Jim Simmons
Balcony - contemporary balcony balcony idea in Los Angeles

Toilet room - small transitional gray tile toilet room idea in Los Angeles with white walls

Martha O'Hara Interiors, Interior Design | Paul Finkel Photography Please Note: All “related,” “similar,” and “sponsored” products tagged or listed by Houzz are not actual products pictured. They have not been approved by Martha O’Hara Interiors nor any of the professionals credited. For information about our work, please contact design@oharainteriors.com.

Inspiration for a mid-sized contemporary galley gray floor and slate floor kitchen pantry remodel in Chicago with flat-panel cabinets, no island, white cabinets, marble countertops, white backsplash and subway tile backsplash

Lisa Romerein
Inspiration for a cottage single front door remodel in San Francisco with beige walls and a glass front door

Chris Little Photography
Laundry room - traditional laundry room idea in Atlanta with white cabinets, white countertops and a drop-in sink

Contemporary living room interior with a touch of color, neutral colored furniture, upholstered chairs, pillows and throws, wall art and decor.
Example of a transitional living room design in Houston with a tile fireplace

This project was designed and installed by Cottage Gardener, LTD. These photos highlight our effort to create seasonal interest throughout the entire year.

One Studio :: Photography http://www.onestudiosphotography.com/

Photo: Sarah Seung-McFarland © 2017 Houzz
Example of an eclectic living room design in New York

Transitional kitchen photo in DC Metro

Example of a transitional kitchen design in Seattle

We designed this writer's studio in tandem with an urban backyard and hardscaping renovation. Originally this building was to be a new garage, but the owner liked it so much that halfway through the process, he decided to forgo a garage in favor of an office. Photo: Anna M Campbell: annamcampbell.com

