Modern Classic style A combination of modern and classical mood will be performed in the reception area that includes: entrance, salons, dining & living space. Light neutral colors will be the main dominant color, integrated with the brass separator elements, Carrara pattern ceramic tiles, and black marble with golden veins for the chimney wall while accessories will be the main pop-up elements for this space. Modern false ceiling design with black hanging track light, modern walkway lighting spot, strip indirect light, and one linear hanging modern chandelier for the dining room. Wall will be dressed with simple yet classical frames (Gypsum board molding) that refer to the old Victorian interior style.

The kitchen was designed two years ago and was then erased and redesigned when the world became a different place a year later. As everyone attempted to flatten the curve, our goal in this regard was to create a kitchen that looked forward to a sharp curve down and of a happier time To that promise for happier times, the redesign, a goal was to make the kitchen brighter and more optimistic. This was done by using simple, primary shapes and circular pendants and emphasizing them in contrast, adding a playful countenance. The selection of a dynamic grain of figured walnut also contributes as this once-living material and its sinuous grain adds motion, rhythm, and scale. Proud of their 1970s home, one challenge of the design was to balance a 1970's feel and stay current. However, many ‘70s references looked and felt outdated. The first step was a changed mindset. Just like the return of the ‘40s bath and the retro movement a few years ago, every era returns in some way. Chronologically, the '70s will soon be here. Our design looked to era-specific furniture and materials of the decade. Figured walnut was so pervasive in the era: this motif was used on car exteriors such as the 1970 Town and Country Station Wagon, which debuted the same year the existing home was built. We also looked at furniture specific to the decade. The console stereo is referenced not only by high legs on the island but also by the knurled metal cabinet knobs reminiscent of often-used stereo dials. Knurled metalwork is also used on the kitchen faucet. The design references the second piece of '70s furniture in our modern TV tray, which is angled to face the television in the family room. Its round pencil and mug holder cutouts follow the design of walnut consoles and dashboard of the station wagon and other elements of the time.

The bathroom of my dreams has finally come true! Thanks to B.A.C Construction Inc., they have helped turn my 90's bathroom into far better bathroom space. With monochromatic colour tones, we feel that this bathroom will have the timeless style that will last throughout the years and decades to come.

Karen and Chad of Tower Lakes, IL were tired of their unfinished basement functioning as nothing more than a storage area and depressing gym. They wanted to increase the livable square footage of their home with a cohesive finished basement design, while incorporating space for the kids and adults to hang out. “We wanted to make sure that upon renovating the basement, that we can have a place where we can spend time and watch movies, but also entertain and showcase the wine collection that we have,” Karen said. After a long search comparing many different remodeling companies, Karen and Chad found Advance Design Studio. They were drawn towards the unique “Common Sense Remodeling” process that simplifies the renovation experience into predictable steps focused on customer satisfaction. “There are so many other design/build companies, who may not have transparency, or a focused process in mind and I think that is what separated Advance Design Studio from the rest,” Karen said. Karen loved how designer Claudia Pop was able to take very high-level concepts, “non-negotiable items” and implement them in the initial 3D drawings. Claudia and Project Manager DJ Yurik kept the couple in constant communication through the project. “Claudia was very receptive to the ideas we had, but she was also very good at infusing her own points and thoughts, she was very responsive, and we had an open line of communication,” Karen said. A very important part of the basement renovation for the couple was the home gym and sauna. The “high-end hotel” look and feel of the openly blended work out area is both highly functional and beautiful to look at. The home sauna gives them a place to relax after a long day of work or a tough workout. “The gym was a very important feature for us,” Karen said. “And I think (Advance Design) did a very great job in not only making the gym a functional area, but also an aesthetic point in our basement”. An extremely unique wow-factor in this basement is the walk in glass wine cellar that elegantly displays Karen and Chad’s extensive wine collection. Immediate access to the stunning wet bar accompanies the wine cellar to make this basement a popular spot for friends and family. The custom-built wine bar brings together two natural elements; Calacatta Vicenza Quartz and thick distressed Black Walnut. Sophisticated yet warm Graphite Dura Supreme cabinetry provides contrast to the soft beige walls and the Calacatta Gold backsplash. An undermount sink across from the bar in a matching Calacatta Vicenza Quartz countertop adds functionality and convenience to the bar, while identical distressed walnut floating shelves add an interesting design element and increased storage. Rich true brown Rustic Oak hardwood floors soften and warm the space drawing all the areas together. Across from the bar is a comfortable living area perfect for the family to sit down at a watch a movie. A full bath completes this finished basement with a spacious walk-in shower, Cocoa Brown Dura Supreme vanity with Calacatta Vicenza Quartz countertop, a crisp white sink and a stainless-steel Voss faucet. Advance Design’s Common Sense process gives clients the opportunity to walk through the basement renovation process one step at a time, in a completely predictable and controlled environment. “Everything was designed and built exactly how we envisioned it, and we are really enjoying it to it’s full potential,” Karen said. Constantly striving for customer satisfaction, Advance Design’s success is heavily reliant upon happy clients referring their friends and family. “We definitely will and have recommended Advance Design Studio to friends who are looking to embark on a remodeling project small or large,” Karen exclaimed at the completion of her project.

