Greg Premru
Inspiration for a coastal two-story wood exterior home remodel in Boston

The intrigue of the home’s powerful facade lies in the locally sourced puddingstone archway inviting you in. The custom designed bronze door with leaded sidelights opens into the foyer from underneath the covered walkway to the right, in essence hidden from the street. The wide-open central expanse allows one a sneak preview of the stone patio and back yard beyond, highlighting the 120-foot-tall Beech tree that has been thriving on the site for over two hundred years. The challenge of designing this 6,300 square foot home and pool house was the narrow but deep one-acre lot. John Meyer’s master planning of a strong front elevation hides the “sideways configuration” of the floorplan. To the left of the archway is a 3-car garage below an entertainment room, with a master bedroom suite on the top floor bridging the main house behind the central eyebrow over the archway. The sense of having been on the site for decades was the intent of the design abundant in the use of stone and masonry. The carved stonework shapes the main and secondary archways as full ovals. Slate detailing is set between the sunburst oval window, balancing interest with the keystones framing the five windows across the bridge. Rough cut boulders give weight to the structure’s base, while straight runs of stone border the shingles under the roof’s eaves and shaped stones guide corner edges downward along the retaining walls. The granite steps and bluestone patio lead one back to the lighted base of the Beech tree, terrace and on-axis pool area beyond. The roof is double thick slate, and the circular drive is crushed stone with granite edging. Like the longevity of the Beech tree, this unique design will stand proudly in its neighborhood for years to come.

Sunglass House

TOLO Architecture

Located above the coast of Malibu, this two-story concrete and glass home is organized into a series of bands that hug the hillside and a central circulation spine. Living spaces are compressed between the retaining walls that hold back the earth and a series of glass facades facing the ocean and Santa Monica Bay. The name of the project stems from the physical and psychological protection provided by wearing reflective sunglasses. On the house the “glasses” allow for panoramic views of the ocean while also reflecting the landscape back onto the exterior face of the building. PROJECT TEAM: Peter Tolkin, Jeremy Schacht, Maria Iwanicki, Brian Proffitt, Tinka Rogic, Leilani Trujillo ENGINEERS: Gilsanz Murray Steficek (Structural), Innovative Engineering Group (MEP), RJR Engineering (Geotechnical), Project Engineering Group (Civil) LANDSCAPE: Mark Tessier Landscape Architecture INTERIOR DESIGN: Deborah Goldstein Design Inc. CONSULTANTS: Lighting DesignAlliance (Lighting), Audio Visual Systems Los Angeles (Audio/ Visual), Rothermel & Associates (Rothermel & Associates (Acoustic), GoldbrechtUSA (Curtain Wall) CONTRACTOR: Winters-Schram Associates PHOTOGRAPHER: Benny Chan AWARDS: 2007 American Institute of Architects Merit Award, 2010 Excellence Award, Residential Concrete Building Category Southern California Concrete Producers

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2017 ARDA - Model Homes - Southwest Design Studio, Inc.

AIBD - American Institute of Building Design

The appeal of this Spanish Colonial home starts at the front elevation with clean lines and elegant simplicity and continues to the interior with white-washed walls adorned in old world decor. In true hacienda form, the central focus of this home is the 2-story volume of the Kitchen-Dining-Living rooms. From the moment of arrival, we are treated with an expansive view past the catwalk to the large entertaining space with expansive full height windows at the rear. The wood ceiling beams, hardwood floors, and swooped fireplace walls are reminiscent of old world Spanish or Andalusian architecture. An ARDA for Model Home Design goes to Southwest Design Studio, Inc. Designers: Stephen Shively with partners in building From: Bee Cave, Texas

2017 ARDA - Indoor Living - Visbeen Architects, Inc. (2)

AIBD - American Institute of Building Design

The best of the past and present meet in this distinguished design. Custom craftsmanship and distinctive detailing lend to this lakefront residences’ classic design with a contemporary and light-filled floor plan. The main level features almost 3,000 square feet of open living, from the charming entry with multiple back of house spaces to the central kitchen and living room with stone clad fireplace. An ARDA for indoor living goes to Visbeen Architects, Inc. Designers: Vision Interiors by Visbeen with Visbeen Architects, Inc. From: East Grand Rapids, Michigan

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Limestone Entry Foyer and Mahogany Armoire closets

Donald Lococo Architects

Awarded by the Classical institute of art and architecture , the linnean house has a restrained and simple elevation of doors and windows. Nestled in the Forest Hills neighborhood of Washington, D.C., the Linnean House is classical in both plan and elevation throughout its award-winning house plans. The main mass, comprising of the most formal and public spaces, is a spatial triptych along a symmetrical main axis. Inside the luxury home, the limestone façade, simple but well-proportioned with classical elements, extends itself into both the entry portico and main foyer with consistent proportions and materiality. This introduction allows the flanking living and dining rooms to be perceived as separate pavilions, each equipped with eight equal-proportioned French doors symmetrical of the main axis. Beyond the classical spaces are two wings which lead to the master suite and a kitchen/family space, respectively. Both of which are situated to queue from the French door axis, a focal feature in the repeatedly published home design. At the entry foyer, the stark stone luxury architecture is warmed by two symmetrical wood armoire-like freestanding sculptural objects, a persistent theme throughout the luxury house. In the kitchen, for instance, stand four similar wood armoire objects at opposite corners that act as columns and help give this space a sense of boundary and enclosure. The master bath vanity, in similar fashion, is introduced as a central free-standing form anchoring itself as a notable presence in the space. Lastly, the wine room is designed as a series of free-standing heavy wood cavity walls spanned only by a hint of glass.