Open space dining room. We added a new wall by embedding two custom made cabinets on the wall to give a light feeling and to clear the circulation area. We have used the some indirect Led strip lights to emphasize the addition and give the illusion of lightness. White verses the industrial Grey-Blue background gives depth to the very bright room and balances the rest of the colors surrounding the wall. Photo Credit: Michael Hartman

Eric Roth Photography
Inspiration for a mid-sized contemporary single-wall light wood floor eat-in kitchen remodel in Boston with an undermount sink, flat-panel cabinets, white cabinets, quartz countertops, white backsplash, stainless steel appliances and an island

Photography: Mia Baxter Smail
Huge transitional open concept and formal dark wood floor and brown floor living room photo in Austin with white walls, a standard fireplace, a tile fireplace and no tv

Calacatta Betogli Extra Polished marble slabs offer a refined, luxurious aesthetic with a crisp white background and striking gray veining. The high-polish finish enhances light and depth, creating an elegant statement that complements both modern and classic bathroom and kitchen designs, available through Arizona Tile.

http://sonomarealestatephotography.com/
Inspiration for a contemporary kitchen remodel in San Francisco

The refrigerator is built into the cabinetry and rear wall adapted to allow the full depth to be hidden. A shallow depth pantry holds dry goods and smaller serving pieces. The dark stained natural wood island is in the foreground, housing the prep sink and seating for one. Access to the deck is through the slider in the background.

Decorative frosted and etched cabinet glass by Sans Soucie is hand-crafted, sandblast frosted and 3D carved. Cabinet glass can be created in any size or glass thickness, but will typically be 3/16" thick unless otherwise specified. The glass will have seamed edges (not polished, but rough sanded so the edges are not sharp) and will be tempered for strength and safety. Sans Soucie designs are sandblasted different ways, creating different effects for different levels of price and obscurity, depending on the need. The two most popular effects for cabinet glass are what's known as solid frosted glass: negative and positive effects. Solid frosted means that the sandblasted design elements are solid white, and have no varying sandblast density or depths. Positive is where the design elements are frosted and the background is clear. Negative is just the opposite: The design elements are clear glass and the background is frosted. Of the Sans Soucie Art Glass effects, these two are the lowest in price. Next up is 2D surface etched. 2D features "shaded" areas where the sandblast density will vary from solid frost, then fades back out to clear glass, creating a dimensional effect. The sandblasting is on the top surface only and is not cut deep into the glass like 3D carved glass. 3D carved glass is our most popular, trademark effect. Along with the shading or varying density in the sandblasting, 3D carving features a sculpted, relief texture of varying depths. The sandblast artist literally cuts deep into the glass. The edges of the carving illuminate bright as they pick up and reflect the surrounding light. If color is desired, the 3D carved glass is airbrushed with color, creating our 3D carved and painted glass. Sans Soucie has hundreds of designs available in our archives, from simple to extravagant. Let Sans Soucie Art Glass create the perfect cabinet glass to compliment and coordinate with your kitchen decor!

Spectrums Indulgence quartz, manufactured right here in Latta South Carolina, went into this kitchen in Columbia, and it's the kind of stone that works quietly hard in a room people actually cook and live in. It's engineered quartz, so what you're looking at is a mix of ground quartz and resin, blended and pressed to give a background that stays consistent slab to slab. That matters more than people think when you're trying to keep a kitchen looking pulled together across a run of cabinets, an island, and a backsplash. The color reads as a soft, workable background with movement in it, enough character to give the room some depth without turning into something that fights with the cabinets or the floor. That's the appeal of a pattern like this one. It's not a plain solid, but it's not so busy that it limits what else goes in the space. Kitchens live a long time with the same countertop, and a stone that holds up visually over the years is worth choosing over something flashier that gets tiring. Quartz like this is also just practical for a working kitchen. It doesn't need sealing the way natural stone does, it resists staining from wine, oil, and citrus, and it shrugs off the daily scratches from knives and pans that would show on a softer stone. Heat is the one thing we tell people to respect, a hot pan straight off the stove can shock the resin, so a trivet is the smart habit to build. Otherwise it's about as low-maintenance a surface as you can put in a kitchen. We set the edge as eased, which is the clean, simple choice that lets the stone itself do the talking instead of the profile. Templating and fabrication on a job like this comes down to getting the seams tight and matching the pattern across the island and the runs so it reads as one continuous piece even where the slabs meet. Jobs like this are what we like doing around Columbia and the rest of the Midlands, where a kitchen remodel means getting the material, the layout, and the fit all right in a space a family's going to use every single day.

