Awarded 2023 Honorable Mention Award by the American Institute of Architects Central MA Chapter Passion project of our Dendochronologist client and his family, this addition shelters a set of spaces meant to feel both indoors and outdoors. Conditioned only by sun, wind, and the woodstove, the room functions as a multi-purpose glazed porch. ​Surrounding the 1950 house of a style so common in the New England Landscape, our client has worked for a decade to “re-wild” the suburban yard with plantings gathered on fieldtrips around the region. Turning its back to the house, this addition treads lightly into this rich and textured landscape. As the largest room in the house, it will host Thanksgiving dinner as well as it shelters quiet reading by the fire and cocktail parties in the gallery space and cookouts on the back porch. Aligned to extend our addition as close to the property line as bylaws permit, a diagonal wall also expresses the inside-outside connection’s incremental expansion to the North. Structure, shelter, enclosure, and fenestration act and and react to each other to modulate inhabitants’ relative senses of prospect and refuge. The Donna Dodson sculpture Redwing Rose was commissioned for the space.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

The building was formed by the connection of 3 shop-houses. Typically shop-houses are designed vertically with a set of half story floor levels connected by a central staircase. The connection of the 3 shop-houses created a set of 3 staircases opened to a large central open space topped by a skylight glass roof. The stiar steps and risers are paved witha a light color limestone which provides the link connecting the set of stairs and corridors. The lightness of the liemstone participated in creating luminosity in the large stairwell. The hand-rail molded in the same limestone, underlines the graphic layout of the staircases. Each level is designed as a living area with bedrooms and adjacent bathrooms. The bathrooms are paved and cladded with 2 stones of contrasting colors: dark grey basalt and white limestone. The alternative use of these 2 colors throughout the set of bathrooms and the similarity in the stone pattern and details provides a sense of unity through all the levels. The detailed design, selection and arrangement of bathroom hardware, association of the contrasting textures create a contemporary and distinctive atmosphere.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

In between central Europe and the Adriatic Sea Zagreb is the capital of Croatia and concentrates the bulk of the industry, scientific institutions, administrative national institutions and the various government ministries. The city is a touristic destination, as well as a tourist corridor from central Europe to Western Europe, with important hubs such as railway, road and air connections, with major European cities. For all these reasons Zagreb deserves to be the inspiration for this piece with character, strength and irreverence, based on special details of the city such as colours and modern architecture. Dimensions: Larg. 75 cm | Prof. 80 cm | Alt. 100 cm

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2018 HNA Awards Honorable Mention - Concrete Paver - Commercial (size more than 15,000 sf) Contractor: B&D Contractors Inc. Producer: Keystone Hardscapes Designer: OJB Landscape Architects Once modest and tucked away off a dead end road, Levy Park received a revitalization to re-engage the local community. CityStone, Holland, Roman Cobble and Verona pavers were chosen in the design to help separate different areas of the park, add a sense of playfulness and accentuate natural features. The transformation included native landscaping, interactive water features, a dog park, garden, park pavilion and children’s play area. Pavers helped create and define each of these spaces through use of colors, shapes and inlay patterns. Variegated and whimsical paver patterns invoke a sense of spirited movement and fun. The use of multiple paver shapes, colors, and upgraded textures added depth and beauty to this cunningly conceived urban space, by accenting native grass areas and designating different park sections. The central grand walkways gracefully arc throughout the space with large plank style pavers, creating a modern boardwalk feel. Recognizing the park’s development history dating back to 1941, incorporating new design elements while maintaining original aspects was important to the redesign. The chosen pavers were able to integrate with the longstanding historical elements, while adding an artful refresh to the park. A local resident stated, “This is hands down the most gorgeous and well-designed park I’ve ever seen. I fell in love the second I stepped foot into it.” Through thoughtful design and paver choices utilizing different shapes, colors and textures, Levy Park is now a community hot spot.