Search results for "Centralized institutions" in Home Design Ideas
Natural Stone InstituteThe intrigue of the home’s powerful facade lies in the locally sourced puddingstone archway inviting you in. The custom designed bronze door with leaded sidelights opens into the foyer from underneath the covered walkway to the right, in essence hidden from the street. The wide-open central expanse allows one a sneak preview of the stone patio and back yard beyond, highlighting the 120-foot-tall Beech tree that has
been thriving on the site for over two hundred years. The challenge of designing this 6,300 square foot home and pool house was the narrow but deep one-acre lot. John Meyer’s master planning of a strong front elevation hides the “sideways configuration” of the floorplan. To the left
of the archway is a 3-car garage below an entertainment room, with a master bedroom suite on the top floor bridging the main house behind the central eyebrow over the archway.
The sense of having been on the site for decades was the intent of the design abundant in the use of stone and masonry. The carved stonework shapes the main and secondary archways as full ovals. Slate detailing is set
between the sunburst oval window, balancing interest with the keystones framing the five windows across the bridge. Rough cut boulders give weight to the structure’s base, while straight runs of stone border the shingles under the roof’s eaves and shaped stones guide corner edges downward along the retaining walls. The granite steps and bluestone patio lead one back to the lighted base of the Beech tree, terrace and on-axis pool area beyond. The roof is double thick slate, and the circular drive is crushed stone with granite edging. Like the longevity of the Beech tree, this unique design will stand proudly in its neighborhood for years to come.
TOLO ArchitectureLocated above the coast of Malibu, this two-story concrete and glass home is organized into a series of bands that hug the hillside and a central circulation spine. Living spaces are compressed between the retaining walls that hold back the earth and a series of glass facades facing the ocean and Santa Monica Bay. The name of the project stems from the physical and psychological protection provided by wearing reflective sunglasses. On the house the “glasses” allow for panoramic views of the ocean while also reflecting the landscape back onto the exterior face of the building.
PROJECT TEAM: Peter Tolkin, Jeremy Schacht, Maria Iwanicki, Brian Proffitt, Tinka Rogic, Leilani Trujillo
ENGINEERS: Gilsanz Murray Steficek (Structural), Innovative Engineering Group (MEP), RJR Engineering (Geotechnical), Project Engineering Group (Civil)
LANDSCAPE: Mark Tessier Landscape Architecture
INTERIOR DESIGN: Deborah Goldstein Design Inc.
CONSULTANTS: Lighting DesignAlliance (Lighting), Audio Visual Systems Los Angeles (Audio/ Visual), Rothermel & Associates (Rothermel & Associates (Acoustic), GoldbrechtUSA (Curtain Wall)
CONTRACTOR: Winters-Schram Associates
PHOTOGRAPHER: Benny Chan
AWARDS: 2007 American Institute of Architects Merit Award, 2010 Excellence Award, Residential Concrete Building Category Southern California Concrete Producers
TOLO ArchitectureLocated above the coast of Malibu, this two-story concrete and glass home is organized into a series of bands that hug the hillside and a central circulation spine. Living spaces are compressed between the retaining walls that hold back the earth and a series of glass facades facing the ocean and Santa Monica Bay. The name of the project stems from the physical and psychological protection provided by wearing reflective sunglasses. On the house the “glasses” allow for panoramic views of the ocean while also reflecting the landscape back onto the exterior face of the building.
PROJECT TEAM: Peter Tolkin, Jeremy Schacht, Maria Iwanicki, Brian Proffitt, Tinka Rogic, Leilani Trujillo
ENGINEERS: Gilsanz Murray Steficek (Structural), Innovative Engineering Group (MEP), RJR Engineering (Geotechnical), Project Engineering Group (Civil)
LANDSCAPE: Mark Tessier Landscape Architecture
INTERIOR DESIGN: Deborah Goldstein Design Inc.
CONSULTANTS: Lighting DesignAlliance (Lighting), Audio Visual Systems Los Angeles (Audio/ Visual), Rothermel & Associates (Rothermel & Associates (Acoustic), GoldbrechtUSA (Curtain Wall)
CONTRACTOR: Winters-Schram Associates
PHOTOGRAPHER: Benny Chan
AWARDS: 2007 American Institute of Architects Merit Award, 2010 Excellence Award, Residential Concrete Building Category Southern California Concrete Producers
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TOLO ArchitectureLocated above the coast of Malibu, this two-story concrete and glass home is organized into a series of bands that hug the hillside and a central circulation spine. Living spaces are compressed between the retaining walls that hold back the earth and a series of glass facades facing the ocean and Santa Monica Bay. The name of the project stems from the physical and psychological protection provided by wearing reflective sunglasses. On the house the “glasses” allow for panoramic views of the ocean while also reflecting the landscape back onto the exterior face of the building.
