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Latch hardware in upper cabinets.
Inspiration for a mid-sized craftsman u-shaped medium tone wood floor eat-in kitchen remodel in San Francisco with a single-bowl sink, shaker cabinets, white cabinets, quartz countertops, green backsplash, ceramic backsplash, stainless steel appliances and a peninsula

Tucker Design Awards celebrate the innovation and vision that designers bring to their projects through the specification and use of natural stone materials. For members of the Natural Stone Institute, acknowledgement as a contributor to a Tucker Design Awards winning project is a genuine tribute to their traditional values, physicality of work and dedication to precise specifications required in the realization of such accomplished architectural design. Landscape Architect Design Workshop, Aspen, CO Architect Poss Architecture, Aspen, CO Landscape Contractor Landscape Workshop, Carbondale, CO Stone Supplier/Installer Gallegos Corporation, Wolcott, CO Stone Quarry Arkins Park Stone, Loveland, CO Within walled boundaries, Woody Creek Garden embraces its high alpine environment through explorations of stone and water that serve as unifying elements of form in the design of the various outdoor spaces. Through striking and distinctively detailed stonework, water is portrayed in its various states and forms – atmospheric mist, single rivulets, cascades, and still pools. Two courtyards interlink the residence allowing each room to enjoy the visual landscape. In the entrance courtyard, the sound from a carved 24”x 24” cut-granite fountain reverberates throughout the walled space. Placed for gathering and quiet contemplation, a pin-wheel arrangement of sculptural, granite slabs provide a honed surface for sitting while providing year-round interest. Each stone was individually specified with intentionally spaced core fractures, utilizing the extraction method to serve as sculpted details. Large sandstone pavers, set in sand and cut in an irregular, but geometric fashion bring a sense of modernity to the space. Throughout the property, stone detailing seek to heighten one’s experience of the landscape and views. Upon the home’s entry, an 18” rectilinear cut in the freestanding stone wall frames a distant peak, creating a singular reference to the outside world in this encased space. Emerging from the center of an organically-shaped carved sandstone slab, water is carried along a narrow 2” runnel sandstone cap, disappearing into the framed horizon. This glimpse to the west is the only opening in the tightly enclosed courtyard. From its opposite aspect, the feature creates a welcoming gesture at the home’s front entrance. The slender rivulet of water trickles from the sandstone slab above onto a honed granite plane, set within a sandstone terrace In contrast, a second promontory courtyard commands a strong presence over its alpine setting, leaving the steeply sloping site undisturbed. A 12’x 40’ reflecting pool – a thin sheet of water over honed black granite – captures the form and silence of the everchanging natural environment on its taut surface. Along its edge, water flows over a ½” radius edge, disappearing into a recirculating slot. Commissioned by Italian artist Bruno Romeda, a bronze sculpture rests upon an elevated granite plinth. Along its western edge, designers crafted a two-tiered, infinity edge detail. In the first vertical drop, water flows between the pool and perimeter stone walls, landing onto an intermediate bench, while the second drop introduces a chamfered edge, allowing water to embrace the vertical relief without splashing. Sandstone terraces provide continuous access to the various landscape features of the garden. At the base of the battered perimeter walls, a sandstone path leads to a fire pit, encircled by lichen-covered boulders. Along the courtyard’s eastern perimeter, water appears to emerge from the hillside, fracturing and falling against the irregular vertical stone wall, melting in a curtain-like formation behind the spa. The colors, distinctive detailing and striking stonework were selected based on their appropriateness to the context. From above, a rectilinear pool lies behind the wall, silently mirroring the sky above and offering no ostensible connection to the structure or to its source.

