Open-concept dining room in a Lake Washington waterfront remodel by Hyde Evans Design, Seattle. A dramatic statement light fixture anchors the space above the dining table, compensating for the low ceilings with vertical presence. Deep blue upholstered chairs bring the clients' desired color into an otherwise neutral palette, and vintage mid-century end tables ground the room with warmth and character. The main level flows seamlessly between living, dining, and kitchen — a deliberate open-plan layout designed for both active family life and effortless entertaining. Photography: Andrew Giammarco. Architecture: CAST Architecture. Build: Align Builds. Interior Design: Hyde Evans Design, Seattle, WA.

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it. 1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it. 1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it. 1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it. 1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it. 1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it. 1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it. 1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it. 1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it. 1976-2026 © Century Stair Company

A145 features a specific program for a family whose main requirement was the versatility of the social space, having spaces wholly open and integrated and simultaneously being able to divide them for the comfort of each one of its members. The home is located in the Ayamonte Golf Club and its dividing line with the spring forest in Zapopan, with an East-West orientation, on a land of 1000m2. From an aesthetic point of view, the house was designed based on the spring forest’s primary setting. Special care was taken in the landscape design, integrating species of the region organically. Using natural materials in facades and interiors was a deliberate choice, with the intention that the construction, over the years, would become part of the natural setting and transform along with it. The residence is not just a home but a friend to the environment. It is equipped with solar panels for the house’s daily use and the pool’s heating, reducing its carbon footprint. Additionally, it has a water treatment plant, ensuring responsible water usage and management. The interior design style vividly reflects the residents’ personalities. Most of the pieces made in Mexico were designed and manufactured in a contemporary style.

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it. 1976-2026 © Century Stair Company

A145 features a specific program for a family whose main requirement was the versatility of the social space, having spaces wholly open and integrated and simultaneously being able to divide them for the comfort of each one of its members. The home is located in the Ayamonte Golf Club and its dividing line with the spring forest in Zapopan, with an East-West orientation, on a land of 1000m2. From an aesthetic point of view, the house was designed based on the spring forest’s primary setting. Special care was taken in the landscape design, integrating species of the region organically. Using natural materials in facades and interiors was a deliberate choice, with the intention that the construction, over the years, would become part of the natural setting and transform along with it. The residence is not just a home but a friend to the environment. It is equipped with solar panels for the house’s daily use and the pool’s heating, reducing its carbon footprint. Additionally, it has a water treatment plant, ensuring responsible water usage and management. The interior design style vividly reflects the residents’ personalities. Most of the pieces made in Mexico were designed and manufactured in a contemporary style.

Toros Black marble is defined by its dense, near-obsidian ground and the sharp tectonic contrast of white veining that forms across millions of years of geological compression, qualities that a high-gloss polished finish renders with precise optical clarity on this natural stone wall-mount sink. The rectangular basin is hand-carved with a continuous fluted apron across the front and side faces, while one corner retains a partially filled chiseled rock edge — a deliberate juxtaposition of geometric discipline and raw geological surface that gives the piece its architectural tension. Suspended from the wall via an integrated rear bracket clearance, the floating profile and compact 19"×12"×7" volume allow the visual weight of the stone itself to command a minimalist bathroom plane without structural excess. Configured with one offset right-side faucet hole.

A145 features a specific program for a family whose main requirement was the versatility of the social space, having spaces wholly open and integrated and simultaneously being able to divide them for the comfort of each one of its members. The home is located in the Ayamonte Golf Club and its dividing line with the spring forest in Zapopan, with an East-West orientation, on a land of 1000m2. From an aesthetic point of view, the house was designed based on the spring forest’s primary setting. Special care was taken in the landscape design, integrating species of the region organically. Using natural materials in facades and interiors was a deliberate choice, with the intention that the construction, over the years, would become part of the natural setting and transform along with it. The residence is not just a home but a friend to the environment. It is equipped with solar panels for the house’s daily use and the pool’s heating, reducing its carbon footprint. Additionally, it has a water treatment plant, ensuring responsible water usage and management. The interior design style vividly reflects the residents’ personalities. Most of the pieces made in Mexico were designed and manufactured in a contemporary style.

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it. 1976-2026 © Century Stair Company

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it. 1976-2026 © Century Stair Company

Towering Zelkova Trees with their inherit Vase like Shape and delicate leaves light up like a perfect 10 everytime. The results of this landscape lighting stems back to when our team did the landscaping and the ability to earmark the location of these trees to row up on each side of the driveway really contributes to proper orientation of the home on the plot especially deliberate at night to reach out and welcome guests to bring them into this sideways rear flag lot. The House and grounds are immaculate and show up well at night. Properly placed well and uplights on the trees surrounding the home really make it a welcome sight. The Lighting here is cohesive in dominance and controls the direction of the viewers point of view.

A single curve does a lot of work here. Rising from the main level to a wraparound balcony above, this staircase earns its place at the center of the home — not just structurally, but visually. Black iron balusters and handrails push against crisp white risers in a contrast that feels deliberate rather than decorative. The open floor plan gives it room to breathe, letting the curve read as architecture rather than furniture. The result is a staircase that creates movement even when no one is on it. 1976-2026 © Century Stair Company