Example of a country medium tone wood floor living room design in Portland with white walls

Entry hall - contemporary light wood floor entry hall idea in San Diego with white walls and a dark wood front door

PHOTOGRAPHY: Stacy Zarin Goldsberg
Transitional kitchen photo in DC Metro with shaker cabinets, beige cabinets, marble countertops, white backsplash, ceramic backsplash, an island and white countertops

Our clients knew they wanted to achieve a look that matched the historic charm of this classic home, but also reflected their personal style. This recently completed project in Winter Park truly demonstrates a timeless approach to current trends.

Inspiration for a transitional dining room remodel with blue walls

A complete full gut remodel of a 4,000 sq ft two-story penthouse residence, this project featured one of a kind views of the Boston public garden and Beacon Hill. A large central gallery flooded with gorgeous diffused light through two full stories of window glass. Clean linear millwork details compliment the structural glass, steel and walnut balustrades and handrailings that grace the upper gallery, reading nook, and stairs. A bleached walnut wet bar with backlit honey onyx backsplash and floating star fire glass shelves illuminated the lower gallery. It was part of a larger motif, which resonated through each of the unique and separate living spaces, connecting them to the larger design intention. A bleached walnut media room doubles as a fourth bedroom. It features a king size murphy bed seamlessly integrated into the full wall panel. A gracious shower in the adjoining bathroom, cleverly concealed behind an innocuous interior door, created a truly unique formal powder room that can reveal a full bath when the house is full of guests. A blend of warm wood, soft whites, and a palate of golds reflected in the stone (calacatta/onyx) textiles and wall coverings, this project demonstrates the powerful results of a consistent design intention, thoughtful engineering, and best practice construction as executed by our talented team of craftsmen and women. Interior Design - Lewis Interiors Photography - Eric Roth

David Duncan Livingston
Example of an eclectic bedroom design in San Francisco with white walls

Photos by: Emily Minton Redfield Photography
Inspiration for a huge contemporary carpeted and beige floor wine cellar remodel in Denver with beige walls and storage racks

Abby Grattan - Grattan Imaging
Eat-in kitchen - transitional u-shaped medium tone wood floor and brown floor eat-in kitchen idea in Boston with an undermount sink, flat-panel cabinets, white cabinets, no island and gray countertops

This LEED-H Platinum-certified custom luxury home in Oregon demonstrates an exceptional commitment to excellence. Designed by Green Hammer architect Jan Fillinger, the Fineline House was designed and built with unprecedented precision — from the interior finishes to the state-of-the-art lighting, ventilation, and built-in home energy-monitoring systems. It utilizes Passivhaus detailing and 100% of the lumber used for the structure and framing of the project was Forest Stewardship Council® (FSC)-certified.

Example of a trendy open concept light wood floor family room library design with white walls

Ethan Tweedie Photography
Inspiration for a tropical medium tone wood floor living room remodel in Hawaii with white walls

Look how clean and visually quiet this kitchen can be. There was so little exposed wall left after the cabinetry went in that we didn't overthink using black on the walls. Of course it doesn't "make the room dark". This room has ample light to begin with and at night, a fantastic city lights view is out those doors, so it's as if the walls recede.

Organic Farm to Fork design concept. Fruit ad vegetables grown on site can be cleaned in the the mudroom and prepared for storage, preservation or cooking in the prep kitchen. A kitchen designed for interactive entertaining, large family gatherings or intimate chef demonstrations.

Bedroom - scandinavian bedroom idea in Phoenix

Designed to embrace an extensive and unique art collection including sculpture, paintings, tapestry, and cultural antiquities, this modernist home located in north Scottsdale’s Estancia is the quintessential gallery home for the spectacular collection within. The primary roof form, “the wing” as the owner enjoys referring to it, opens the home vertically to a view of adjacent Pinnacle peak and changes the aperture to horizontal for the opposing view to the golf course. Deep overhangs and fenestration recesses give the home protection from the elements and provide supporting shade and shadow for what proves to be a desert sculpture. The restrained palette allows the architecture to express itself while permitting each object in the home to make its own place. The home, while certainly modern, expresses both elegance and warmth in its material selections including canterra stone, chopped sandstone, copper, and stucco. Project Details | Lot 245 Estancia, Scottsdale AZ Architect: C.P. Drewett, Drewett Works, Scottsdale, AZ Interiors: Luis Ortega, Luis Ortega Interiors, Hollywood, CA Publications: luxe. interiors + design. November 2011. Featured on the world wide web: luxe.daily Photos by Grey Crawford

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession. Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm. They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm. “They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone. Design Process There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms. Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively. The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers. Exterior The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements. Interior The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers. “Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.” The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

Our pioneer project, Casita de Tierra in San Juan del Sur, Nicaragua, showcases the natural building techniques of a rubble trench foundation, earthbag construction, natural plasters, earthen floors, and a composting toilet. Our earthbag wall system consists of locally available, cost-efficient, polypropylene bags that are filled with a formula of clay and aggregate unearthed from our building site. The bags are stacked like bricks in running bonds, which are strengthened by courses of barbed wire laid between each row, and tamped into place. The walls are then plastered with a mix composed of clay, sand, soil and straw, and are followed by gypsum and lime renders to create attractive walls. The casita exhibits a load-bearing wall system demonstrating that thick earthen walls, with no rebar or cement, can support a roofing structure. We, also, installed earthen floors, created an indoor dry-composting toilet system, utilized local woods for the furniture, routed all grey water to the outdoor garden, and maximized air flow by including cross-ventilating screened windows below the natural palm frond and cane roof. Casita de Tierra exemplifies an economically efficient, structurally sound, aesthetically pleasing, environmentally kind, and socially responsible home.