Search results for "Deliberate" in Home Design Ideas

A DEANE client returned in 2022 for an update to their kitchen remodel project from 2006. This incredible transformation was driven by the desire to create a glamorous space for both cooking and entertaining. The frameless cabinetry with a mitered door and satin brass hardware is deliberately understated to highlight the marble. Dramatic and bold, the continuous, book-matched Panda White marble was used throughout the open footprint, including the fireplace surround, to give the space a cohesive feel. The custom, tapered hood, also covered in Panda White is a commanding centerpiece. The expansive space allowed for two waterfall-edge islands with mitered countertops - one for cooking with black-stained oak cabinets for storage and a prep sink, and the second to seat 6 for dining, which replaced the original informal eating area. A tray ceiling with wallpaper detailing elegantly frames both together.
No detail was overlooked in the design process. A coffee station with retractable doors and beverage drawers was situated to graciously welcome guests. A Wolf 60” range, walnut interiors, customized drawer inserts, unlacquered brass finishes and a Galley Workstation elevate this kitchen into a truly sophisticated space.

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it.
1976-2026 © Century Stair Company

A145 features a specific program for a family whose main requirement was the versatility of the social space, having spaces wholly open and integrated and simultaneously being able to divide them for the comfort of each one of its members. The home is located in the Ayamonte Golf Club and its dividing line with the spring forest in Zapopan, with an East-West orientation, on a land of 1000m2. From an aesthetic point of view, the house was designed based on the spring forest’s primary setting. Special care was taken in the landscape design, integrating species of the region organically. Using natural materials in facades and interiors was a deliberate choice, with the intention that the construction, over the years, would become part of the natural setting and transform along with it. The residence is not just a home but a friend to the environment. It is equipped with solar panels for the house’s daily use and the pool’s heating, reducing its carbon footprint. Additionally, it has a water treatment plant, ensuring responsible water usage and management. The interior design style vividly reflects the residents’ personalities. Most of the pieces made in Mexico were designed and manufactured in a contemporary style.
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A145 features a specific program for a family whose main requirement was the versatility of the social space, having spaces wholly open and integrated and simultaneously being able to divide them for the comfort of each one of its members. The home is located in the Ayamonte Golf Club and its dividing line with the spring forest in Zapopan, with an East-West orientation, on a land of 1000m2. From an aesthetic point of view, the house was designed based on the spring forest’s primary setting. Special care was taken in the landscape design, integrating species of the region organically. Using natural materials in facades and interiors was a deliberate choice, with the intention that the construction, over the years, would become part of the natural setting and transform along with it. The residence is not just a home but a friend to the environment. It is equipped with solar panels for the house’s daily use and the pool’s heating, reducing its carbon footprint. Additionally, it has a water treatment plant, ensuring responsible water usage and management. The interior design style vividly reflects the residents’ personalities. Most of the pieces made in Mexico were designed and manufactured in a contemporary style.

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it.
1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it.
1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it.
1976-2026 © Century Stair Company

Nestled in the dunes of northern Peregian Beach, with sweeping views of the Pacific Ocean, Kestrel is an extensive and carefully curated reimagining of a dated 1990s Mediterranean-style home.
The original floor plan was highly compartmentalized, prioritizing ocean views at the expense of functional layout and connection to the site. With young children in tow, the new owners envisioned a more open design - one that establishes a clear visual link between the sea views at the rear and a playful front yard. This re-prioritisation of the front yard not only strengthens the home’s relationship to the landscape but also allows for a seamless transition between indoor and outdoor living, a quality the original home lacked.
From the street, the house presents as a sleek, single-storey form - its introverted façade concealing the expansive ocean views revealed only upon entering through the front gate. Upon entry the home openly reveals its communal spaces whilst concealing secondary programming behind a series of hidden doors. The lower level hosts a collection of bedrooms and living spaces that flow effortlessly to the pool area and native vegetation beyond.
Through a series of deliberate architectural interventions and a renewed connection to its surrounding landscape, Kestrel amplifies the experience of coastal living in this sublime location.

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it.
1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it.
1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it.
1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it.
1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it.
1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it.
1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it.
1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it.
1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it.
1976-2026 © Century Stair Company

Spatial disruption and, particularly, a sweeping blurring of the private/public boundaries are highly characteristic of the re-divided apartment phenomenon – an existential need to snap awake the ignoring authorities. Beyond the social problems inherent in this trend, it creates a planning challenge forcing architects to cope with the re-planning of small spaces
The positive aspect of this phenomenon is that it actually manages to wipe away the cynical smile of the contractors’ apartments, never intended for a specific user. The apartment presented here is not a re-divided one. However, it exemplifies a creative architectural solution for the re-division of a relatively small apartment, for the benefit of a specific user. A “floating” wall with the bedroom, bathroom and toilet behind creates a contained/containing bi-directional relation, between the private and the public. Much privacy can not be found there, but since the flat is meant for a young couple without children, the romantic dimension rejoices. The overall sense is of an open comfortable space, enjoying a good exposure to the urban scenery. The deliberately bare components of the structure, rattling the notion of the temporality of a floating wall, and the ever changing view according to the location – lend simple and deserving enrichment to the experiencing of the space

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it.
1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it.
1976-2026 © Century Stair Company
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