PROJECT TEAM: Peter Tolkin, Jeremy Schacht, Maria Iwanicki, Brian Proffitt, Tinka Rogic, Leilani Trujillo
ENGINEERS: Gilsanz Murray Steficek (Structural), Innovative Engineering Group (MEP), RJR Engineering (Geotechnical), Project Engineering Group (Civil)
LANDSCAPE: Mark Tessier Landscape Architecture
INTERIOR DESIGN: Deborah Goldstein Design Inc.
CONSULTANTS: Lighting DesignAlliance (Lighting), Audio Visual Systems Los Angeles (Audio/ Visual), Rothermel & Associates (Rothermel & Associates (Acoustic), GoldbrechtUSA (Curtain Wall)
CONTRACTOR: Winters-Schram Associates
PHOTOGRAPHER: Benny Chan
AWARDS: 2007 American Institute of Architects Merit Award, 2010 Excellence Award, Residential Concrete Building Category Southern California Concrete Producers
TOLO ArchitectureLocated above the coast of Malibu, this two-story concrete and glass home is organized into a series of bands that hug the hillside and a central circulation spine. Living spaces are compressed between the retaining walls that hold back the earth and a series of glass facades facing the ocean and Santa Monica Bay. The name of the project stems from the physical and psychological protection provided by wearing reflective sunglasses. On the house the “glasses” allow for panoramic views of the ocean while also reflecting the landscape back onto the exterior face of the building.
PROJECT TEAM: Peter Tolkin, Jeremy Schacht, Maria Iwanicki, Brian Proffitt, Tinka Rogic, Leilani Trujillo
ENGINEERS: Gilsanz Murray Steficek (Structural), Innovative Engineering Group (MEP), RJR Engineering (Geotechnical), Project Engineering Group (Civil)
LANDSCAPE: Mark Tessier Landscape Architecture
INTERIOR DESIGN: Deborah Goldstein Design Inc.
CONSULTANTS: Lighting DesignAlliance (Lighting), Audio Visual Systems Los Angeles (Audio/ Visual), Rothermel & Associates (Rothermel & Associates (Acoustic), GoldbrechtUSA (Curtain Wall)
CONTRACTOR: Winters-Schram Associates
PHOTOGRAPHER: Benny Chan
AWARDS: 2007 American Institute of Architects Merit Award, 2010 Excellence Award, Residential Concrete Building Category Southern California Concrete Producers
AIBD - American Institute of Building DesignThe best of the past and present meet in this distinguished design. Custom craftsmanship and distinctive detailing lend to this lakefront residences’ classic design with a contemporary and light-filled floor plan. The main level features almost 3,000 square feet of open living, from the charming entry with multiple back of house spaces to the central kitchen and living room with stone clad fireplace.
An ARDA for indoor living goes to
Visbeen Architects, Inc.
Designers: Vision Interiors by Visbeen with Visbeen Architects, Inc.
From: East Grand Rapids, Michigan
TOLO ArchitectureLocated above the coast of Malibu, this two-story concrete and glass home is organized into a series of bands that hug the hillside and a central circulation spine. Living spaces are compressed between the retaining walls that hold back the earth and a series of glass facades facing the ocean and Santa Monica Bay. The name of the project stems from the physical and psychological protection provided by wearing reflective sunglasses. On the house the “glasses” allow for panoramic views of the ocean while also reflecting the landscape back onto the exterior face of the building.
PROJECT TEAM: Peter Tolkin, Jeremy Schacht, Maria Iwanicki, Brian Proffitt, Tinka Rogic, Leilani Trujillo
ENGINEERS: Gilsanz Murray Steficek (Structural), Innovative Engineering Group (MEP), RJR Engineering (Geotechnical), Project Engineering Group (Civil)
LANDSCAPE: Mark Tessier Landscape Architecture
INTERIOR DESIGN: Deborah Goldstein Design Inc.