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

Designed and realized by WL3 Designs, The Albero Respite is a paradigm of contemporary minimalist architecture, where serene simplicity meets functional elegance. Named after the Italian word for 'tree', the home pays homage to the solitary olive tree gracing its courtyard, symbolizing peace and resilience. This single-story structure emerges from the landscape with clean lines and expansive glass facades that dissolve the barriers between indoor space and the natural world outside. White, the dominant hue, serves not just as a design choice but as a canvas for the play of light and shadow, changing with the sun’s whims. WL3 Designs has meticulously crafted each element of The Albero Respite to embody the principles of sustainable design while providing a haven of tranquility. The home's orientation and glazing are engineered to optimize natural light and promote passive heating and cooling, reducing the need for artificial climate control. It stands as a testament to the possibility of living in harmony with nature without forgoing modern luxury and comfort. Designing for the desert requires in-depth understanding of the extreme temperatures that range here. From freezing temperatures in the winter to blistering hot ones in the summer, the region contains every extreme, and the homes that are built in it must also. Rains and wind, endless sunshine, these are all elements that we considered when designing for this region. In addition to using modern strategies, we referred to ancient design concepts embraced by native people for generations, combining the two to create modern homes in this timeless, desert environment.

Modern Classic style A combination of modern and classical mood will be performed in the reception area that includes: entrance, salons, dining & living space. Light neutral colors will be the main dominant color, integrated with the brass separator elements, Carrara pattern ceramic tiles, and black marble with golden veins for the chimney wall while accessories will be the main pop-up elements for this space. Modern false ceiling design with black hanging track light, modern walkway lighting spot, strip indirect light, and one linear hanging modern chandelier for the dining room. Wall will be dressed with simple yet classical frames (Gypsum board molding) that refer to the old Victorian interior style.

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

Beauty meets practicality in this Florida Contemporary on a Boca golf course. The indoor – outdoor connection is established by running easy care wood-look porcelain tiles from the patio to all the public rooms. The clean-lined slab door has a narrow-raised perimeter trim, while a combination of rift-cut white oak and “Super White” balances earthy with bright. Appliances are paneled for continuity. Dramatic LED lighting illuminates the toe kicks and the island overhang. Instead of engineered quartz, these countertops are engineered marble: “Unique Statuario” by Compac. The same material is cleverly used for carved island panels that resemble cabinet doors. White marble chevron mosaics lend texture and depth to the backsplash. The showstopper is the divider between the secondary sink and living room. Fashioned from brushed gold square metal stock, its grid-and-rectangle motif references the home’s entry door. Wavy glass obstructs kitchen mess, yet still admits light. Brushed gold straps on the white hood tie in with the divider. Gold hardware, faucets and globe pendants add glamour. In the pantry, kitchen cabinetry is repeated, but here in all white with Caesarstone countertops. Flooring is laid diagonally. Matching panels front the wine refrigerator. Open cabinets display glassware and serving pieces. This project was done in collaboration with JBD JGA Design & Architecture and NMB Home Management Services LLC. Bilotta Designer: Randy O’Kane. Photography by Nat Rea. Description written by Paulette Gambacorta adapted for Houzz.