Photo: Margot Hartford © 2015 Houzz http://www.houzz.com/ideabooks/44876872/list/my-houzz-architectural-elegance-with-the-addition-of-built-ins

Spectrums Indulgence quartz, manufactured right here in Latta South Carolina, went into this kitchen in Columbia, and it's the kind of stone that works quietly hard in a room people actually cook and live in. It's engineered quartz, so what you're looking at is a mix of ground quartz and resin, blended and pressed to give a background that stays consistent slab to slab. That matters more than people think when you're trying to keep a kitchen looking pulled together across a run of cabinets, an island, and a backsplash. The color reads as a soft, workable background with movement in it, enough character to give the room some depth without turning into something that fights with the cabinets or the floor. That's the appeal of a pattern like this one. It's not a plain solid, but it's not so busy that it limits what else goes in the space. Kitchens live a long time with the same countertop, and a stone that holds up visually over the years is worth choosing over something flashier that gets tiring. Quartz like this is also just practical for a working kitchen. It doesn't need sealing the way natural stone does, it resists staining from wine, oil, and citrus, and it shrugs off the daily scratches from knives and pans that would show on a softer stone. Heat is the one thing we tell people to respect, a hot pan straight off the stove can shock the resin, so a trivet is the smart habit to build. Otherwise it's about as low-maintenance a surface as you can put in a kitchen. We set the edge as eased, which is the clean, simple choice that lets the stone itself do the talking instead of the profile. Templating and fabrication on a job like this comes down to getting the seams tight and matching the pattern across the island and the runs so it reads as one continuous piece even where the slabs meet. Jobs like this are what we like doing around Columbia and the rest of the Midlands, where a kitchen remodel means getting the material, the layout, and the fit all right in a space a family's going to use every single day.

This West Columbia kitchen got new countertops in White Alpes granite, a stone with a light background scattered through with dark speckling and mineral flecks that catch the light differently depending on where you stand. It's the kind of pattern that reads calm from across the room and gets more interesting up close, which is exactly what you want on a surface you're going to be looking at every day. Granite like this is quarried and cut into slabs, then polished to bring out that natural fleck and depth. It's dense, heat resistant, and about as tough a countertop material as you can put in a kitchen. You can set a hot pan on it without worrying, and it shrugs off the daily knife-and-cutting-board traffic that wears down softer stones. With a good sealer applied at install, it resists staining from wine, oil, and the usual kitchen spills for years before it needs to be redone. We templated the space to fit around the existing gray shaker cabinets and stainless appliances, cutting the sink opening for the stainless steel sink and squaring up the seams so the pattern in the granite carries through cleanly from one run to the next. That's the part of the job that doesn't show up in a photo: getting the slab cut so the speckling doesn't look choppy at the seam, and getting the sink cutout dialed in so the reveal is even all the way around. With the backsplash area still open, the countertop is doing a lot of the visual work right now, and it's holding its own. The light background of the White Alpes plays well against the gray cabinetry, and it'll give whatever backsplash goes in next a neutral, textured surface to build off of. We do a lot of this kind of granite work around West Columbia and the rest of the Midlands. Kitchens like this one are a good reminder of why granite has stayed a go-to choice for so long: it looks good, it holds up, and it doesn't ask much of the homeowner once it's in.

Family bathroom for three small kids with double ended bath and separate shower, two vanity units and mirror cabinets. Photos: Fraser Marr
Example of a trendy bathroom design in Oxfordshire

Step into this breathtaking kitchen where traditional charm meets modern luxury. The heart of this space is a magnificent oval-shaped, barrel-vaulted ceiling with intricate woodwork, creating a dramatic yet inviting ambiance. An opulent wrought-iron chandelier with candle-like lights hangs above, illuminating the space with a warm, welcoming glow. The expansive kitchen island serves as both a culinary workspace and a casual dining spot, featuring a sleek, light wood countertop surrounded by contemporary charcoal grey upholstered bar stools with studded detailing. The surrounding cabinetry is a symphony of classic design and sophistication, finished in a soft, muted palette that complements the natural wood tones of the ceiling. Top-of-the-line stainless steel appliances, including a chef's range with a custom hood and a French door refrigerator, are seamlessly integrated into the cabinetry. The backsplash is adorned with an elegant, white herringbone pattern that adds texture and depth to the space. Overlooking a plush living area with arched windows and sumptuous seating, this kitchen is a perfect blend of form and function. It's a space that invites you to prepare a feast, entertain guests, or simply enjoy a quiet morning coffee in sheer elegance.

Spectrums Indulgence quartz, manufactured right here in Latta South Carolina, went into this kitchen in Columbia, and it's the kind of stone that works quietly hard in a room people actually cook and live in. It's engineered quartz, so what you're looking at is a mix of ground quartz and resin, blended and pressed to give a background that stays consistent slab to slab. That matters more than people think when you're trying to keep a kitchen looking pulled together across a run of cabinets, an island, and a backsplash. The color reads as a soft, workable background with movement in it, enough character to give the room some depth without turning into something that fights with the cabinets or the floor. That's the appeal of a pattern like this one. It's not a plain solid, but it's not so busy that it limits what else goes in the space. Kitchens live a long time with the same countertop, and a stone that holds up visually over the years is worth choosing over something flashier that gets tiring. Quartz like this is also just practical for a working kitchen. It doesn't need sealing the way natural stone does, it resists staining from wine, oil, and citrus, and it shrugs off the daily scratches from knives and pans that would show on a softer stone. Heat is the one thing we tell people to respect, a hot pan straight off the stove can shock the resin, so a trivet is the smart habit to build. Otherwise it's about as low-maintenance a surface as you can put in a kitchen. We set the edge as eased, which is the clean, simple choice that lets the stone itself do the talking instead of the profile. Templating and fabrication on a job like this comes down to getting the seams tight and matching the pattern across the island and the runs so it reads as one continuous piece even where the slabs meet. Jobs like this are what we like doing around Columbia and the rest of the Midlands, where a kitchen remodel means getting the material, the layout, and the fit all right in a space a family's going to use every single day.