CONSULTANTS: Lighting DesignAlliance (Lighting), Audio Visual Systems Los Angeles (Audio/ Visual), Rothermel & Associates (Rothermel & Associates (Acoustic), GoldbrechtUSA (Curtain Wall)
CONTRACTOR: Winters-Schram Associates
PHOTOGRAPHER: Benny Chan
AWARDS: 2007 American Institute of Architects Merit Award, 2010 Excellence Award, Residential Concrete Building Category Southern California Concrete Producers
Sponsored
Delaware, OH
Buckeye Basements, Inc.
Central Ohio's Basement Finishing ExpertsBest Of Houzz '13-'21
American Institute of Architects, San FranciscoBuilt in 1949 for a prominent San Francisco family by Campbell and Wong, the well-loved original house represented forward thinking for the time, with an emphasis on an open floor plan and indoor-outdoor relationships to a central courtyard. However, the configuration of spaces with living spaces on the ground floor, the northern orientation of the home, and architectural language deprived the home of natural light and failed to capture the significant views to the adjacent Presidio open space. The major design goal was to create a warm, inviting, and organic-feeling modern home for this family of four defined by the qualities of this unique site. The house needed to take advantage of sweeping views and its unique perch above 1500 acres of protected parklands, while bringing significant natural light and openness into the home. It was clear that the house needed to defer to the natural beauty of the Presidio and the feeling of a country home in the heart of the city. The principal move inverts the floor plan and moves the living spaces to the upper floor where opportunities for introducing natural light abound. By extending the house horizontally to the south, the new design takes advantage of the full width of the property, creating spaces that are expansive in every direction. The introduction of a 12 foot by 24 foot skylight at the center of the home extending over the full width and length of the kitchen floods light into the open, connected living spaces. Combined with the remainder of this southern addition, the house takes on a wide horizontality atypical of San Francisco's narrow, tall residential spaces.
Photo by Christopher Stark
Donald Lococo ArchitectsAwarded by the Classical institute of art and architecture , the linnean house has a restrained and simple elevation of doors and windows. Nestled in the Forest Hills neighborhood of Washington, D.C., the Linnean House is classical in both plan and elevation throughout its award-winning house plans. The main mass, comprising of the most formal and public spaces, is a spatial triptych along a symmetrical main axis. Inside the luxury home, the limestone façade, simple but well-proportioned with classical elements, extends itself into both the entry portico and main foyer with consistent proportions and materiality. This introduction allows the flanking living and dining rooms to be perceived as separate pavilions, each equipped with eight equal-proportioned French doors symmetrical of the main axis.
Beyond the classical spaces are two wings which lead to the master suite and a kitchen/family space, respectively. Both of which are situated to queue from the French door axis, a focal feature in the repeatedly published home design. At the entry foyer, the stark stone luxury architecture is warmed by two symmetrical wood armoire-like freestanding sculptural objects, a persistent theme throughout the luxury house. In the kitchen, for instance, stand four similar wood armoire objects at opposite corners that act as columns and help give this space a sense of boundary and enclosure. The master bath vanity, in similar fashion, is introduced as a central free-standing form anchoring itself as a notable presence in the space. Lastly, the wine room is designed as a series of free-standing heavy wood cavity walls spanned only by a hint of glass.
Natural Stone InstituteThe intrigue of the home’s powerful facade lies in the locally sourced puddingstone archway inviting you in. The custom designed bronze door with leaded sidelights opens into the foyer from underneath the covered walkway to the right, in essence hidden from the street. The wide-open central expanse allows one a sneak preview of the stone patio and back yard beyond, highlighting the 120-foot-tall Beech tree that has
been thriving on the site for over two hundred years. The challenge of designing this 6,300 square foot home and pool house was the narrow but deep one-acre lot. John Meyer’s master planning of a strong front elevation hides the “sideways configuration” of the floorplan. To the left
of the archway is a 3-car garage below an entertainment room, with a master bedroom suite on the top floor bridging the main house behind the central eyebrow over the archway.
The sense of having been on the site for decades was the intent of the design abundant in the use of stone and masonry. The carved stonework shapes the main and secondary archways as full ovals. Slate detailing is set
between the sunburst oval window, balancing interest with the keystones framing the five windows across the bridge. Rough cut boulders give weight to the structure’s base, while straight runs of stone border the shingles under the roof’s eaves and shaped stones guide corner edges downward along the retaining walls. The granite steps and bluestone patio lead one back to the lighted base of the Beech tree, terrace and on-axis pool area beyond. The roof is double thick slate, and the circular drive is crushed stone with granite edging. Like the longevity of the Beech tree, this unique design will stand proudly in its neighborhood for years to come.
