Valley. Andrew Jackson Ritchie served as the postmaster for the area for several years. Gold was first discovered in Rabun County where Dicks Creek and the Tallulah River come together and was the reason for the town's founding in the early 1800s. The Lake Burton Fish Hatchery and Moccasin Creek State Park are located on the western side of the lake. Lake Burton is home to several species of fish, including Spotted Bass, Largemouth Bass, White Bass, Black Crappie, Bluegill, Redear Sunfish, White Catfish, Walleye, Brown Trout, Rainbow Trout, and Yellow Perch. The residents of Lake Burton are a mix of permanent residents and seasonal vacationers who together make-up the Lake Burton Civic Association, a local organization who goal is to maintain the lake through volunteer clean-ups and other such events. Let a Lake Burton resident and expert show you the way The Lake Burton Civic Association is an active homeowners association for residents of the Lake Burton area and sponsors many events throughout the year such as: burton, custom, envision, georgia, lake, mountain, nc, north, photography, web, western, Lake Burton, Lake Rabun, Seed Lake,Virtual Tours.

Our clients came to us wanting to update and open up their kitchen, breakfast nook, wet bar, and den. They wanted a cleaner look without clutter but didn’t want to go with an all-white kitchen, fearing it’s too trendy. Their kitchen was not utilized well and was not aesthetically appealing; it was very ornate and dark. The cooktop was too far back in the kitchen towards the butler’s pantry, making it awkward when cooking, so they knew they wanted that moved. The rest was left up to our designer to overcome these obstacles and give them their dream kitchen. We gutted the kitchen cabinets, including the built-in china cabinet and all finishes. The pony wall that once separated the kitchen from the den (and also housed the sink, dishwasher, and ice maker) was removed, and those appliances were relocated to the new large island, which had a ton of storage and a 15” overhang for bar seating. Beautiful aged brass Quebec 6-light pendants were hung above the island. All cabinets were replaced and drawers were designed to maximize storage. The Eclipse “Greensboro” cabinetry was painted gray with satin brass Emtek Mod Hex “Urban Modern” pulls. A large banquet seating area was added where the stand-alone kitchen table once sat. The main wall was covered with 20x20 white Golwoo tile. The backsplash in the kitchen and the banquette accent tile was a contemporary coordinating Tempesta Neve polished Wheaton mosaic marble. In the wet bar, they wanted to completely gut and replace everything! The overhang was useless and it was closed off with a large bar that they wanted to be opened up, so we leveled out the ceilings and filled in the original doorway into the bar in order for the flow into the kitchen and living room more natural. We gutted all cabinets, plumbing, appliances, light fixtures, and the pass-through pony wall. A beautiful backsplash was installed using Nova Hex Graphite ceramic mosaic 5x5 tile. A 15” overhang was added at the counter for bar seating. In the den, they hated the brick fireplace and wanted a less rustic look. The original mantel was very bulky and dark, whereas they preferred a more rectangular firebox opening, if possible. We removed the fireplace and surrounding hearth, brick, and trim, as well as the built-in cabinets. The new fireplace was flush with the wall and surrounded with Tempesta Neve Polished Marble 8x20 installed in a Herringbone pattern. The TV was hung above the fireplace and floating shelves were added to the surrounding walls for photographs and artwork. They wanted to completely gut and replace everything in the powder bath, so we started by adding blocking in the wall for the new floating cabinet and a white vessel sink. Black Boardwalk Charcoal Hex Porcelain mosaic 2x2 tile was used on the bathroom floor; coordinating with a contemporary “Cleopatra Silver Amalfi” black glass 2x4 mosaic wall tile. Two Schoolhouse Electric “Isaac” short arm brass sconces were added above the aged brass metal framed hexagon mirror. The countertops used in here, as well as the kitchen and bar, were Elements quartz “White Lightning.” We refinished all existing wood floors downstairs with hand scraped with the grain. Our clients absolutely love their new space with its ease of organization and functionality.