Photo by Audrey Hall 1. Layered hides work well in difficult spaces. This circular teepee made a rectangular rug impossible. 2. An incredibly layered and collected look with books piled high, paintings, antlers, and candles. This space celebrates culture and nature. 3. Four large chairs facing one another are a powerful way to encourage conversation. These have channels that echo the poles of the structure. 4. A focal point of a single great chest of drawers with a lamp and art leaning rather than hung has perfect symmetry and balance. 5. The blue and yellow teepee exterior, which seemed hard to use at first, was neutralized by rich browns but picked up in artwork, blue books, and warm light bulbs.

Children’s waiting room interior design project at Princeton University. I was beyond thrilled when contacted by a team of scientists ( psychologists and neurologists ) at Princeton University. This group of professors and graduate students from the Turk-Brown Laboratory are conducting research on the infant’s brain by using functional magnetic resonance imaging (or fMRI), to see how they learn, remember and think. My job was to turn a tiny 7’x10′ windowless study room into an inviting but not too “clinical” waiting room for the mothers or fathers and siblings of the babies being studied. We needed to ensure a comfortable place for parents to rock and feed their babies while waiting their turn to go back to the laboratory, as well as a place to change the babies if needed. We wanted to stock some shelves with good books and while the room looks complete, we’re still sourcing something interactive to mount to the wall to help entertain toddlers who want something more active than reading or building blocks. Since there are no windows, I wanted to bring the outdoors inside. Princeton University‘s colors are orange, gray and black and the history behind those colors is very interesting. It seems there are a lot of squirrels on campus and these colors were selected for the three colors of squirrels often seem scampering around the university grounds. The orange squirrels are now extinct, but the gray and black squirrels are abundant, as I found when touring the campus with my son on installation day. Therefore we wanted to reflect this history in the room and decided to paint silhouettes of squirrels in these three colors throughout the room. While the ceilings are 10′ high in this tiny room, they’re very drab and boring. Given that it’s a drop ceiling, we can’t paint it a fun color as I typically do in my nurseries and kids’ rooms. To distract from the ugly ceiling, I contacted My Custom Creation through their Etsy shop and commissioned them to create a custom butterfly mobile to suspend from the ceiling to create a swath of butterflies moving across the room. Their customer service was impeccable and the end product was exactly what we wanted! The flooring in the space was simply coated concrete so I decided to use Flor carpet tiles to give it warmth and a grass-like appeal. These tiles are super easy to install and can easily be removed without any residual on the floor. I’ll be using them more often for sure! See more photos of our commercial interior design job below and contact us if you need a unique space designed for children. We don’t just design nurseries and bedrooms! We’re game for anything!

The high ceilings and large windows contribute to a feeling of spaciousness, while the white furniture and light-colored walls enhance the brightness of the room. This creates an airy and welcoming atmosphere. The fireplace adds a focal point to the room and creates a sense of warmth and coziness. It’s easy to imagine curling up with a good book or spending time with loved ones by the fire. The white couch and chairs look comfortable and inviting, and the throw pillows add a touch of personality. The placement of the furniture seems well-suited for conversation around the fireplace. Overall, the living room seems like a stylish and comfortable space that would be perfect for relaxing or entertaining guests.

__ We had so much fun designing in this Spanish meets beach style with wonderful clients who travel the world with their 3 sons. The clients had excellent taste and ideas they brought to the table, and were always open to Jamie's suggestions that seemed wildly out of the box at the time. The end result was a stunning mix of traditional, Meditteranean, and updated coastal that reflected the many facets of the clients. The bar area downstairs is a sports lover's dream, while the bright and beachy formal living room upstairs is perfect for book club meetings. One of the son's personal photography is tastefully framed and lines the hallway, and custom art also ensures this home is uniquely and divinely designed just for this lovely family. __ Design by Eden LA Interiors Photo by Kim Pritchard Photography

The high ceilings and large windows contribute to a feeling of spaciousness, while the white furniture and light-colored walls enhance the brightness of the room. This creates an airy and welcoming atmosphere. The fireplace adds a focal point to the room and creates a sense of warmth and coziness. It’s easy to imagine curling up with a good book or spending time with loved ones by the fire. The white couch and chairs look comfortable and inviting, and the throw pillows add a touch of personality. The placement of the furniture seems well-suited for conversation around the fireplace. Overall, the living room seems like a stylish and comfortable space that would be perfect for relaxing or entertaining guests.

