This Willow Glen Eichler had undergone an 80s renovation that sadly didn't take the midcentury modern architecture into consideration. We converted both bathrooms back to a midcentury modern style with an infusion of Japandi elements. We borrowed space from the master bedroom to make the master ensuite a luxurious curbless wet room with soaking tub and Japanese tiles.

Designed by Interior Designer, A. Lantz Design, this Lake Charlevoix project was featured on the cover of Traditional Home magazine! Hop off the boat! The bar is open! A little apres (water) ski refreshment is being served! This back patio is located on the lower-level of the home and allows for the best indoor-outdoor entertaining space! These comfortable teak bar stools allow for comfort and casual conversations in swim suits. The windows easily open to allow conversations to pour in while waiting for another glass of Rose. We love the stone design in the bar and counter tops - a great mixture of warm and cool. You can't go wrong with a classic, nautical, navy and white cedar shake exterior. Oh, and the concrete tiles are heated for the cooler months. ;)

Benjamin Benschneider
Mountain style bedroom photo in Seattle with beige walls

This 2,000 square foot vacation home is located in the rocky mountains. The home was designed for thermal efficiency and to maximize flexibility of space. Sliding panels convert the two bedroom home into 5 separate sleeping areas at night, and back into larger living spaces during the day. The structure is constructed of SIPs (structurally insulated panels). The glass walls, window placement, large overhangs, sunshade and concrete floors are designed to take advantage of passive solar heating and cooling, while the masonry thermal mass heats and cools the home at night.

modern farmhouse Dundee, OR type: custom home + ADU status: built credits design: Matthew O. Daby - m.o.daby design interior design: Angela Mechaley - m.o.daby design construction: Cellar Ridge Construction / homeowner landscape designer: Bryan Bailey - EcoTone / homeowner photography: Erin Riddle - KLIK Concepts

Photo Credit - David Bader
Example of a cottage family room design in Milwaukee

This nursery was part of a larger remodel of an attic space which included the hall, master bedroom and bathroom. Light-filled on even the most overcast days, this Portland residence is bright and airy with balance of natural materials playing off a white backdrop. Custom storage has been added throughout the addition tucked into the sloping eave spaces. Room for stacking and multiple drawer depths make storage very versatile. The corner bookshelf is great for toys, books or for a cup of coffee on one of those early mornings. The glass inset door allows borrowed light to spill into the hallway. All photos: Josh Partee Photography

Eric Piasecki
Example of a beach style kitchen design in New York

Inspiration for a timeless kitchen remodel in Minneapolis

This craftsman kitchen borrows natural elements from architect and design icon, Frank Lloyd Wright. A slate backsplash, soapstone counters, and wood cabinetry is a perfect throwback to midcentury design. What ties this kitchen to present day design are elements such as stainless steel appliances and smart and hidden storage. This kitchen takes advantage of every nook and cranny to provide extra storage for pantry items and cookware.

Traditional white two-story wood gable roof idea in Houston with a shingle roof

The primary bath borrows views from the courtyard across the primary hall. Shades may be lowered for privacy. The textured tile wall behind the tub is grazed by cove lighting above and flanked by glass doors to the shower and water closet. The vanity also plays with texture, featuring a matte quartz top, gloss quartz drawers below, textured tile above, and a wall to wall mirror that bounces light and views into the space. The sink top with open space below provides a makeup counter next to the opening to the hall, close to natural light.

This petite kitchen was previously closed off from the dining and living room. The compact size of the kitchen made it difficult for the client to host their large family gatherings. With the new design, the spaces were joined by removing the wall between the kitchen and dining room. The space of the kitchen was optimized by recessing items into adjacent walls. The refrigerator was recessed into the wall of the adjacent garage. The ovens, pantry, and appliance garage were recessed into the wall, borrowing a few square feet from the bedroom closet and living room. The finishes throughout the kitchen celebrate the clients love of travel and collection of keepsakes from around the world. The mosaic printed tiles on the backsplash and refrigerator wrap bring an eclectic mix of encaustic tile designs from around the world. Contractor: Bradley Builders Photo Credit: Fred Donham of PhotographerLink

Beach vibes resonate throughout this bedroom suite via fun muntin patterns in the oversized double-hung windows, clean and simple moulding, and of course the décor. James Merrell Photography

Transforming this small bathroom into a wheelchair accessible retreat was no easy task. Incorporating unattractive grab bars and making them look seamless was the goal. A floating vanity / countertop allows for roll up accessibility and the live edge of the granite countertops make if feel luxurious. Double sinks for his and hers sides plus medicine cabinet storage helped for this minimal feel of neutrals and breathability. The barn door opens for wheelchair movement but can be closed for the perfect amount of privacy.