Master Bedroom with Red Bed Frame and custom drapery and bedding.
Bedroom - traditional master light wood floor bedroom idea in Charlotte

Jennifer and Dan have lived in their Deer Park Illinois home for 15 years, slowly making minor fixes like painting and decorating; but they had a new plan for their kitchen the entire time. An awkwardly placed garage door, and an island cooktop with a terrible downdraft made a full-scale kitchen remodel an absolute must. Jennifer had many ideas in mind and wanted to work with a company that could provide high-end work, while partnering with a designer that would tailor the kitchen to her ideas. She was intrigued by the phrase “Common Sense Remodeling” in Advance Design’s feature she discovered while perusing an issue of the community’s Quintessential Barrington Magazine. Doing further research on the company’s website, as she looked through project profiles and read about Advance Design’s “Common Sense Remodeling” philosophy, she promptly scheduled an appointment to see if the people and ideas she read about were truly who they said they were. The more she read, the more she knew that the “Common Sense” approach to remodeling they described was exactly the type of company she was looking for. The partnership was sealed after an initial consultation with Owner Todd Jurs and Project Designer Michelle Lecinski. They displayed a combination of friendliness, professionalism and respect that was unmatched by any of the other companies Jennifer talked to. She knew that with Advance Design, she would be able to retain the vision that she had in mind with high-quality craftsmanship. “I reached out to Advance Design because of the ‘Common Sense Remodeling’ tagline,” Jennifer said. “That’s what lingered for me”. “Advance Design was the most respectful- of the house and of my design ideas, and the most professional of the handful of companies that looked at my project”. Soon after the meeting Jennifer began working with Michelle on the project design. They quickly developed chemistry. Jennifer loved how Michelle researched and located every detail that Jennifer wanted for the kitchen. Between the two of them, every concept and idea was worked through and perfected. “Jennifer had definite ideas about what she wanted the new kitchen to look like, she just didn’t know how to bring it all together. We worked together really well to make her ideas into the practical reality necessary for a well-functioning kitchen, with the look and feel that she had envisioned”, says Michelle. “Michelle was wonderful in using the CAD system she would show me new drawings every time we changed the layout while working through the design,” Jennifer said. “She was a really wonderful partner in execution, she made sure everything happened quickly and easily.” The finished design drew out elements of Jennifer’s style and personality. The pair call the look “sophisticated farmhouse” to describe the kitchen renovation to family and friends. The result was a beautifully crafted, authentic-feeling space that satisfied Jennifer’s dreams 15 years in the making. The whole project consisted of a kitchen remodel, mudroom upgrade with powder room, and garage entry relocation. “The projects I personally like the best, are the ones that put the client’s dreams on display,” Project Designer Michelle said. “And this is one of those projects.” The main focal point of the kitchen is custom zinc and brass ventilation hood with a vintage sheen, which was hand made to order by a small company in Indiana named Vogler Metalworking. “It’s like sculpture, a true work of art”, says Jennifer. Your eye is immediately drawn towards this elegant yet practical hood that eliminated the home’s downdraft problem and added a striking conversation piece at the same time. The carpenters had to use special gloves when transporting and installing it, so they didn’t smudge it with fingerprints. The beautiful hood centers proudly over the stunning black enamel and brass LaCornue Range. “I had a friend who had a LaCornue range and after learning how easy it was to cook perfect meals, I was convinced I wanted to have one”, says Jennifer. This unique, breathtaking combination anchors the entire kitchen and is apparent immediately as you walk into the great room the surrounds the space. DuraSupreme Crestwood cabinets with a Kendall Panel add function and sophistication. A custom gray paint color paired with a storm blue was developed so that the new kitchen looked like it belonged to the existing space. Unlacquered brass faucets and hardware were important to Jennifer because she wanted the living finishes to age over time. Remarkable brass diamond mesh cabinet door inserts imported from the UK continue to add this one-of-a-kind kitchen renovation; giving it a “you won’t see this everywhere” quality. The use of old railcar flooring for the coffee bar countertop and reclaimed oak for the open shelving gives an authenticity to the space uncommon in kitchens today. Jennifer and Michelle fell in love with the Limestone Grey Stone while they were investigating unique island countertop ideas. They liked the fact that the limestone as a living finish will age and change over time. Calcutta Miel Quartz countertops made for an excellent pairing around the perimeter, as it’s durable and perfect for cooking preparations. A textured white subway tile backsplash that runs to the ceiling keeps your eye moving towards the open shelving, and to the main focal point of the stunning range hood combination. “The kitchen functions beautifully, and it’s gorgeous,” beams Jennifer as she gestures with both hands while smiling ear to ear. “The most important thing was I wanted a kitchen that had a wonderful flow, cooked beautiful meals and was a great gathering place for family and friends, and this space does that perfectly! Beauty wise, it turned out exactly how I had envisioned. I felt the function part was the hardest part, and that was nailed”! Relocating the garage entry to the new mudroom was a huge priority and has finally separated the family’s arriving home functions from their kitchen. Now coats and shoes and bags have their own area for dropping once members arrive home. Matching gray DuraSupreme cabinetry helped create gorgeous, purposeful lockers for the family. A reclaimed vintage sink and custom wall paper were added to the tiny powder room to beautify the once previously only functional space. Advance Design was even able to create a custom space for their dog to sleep while the family is away. “It was unbelievable that a project of this size was completed in such a short time, and I think that’s because of the large amount of planning and preparation that went into it,” Jennifer marveled, “When we started, we were ready, and everything was prepared”. When it came to execution, Project Manager Justin Davis and his crew were quick, accessible, and organized. Projects like this kitchen are typically completed in as little as 8-10 weeks. Jennifer’s kitchen however despite the relocation of some challenging HVAC in a soffit and moving of an exterior door was completed remarkably fast in part because the team was working with an existing tile floor that ran throughout the first floor that the client really loved. “You get to know these people really well because they’re living in your house while you’re living in your house. They were so fast and really good, it didn’t take as long as even planned” reported Jennifer. “I would text Justin and he always responded almost immediately. I got to know all the guys who were working in our house and they were all wonderful people”. Details in a customized kitchen like this one require skill and care from the people who install it. “All the guys on the job were skilled at what the did. I wanted small details like little feet to look like furniture, that is where their carpentry skill came in to make these all perfect”, said Jennifer. “The tile guys were wonderful. They even let me determine how I wanted the texture with the grout to appear for a salt and pepper look; now that is a very skilled trade person making it custom”. In Jennifer’s interview, she continued to reference Advance Design’s “Common Sense Remodeling”, so I took a minute to ask her exactly what that phrase meant to her and how it played out in her experience with her project and the Advance Design team. Here is what she said: “I was intrigued about Common Sense Remodeling and in my head that there would be clear costs and prices, great communication between the design team, the execution team and me”, said Jennifer. They did deliver on that, it was so clear about the cost breakdown, what I could expect from everyone who came to my house, and everything that we had ordered. That to me is the Common Sense”! It’s great to see a client take literally our assertion that a well-planned remodeling project is simply “Common Sense”! She anticipated each step of the way would be clear, concise, and predictable, all the while protecting the outcome due to the careful upfront planning. “Advance Design delivered on their ‘Common Sense Remodeling’ promise,” Jennifer said. “From the design team, to the execution team - everything was straight forward like I imagined. The project turned out exactly how I envisioned, I enjoyed this process and absolutely would recommend Advance Design Studio to anyone.”

