Clinton & Associates, PC
Inspiration for a contemporary landscaping in DC Metro.

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Meyer and Meyer partnered in the design and construction of a modestly sized single-family residence located in a Historic District in a suburb outside of Boston Massachusetts. The initially undeveloped, gently sloping lot is uniquely situated in a residential neighborhood between an enclave of mid-century modern and Victorian-era homes. Within this context, the clients favored a traditional approach. Early formal iterations were traditional two-story colonial in form. However, in deference to the relatively lower roofed adjacent twentieth-century neighbors, a wholly expressed second story was abandoned and replaced with a two-gabled dormer connected by a shed in between. This gave the house a lower profile and began to suggest a more transitional character. In an effort to further this connection to a more eclectically permissible mid and late twentieth century detailing, a dramatic wrapping window was added to the kitchen located in the front corner of the house. In addition, a parallel wrapping window box below integrates the entire window composition into the generally traditional detailing of the house at large. Notwithstanding these features, all of the forms and detailing are solidly drawn from vernacular New England language. Ultimately, the goal was to comfortably transit aesthetically between the significantly disparate period styles of the adjacent neighborhood fabric, all the while maintaining the clients desire to work within a traditional idiom of detail.

In the hills of San Anselmo in Marin County, this 5,000 square foot existing multi-story home was enlarged to 6,000 square feet with a new dance studio addition with new master bedroom suite and sitting room for evening entertainment and morning coffee. Sited on a steep hillside one acre lot, the back yard was unusable. New concrete retaining walls and planters were designed to create outdoor play and lounging areas with stairs that cascade down the hill forming a wrap-around walkway. The goal was to make the new addition integrate the disparate design elements of the house and calm it down visually. The scope was not to change everything, just the rear façade and some of the side facades. The new addition is a long rectangular space inserted into the rear of the building with new up-swooping roof that ties everything together. Clad in red cedar, the exterior reflects the relaxed nature of the one acre wooded hillside site. Fleetwood windows and wood patterned tile complete the exterior color material palate. The sitting room overlooks a new patio area off of the children’s playroom and features a butt glazed corner window providing views filtered through a grove of bay laurel trees. Inside is a television viewing area with wetbar off to the side that can be closed off with a concealed pocket door to the master bedroom. The bedroom was situated to take advantage of these views of the rear yard and the bed faces a stone tile wall with recessed skylight above. The master bath, a driving force for the project, is large enough to allow both of them to occupy and use at the same time. The new dance studio and gym was inspired for their two daughters and has become a facility for the whole family. All glass, mirrors and space with cushioned wood sports flooring, views to the new level outdoor area and tree covered side yard make for a dramatic turnaround for a home with little play or usable outdoor space previously. Photo Credit: Paul Dyer Photography.

Following a single contour line for one-level living. With an attenuated plan and delicate folds in the roof, the origin of the name “Origami House” is clear. The house is built along a contour on a gentle south-facing slope. The different slopes of the black roof, the gray cement-board walls in a traditional Japanese clapboard style, and the Cor-Ten sheet metal accents at the entrances evoke a natural formation in the woods as much as traditional readings of “house.” The “folding” theme scales from the roof form to custom light fixtures and handrail brackets. The house has nooks and crannies inside and out, and surprising spaces that enter one’s sight lines and invite exploration. Views unfold as one enters, revealing big windows that open up the interior to the surrounding woods. The plan concept provides access to light and landscape, and privacy for disparate activities.

When Nancy found the oil on canvas of a favorite Native American Chief, I was beside myself. The bold color and modern composition are a perfect balance to the opulent subtleties throughout. ...and, yes, those are bronze bats dangling from the Arts & Crafts era lamp. Nancy likes bats. photography by Steve Voelker

