Sitting in one of Capital Hill’s beautiful neighborhoods, the exterior of this residence portrays a bungalow style home as from the Arts and Craft era. By adding a large dormer to east side of the house, the street appeal was maintained which allowed for a large master suite to be added to the second floor. As a result, the two guest bedrooms and bathroom were relocated to give to master suite the space it needs. Although much renovation was done to the Federalist interior, the original charm was kept by continuing the formal molding and other architectural details throughout the house. In addition to opening up the stair to the entry and floor above, the sense of gained space was furthered by opening up the kitchen to the dining room and remodeling the space to provide updated finishes and appliances as well as custom cabinetry and a hutch. The main level also features an added powder room with a beautiful black walnut vanity.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

This stunning one-acre garden, within walking distance of downtown Bethesda, was designed and installed by our firm in 2004.. LPI continues to maintain it today. The owners, devoted gardeners, wanted to utilize as much of the existing plant palette as possible but also to have space for a pond, a cutting garden, and expanses of lawn. The biggest challenge proved to be coping with the prodigious amount of water on site due to an underground spring and drainage issues posed by it and the topography of the site. In 2010 this garden won an Award of Merit from the Association of Professional Landscape Designers, , a Grand Award from the MD*DC*VA Landscape Contractors Association, and an Environmental Improvement Award of Distinction from PLANET. ©Melissa Clark Photography. All rights reserved.

We relocated the bathroom to an adjacent sitting room that had 8’ ceilings and was flooded with natural light. At twice the size of the old bathroom, the new location had ample space to create a true second master bathroom complete with soaking tub, walk-in shower and 5’ vanity. We used the same classic marble finishes throughout which provides continuity and maintains the elegant and timeless look befitting this historic mansion.

This oceanside contemporary condominium is a sophisticated space that evokes relaxation. Using the bright blue and easy feel of the ocean as both an inspiration and a backdrop, soft rich fabrics in beach tones were used to maintain the peacefulness of the coastal surroundings. With soft hues of blue and simple lush design elements, this living space is a wonderful blend of coastal calmness and contemporary style. Textured wall papers were used to enrich bathrooms with no ocean view to create continuity of the stunning natural setting of the Palm Beach oceanfront. Robert Brantley Photography

This home in the upscale Dominion area was completely transformed from an outdated rustic interior to a fresh and modern space! The kitchen has an upgraded island with Taj Mahal waterfall panels and mitered edges, similar to the rest of the kitchen Taj Mahal quartzite countertops and backsplash. The existing perimeter cabinets in the kitchen were painted a classic white lacquer finish. A new dual finish Blue Star vent hood was installed, along with gorgeous matching brass knobs and faucets. The kitchen flooring is white oak herringbone pattern hardwood which flows throughout the house. The entryway has a brand new iron pivot door making for a seamless transition into the home. This homeowner's guest bathroom was completely gutted and replaced with a quartz countertop, wainscoting dolomite tile on bathroom walls, and mother of pearl floor tile. The connecting guest bedroom was completely repainted and given a brand new look with bright blue and white wallpaper. The powder room is to die for, with gold and black accents, a gorgeous new moss green vanity, and a black quartzite countertop with an golden under-mount sink. Lastly, we completed the home bar area, installing a antiqued backsplash and custom lit floating shelves, perfect for keeping the homeowner's liquor of choice. It's 5 o'clock somewhere!

Dark, mood dining room with traditional portraiture and modern accents.
Kitchen/dining room combo - mid-sized transitional medium tone wood floor and brown floor kitchen/dining room combo idea in Baltimore with black walls, a standard fireplace and a wood fireplace surround

Along the teak-paneled kitchen wall, sliding and pocketing doors open to reveal additional work and storage space, a coffee station and wine bar. Architecture and interior design by Pierre Hoppenot, Studio PHH Architects.

Example of a farmhouse bathroom design in DC Metro

To maintain the home's visual flow, designers continued the horizontal wood plank wall motif throughout the home, including on two pantry doors and the kitchen back splash. They integrated the indoors with the outdoors by (a) opening up views (b) replacing three living room windows with French doors that open onto patio and (c) creating an exterior covered outdoor living, dining and kitchen area between the pool and house. Daniel Newcomb Photography

Sitting in one of Capital Hill’s beautiful neighborhoods, the exterior of this residence portrays a bungalow style home as from the Arts and Craft era. By adding a large dormer to east side of the house, the street appeal was maintained which allowed for a large master suite to be added to the second floor. As a result, the two guest bedrooms and bathroom were relocated to give to master suite the space it needs. Although much renovation was done to the Federalist interior, the original charm was kept by continuing the formal molding and other architectural details throughout the house. In addition to opening up the stair to the entry and floor above, the sense of gained space was furthered by opening up the kitchen to the dining room and remodeling the space to provide updated finishes and appliances as well as custom cabinetry and a hutch. The main level also features an added powder room with a beautiful black walnut vanity.