The oversize coffee table has a garden furniture feel to it, a painted wrought iron and glass piece which refers back to the expansive views outside the windows. The custom designer sisal rug as another "nature" reference, being related to fields and grass. Sisals have a wonderful natural scent of fresh cut grass to them which I love. This natural element works beautifully with the natural stone of the fireplace. The colors on the walls were a painted a deep gold, another very natural color which emphasizes the sunny nature of this room.

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

Designed and realized by WL3 Designs, The Albero Respite is a paradigm of contemporary minimalist architecture, where serene simplicity meets functional elegance. Named after the Italian word for 'tree', the home pays homage to the solitary olive tree gracing its courtyard, symbolizing peace and resilience. This single-story structure emerges from the landscape with clean lines and expansive glass facades that dissolve the barriers between indoor space and the natural world outside. White, the dominant hue, serves not just as a design choice but as a canvas for the play of light and shadow, changing with the sun’s whims. WL3 Designs has meticulously crafted each element of The Albero Respite to embody the principles of sustainable design while providing a haven of tranquility. The home's orientation and glazing are engineered to optimize natural light and promote passive heating and cooling, reducing the need for artificial climate control. It stands as a testament to the possibility of living in harmony with nature without forgoing modern luxury and comfort. Designing for the desert requires in-depth understanding of the extreme temperatures that range here. From freezing temperatures in the winter to blistering hot ones in the summer, the region contains every extreme, and the homes that are built in it must also. Rains and wind, endless sunshine, these are all elements that we considered when designing for this region. In addition to using modern strategies, we referred to ancient design concepts embraced by native people for generations, combining the two to create modern homes in this timeless, desert environment.