Children’s waiting room interior design project at Princeton University. I was beyond thrilled when contacted by a team of scientists ( psychologists and neurologists ) at Princeton University. This group of professors and graduate students from the Turk-Brown Laboratory are conducting research on the infant’s brain by using functional magnetic resonance imaging (or fMRI), to see how they learn, remember and think. My job was to turn a tiny 7’x10′ windowless study room into an inviting but not too “clinical” waiting room for the mothers or fathers and siblings of the babies being studied. We needed to ensure a comfortable place for parents to rock and feed their babies while waiting their turn to go back to the laboratory, as well as a place to change the babies if needed. We wanted to stock some shelves with good books and while the room looks complete, we’re still sourcing something interactive to mount to the wall to help entertain toddlers who want something more active than reading or building blocks. Since there are no windows, I wanted to bring the outdoors inside. Princeton University‘s colors are orange, gray and black and the history behind those colors is very interesting. It seems there are a lot of squirrels on campus and these colors were selected for the three colors of squirrels often seem scampering around the university grounds. The orange squirrels are now extinct, but the gray and black squirrels are abundant, as I found when touring the campus with my son on installation day. Therefore we wanted to reflect this history in the room and decided to paint silhouettes of squirrels in these three colors throughout the room. While the ceilings are 10′ high in this tiny room, they’re very drab and boring. Given that it’s a drop ceiling, we can’t paint it a fun color as I typically do in my nurseries and kids’ rooms. To distract from the ugly ceiling, I contacted My Custom Creation through their Etsy shop and commissioned them to create a custom butterfly mobile to suspend from the ceiling to create a swath of butterflies moving across the room. Their customer service was impeccable and the end product was exactly what we wanted! The flooring in the space was simply coated concrete so I decided to use Flor carpet tiles to give it warmth and a grass-like appeal. These tiles are super easy to install and can easily be removed without any residual on the floor. I’ll be using them more often for sure! See more photos of our commercial interior design job below and contact us if you need a unique space designed for children. We don’t just design nurseries and bedrooms! We’re game for anything!

Children’s waiting room interior design project at Princeton University. I was beyond thrilled when contacted by a team of scientists ( psychologists and neurologists ) at Princeton University. This group of professors and graduate students from the Turk-Brown Laboratory are conducting research on the infant’s brain by using functional magnetic resonance imaging (or fMRI), to see how they learn, remember and think. My job was to turn a tiny 7’x10′ windowless study room into an inviting but not too “clinical” waiting room for the mothers or fathers and siblings of the babies being studied. We needed to ensure a comfortable place for parents to rock and feed their babies while waiting their turn to go back to the laboratory, as well as a place to change the babies if needed. We wanted to stock some shelves with good books and while the room looks complete, we’re still sourcing something interactive to mount to the wall to help entertain toddlers who want something more active than reading or building blocks. Since there are no windows, I wanted to bring the outdoors inside. Princeton University‘s colors are orange, gray and black and the history behind those colors is very interesting. It seems there are a lot of squirrels on campus and these colors were selected for the three colors of squirrels often seem scampering around the university grounds. The orange squirrels are now extinct, but the gray and black squirrels are abundant, as I found when touring the campus with my son on installation day. Therefore we wanted to reflect this history in the room and decided to paint silhouettes of squirrels in these three colors throughout the room. While the ceilings are 10′ high in this tiny room, they’re very drab and boring. Given that it’s a drop ceiling, we can’t paint it a fun color as I typically do in my nurseries and kids’ rooms. To distract from the ugly ceiling, I contacted My Custom Creation through their Etsy shop and commissioned them to create a custom butterfly mobile to suspend from the ceiling to create a swath of butterflies moving across the room. Their customer service was impeccable and the end product was exactly what we wanted! The flooring in the space was simply coated concrete so I decided to use Flor carpet tiles to give it warmth and a grass-like appeal. These tiles are super easy to install and can easily be removed without any residual on the floor. I’ll be using them more often for sure! See more photos of our commercial interior design job below and contact us if you need a unique space designed for children. We don’t just design nurseries and bedrooms! We’re game for anything!

