Browser Based Telescope - Photos & Ideas

Archer & Buchanan designed a standalone garage in Gladwyne to hold a client’s vintage car collection. The new structure is set into the hillside running adjacent to the driveway of the residence. It acts conceptually as a “gate house” of sorts, enhancing the arrival experience and creating a courtyard feel through its relationship to the existing home. The ground floor of the garage features telescoping glass doors that provide easy entry and exit for the classic roadsters while also allowing them to be showcased and visible from the house. A contemporary loft suite, accessible by a custom-designed contemporary wooden stair, accommodates guests as needed. Overlooking the 2-story car space, the suite includes a sitting area with balcony, kitchenette, and full bath. The exterior design of the garage incorporates a stone base, vertical siding and a zinc standing seam roof to visually connect the structure to the aesthetic of the existing 1950s era home.

Split Level Hastings Home

Accoya Wood

Designed by London-based architecture firm Alma-nac, the property, which is called the Split House, replaces a 1950’s bungalow and run-down barn in the village of Fairlight, on the southern coast of England. The owners wanted to create a highly sustainable home which took advantage of its hilltop location. As a result, architect firm Alma-nac designed the property to extend out in three different directions, providing stunning views of the sea and nearby Dungeness headland. The architects specified Accoya to construct the external windows, window reveals and doors for the stylish property. 38 Accoya fixed and opening windows were installed, as well as 22 glazed door leafs. The doors and windows will require little maintenance over their lifetime due to the process in which the wood is made. The acetylation process, which is used to toughen the wood, delivers outstanding levels of performance, stability and durability. Caspar Rodgers from Alma-nac commented: “We chose Accoya because we wanted to build using eco-friendly materials that could withstand the variable weather conditions that are characteristic of England’s southern coast. Accoya is well-respected within the industry as a highly sustainable product that has high levels of durability and stability so we knew it would be the ideal material for the job.”

Proline ProV WC Stainless Steel Wall Range Hood

Proline Range Hoods

Our ProV wall mounted range hood with a chimney is a great fit in this beautiful two-toned kitchen. The unique white brick backsplash helps the hood stand out. It provides exceptional coverage for the stainless steel range! Also, we love the subtle shift in colors in the kitchen island – white countertops and a black base. What a nice touch! The ProV WC is one of our most customizable wall range hoods. It comes with a chimney, too! As an added bonus, the chimney is telescoping, meaning it can retract and expand to fit in your kitchen. The control panel is easily accessible under the hood, and it features a Rheostat knob to adjust your blower power. There's not set speeds on this model; just turn the knob to find the perfect speed depending on what you are cooking. The ProV WC also features a unique look with slanted stainless steel baffle filters, as the baffle filters in most of our models sit flat under the hood. These filters are dishwasher safe to keep you less focused on cleaning and more focused on cooking in the kitchen. Finally, the ProV WC features two different blower options: a 1200 CFM local blower or a 1300 CFM inline blower. It's the only model that gives you the option to install your blower in the ductwork, and not inside the range hood itself! For more information on our ProV WC models, click on the link below. https://www.prolinerangehoods.com/catalogsearch/result/?q=Pro%20V%20WC

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Proline ProV WC Stainless Steel Wall Range Hood

Proline Range Hoods

Proline ProV WC Stainless Steel Wall Range Hood

Proline Range Hoods

Spring Ave Mudroom

down2earth Interior Design, LLC.

With limited travel options available during the pandemic, everyone is spending lots more time at home. Many are even looking for ways to incorporate interior design elements from their favorite destinations into their spaces: this lets you feel like you’re traveling, even when you’re not. This project was my own personal quarantine design dream: to create an interior scheme for my sunroom that captures the color, joy and exuberance of those brilliant indoor/outdoor spaces you find in Mexico. My sunroom is filled with sunshine, and sunshine makes my kids think of two beach vacations we took to Cancun. Since we couldn't take them there, or anywhere, I decided to bring a little bit of Mexico home. As a backdrop, I embraced our floor to ceiling windows, great white wood paneled walls, and terra cotta floor tile, and added a soothing blue green paint to the beadboard ceiling, which to me is the color of a pool (Sherwin Williams Waterfall). Over the terra cotta tile, I layered a bright pink rug and pulled out the turquoise and yellow accents for the furniture. The furniture is at least 60 years old and will not fit out of the doors, so I had it resprayed in place and had new cushions made in indoor outdoor fabric (and trimmed it in hot pink tape). On the sofa and chair, I collected brightly colored pillows, including one that is authentic Peruvian craftwork. A teal telescope tempts young stargazers. The piece de resistance of this whole seating grouping is the coffee table. It was originally a stained wood coffee table that inhabited my in-laws’ living room in pristine condition for many years. Then it came to my house, where my son proceeded to bang his trains against it and generally abused and dented it. I had it sanded down and painted Sherwin Williams Green Bay. Over this teal colored base, my mother, who’s an artist, painted the most beautiful design of birds and flowers for me based on the Otomi tradition of Mexican embroidery. Otomi embroidery motifs typically incorporate animals and plants native to the Tenango area in central Mexico.