The flooring that was originally envisioned for this house wasn't Wood Floor of the Year-caliber. When Steve Brattin, president at SVB Wood Floors in Grandview, Mo., got involved in the project, the designers were discussing a simple machine-sanded heart pine or reclaimed wood floor. But once Brattin visited the site—an old world traditional estate set on acreage with its own private lake—he knew it deserved more than a typical floor. "I chatted with the designers and said I would love to meet with the homeowners and have them in our showroom," he recalls. "I said I would really like to do something artistic with it." Brattin's mind was already envisioning the possibilities—something he says usually happens for him within a half hour of walking through a space. "I don't know how certain things come to me," he says, adding that often he draws things out and the designs don't end up being in the clients' budget. That wasn't the case here, however, and the final plans for the flooring called for five designs in various areas, including this Bordeaux parquet in the foyer. With the designs finalized, Brattin turned to Distinctive Floors' (Nashville, Tenn.) Dan Antes to create the walnut flooring, which called for hand-beveling with a circle-sawn and wire-brushed surface; in some areas the flooring was 10-inch plank. The width presented a challenge for Antes, as he had planned to contract out the circle-sawing, but the company he had in mind could handle widths only up to 81⁄2 inches. He decided he would have to do it himself. "We spent maybe $1,500 modifying $20,000 worth of equipment to end up with this awesome distressed product," he says. Due to a tight time frame to complete the job, once the flooring was milled, it was shipped to WD Flooring (Laona, Wis.) to be finished with hardwax oil—a choice Antes says he loves for its maintainability. The actual installation of all 3,000 square feet of flooring was uneventful, Brattin says, crediting his crew, experienced with high-end projects, for a great job. "They had a blast," he says. "They had so much fun out there on the project, and they do it quite frequently; it comes naturally for them at this point." Given the complexity of this job, from scribing around stone to large-scale chevron and mixed media, that's high praise. Antes, himself a Wood Floor of the Year winner and supplier to many more winning projects, sums up the scope of this job: "I think he could have entered any room in this house, really, and won."—K.M.W.