Situated on a heavily wooded site at the edge of the Housatonic river, this 3,000 square foot house is conceived as a fragment of a New England village. While each room is connected to the rest of the house through interior hallways, the house appears from the outside to be a cluster of small buildings. Clad in weathered wood, the house seems to emerge naturally from the landscape. Shaded by a simple cedar pergola, a path runs along the front of the house, connecting the garage to the entry. A second pergola defines the edge of a formal parterre garden, creating a courtyard that seems to have been carved from the surrounding forest. Through the woods it is possible to catch glimpses of the river below.

Dimension: 84"L X 17"D X 85.5"H Our Santa Rosa Tv Media Entertainment Center For TVs Up To 55" is the embodiment of traditional living with a casual vibe. This solid wood entertainment center is a powerhouse of display and storage. The motif of rectangular shelf space that wraps the body of the unit grants a pleasant visual appeal while also serving terrific functionality. The expansive hutch houses seemingly endless options for storage and display in a frame around your family's television with ample space to display books, DVDs, decorative items, or various other A/V essentials and accessories. The partitioned lower shelves of four total compartments are designed to hold your cable box, DVD player, and video game consoles with grommets for threading cords seamlessly out of view. Rounding out the design are four central cubies tucked between the cabinet doors that are great for fitting with appropriately sized baskets or simply using as additional open storage. This solid rosewood cabinet is a stunning work of craftsmanship, remaining true to the old world woodworking techniques that have yielded the long-living antiques of modern times. As such, this sturdy construction ensures this modern day furniture will live to see generations of enjoyment. Adding to the overall aesthetic of this attractive wall unit console is the emphasis on the wood's natural grains and knots that create a striking cohort with the rich dark finish. Special Features: • 100% Handcrafted • Constructed from solid rosewood materials • 17 total open storage cubbies • 2 cabinets with roomy storage • Multiple cord grommets Note: Real wood is a product of nature, and as such, no two pieces are alike. Variations in solid wood grain patterns are to be expected and make each furniture uniquely beautiful, just like us humans.

“The organic and ever changing colors and shapes of Venice”… I am not sure if I am the first to describe Venice as “organic”; however, there has never been a more perfect description to define Venice’s ever changing persona. Venice is perhaps the most uniquely iconic seaside city in the world, and its impression changes by the minute with the ever changing light and active tide coming in and out. Flying into Venice via the USA, I was met with torrential rains in the early morning, which finally gave way to afternoon sunshine. The creaky, wet, gloomy, old, decaying Venice sinking and soaking in the morning rain… opened like flower petals in the springtime at first glimpse of sunlight. The organic lagoon began to blossom as if the decay became antique, the gloom became passion, the creaky became sweet sounds, and the desperate island illuminated with life, color, and hope. This image was taken along a small canal in front of The Santa Maria Gloriosa dei Frari (St. Mary of the Friars), known locally as Frari, one of the great churches of Venice. Ironically, before my Italian journey, I read Rick Steves travel book on Italy and watched all of his shows made in Italy. It seemed every American tourist had his book in their hands following closely every piece of advice he offered. As I pondered my impending images, I looked up and there was Rick about 20 feet in front of me. Sometimes one has moments of brilliance, and mine was to yell…”hey Rick” and snap a photo when he looked. He actually smiled as I walked up and shook his hand, and dumbfoundedly I shared how much he contributed to my trip. He was very gracious as we spoke for about five minutes and then he continued producing his next PBS show on the Venice Lagoon including his favorite church, Frari. As I walked away shocked by my accidental meeting, the clouds parted and the light struck a perfect note along this tiny majestic canal.

Lee Dewsnap
Example of a classic living room design in Auckland

Finished basement designed and built by Ed Saloga Design Build. Featuring brick arches, built-in booth and bar. photo by Ed Saloga
Large elegant brown floor basement photo in Chicago