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

Home > Products Crystallized Glass,Crystallized stone 6 Crystallized Glass,Crystallized stone,Crystallized glass panel Marmoglass,Nanoglass,Marmoglass Composite Collectively referred to as Crystallized Glass Crystallized Glass Application: 1). Interior & external wall cladding 2). Flooring Tile, Stair, Column cladding 3). Basin, Countertop, Table, Bar 4). bath, Kitchen, any tops, round pillar and furniture decoration etc . Crystal white is a kind of artificial stone . It is made of glass ,which should be burned in the oven for two days under the more than 1000C temperature . It is much different from natural stone from all sides. 1. Natural and soft texture, 2. Varied colors such white, beige, carrara white 3. Good weather resisting property and durability 4. Zero percent of water absorption , not be polluted easily 5. Green environmental building material 6. High-intensity, light weight 7. Bending formation, economical, time saving 8. scratch resistant ,withstand high-heat . More details about it : 1. There are more than 10 colors of crystallized glass panel products available: Pure white, yellow, silver yellow, silver grey, grey in white, grey spot white, USA grey spot white, yellow in white…. 2. Panel thickness: 10-30MM 3. Normal specifications (mm): 1800*3000*18 1200*2400*18 600*600*18 1200*1200*18 1600*2400*18 1800*3000*30 800*800*18 1000*1000*18 Thin tiles: 305*305*12mm, 450*450*12mm 457*457*12mm, 400*400*12mm 600*600*12mm 1200*2400*12mm 4. Material: crystal quartz sand 5. Packaging: Fumigated wooden crates, Bundles,foam 6. Brand name: China Marmoglass / Nanoglass 7. Place of origin: Xiamen, Fujian ,China 8. Model NO.: GS001, SN002, NANO2009, NNAO2011 9. Supply ability: 20000M2/MONTH, 30TON/DAY 10. Delivery time: generally within 10 days, after the order confirmed and the deposit received 11. Arc panel specifications (mm): Thickness: 18-30mm Diameter : 30cm-120cm 1.What is crystallized glass stone(Marmoglass SN002 )? The micro crystal stone is an innovative product designed as a substitute for the rare natural white marble. It is superior to the natural white marble in terms of characteristics, where the micro crystal stone possesses extreme density making it anti-breakage, giving it zero water absorption qualities, and making it resistant to acidic and alkaline substances. at the pace that mankind is consuming the natural resources in today’s world, the micro crystal stone is the ultimate solution, the superior alternative for the external and internal applications. It is certainly a revolutionary product and the finest construction material of the 21st century. 2.Why choose crystallized glass stone(Marmoglass SN002)? The micro-crystal stone, also known as the micro-crystal glass, Marmoglass, is a new type of high-level decoration material. It is derived from natural inorganic material through a high temperature process, and it possesses excellent characteristics including the followings: 1. High Performance The micro-crystal stone has even texture and high density, which makes it crush resistant, anti-bending and high resistant resulting its performance being higher than natural stone. It can be used for long period with minimal damage. 2. Acid-proof alkalinity and anti-corrosion Not only does the micro-crystal stone posses special micro-crystal characteristics, it also has special glass features such as a fine texture, shiny surface and light reflection effect. 3. Fine Texture We have the flexibility to manufacture any colors as per customer requirements while also making up the defect of color differences, which exists in natural stone. While the product is widely used for interior and interior decoration of star-level hotels, subways, local landmark buildings, airports, and office building etc, it is more suitable for high-level home decoration. 4. Pollution-resistance and easy maintenance The micro-crystal is a kind of inorganic crystalline material with stable chemical characteristics. Its acid proof alkalinity and anti-corrosion nature are superior to nature stone, specifically its anti-weather characteristics whereby it is unaffected by the wind or sunlight. 5.A wide application range The water absorption rare of micro-crystal is quite low, close to zero. Several types of dirty pulps and dyed solution have difficulty in penetrating it. Any dirt on the surface is easily cleaned and it is convenient to mankind. 6. Heat-bend reformation With the heating method, the micro-crystal can be made into various arched profiles and arched slabs. the process is simple and it allows us to save time, cost, material and resources. 7. No radioactive elements In the process of manufacturing the micro-crystal stone, we have integrated the elimination of all the harmful radioactive elements that are found in natural stone from its components. It is therefore the safest and most environmentally friendly building material in our modern world. Crystallized glass can be processed into slab, tile, countertop, column and vanity top, wash basin and etc. It is applicable for flooring, interior and exterior wall cladding, stairs and table. Contributed to the character of no color difference, so it is widely used for top grade hotel, business building shopping mall and such great construction. Physical Parameter Density 2.70 g/cm Water Absorption 0.01% Compressive Strength 126 Mpa Radioactive Class A (Suitable for indoor and outdoor) Size Slabs 2400/2600/2800/3000 x 1800/1600/1400/1500mm Cut-to-size Tiles 30 / 40 / 50 / 60 / 80 / 100cm X 30 /40/50 /60/80 /100cm 12"x12", 24"X12", 24"x24" or customized size Thickness 1.2cm,1.8cm (3/4'), 2.0cm, 2.5cm, 3.0cm, Finishing Polished, honed Usage Flooring, Walls, Stairs / Steps, Counter tops, Vanity, Paving / Curbstone, Pillar, Column, Border, Skirting, Window Sills Quality Control Thickness Tolerance +- 1mm; Polishing Grade above 100 degree Crack / Spot EU / US Standard: zero QC Standard AQL2.5/4.0 ITS Certificate CE, ISO, GB/T19001-2008 Advantage 1. Own factory with stable supply; 2. Factory direct with good price and prompt delivery; 3. Good