CHAD CHENIER PHOTOGRAPHY
Example of a classic travertine tile bathroom design in New Orleans

Orange County, CA - A courtyard entry gate is like a front door to a home so proper attention to its design and detailing needs to be taken into consideration. This courtyard entry gate in a Mediterranean style was designed as part of a garage door and garden gate project we did in Corona del Mar, CA. The entry gate borrowed some of the architectural elements we used on the garage doors. For instance the bottom diamond panels which are carved by hand out of a solid piece of wood is a direct feature we used form the garage door design. The wood we opted to use was mahogany and it was graciously stained the same color as the garage doors to pull in the front curb appeal of the home together. Though the garage door design was rather simple the focus of this home was the entry way to the courtyard gate so extra details were used such as the hand-forged scrolling girll used on the front which is backed with a functional rain glass door that can be opened for cleaning or speaking to someone without opening the entry gate. The iron work is exquisitely detailed in a turn of the century neoclassic style with gorgeous finials and scrolls that make the entry gate so elegant! We treat entry courtyard gates like front doors because these gates are the focal point of entry to a home, the passage your guests will go through and so you want to impress with your best offering a luxurious welcoming with a world-class designed gate by Dynamic Garage Door. Our specialty is design then formidable craftsmanship and expert installation. Let our team create a courtyard or garden gate that will make jaws drop and a coupe of neighbors turn green with envy! Call Dynamic Garage Door at (855) 343-3667 for pricing on our custom gate projects made to your specifications!

View from the bathtub to the double vanities and out towards the bedroom. The shower and toilet are in a separate room behind the viewer. Photos by Brad Dickson

**I. Spatial Composition & Architectural Volume** The image frames a primary bathroom vanity zone through a deliberately compressed aperture — the vertical edge of a rift-sawn oak door jamb occupying the left third of the frame, functioning as a proscenium that stages the composition beyond. This device establishes a layered sightline sequence: foreground threshold, mid-ground vanity plane, and a tertiary reflected depth revealed in the mirrored cabinetry, where a travertine-clad shower enclosure and polished nickel showerhead appear as a spatial echo. The result is an interior that reads as considerably more expansive than its actual footprint, a classic strategy of volumetric borrowing through specular surfaces. Architecturally, the wall is resolved as a single continuous joinery composition — a full-height run of flush-fronted oak millwork with mirrored upper cabinet fronts, articulated only by hairline reveals rather than applied hardware or framing. This shadow-gap detailing establishes rhythm through negation, allowing the plane to remain monolithic while acknowledging its constituent modules. The vanity itself is conceived as a solid stone monolith, a thick-slab plinth with a generous mitred apron that cantilevers over recessed oak drawer fronts below, the base set back to create a shadowed float line. Geometry throughout is orthogonal and rectilinear: the square undermount basin, the deck's stepped perimeter, the horizontal datum of the backsplash terminating precisely at the mirror's lower edge. The only curvilinear intrusions are the capsule-form sconces and the ceramic vessel, deliberate soft counterpoints within an otherwise strictly Cartesian field. **II. Materiality, Color & Texture** The palette is a study in tonal adjacency rather than contrast — a restrained duet of oak and veined stone, held within a narrow chromatic band of taupe, greige, and warm sand. The joinery appears to be quarter- or rift-sawn white oak in a matte, open-grain finish, its tight vertical figure reading as a subtle striation that lends verticality and tactile warmth without pattern-making. Against this, the stone — a silver travertine or vein-cut quartzite with pronounced linear striation — provides the composition's dominant graphic energy. Crucially, the fabricator has book-matched and continued the veining from backsplash to deck to apron, so the stone's fluvial banding reads as a single geological event rather than assembled panels. This vein-matching is the project's most consequential craft decision. Textural interplay is calibrated across three registers: the low-sheen absorbency of the oak, the honed, slightly chalky matte of the stone, and the high-specularity of polished nickel fittings. The wall-mounted lever taps and spout, with their crisp escutcheons and knurl-free tapered levers, introduce a jewel-like precision — cool-toned metal against warm mineral. The white porcelain basin functions as a chromatic pause, the palette's only true neutral. Accent moments are equally disciplined: a ribbed ceramic soap dish holding a block of butter-yellow soap, and a matte bone-white bottle vase carrying hellebores in acid-green — a single saturated note that activates the surrounding earth tones through complementary tension. **III. Lighting, Atmosphere & Style Profile** Natural light enters obliquely and is largely inferred rather than depicted: a soft, diffuse wash across the upper mirror and a pale ceiling plane glimpsed in reflection suggest a clerestory or adjacent glazing beyond the frame. The primary illumination is architectural and task-oriented — two opal glass capsule sconces in polished nickel, surface-mounted directly to the mirrored fronts. Their pill-shaped diffusers emit a soft, omnidirectional glow that flatters skin tones and, critically, provides cross-lighting at facial height rather than the unflattering top-down wash of downlights. The reflected sconce in the mirror doubles the light count perceptually, reinforcing the sense of symmetry and depth. Shadow is used compositionally: the recessed toe of the vanity, the reveal lines in the joinery, and the raking light across the stone's striation all rely on controlled darkness to describe form. The resulting atmosphere is one of hushed, tactile luxury — sensory rather than declarative. Stylistically, the project sits within a contemporary Warm Minimalism, inflected with the material gravity of Milanese modernism and traces of a Japandi sensibility in its reverence for grain, joinery reveals, and the studied placement of a single floral gesture. There is nothing decorative in the additive sense; ornament is entirely subsumed into material and detail. The design's authority derives from restraint and fabrication rigor — the mitre, the reveal, the vein-match — positioning it as a mature exercise in what might be called quiet monumentality: a small room made consequential through the discipline of its surfaces.