Bookmatched Luxury Kitchen Countertop with Full Height Backsplash – Dekton Laurent 2 cm Vein Match Installation | Absolute GM LLC This luxury kitchen project features a Dekton Laurent 2 cm countertop with full height backsplash, executed with precision vein-matched alignment to achieve continuous visual flow and architectural consistency. The dark base and gold veining of Dekton Laurent are carefully oriented during fabrication to maintain directional continuity across the countertop surface and extend seamlessly into the vertical backsplash transition. This controlled layout creates a unified bookmatched effect, where the natural pattern reads as a single continuous surface without visual interruption. Precision digital templating and CNC fabrication were used to control slab sequencing, seam placement, and edge detailing, ensuring tight tolerances and accurate alignment throughout installation. Special attention was given to the countertop-to-backsplash junction to preserve uninterrupted veining and clean architectural lines. The project also includes a matching Dekton Laurent 2 cm kitchen island, designed to complement the main countertop while maintaining consistent material flow and finish continuity across the kitchen space. Dekton Laurent 2 cm was selected for its durability, stain resistance, and refined aesthetic performance, making it ideal for high-end residential kitchen environments. Absolute GM LLC provides professional countertop fabrication and installation services across Washington State, specializing in Dekton, porcelain, quartzite, and natural stone systems.

In the Kitchen a light gray six sided glass tile covers the sink wall and a decorative blue/white tile adorns the stove wall. Beautiful cabinetry with an Island that provides seating and storage. Black windows frame beautiful landscaping. Open shelving provides family treasures.

Original Art by Steve Neff (www.paintedpalms.com) Room Color - Sailboat Blue by Sherwin Williams (Benjamin Moore PPG Paint Used -Custom Color Match and Remix by Robin Phillips of Spectrum Paint) Custom Steel Bed by Chris Cardy of Delia Furniture (www.etsy.com/shop/deliafurniture) Photography by Andrew Cebulka. (www.andrewcebulka.com)

RnD Builders Inc - Custom Home Builders | Woodland Hills
Trendy kitchen photo in Los Angeles

Ernesto Santalla was approached to create a new home for two Washington, DC lawyers wishing to downsize their living space. The move took them from a row house in Washington's historic Dupont Circle neighborhood to a two bedroom apartment in the vibrant, up-and-coming U Street Corridor. Our task was to transform a rather plain and generic apartment into a custom, sophisticated space in a few strategic moves. Ceiling details serve to define functional areas of the living space without creating divisions. Changing some doors from wood to frosted glass, creates a sense of continuity between spaces, and allows light to travel between spaces. Lighting was inserted strategically, to enhance certain functions of the home. The kitchen was partially enclosed with a plane of frosted glass to create visual separation from the main living space while still allowing natural light to filter in from the expansive wall of floor-to-ceiling windows. Color was used to reinforce the architectural intent and simplify spaces, such as the entry, which as many doors and frames. Furniture was selected to blend with the client's collection of heirloom pieces, creating a sophisticated juxtaposition. Statement pieces like a ceiling light from Viabizzuno create impact while maintaining the visual simplicity of our minimal approach. This project was featured in DC Modern Luxury. https://www.modernluxury.com/washington-dc/story/grand-nest Photography by Geoffrey Hodgdon

The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature. The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house. Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property. Photography Spaces and Faces Photography

Bookmatched Luxury Kitchen Countertop with Full Height Backsplash – Dekton Laurent 2 cm Vein Match Installation | Absolute GM LLC This luxury kitchen project features a Dekton Laurent 2 cm countertop with full height backsplash, executed with precision vein-matched alignment to achieve continuous visual flow and architectural consistency. The dark base and gold veining of Dekton Laurent are carefully oriented during fabrication to maintain directional continuity across the countertop surface and extend seamlessly into the vertical backsplash transition. This controlled layout creates a unified bookmatched effect, where the natural pattern reads as a single continuous surface without visual interruption. Precision digital templating and CNC fabrication were used to control slab sequencing, seam placement, and edge detailing, ensuring tight tolerances and accurate alignment throughout installation. Special attention was given to the countertop-to-backsplash junction to preserve uninterrupted veining and clean architectural lines. The project also includes a matching Dekton Laurent 2 cm kitchen island, designed to complement the main countertop while maintaining consistent material flow and finish continuity across the kitchen space. Dekton Laurent 2 cm was selected for its durability, stain resistance, and refined aesthetic performance, making it ideal for high-end residential kitchen environments. Absolute GM LLC provides professional countertop fabrication and installation services across Washington State, specializing in Dekton, porcelain, quartzite, and natural stone systems.

Jeff Dow Photography The layout of the original bathroom was maintained, but all fixtures and finishes were replaced to create this light, bright and contemporary bathroom. Wood grain tile covers the floor and glass mosaics cover the walls from floor to ceiling.