Management System for good quality; 4. Value-added service. large glass white artificial stone of Packing Inner Packing Cover with foam and plastic film, corner paper board protection Individual Carton Individual carton packing with trademark is available upon request Outer Packing Plastic tapes in 6 sides, further strengthened with iron sheet in the corner Shipping Mark OEM Port of Loading Xiamen Port of China Delivery Lead Time Normally 10-15 days for one 20’ GP, faster delivery is available upon confirmation Trade Term FOB, CFR, CIF, etc. Loading Info. Thickness Qty per pallet Pallets per 20ft container QTY per 20ft container Square Meter per 20ft container Weight per 20ft container Big slab size 3000*1200mm 12mm 25pcs 7 175pcs 600-900 m2 21000kgs 3000*1400mm 15mm 20pcs 7 175pcs 500-700 m2 21000kgs 3000*1600mm 20mm 15pcs 7 105pcs 350-500 m2 21000kgs 3200*1600mm 30mm 10pcs 7 70pcs 250-358 m2 21000kgs Installation Recommendations Wall Cladding 1.Wall should be leveled and cleaned, 2.Fix the panel on the wall with wire and expansion screw tightly, 3.Fill the space between the panel and the wall with cement mortar of ratio 1:3, 4.Clean the extra mortar and dirt on the surface. Floor Installation 1.Mark out the baseline of gound level, 2.Mix the mortar with ratio of 1 cement to 4 sand to have semi-day mortar, 3.Lay the mixed mortar in level with a layer of 3-4cm thickness,place the tile over the mortar and adjust the height properly to be leveled, 4.Remove the tile after level adjustment.Put a thin layer of cement powder on the mortar and add water on it to become wet, 5.Put the tile on top and gently knock with rubber hammer until it sealed with the mortar properly. Make sure the tile is leveled and has the same space between each other. Those tiles which are not leveled with others should be removed and repeat the leveling procedure in step 4.Genetally,the space between two tiles should be 2mm for water evaporation and normal expansion. Daily maintenance of Micro Crystal Stone 1.The laying area of micro crystal stone can only be opened for use or stacking any item on top after at least 24 hours of filling the gap, 2.The ground must be covered with plywood or carpet for protection in case of doing other decoration work after the installation of micro crystal stone floor, 3.In areas like exit and entrance, the surface of micro crystal stone floor should be covered by carpet or plywood to protect it from the damage of abrasion of sand or other hard material. 4.Do not use general floor wax on micro crystal stone,General floor wax is an oil-based wax which is easily stuck to dust. 5.Please use rubber wheels for shopping cart and trolley on micro crystal stone floor, for the hard wheel may scratch and damage the surface, 6.Regular care and maintenance is the key for long lasting of micro crystal stone’s high glossy and reflection. Important Notice 1.Make sure the ground of laying area is dry and clean before laying mortar. The ratio 1:3(volume ratio) must be strictly followed and no extra water added during the installation progress 2.In the choice of using white cement as the filling material, the strength and quality of the cement must be checked properly. 3.It is not recommended to store micro crystal stone outdoor for long time. It should be covered with rock wool in winter and moved into indoor 2 hours in advance before installation. It also needs to be covered with waterproof cloth when installing during the rainy days outdoor, 4.When using micro crystal stone as ground floor,2mm wild gap must be left between the joints for the benefit of the water vaporization and physical expansion. In the case of large-scale installation, it is recommended to leave an 8mm expansion joint, 5.It is recommended that the area of micro crystal stone to remain-not used-for at least 24 hours and kept 2-3 days before passing or storing items on top. Marmoglass Polished Edge, Shining ! China Marmoglass SN002 Slabs Packing and Ready for ship We not only make Slabs, we also can make: - Project Tiles - Countertop - Tabletop - Vanitytop - Column Tags: Marmoglass, Crystallized glass panel, nano crystallized glass panel, pore marmoglass, pore crystallized glass panel, Artificial Stone, Hole-Free Micro Crystal Stone, Pure white stone, Crystallized glass tile, Crystal glass tile, pure white artificial white marble, Marmo Glass, Glass Marble, White Marble, Marmoglass, nano marmoglass, no pore marmoglass, non-pore crystallized glass panel, glass marble, white marble, crystal white marble, white stone, white marble tile, Micro-crystal stone, Crystallized glass, Crystallized White Stone, Crystallized White Stone, Micro-crystallized composite tile, Hole-Free Micro Crystal Stone, Micro-crystallized composite tile, White Marble Tiles, pure white marble China Marmoglass SN002 Strong Packing Crates China Marmoglass SN002 and Nanoglass NANO3 Container Loading Welcome to our product page of China Marmoglass, in which you can find detailed information of Marmoglass. China Marmoglass Co.,Limited offer Crystallized White Marmoglass is good in quality and competitive in price. China Marmoglass Co.,Limited is the manufacturer and supplier of Marmoglass,White Crystallized Glass Panel,Nanoglass. Crystallized Glass Stone,Crystallized Glass Panel,Crystallized Glass Stone Tile,Crystallized Glass Stone Countertop,Marmoglass also known as Nanoglass and White Crystallized Glass,Marmoglass, Crystallized Glasss is the popular materials for interior and exterior applications, including kitchen countertops, bathroom vanities, commercial foyer wall claddings, etc. China Marmoglass Co.,Limited is the Manufacturer and export Crystallized Glass and Crystallized Glass products. Crystallized Glass can be used Interior & external wall cladding, Flooring Tile, Stair, Column cladding, Basin, Countertop, Table, Bar, bath, Kitchen, any tops, round pillar and furniture decoration etc. Super White Nanoglass Slab, You Can Buy Various High Quality Super White Nanoglass Slab Products from Super White Nanoglass Slab Suppliers and Super White Nanoglass Slab Manufacturers at Chinamarmoglass.com