TOLO ArchitectureLocated above the coast of Malibu, this two-story concrete and glass home is organized into a series of bands that hug the hillside and a central circulation spine. Living spaces are compressed between the retaining walls that hold back the earth and a series of glass facades facing the ocean and Santa Monica Bay. The name of the project stems from the physical and psychological protection provided by wearing reflective sunglasses. On the house the “glasses” allow for panoramic views of the ocean while also reflecting the landscape back onto the exterior face of the building.
PROJECT TEAM: Peter Tolkin, Jeremy Schacht, Maria Iwanicki, Brian Proffitt, Tinka Rogic, Leilani Trujillo
ENGINEERS: Gilsanz Murray Steficek (Structural), Innovative Engineering Group (MEP), RJR Engineering (Geotechnical), Project Engineering Group (Civil)
LANDSCAPE: Mark Tessier Landscape Architecture
INTERIOR DESIGN: Deborah Goldstein Design Inc.
CONSULTANTS: Lighting DesignAlliance (Lighting), Audio Visual Systems Los Angeles (Audio/ Visual), Rothermel & Associates (Rothermel & Associates (Acoustic), GoldbrechtUSA (Curtain Wall)
CONTRACTOR: Winters-Schram Associates
PHOTOGRAPHER: Benny Chan
AWARDS: 2007 American Institute of Architects Merit Award, 2010 Excellence Award, Residential Concrete Building Category Southern California Concrete Producers
Natural Stone InstituteThe intrigue of the home’s powerful facade lies in the locally sourced puddingstone archway inviting you in. The custom designed bronze door with leaded sidelights opens into the foyer from underneath the covered walkway to the right, in essence hidden from the street. The wide-open central expanse allows one a sneak preview of the stone patio and back yard beyond, highlighting the 120-foot-tall Beech tree that has
been thriving on the site for over two hundred years. The challenge of designing this 6,300 square foot home and pool house was the narrow but deep one-acre lot. John Meyer’s master planning of a strong front elevation hides the “sideways configuration” of the floorplan. To the left
of the archway is a 3-car garage below an entertainment room, with a master bedroom suite on the top floor bridging the main house behind the central eyebrow over the archway.
The sense of having been on the site for decades was the intent of the design abundant in the use of stone and masonry. The carved stonework shapes the main and secondary archways as full ovals. Slate detailing is set
between the sunburst oval window, balancing interest with the keystones framing the five windows across the bridge. Rough cut boulders give weight to the structure’s base, while straight runs of stone border the shingles under the roof’s eaves and shaped stones guide corner edges downward along the retaining walls. The granite steps and bluestone patio lead one back to the lighted base of the Beech tree, terrace and on-axis pool area beyond. The roof is double thick slate, and the circular drive is crushed stone with granite edging. Like the longevity of the Beech tree, this unique design will stand proudly in its neighborhood for years to come.
TOLO ArchitectureLocated above the coast of Malibu, this two-story concrete and glass home is organized into a series of bands that hug the hillside and a central circulation spine. Living spaces are compressed between the retaining walls that hold back the earth and a series of glass facades facing the ocean and Santa Monica Bay. The name of the project stems from the physical and psychological protection provided by wearing reflective sunglasses. On the house the “glasses” allow for panoramic views of the ocean while also reflecting the landscape back onto the exterior face of the building.
PROJECT TEAM: Peter Tolkin, Jeremy Schacht, Maria Iwanicki, Brian Proffitt, Tinka Rogic, Leilani Trujillo
ENGINEERS: Gilsanz Murray Steficek (Structural), Innovative Engineering Group (MEP), RJR Engineering (Geotechnical), Project Engineering Group (Civil)
LANDSCAPE: Mark Tessier Landscape Architecture
INTERIOR DESIGN: Deborah Goldstein Design Inc.
CONSULTANTS: Lighting DesignAlliance (Lighting), Audio Visual Systems Los Angeles (Audio/ Visual), Rothermel & Associates (Rothermel & Associates (Acoustic), GoldbrechtUSA (Curtain Wall)
CONTRACTOR: Winters-Schram Associates
PHOTOGRAPHER: Benny Chan
AWARDS: 2007 American Institute of Architects Merit Award, 2010 Excellence Award, Residential Concrete Building Category Southern California Concrete Producers
Sponsored
Columbus, OH
Trish Takacs Design
Award Winning & Highly Skilled Kitchen & Bath Designer in Columbus
Donald Lococo ArchitectsAwarded by the Classical institute of art and architecture , the linnean house has a restrained and simple elevation of doors and windows. Nestled in the Forest Hills neighborhood of Washington, D.C., the Linnean House is classical in both plan and elevation throughout its award-winning house plans. The main mass, comprising of the most formal and public spaces, is a spatial triptych along a symmetrical main axis. Inside the luxury home, the limestone façade, simple but well-proportioned with classical elements, extends itself into both the entry portico and main foyer with consistent proportions and materiality. This introduction allows the flanking living and dining rooms to be perceived as separate pavilions, each equipped with eight equal-proportioned French doors symmetrical of the main axis.