Example of a classic entryway design in Los Angeles

The flooring that was originally envisioned for this house wasn't Wood Floor of the Year-caliber. When Steve Brattin, president at SVB Wood Floors in Grandview, Mo., got involved in the project, the designers were discussing a simple machine-sanded heart pine or reclaimed wood floor. But once Brattin visited the site—an old world traditional estate set on acreage with its own private lake—he knew it deserved more than a typical floor. "I chatted with the designers and said I would love to meet with the homeowners and have them in our showroom," he recalls. "I said I would really like to do something artistic with it." Brattin's mind was already envisioning the possibilities—something he says usually happens for him within a half hour of walking through a space. "I don't know how certain things come to me," he says, adding that often he draws things out and the designs don't end up being in the clients' budget. That wasn't the case here, however, and the final plans for the flooring called for five designs in various areas, including this Bordeaux parquet in the foyer. With the designs finalized, Brattin turned to Distinctive Floors' (Nashville, Tenn.) Dan Antes to create the walnut flooring, which called for hand-beveling with a circle-sawn and wire-brushed surface; in some areas the flooring was 10-inch plank. The width presented a challenge for Antes, as he had planned to contract out the circle-sawing, but the company he had in mind could handle widths only up to 81⁄2 inches. He decided he would have to do it himself. "We spent maybe $1,500 modifying $20,000 worth of equipment to end up with this awesome distressed product," he says. Due to a tight time frame to complete the job, once the flooring was milled, it was shipped to WD Flooring (Laona, Wis.) to be finished with hardwax oil—a choice Antes says he loves for its maintainability. The actual installation of all 3,000 square feet of flooring was uneventful, Brattin says, crediting his crew, experienced with high-end projects, for a great job. "They had a blast," he says. "They had so much fun out there on the project, and they do it quite frequently; it comes naturally for them at this point." Given the complexity of this job, from scribing around stone to large-scale chevron and mixed media, that's high praise. Antes, himself a Wood Floor of the Year winner and supplier to many more winning projects, sums up the scope of this job: "I think he could have entered any room in this house, really, and won."—K.M.W.