Upper East Side Apartment

Neumann & Rudy Architecture

**I. Spatial Composition & Architectural Volume** This vignette operates as a masterclass in the choreography of compressed urban space, deploying a classic enfilade strategy to extract depth from a modest footprint. The composition is organized around a cased opening — flanked by heavy, mitered pilaster-style jambs and a substantial crown-capped header — that frames the kitchen beyond like a proscenium, establishing a telescoping sightline from the foreground banquette nook through to the range wall and its marble backsplash. The immediate volume is a canted, faceted room; the angled corner walls and the polygonal ceiling perimeter generate a subtle rotational geometry that is echoed, with deliberate rhyme, in the octagonal tabletop and its faceted plinth base. Architectural discipline is supplied by comprehensive millwork: recessed applied-molding wall panels calibrated to the wall heights, a built-in bibliothèque with adjustable shelving and integrated media niche on the left, and a bench base detailed as cabinetry with a plinth and reveal, so the seating reads as architecture rather than furniture. The crowning gesture is a stone-clad soffit and cove above the multi-part cornice, which visually lifts the ceiling plane and dissolves the corner conditions of the canted plan into a continuous, luminous band. **II. Materiality, Color & Texture** The palette is a study in low-chroma tonal layering, structured on a base of dove-grey lacquered joinery whose cool, faintly greige undertone reads as both patrician and contemporary. Against this, book-matched white marble with grey and taupe veining appears in three registers — the ceiling cove, the kitchen backsplash, and the honed tabletop — creating a vertical and horizontal continuity of stone that binds the two rooms into one material narrative. Underfoot, wide-plank white oak laid in a herringbone pattern is finished in a wire-brushed, cerused grey-brown, its open grain supplying essential tactility and directional energy that counteracts the smoothness of the cabinetry. The tonal reserve is punctured by a single decisive chromatic move: the oxblood-to-cognac aniline leather banquette, its capitonné-adjacent piping and channeled seat cushion delivering saturated warmth and a supple, patinating counterpoint to the cool minerals. Metals are deliberately stratified — brushed stainless on the appliance suite, polished nickel on the cabinet hardware and pendant collars, and a high-mirror chromed column and base on the table that pulls reflected fragments of the room into itself. Textile relief arrives through a heather-grey wool bolster and the woven, honeycomb-textured sconce shades, while the sunflowers and pantry provisions behind glazed muntin doors introduce a curated, humanizing note of the quotidian. **III. Lighting, Atmosphere & Style Profile** The lighting scheme is layered and hierarchical. Ambient illumination is borrowed rather than direct: the kitchen functions as a light well, its own concealed under-cabinet lighting and cove-washed ceiling projecting a cool, diffuse glow forward through the cased opening, so the brighter volume beyond reads as both destination and light source. In the foreground, symmetrically paired wall sconces with textured drum shades cast a warm, amber-filtered ellipse of light onto the paneling — providing intimate, low-level modeling that emphasizes the millwork's shadow lines and flatters the leather's depth. The kitchen's aligned trio of spun-metal dome pendants, with polished collars and diffused lenses, reinforce the axial perspective and supply task-appropriate downlight, while the marble cove above serves as an indirect reflector, softening any residual harshness. The cumulative atmosphere is hushed, refined, and slightly cinematic — a quiet formality more contemplative than performative. Stylistically, the project synthesizes into a form of Transitional Classicism, or more precisely a tailored American Neoclassicism recalibrated for contemporary living: the vocabulary of paneled millwork, crown profiles, and cased openings is retained, but stripped of ornament, flattened in profile, and rendered in a monochrome envelope, then energized by faceted geometries, mirror-finish metal, and a single confident stroke of leather. It is restraint deployed as luxury.