Beyond the classical spaces are two wings which lead to the master suite and a kitchen/family space, respectively. Both of which are situated to queue from the French door axis, a focal feature in the repeatedly published home design. At the entry foyer, the stark stone luxury architecture is warmed by two symmetrical wood armoire-like freestanding sculptural objects, a persistent theme throughout the luxury house. In the kitchen, for instance, stand four similar wood armoire objects at opposite corners that act as columns and help give this space a sense of boundary and enclosure. The master bath vanity, in similar fashion, is introduced as a central free-standing form anchoring itself as a notable presence in the space. Lastly, the wine room is designed as a series of free-standing heavy wood cavity walls spanned only by a hint of glass.
TOLO ArchitectureLocated above the coast of Malibu, this two-story concrete and glass home is organized into a series of bands that hug the hillside and a central circulation spine. Living spaces are compressed between the retaining walls that hold back the earth and a series of glass facades facing the ocean and Santa Monica Bay. The name of the project stems from the physical and psychological protection provided by wearing reflective sunglasses. On the house the “glasses” allow for panoramic views of the ocean while also reflecting the landscape back onto the exterior face of the building.
PROJECT TEAM: Peter Tolkin, Jeremy Schacht, Maria Iwanicki, Brian Proffitt, Tinka Rogic, Leilani Trujillo
ENGINEERS: Gilsanz Murray Steficek (Structural), Innovative Engineering Group (MEP), RJR Engineering (Geotechnical), Project Engineering Group (Civil)
LANDSCAPE: Mark Tessier Landscape Architecture
INTERIOR DESIGN: Deborah Goldstein Design Inc.
CONSULTANTS: Lighting DesignAlliance (Lighting), Audio Visual Systems Los Angeles (Audio/ Visual), Rothermel & Associates (Rothermel & Associates (Acoustic), GoldbrechtUSA (Curtain Wall)
CONTRACTOR: Winters-Schram Associates
PHOTOGRAPHER: Benny Chan
AWARDS: 2007 American Institute of Architects Merit Award, 2010 Excellence Award, Residential Concrete Building Category Southern California Concrete Producers
Donald Lococo ArchitectsAwarded by the Classical institute of art and architecture , the linnean house has a restrained and simple elevation of doors and windows. Nestled in the Forest Hills neighborhood of Washington, D.C., the Linnean House is classical in both plan and elevation throughout its award-winning house plans. The main mass, comprising of the most formal and public spaces, is a spatial triptych along a symmetrical main axis. Inside the luxury home, the limestone façade, simple but well-proportioned with classical elements, extends itself into both the entry portico and main foyer with consistent proportions and materiality. This introduction allows the flanking living and dining rooms to be perceived as separate pavilions, each equipped with eight equal-proportioned French doors symmetrical of the main axis.
Beyond the classical spaces are two wings which lead to the master suite and a kitchen/family space, respectively. Both of which are situated to queue from the French door axis, a focal feature in the repeatedly published home design. At the entry foyer, the stark stone luxury architecture is warmed by two symmetrical wood armoire-like freestanding sculptural objects, a persistent theme throughout the luxury house. In the kitchen, for instance, stand four similar wood armoire objects at opposite corners that act as columns and help give this space a sense of boundary and enclosure. The master bath vanity, in similar fashion, is introduced as a central free-standing form anchoring itself as a notable presence in the space. Lastly, the wine room is designed as a series of free-standing heavy wood cavity walls spanned only by a hint of glass.
Interlocking Concrete Pavement Institute2018 HNA Awards Honorable Mention - Concrete Paver - Commercial (size more than 15,000 sf)
Contractor: B&D Contractors Inc.
Producer: Keystone Hardscapes
Designer: OJB Landscape Architects
Once modest and tucked away off a dead end road, Levy Park received a revitalization to re-engage the local community. CityStone, Holland, Roman Cobble and Verona pavers were chosen in the design to help separate different areas of the park, add a sense of playfulness and accentuate natural features.
