Search results for "Daily things" in Home Design Ideas

Large country u-shaped medium tone wood floor kitchen photo in Milwaukee with white cabinets and a peninsula

It’s warm in Southern California, and that’s exactly the feeling Andy and Liz sought to maintain inside their new Tuscan-style home as they embarked on a modern interior makeover. After all, the couple had two small children and a dog to consider. Empty and austere simply wasn’t a good fit for the young family whose interests include photography, art and lots of Lego’s.
Andy, an engineer, became intrigued with Cantoni after driving past the Irvine location on his daily commute. It wasn’t long before he and Liz decided to venture into the Los Angeles showroom, and that’s where they met Bernadette. By all accounts, the trio made for great collaboration, and the project that began in February 2012 is still a work in progress today.
“We were impressed by Bernadette,” says Andy. “We liked her and her work, and she won us over.”
The project began with pictures sent and an in-home walk-through where measurements were taken. The couple knew they wanted furnishings for the living, dining and family rooms, as well as the media room and a study. They were open to art and accent pieces, and hoped to incorporate natural elements into the mix. Bernadette set to work.
“It was fun touring our LA showroom and listening to Liz and Andy discuss their likes and dislikes. One thing was for sure,” she adds, “the Laguna Sectional was going in their theater room even if we needed to knock out a wall!”
UpstairsPhase I of the job is complete (as you can see from the stunning images), but instead of parting ways, Andy and Liz decided to have Bernadette help re-imagine the master bedroom and kitchen, next. The ongoing nature of this project illustrates a trend we see with most of our clients: we build trusted, long-term relationships. It’s not about the transaction, but about great design, the design process, and the ability of our talented staff to help clients create the lifestyles they want.
As always, there’s plenty to love about the products seen in our feature stories. To help you shop the look, we’re introducing a Featured Products page via a link to the images in each story. We’ve also redesigned our site to make sourcing and finding that just-right piece a breeze.

It’s warm in Southern California, and that’s exactly the feeling Andy and Liz sought to maintain inside their new Tuscan-style home as they embarked on a modern interior makeover. After all, the couple had two small children and a dog to consider. Empty and austere simply wasn’t a good fit for the young family whose interests include photography, art and lots of Lego’s.
Andy, an engineer, became intrigued with Cantoni after driving past the Irvine location on his daily commute. It wasn’t long before he and Liz decided to venture into the Los Angeles showroom, and that’s where they met Bernadette. By all accounts, the trio made for great collaboration, and the project that began in February 2012 is still a work in progress today.
“We were impressed by Bernadette,” says Andy. “We liked her and her work, and she won us over.”
The project began with pictures sent and an in-home walk-through where measurements were taken. The couple knew they wanted furnishings for the living, dining and family rooms, as well as the media room and a study. They were open to art and accent pieces, and hoped to incorporate natural elements into the mix. Bernadette set to work.
“It was fun touring our LA showroom and listening to Liz and Andy discuss their likes and dislikes. One thing was for sure,” she adds, “the Laguna Sectional was going in their theater room even if we needed to knock out a wall!”
UpstairsPhase I of the job is complete (as you can see from the stunning images), but instead of parting ways, Andy and Liz decided to have Bernadette help re-imagine the master bedroom and kitchen, next. The ongoing nature of this project illustrates a trend we see with most of our clients: we build trusted, long-term relationships. It’s not about the transaction, but about great design, the design process, and the ability of our talented staff to help clients create the lifestyles they want.
As always, there’s plenty to love about the products seen in our feature stories. To help you shop the look, we’re introducing a Featured Products page via a link to the images in each story. We’ve also redesigned our site to make sourcing and finding that just-right piece a breeze.
Find the right local pro for your project

It’s warm in Southern California, and that’s exactly the feeling Andy and Liz sought to maintain inside their new Tuscan-style home as they embarked on a modern interior makeover. After all, the couple had two small children and a dog to consider. Empty and austere simply wasn’t a good fit for the young family whose interests include photography, art and lots of Lego’s.
Andy, an engineer, became intrigued with Cantoni after driving past the Irvine location on his daily commute. It wasn’t long before he and Liz decided to venture into the Los Angeles showroom, and that’s where they met Bernadette. By all accounts, the trio made for great collaboration, and the project that began in February 2012 is still a work in progress today.
“We were impressed by Bernadette,” says Andy. “We liked her and her work, and she won us over.”
The project began with pictures sent and an in-home walk-through where measurements were taken. The couple knew they wanted furnishings for the living, dining and family rooms, as well as the media room and a study. They were open to art and accent pieces, and hoped to incorporate natural elements into the mix. Bernadette set to work.
“It was fun touring our LA showroom and listening to Liz and Andy discuss their likes and dislikes. One thing was for sure,” she adds, “the Laguna Sectional was going in their theater room even if we needed to knock out a wall!”
UpstairsPhase I of the job is complete (as you can see from the stunning images), but instead of parting ways, Andy and Liz decided to have Bernadette help re-imagine the master bedroom and kitchen, next. The ongoing nature of this project illustrates a trend we see with most of our clients: we build trusted, long-term relationships. It’s not about the transaction, but about great design, the design process, and the ability of our talented staff to help clients create the lifestyles they want.
As always, there’s plenty to love about the products seen in our feature stories. To help you shop the look, we’re introducing a Featured Products page via a link to the images in each story. We’ve also redesigned our site to make sourcing and finding that just-right piece a breeze.

This large open concept kitchen and dining space was created by removing a load bearing wall between the old kitchen and a porch area. The new porch was insulated and incorporated into the overall space.
The kitchen remodel was part of a whole house remodel so new quarter sawn oak flooring,a vaulted ceiling, windows and skylights were added.
A large calcutta marble topped island takes center stage. It houses a 5’ galley workstation - a sink that provides a convenient spot for prepping, serving, entertaining and clean up. A 36” induction cooktop is located directly across from the island for easy access. Two appliance garages on either side of the cooktop house small appliances that are used on a daily basis.
Honeycomb tile by Ann Sacks and open shelving along the cooktop wall add an interesting focal point to the room. Antique mirrored glass faces the storage unit housing dry goods and a beverage center. “I chose details for the space that had a bit of a mid-century vibe that would work well with what was originally a 1950s ranch. Along the way a previous owner added a 2nd floor making it more of a Cape Cod style home, a few eclectic details felt appropriate”, adds Klimala.
The wall opposite the cooktop houses a full size fridge, freezer, double oven, coffee machine and microwave. “There is a lot of functionality going on along that wall”, adds Klimala. A small pull out countertop below the coffee machine provides a spot for hot items coming out of the ovens.
The rooms creamy cabinetry is accented by quartersawn white oak at the island and wrapped ceiling beam. The golden tones are repeated in the antique brass light fixtures.
“This is the second kitchen I’ve had the opportunity to design for myself. My taste has gotten a little less traditional over the years, and although I’m still a traditionalist at heart, I had some fun with this kitchen and took some chances. The kitchen is super functional, easy to keep clean and has lots of storage to tuck things away when I’m done using them. The casual dining room is fabulous and is proving to be a great spot to linger after dinner. We love it!”
Designed by: Susan Klimala, CKD, CBD
Photography by: Carlos Vergara
For more information on kitchen and bath design ideas go to: www.kitchenstudio-ge.com

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

Sponsored
Sunbury, OH
J.Holderby - Renovations
Franklin County's Leading General Contractors - 2X Best of Houzz!

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

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This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

Sponsored
Fredericksburg, OH
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Columbus' Experienced Custom Cabinet Builder | 4x Best of Houzz Winner

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

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This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.
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