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Published in Coastal Lifestyle Magazine, March 2021 www.coastallifestylemagazine.com/alys-beach-home Photography by Colleen Duffley When Marianne Temple and Robyn Prince, the principals of Home Design Group of Atlanta and Santa Rosa Beach, were brought in to work their magic on a home in Alys Beach, the design phase and much of the construction was complete. They welcomed the opportunity to get involved in the important final stage and to bring fun and whimsy along with casual elegance to the project. The owners – a young family with children and dogs – knew what they were looking for in a long-term vacation destination. They had engaged the services of Domin Bock Architects of Rosemary Beach and general contractor Hufham Farris Construction of Santa Rosa Beach to design and build a home that is child-friendly and low maintenance, but timeless and welcoming at the same time. When Temple and Prince came aboard, their mission was to make the Alys Beach home a reflection of the owners’ personality and lifestyle. “I like to think we were successful,” says Temple. “We were able to source all the bedding, draperies, and other soft goods, and to assist in selecting lighting, art, and accessories throughout the home.” The home is located on the south side of 30A and enjoys access to all of the Alys Beach amenities. In addition, it has a pool, which quite literally seems to be the center – and the heart – of the home. The square pool can be accessed directly by steps from the private courtyard patio and is anchored by a stunning water wall and oversize stepping stones along one side. The expansive great room has unobstructed views of the pool through floor-to-ceiling glass panels. The room is furnished with low, plush upholstered pieces with rich blue accents, and an oval dining table with a stunning chandelier above. The bleached pecky cypress ceilings by E.F. San Juan are punctuated with substantial white-painted beams. Set apart by a sleek oversized island with a farmhouse sink, the open kitchen provides plenty of room for gathering or dining and is topped off by three matching gold-trimmed white pendant lights. The restaurant-quality six-burner cooktop in the arched wall opposite is flanked by tall cabinets and topped by four clerestory windows that admit wonderful light to the entire space. There is one guest bedroom on the main level, with a full bath, spacious closet, and a private sitting area. E. F. San Juan of Youngstown, Florida, supplied all the woodwork details that provide finishing touches to the residence’s crisp white canvas in this quintessential courtyard home. Like many of the community’s buildings, this private residence contains minimal woodwork, maintaining the clean, elegant Alys Beach vision; still, the interior and exterior trim and brackets offer a sleek yet natural feel reflecting the beaches that are steps away from the front door. Their team worked with Weather Shield to provide stunning and functional custom impact-rated windows and Loewen to create custom doors that protect the house from the Gulf Coast elements. “We have had the privilege of creating wood parts and custom doors, railings, and gates for many of the gorgeous homes in Alys Beach,” says E. F. San Juan president Edward A. San Juan. “This home’s minimal trim makes the other wood elements stand out, like the pecky cypress ceilings. The windows and doors are often-overlooked elements that we love collaborating on with our vendors like Loewen and Weather Shield because they make such good-looking products. They open up this home to the beautiful natural light, the courtyard pool, and the stunning views of the town just outside while also protecting from high winds, rain, and U.V. rays.” The broad wooden staircase with open metal handrails leads to the sleeping quarters. The second floor houses the master suite with custom barn doors, also by E.F. San Juan, leading into the master bathroom with its luxurious bath and unique freestanding tub. A second guest room with a king-size bed and full bath also occupy the second floor. “The master bath is definitely my favorite feature of the home,” says Temple. “It is beyond all expectation – a true luxury.” The adult bedrooms are serene and sophisticated, with sleek lines and restful blue hues throughout. Cathedral ceilings, arched openings for the beds, sun-drenched sitting areas, plenty of natural light, and luxurious baths contribute to the feeling of peaceful elegance. The children’s areas are in direct and happy contrast to the adults’ retreats. The bunk room, also on the second level, is just plain fun, with two sets of custom-built marine blue bunks piled high with pillows and whimsical stuffed animals, flanking a tall set of shelves full of toys and books. Oversize baskets provide storage for more toys, and colorful throw rugs provide plenty of sitting space for floor playtime. This kid-friendly space can grow and change with the children who occupy it – it will work well for tweens, teens, and beyond. “We designed the bunk room,” says Prince, “and I think it is a huge success. It may be my favorite feature of the home.” The top floor is dedicated to the children’s den/playroom/media room and the dramatic rooftop lounge. The children’s space is furnished with beanbag chairs, a low game table, a big-screen television mounted on a custom-fabricated aqua wall, and arched French doors leading to the rooftop lounge area. “This area is, quite literally, the icing on the cake,” says Temple. “It boasts a view of the Gulf and great views down South Charles Street.” This secluded deck features a gas fireplace and comfy furnishings for enjoying beautiful evenings year-round. HOME DESIGN GROUP (229) 347-6052 homedesigngrp.com E.F. SAN JUAN (850) 722-4830 efsanjuan.com

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

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Nantucket Architectural Photography
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