The transformation included native landscaping, interactive water features, a dog park, garden, park pavilion and children’s play area. Pavers helped create and define each of these spaces through use of colors, shapes and inlay patterns. Variegated and whimsical paver patterns invoke a sense of spirited movement and fun.
The use of multiple paver shapes, colors, and upgraded textures added depth and beauty to this cunningly conceived urban space, by accenting native grass areas and designating different park sections. The central grand walkways gracefully arc throughout the space with large plank style pavers, creating a modern boardwalk feel.
Recognizing the park’s development history dating back to 1941, incorporating new design elements while maintaining original aspects was important to the redesign. The chosen pavers were able to integrate with the longstanding historical elements, while adding an artful refresh to the park.
A local resident stated, “This is hands down the most gorgeous and well-designed park I’ve ever seen. I fell in love the second I stepped foot into it.” Through thoughtful design and paver choices utilizing different shapes, colors and textures, Levy Park is now a community hot spot.
Sponsored
Columbus, OH
Trish Takacs Design
Award Winning & Highly Skilled Kitchen & Bath Designer in Columbus
TOLO ArchitectureLocated above the coast of Malibu, this two-story concrete and glass home is organized into a series of bands that hug the hillside and a central circulation spine. Living spaces are compressed between the retaining walls that hold back the earth and a series of glass facades facing the ocean and Santa Monica Bay. The name of the project stems from the physical and psychological protection provided by wearing reflective sunglasses. On the house the “glasses” allow for panoramic views of the ocean while also reflecting the landscape back onto the exterior face of the building.
PROJECT TEAM: Peter Tolkin, Jeremy Schacht, Maria Iwanicki, Brian Proffitt, Tinka Rogic, Leilani Trujillo
ENGINEERS: Gilsanz Murray Steficek (Structural), Innovative Engineering Group (MEP), RJR Engineering (Geotechnical), Project Engineering Group (Civil)
LANDSCAPE: Mark Tessier Landscape Architecture
INTERIOR DESIGN: Deborah Goldstein Design Inc.
CONSULTANTS: Lighting DesignAlliance (Lighting), Audio Visual Systems Los Angeles (Audio/ Visual), Rothermel & Associates (Rothermel & Associates (Acoustic), GoldbrechtUSA (Curtain Wall)
CONTRACTOR: Winters-Schram Associates
PHOTOGRAPHER: Benny Chan
AWARDS: 2007 American Institute of Architects Merit Award, 2010 Excellence Award, Residential Concrete Building Category Southern California Concrete Producers
American Institute of Architects, San FranciscoTenderloin Neighborhood Development Corporation’s Kelly Cullen Community integrates home and health through adaptive reuse of the 1909 Central YMCA, providing 174 supportive housing units for the formerly homeless, and health services for homeless and Tenderloin residents. The $55m project reconfigured, upgraded, and restored the 139,200 square foot masonry building in 2012. Image by Mark Luthringer.
Natural Stone InstituteThe intrigue of the home’s powerful facade lies in the locally sourced puddingstone archway inviting you in. The custom designed bronze door with leaded sidelights opens into the foyer from underneath the covered walkway to the right, in essence hidden from the street. The wide-open central expanse allows one a sneak preview of the stone patio and back yard beyond, highlighting the 120-foot-tall Beech tree that has
been thriving on the site for over two hundred years. The challenge of designing this 6,300 square foot home and pool house was the narrow but deep one-acre lot. John Meyer’s master planning of a strong front elevation hides the “sideways configuration” of the floorplan. To the left
of the archway is a 3-car garage below an entertainment room, with a master bedroom suite on the top floor bridging the main house behind the central eyebrow over the archway.
The sense of having been on the site for decades was the intent of the design abundant in the use of stone and masonry. The carved stonework shapes the main and secondary archways as full ovals. Slate detailing is set
between the sunburst oval window, balancing interest with the keystones framing the five windows across the bridge. Rough cut boulders give weight to the structure’s base, while straight runs of stone border the shingles under the roof’s eaves and shaped stones guide corner edges downward along the retaining walls. The granite steps and bluestone patio lead one back to the lighted base of the Beech tree, terrace and on-axis pool area beyond. The roof is double thick slate, and the circular drive is crushed stone with granite edging. Like the longevity of the Beech tree, this unique design will stand proudly in its neighborhood for years to come.
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