DILLON KYLE ARCHITECTS OFFICE BUILDING GIVES THE WOW FACTOR WITH ACCOYA PROJECT DETAILS Building Type: Office Building Completed: 2018 Architect: Dillon Kyle Architects Supplier: Universal Forest Products Millwork Shop: S&S Constructors Installer: Arista Construction Over the years, the Houston Museum District located in the Montrose neighborhood has morphed from a residential area into a lively art district, home to art galleries, museums, and aesthetically distinct buildings. When Dillon Kyle Architects set out to design their new office space across the street from the Houston Center for Photography, they needed creative solutions to fit a 5,000 square foot building plus parking on the lot’s small unique space. The three-story building takes the form of an inverted L, a configuration that allows for maximized parking on the narrow corner lot. The cantilever space was built to shade the cars from the hot Texas sun, while also creating a semi-public place that invites pedestrians to interact with the space and peer inside as they walk through the neighborhood. The interior design includes open ceilings, concrete walls, wood floors, residential scale furnishings and rugs and warm, neutral colors for a more industrial tone. The exterior has a commercial boxy look, so the team looked for creative cladding finishes to wrap the building and also serve as a rainscreen. After dismissing glass and papier-mâché options, the team settled on wood – Accoya® wood. “The idea was to use a material where you couldn’t tell where the patterns started and stopped, just one big continuous object,” said Peter Klein, architect at DKA. An abstract leaf-like pattern is carved into 2,500 eight-foot long by eight-inches tall and 11/16-inches in depth, Accoya wood boards wrapping the entire building. The leaf pattern serves as a gentle reference to the live oak trees that line the neighborhood. The rainscreen is made of G80 galvanized steel sheets offset from the building with the Accoya leaf boards attached to it. “We settled on wood, and specifically Accoya wood, because it is easy to mill, and we knew we were going to leave it unsealed,” said Klein. Because DKA had time, they inadvertantly put Accoya wood to the test by installing a four foot by eight foot sample wall on site. They watched the sample weather to a nice gray patina, which was the desired result. “Even left untreated, it didn’t warp or mildew or mold, and that let us know we were on the right path,” added Klein. The neutral gray tones coupled with its longterm durability, resistance to rot and insects made Accoya wood the ideal material for this project. The Accoya wood pieces were milled using a CNC machine, which programmed the patterns. Arista Construction and its crew installed the pieces and they “knocked it out of the park,” according to DKA Architects

We used: Custom cherry cabinetry in Arts & Crafts Shaker style by Kabinart in Boulder and Espresso stains. Liberty Hardware Venetian bronze 1-1/2" cabinet knobs. KitchenAid Architect II Series 22 CF counter-depth French door refrigerator. KitchenAid Architect Series II 27" convection single wall oven. KitchenAid 36" 6-burner dual fuel freestanding commercial-style range. KitchenAid Architect II Series 24" dishwasher. Sharp Insight Pro Series 24" built-in microwave drawer (Model #KB6524PS). Crystorama Solaris 12" wide pendant lights in English bronze. Granite countertops in Brown Fantasy. 3"x6" polished marble backsplash. Paint colors: Walls: Glidden Silver Cloud 30YY 63/024 Ceilings/Trims/Doors: Glidden Swan White GLC23 Robert B. Narod Photography

IOANNA ROUFOPOULOU
Closet - industrial closet idea

DILLON KYLE ARCHITECTS OFFICE BUILDING GIVES THE WOW FACTOR WITH ACCOYA PROJECT DETAILS Building Type: Office Building Completed: 2018 Architect: Dillon Kyle Architects Supplier: Universal Forest Products Millwork Shop: S&S Constructors Installer: Arista Construction Over the years, the Houston Museum District located in the Montrose neighborhood has morphed from a residential area into a lively art district, home to art galleries, museums, and aesthetically distinct buildings. When Dillon Kyle Architects set out to design their new office space across the street from the Houston Center for Photography, they needed creative solutions to fit a 5,000 square foot building plus parking on the lot’s small unique space. The three-story building takes the form of an inverted L, a configuration that allows for maximized parking on the narrow corner lot. The cantilever space was built to shade the cars from the hot Texas sun, while also creating a semi-public place that invites pedestrians to interact with the space and peer inside as they walk through the neighborhood. The interior design includes open ceilings, concrete walls, wood floors, residential scale furnishings and rugs and warm, neutral colors for a more industrial tone. The exterior has a commercial boxy look, so the team looked for creative cladding finishes to wrap the building and also serve as a rainscreen. After dismissing glass and papier-mâché options, the team settled on wood – Accoya® wood. “The idea was to use a material where you couldn’t tell where the patterns started and stopped, just one big continuous object,” said Peter Klein, architect at DKA. An abstract leaf-like pattern is carved into 2,500 eight-foot long by eight-inches tall and 11/16-inches in depth, Accoya wood boards wrapping the entire building. The leaf pattern serves as a gentle reference to the live oak trees that line the neighborhood. The rainscreen is made of G80 galvanized steel sheets offset from the building with the Accoya leaf boards attached to it. “We settled on wood, and specifically Accoya wood, because it is easy to mill, and we knew we were going to leave it unsealed,” said Klein. Because DKA had time, they inadvertantly put Accoya wood to the test by installing a four foot by eight foot sample wall on site. They watched the sample weather to a nice gray patina, which was the desired result. “Even left untreated, it didn’t warp or mildew or mold, and that let us know we were on the right path,” added Klein. The neutral gray tones coupled with its longterm durability, resistance to rot and insects made Accoya wood the ideal material for this project. The Accoya wood pieces were milled using a CNC machine, which programmed the patterns. Arista Construction and its crew installed the pieces and they “knocked it out of the park,” according to DKA Architects