AV Architects + Builders Location: Tysons, VA, USA The Home for Life project was customized around our client’s lifestyle so that he could enjoy the home for many years to come. Designed with empty nesters and baby boomers in mind, our custom design used a different approach to the disparity of square footage on each floor. The main level measures out at 2,300 square feet while the lower and upper levels of the home measure out at 1000 square feet each, respectively. The open floor plan of the main level features a master suite and master bath, personal office, kitchen and dining areas, and a two-car garage that opens to a mudroom and laundry room. The upper level features two generously sized en-suite bedrooms while the lower level features an extra guest room with a full bath and an exercise/rec room. The backyard offers 800 square feet of travertine patio with an elegant outdoor kitchen, while the front entry has a covered 300 square foot porch with custom landscape lighting. The biggest challenge of the project was dealing with the size of the lot, measuring only a ¼ acre. Because the majority of square footage was dedicated to the main floor, we had to make sure that the main rooms had plenty of natural lighting. Our solution was to place the public spaces (Great room and outdoor patio) facing south, and the more private spaces (Bedrooms) facing north. The common misconception with small homes is that they cannot factor in everything the homeowner wants. With our custom design, we created an open concept space that features all the amenities of a luxury lifestyle in a home measuring a total of 4300 square feet. Jim Tetro Architectural Photography

Julia Staples Photographer
Small eclectic master white tile and ceramic tile marble floor alcove bathtub photo in Philadelphia with an undermount sink, shaker cabinets, white cabinets, marble countertops, a one-piece toilet and white walls

Creating spaces that make connections between the indoors and out, while making the most of the panoramic lake views and lush landscape that surround were two key goals of this seasonal home’s design. Central entrance into the residence brings you to an open dining and lounge space, with natural light flooding in through rooftop skylights. Soaring ceilings and subdued color palettes give the adjacent kitchen and living room an airy and expansive feeling, while the large, sliding glass doors and picture windows bring the warmth of the outdoors in. The family room, located in one of the two zinc-clad connector spaces, offers a more intimate lounge area and leads into the master suite wing, complete with vaulted ceilings and sleek lines. Three additional guest suites can be found in the opposite wing of the home, providing ideally separate living spaces for a multi-generational family. Photographer: Steve Hall © Hedrich Blessing Architect: Booth Hansen

Mid-sized mountain style medium tone wood floor foyer photo in Orange County with white walls and a black front door

Meyer and Meyer partnered in the design and construction of a modestly sized single-family residence located in a Historic District in a suburb outside of Boston Massachusetts. The initially undeveloped, gently sloping lot is uniquely situated in a residential neighborhood between an enclave of mid-century modern and Victorian-era homes. Within this context, the clients favored a traditional approach. Early formal iterations were traditional two-story colonial in form. However, in deference to the relatively lower roofed adjacent twentieth-century neighbors, a wholly expressed second story was abandoned and replaced with a two-gabled dormer connected by a shed in between. This gave the house a lower profile and began to suggest a more transitional character. In an effort to further this connection to a more eclectically permissible mid and late twentieth century detailing, a dramatic wrapping window was added to the kitchen located in the front corner of the house. In addition, a parallel wrapping window box below integrates the entire window composition into the generally traditional detailing of the house at large. Notwithstanding these features, all of the forms and detailing are solidly drawn from vernacular New England language. Ultimately, the goal was to comfortably transit aesthetically between the significantly disparate period styles of the adjacent neighborhood fabric, all the while maintaining the clients desire to work within a traditional idiom of detail.

In the hills of San Anselmo in Marin County, this 5,000 square foot existing multi-story home was enlarged to 6,000 square feet with a new dance studio addition with new master bedroom suite and sitting room for evening entertainment and morning coffee. Sited on a steep hillside one acre lot, the back yard was unusable. New concrete retaining walls and planters were designed to create outdoor play and lounging areas with stairs that cascade down the hill forming a wrap-around walkway. The goal was to make the new addition integrate the disparate design elements of the house and calm it down visually. The scope was not to change everything, just the rear façade and some of the side facades. The new addition is a long rectangular space inserted into the rear of the building with new up-swooping roof that ties everything together. Clad in red cedar, the exterior reflects the relaxed nature of the one acre wooded hillside site. Fleetwood windows and wood patterned tile complete the exterior color material palate. The sitting room overlooks a new patio area off of the children’s playroom and features a butt glazed corner window providing views filtered through a grove of bay laurel trees. Inside is a television viewing area with wetbar off to the side that can be closed off with a concealed pocket door to the master bedroom. The bedroom was situated to take advantage of these views of the rear yard and the bed faces a stone tile wall with recessed skylight above. The master bath, a driving force for the project, is large enough to allow both of them to occupy and use at the same time. The new dance studio and gym was inspired for their two daughters and has become a facility for the whole family. All glass, mirrors and space with cushioned wood sports flooring, views to the new level outdoor area and tree covered side yard make for a dramatic turnaround for a home with little play or usable outdoor space previously. Photo Credit: Paul Dyer Photography.