Large trendy dark wood floor home office photo in Mumbai

Transitional home office photo in Pune

Tiffany Crystal quartzite is one of those stones that earns its keep in a kitchen. It's got that cool, crystalline background, whites and grays moving quietly across the surface with enough sparkle in the light to keep it from feeling flat. It reads clean and bright without going stark, which is why it works so well in a kitchen where people actually cook and gather, not just admire counters from across the room. Quartzite is real stone, not engineered, so it comes with natural hardness that holds up to daily kitchen abuse. It resists scratching and handles heat well, though we still tell folks to use a trivet, because no counter needs a hot pan set straight on it just to prove a point. Sealing it right after install and keeping up with it over the years keeps the surface performing the way it should, and Tiffany Crystal takes a seal well because of its tight, dense structure. Fabricating a slab like this takes some care in the layout. We spend real time bookmatching and dry-fitting pieces so the movement in the stone flows across seams instead of fighting itself at the corners. On a kitchen island or a run of perimeter counters, getting that continuity right is what separates a good installation from one that just gets the measurements correct. We kept the edge eased here, which is the right call on a stone with this much personality. It doesn't need extra shaping to draw the eye, the stone's already doing that work. Day to day, this is a kitchen counter that's going to live hard and look good doing it. Quartzite shrugs off knife marks, stands up to acidic spills, and cleans up with regular dish soap and water. It's the kind of surface you stop babying after the first few months because it simply holds up. Jobs like this one in Lexington are what we like seeing come through the shop. It's a straightforward kitchen application done with a stone that's got real depth to it, installed by people who care about how the seams and the veining line up when the job's done. That's the kind of work that keeps the Midlands trade honest.

This West Columbia kitchen got new countertops in White Alpes granite, a stone with a light background scattered through with dark speckling and mineral flecks that catch the light differently depending on where you stand. It's the kind of pattern that reads calm from across the room and gets more interesting up close, which is exactly what you want on a surface you're going to be looking at every day. Granite like this is quarried and cut into slabs, then polished to bring out that natural fleck and depth. It's dense, heat resistant, and about as tough a countertop material as you can put in a kitchen. You can set a hot pan on it without worrying, and it shrugs off the daily knife-and-cutting-board traffic that wears down softer stones. With a good sealer applied at install, it resists staining from wine, oil, and the usual kitchen spills for years before it needs to be redone. We templated the space to fit around the existing gray shaker cabinets and stainless appliances, cutting the sink opening for the stainless steel sink and squaring up the seams so the pattern in the granite carries through cleanly from one run to the next. That's the part of the job that doesn't show up in a photo: getting the slab cut so the speckling doesn't look choppy at the seam, and getting the sink cutout dialed in so the reveal is even all the way around. With the backsplash area still open, the countertop is doing a lot of the visual work right now, and it's holding its own. The light background of the White Alpes plays well against the gray cabinetry, and it'll give whatever backsplash goes in next a neutral, textured surface to build off of. We do a lot of this kind of granite work around West Columbia and the rest of the Midlands. Kitchens like this one are a good reminder of why granite has stayed a go-to choice for so long: it looks good, it holds up, and it doesn't ask much of the homeowner once it's in.

This West Columbia kitchen got new countertops in White Alpes granite, a stone with a light background scattered through with dark speckling and mineral flecks that catch the light differently depending on where you stand. It's the kind of pattern that reads calm from across the room and gets more interesting up close, which is exactly what you want on a surface you're going to be looking at every day. Granite like this is quarried and cut into slabs, then polished to bring out that natural fleck and depth. It's dense, heat resistant, and about as tough a countertop material as you can put in a kitchen. You can set a hot pan on it without worrying, and it shrugs off the daily knife-and-cutting-board traffic that wears down softer stones. With a good sealer applied at install, it resists staining from wine, oil, and the usual kitchen spills for years before it needs to be redone. We templated the space to fit around the existing gray shaker cabinets and stainless appliances, cutting the sink opening for the stainless steel sink and squaring up the seams so the pattern in the granite carries through cleanly from one run to the next. That's the part of the job that doesn't show up in a photo: getting the slab cut so the speckling doesn't look choppy at the seam, and getting the sink cutout dialed in so the reveal is even all the way around. With the backsplash area still open, the countertop is doing a lot of the visual work right now, and it's holding its own. The light background of the White Alpes plays well against the gray cabinetry, and it'll give whatever backsplash goes in next a neutral, textured surface to build off of. We do a lot of this kind of granite work around West Columbia and the rest of the Midlands. Kitchens like this one are a good reminder of why granite has stayed a go-to choice for so long: it looks good, it holds up, and it doesn't ask much of the homeowner once it's in.