The End of the Ultra-Slim Wedding Suit For several years, men’s formalwear was dominated by narrow lapels, short jackets and trousers cut close to the leg. The style created a sharp outline, but it often left little room for sitting, dancing or eating comfortably. Current tailoring is moving towards a more balanced shape, with cleaner shoulders, a defined waist and trousers that follow the leg without gripping it.This change does not mean that wedding suits have become oversized. The newer approach sits between skinny and loose. It keeps the structure expected of formal clothing while allowing the cloth to hang properly. For grooms, that balance is useful during a day that may involve a ceremony, photographs, dinner and several hours on the dance floor. Look For Shape Rather Than Tightness A well-fitted suit should create a clear outline without relying on tension. Collections of Marc Darcy suits include tailored three-piece designs, checks and textured fabrics that suit the current preference for visible structure and considered proportions. The jacket should sit close enough to define the waist, but the front button should fasten without pulling the cloth into an X-shaped crease. At the shoulders, the seam should finish close to the natural shoulder point. Extra width can make the jacket look borrowed, while a shoulder that is too narrow may cause the upper sleeve to collapse. Fit should be assessed while moving as well as standing. Reach forward, sit down and raise both arms. A tailored jacket will never feel like casual sportswear, but it should allow the groom to carry out ordinary movements without sharp restriction across the back or chest. Give The Jacket Enough Length Very short suit jackets became common alongside skinny trousers, but they can disrupt the proportions of a three-piece outfit. If the jacket finishes too high, the waistcoat may appear longer than the outer layer and the trousers may look as though they begin too low. A more traditional jacket length usually covers most of the seat and divides the body more evenly. This can make the legs appear longer without shortening the jacket excessively. The correct length depends on height and body proportions, so two men wearing the same chest size may still need different jacket lengths. View the suit from the back and side rather than relying on a front-facing mirror. The vents should lie flat, and the hem should not lift away from the body. A side photograph can reveal an unbalanced jacket more clearly than the changing-room mirror. Choose Trousers That Fall Cleanly The move away from very tight tailoring is most noticeable in suit trousers. A modern tailored leg can still be neat at the ankle, but it should provide enough room through the seat and thigh for the fabric to fall without horizontal lines. Trouser pockets offer a useful fit check. If they pull open while standing, the waist or hips may be too tight. The fly should lie flat, and the waistband should remain in place without depending on an overtightened belt. Higher-rise trousers can work particularly well with a waistcoat because they reduce the chance of shirt fabric appearing between the two pieces. The hem should make gentle contact with the shoe rather than gathering heavily around it. A short hem can work with narrow trousers but taking it too far may make the suit look dated once the current cropped style moves on. A slight break is easier to wear with different formal shoes and tends to look balanced in full-length wedding photographs. Let The Waistcoat Support the Silhouette A waistcoat adds structure through the centre of the outfit, but only when it fits correctly. It should lie flat against the shirt and cover the trouser waistband. Tightening the back strap cannot correct a waistcoat that is the wrong size or too short. Current three-piece styling often places greater emphasis on the waistcoat. Double-breasted designs, contrasting fabrics and wider openings can distinguish the groom without requiring a brightly coloured jacket. When the groom removes the jacket later, the waistcoat keeps the outfit looking complete. Allow room for a full meal and several hours of wear. A waistcoat that feels acceptably close during a brief fitting may become uncomfortable at dinner. Sit down with every button fastened and check whether the lower edge presses into the waist or causes the front to bow. Use Stronger Lapels Carefully Wider notch and peak lapels are returning after years of extremely narrow designs. A broader lapel can frame the shirt and tie, balance the shoulders and give the jacket a more formal character. Peak lapels create a particularly strong line on double-breasted jackets and evening suits. The lapel width should still suit the wearer. A very broad lapel can overwhelm a smaller frame, while an extremely narrow one may look out of proportion on a broad chest. The shirt collar, tie width and lapel should relate to one another without matching exactly. A wider lapel also leaves less need for decorative extras. A simple buttonhole flower or plain pocket square may be enough. Large lapel pins can crowd the upper part of the jacket, especially when the cloth already contains a check. Avoid Buying According to the Size Label Alone The same labelled size can fit differently across designs because cut, fabric and construction affect the garment. Begin with accurate chest, waist, inside-leg and approximate jacket-length measurements. Compare those figures with the retailer’s size information rather than ordering the size worn in another brand without checking. If the jacket fits at the shoulders but needs slight shaping through the waist, a tailor can often make the adjustment. Sleeves and trouser hems are also commonly altered. Major changes to the shoulder line or jacket length are more difficult and may not be economical. Do not choose the smallest size that can be fastened. A suit that looks tight in the fitting room is unlikely to become more comfortable during a long wedding day. Cloth should skim the body and return to a clean position after movement. Balance a checked suit with simple styling Texture and checks remain popular in wedding tailoring, particularly for country houses, converted barns and traditional venues. These fabrics already add depth to the outfit, so the cut should remain controlled and the accessories relatively quiet. A plain white, pale blue or cream shirt gives a checked suit a clear foundation. Choose a tie from one of the secondary colours in the cloth rather than introducing another strong pattern. A white pocket square works when the suit contains several shades and does not need further decoration. Shoes should support the proportions of the trousers. A very slim shoe may appear too small beneath a fuller hem, while a heavy casual sole can pull attention away from the tailoring. Oxfords, Derbies and refined brogues usually provide enough visual weight without looking bulky. Coordinate the wedding party without forcing one fit Matching groomsmen suits can become difficult when every member of the party has a different build. Insisting on an identical close fit may leave some men comfortable and others visibly restricted. A better approach is to keep the cloth, colour and main design consistent while adjusting jacket and trouser sizes for each person. The groom can stand apart through a waistcoat, lapel shape or accessory rather than wearing a suit cut much tighter than everyone else. This creates a connection across the group without treating one silhouette as suitable for every body. Arrange fittings early enough to identify size and alteration issues. Group orders should be checked well before the wedding, particularly when trousers need hemming or jackets require sleeve adjustments. Each person should try the complete outfit with the intended shirt and shoes. Judge the suit by the whole day A wedding fitting often lasts less than half an hour, while the suit may be worn for twelve hours or more. Comfort should therefore be tested under realistic conditions. Sit for several minutes, walk upstairs and check the waistband after moving around. Pay attention to the parts that cannot be seen clearly in a mirror. The collar should remain close to the shirt at the back of the neck. Jacket vents should not pull apart, and the trouser seat should follow the body without sagging or strain. The current move towards balanced tailoring gives grooms more room to choose clothes that look formal without feeling restrictive. Clean shoulders, a shaped jacket and trousers with a natural fall will outlast extreme proportions. A suit that allows the groom to stand, sit and celebrate comfortably is also more likely to look composed in photographs taken throughout the day.

Beach style kitchen photo in Portland Maine

We started with a rustic trestle table and linen side chairs, Added specialty molding, sophisticated drapes, color and patriotic artwork giving this dining area a well balanced mix of casual and formal dining Jenn Dowell Photography

Joe Fletcher
Mid-sized trendy single-wall open concept kitchen photo in New York with a farmhouse sink, recessed-panel cabinets, blue cabinets, concrete countertops, gray backsplash, stone slab backsplash, stainless steel appliances and no island

photographer Nick Smith www.nsphotography.co.uk designer : Fatima Fernandez
Example of a trendy study room design in London with white walls

Sarah Reynolds
Minimalist home office photo in Dublin