Following a single contour line for one-level living. With an attenuated plan and delicate folds in the roof, the origin of the name “Origami House” is clear. The house is built along a contour on a gentle south-facing slope. The different slopes of the black roof, the gray cement-board walls in a traditional Japanese clapboard style, and the Cor-Ten sheet metal accents at the entrances evoke a natural formation in the woods as much as traditional readings of “house.” The “folding” theme scales from the roof form to custom light fixtures and handrail brackets. The house has nooks and crannies inside and out, and surprising spaces that enter one’s sight lines and invite exploration. Views unfold as one enters, revealing big windows that open up the interior to the surrounding woods. The plan concept provides access to light and landscape, and privacy for disparate activities.

We first met our clients when a home renovation project was almost complete. The front of the house had undergone a dramatic facelift with the addition of an extension of the façade and a deep covered porch, and the landscape needed major help. A range of disparate issues faced us: post-construction soil on the site, an existing bed of massive boulders near the new entrance walk, and a badly-eroded culvert area on the side of the property on County land. Existing plantings were badly damaged or overgrown. The most serious issue, though, was a massive drainage problem due to the site’s topography; in heavy rainstorms a river literally tumbled downhill past the front of the house, cutting a trench on either side of the walkway. We turned the site’s challenges into its solutions to give the owners the beautiful garden they wanted. Using the line of the existing swale, we created a dry streambed to direct rainwater towards the existing culvert, which we also filled with river jacks and boulders. The streambed area is planted with plants that can withstand periodic flooding as well as occasional drought, and that provide seasonal color. At the end, we had transformed the owners’ front yard experience into the garden of their dreams. ©Melissa Clark Photography. All rights reserved.

Meyer and Meyer partnered in the design and construction of a modestly sized single-family residence located in a Historic District in a suburb outside of Boston Massachusetts. The initially undeveloped, gently sloping lot is uniquely situated in a residential neighborhood between an enclave of mid-century modern and Victorian-era homes. Within this context, the clients favored a traditional approach. Early formal iterations were traditional two-story colonial in form. However, in deference to the relatively lower roofed adjacent twentieth-century neighbors, a wholly expressed second story was abandoned and replaced with a two-gabled dormer connected by a shed in between. This gave the house a lower profile and began to suggest a more transitional character. In an effort to further this connection to a more eclectically permissible mid and late twentieth century detailing, a dramatic wrapping window was added to the kitchen located in the front corner of the house. In addition, a parallel wrapping window box below integrates the entire window composition into the generally traditional detailing of the house at large. Notwithstanding these features, all of the forms and detailing are solidly drawn from vernacular New England language. Ultimately, the goal was to comfortably transit aesthetically between the significantly disparate period styles of the adjacent neighborhood fabric, all the while maintaining the clients desire to work within a traditional idiom of detail.

Decorative feet adorn the sink cabinet which extends beyond the standard cabinet depth, working as a piece of furniture around the single basin apron sink in this kitchen design.

Meyer and Meyer partnered in the design and construction of a modestly sized single-family residence located in a Historic District in a suburb outside of Boston Massachusetts. The initially undeveloped, gently sloping lot is uniquely situated in a residential neighborhood between an enclave of mid-century modern and Victorian era homes. Within this context the clients favored a traditional approach. Early formal iterations were traditional two-story colonial in form. However, in deference to the relatively lower roofed adjacent twentieth century neighbors, a wholly expressed second story was abandoned and replaced with a two-gabled dormer connected by a shed in between. This gave the house a lower profile and began to suggest a more transitional character. In an effort to further this connection to a more eclectically permissible mid and late twentieth century detailing, a dramatic wrapping window was added to the kitchen located in the front corner of the house. In addition, a parallel wrapping window box below integrates the entire window composition into the generally traditional detailing of the house at large. Notwithstanding these features, all of the forms and detailing are solidly drawn from vernacular New England language. Ultimately, the goal was to comfortably transit aesthetically between the significantly disparate period styles of the adjacent neighborhood fabric, all the while maintaining the clients desire to work within a traditional idiom of detail.

Example of a small classic 3/4 white tile and stone tile mosaic tile floor alcove shower design in Chicago with an undermount sink, recessed-panel cabinets, black cabinets, quartzite countertops, a two-piece toilet and gray walls

Kitchen - transitional kitchen idea in Los Angeles