Example of a large transitional front door design in Philadelphia with red walls and a dark wood front door

Beautiful suspended Wooden beam lamp with chains. Available in any size and many different finishes.
Inspiration for a rustic kitchen remodel in Montreal

Runnels in the concrete function to drain water out of the patio area but also add a subtle inlay detail. Here the runnel is filled with both beach pebbles and dry-laid bluestone. Renn Kuhnen Photography

The new owners were looking forward to living in their new home with an open floor plan, tall vaulted ceilings, and great views. It featured a large Great Room with two big French Doors separating the Dining Room from the Master Bedroom. But after only a few months they identified a major design flaw: Each of the French Doors had ten glass windows with two large windows above each door. (Check out our before and after designs, traffic flow diagrams and photos of this project.) Glass windows and doors allowed sound and light from guests or the TV in the great room to easily sneak into the bedroom. With unique work and sleep schedules (he’s a pilot, she’s a registered nurse) this design wasn’t working. Then there was a traffic flow design flaw: The Master Bedroom had a second entrance from a hallway. To get into the bedroom from the hallway you needed to walk down another claustrophobic hallway. To get from the Master Bedroom to the Master Bath begin at the most remote corner of the bedroom and down a hallway between two closets. Once inside the bath, a huge triangular Jacuzzi dominating the space. So, from a privacy and traffic flow perspective, this home had some major design issues. When Craig Weber first met with the owners, he listened to their ideas and concerns. The owners trusted Craig to come up with the most efficient and most effective solution to this design dilemma. He offered a solution that resolved the bed-bath traffic flow problem, offered some bedroom room privacy, and updated the bath. First, the two French Doors and windows were removed. A new wall was built with sound-absorbing materials, making the Great Room and Dining Room more comfortable spaces for entertaining while creating the bedroom privacy the owners craved. Solving the Bedroom/Bath traffic flow problem began with removing the two existing closets. The bath door was relocated next to the hall entrance, and then a new walk-in closet was added adjacent to the hallway entrance. The solution offered easy access to and from the bath, closet and hallway without a hint of claustrophobia. The Master Bath underwent a major transformation designed for convenience and comfort – especially during long, cold Minnesota winters. Most everything from the former bath was torn out, beginning with the giant Jacuzzi. A new bathtub that is wider and deeper than the standard size was installed with brushed Nickel fixtures. It’s the perfect place to relax with a glass of wine and candles. Warm floors are a Minnesota “must have.” The bath’s new ceramic floor features in-floor electric heat. Getting in and out of the tub is easy and comfortable. The new walk-in shower again features in-floor heating and a place to sit. The most interesting feature of this shower may the custom ceramic tile installed with unique patterns. A new vanity Cambria Bradshaw countertops features two under-hung ceramic sinks with matching brushed Nickel fixtures. Tall ceilings and three glass windows near the ceiling flood the room with natural light. A new energy-efficient window frames an ornamental stained glass window created by the owner’s father – a great personal touch. A quiet place to sleep. A private dining room for entertaining. A Master Bath to die for. And easy traffic flow. The owners couldn’t have been more delighted with the outcome. And Lilly, their cat, loves it too.

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