Minimalist bedroom photo in Delhi

The ‘Family Tree’ fireplace screen was commissioned by the property’s owners who were devastated by the loss of a magnificent 200 year old maple tree; eager to pay tribute to the beauty and joy it had provided to them and to the generations preceding who had passed the seasons under its boughs. Inspiration: This tree marked a homestead, sheltered a family, enlivened a neighborhood, and harbored the stories of generations. This was the inspiration for 'Family Tree'. In the course of the design process, it became apparent that the tree was not only an object of beauty, but also a reliquary of family memories. “I feel as though that tree defined the personality of this old, historic house; if it could speak, the stories it would tell,” the client asserted. ‘Family Tree’ weaves a joyful metal tapestry of images and references. A skull and cross bones speak to the legend of Capt’n Kidd and buried treasure (somewhere still to be found on the property!). An iconic wishing well stands filled with legendary stories, real and mostly imagined. A split rail fence defines the front yard with its Great Tree. Initials carved into its massive trunk celebrate generations of grandparents, parents, three adventurous boys and the family dog. References to an active life on the water abound. In this tableau, the blessings of family life are the real hidden treasure. Specifications: “Family Tree” is a 4' x 5' custom fireplace screen. The client selected a bright sanded finish for the imagery, accomplished by grinding the surface revealing a natural steel luster; then hand rubbed with wax to maintain this brilliant finish. The frame stands in contrast with a blackened patina finish. Photo Credit: Edwina Stevenson & Sandra Vlock

Ask a kitchen designer in Chicago which countertop question comes up most and you will hear the same answer: white or off-white quartz, and which shade. Homeowners walk into showrooms with a photo saved on their phone, usually a bright, veined slab from a magazine spread, and leave an hour later realizing there are a dozen versions of that same look. The confusion is not about taste. It is about the fact that "white quartz" covers a huge range of patterns, undertones, and price points, and nobody explains the differences before the sale. Older bungalows and newer builds alike are getting stripped of their dated laminate and butcher block in favor of quartz, and the reasons are practical rather than trendy. Quartz does not need sealing, resists the kind of staining that granite can suffer over decades, and holds up to the freeze-thaw humidity swings that Chicago basements and kitchens go through every year. Once a homeowner commits to quartz, though, the real decision starts: which white, and does the pattern justify the difference in cost. This piece walks through three specific slabs that keep showing up in Chicago renovation projects, why designers reach for them in different rooms, and what actually separates a flat white surface from one with real depth. None of this requires a design background to follow. It is mostly about paying attention to how a slab behaves under kitchen lighting, how busy the vending gets, and how it photographs versus how it looks in person. Why White Quartz Took Over Chicago Kitchens Ten years ago, granite dominated Chicago kitchen remodels almost by default. It was durable, it looked expensive, and every fabricator in the metro area carried a wide range of colors. Quartz has since taken over that position, and the shift happened faster than most contractors expected. Engineered stone gave homeowners a more predictable surface, since natural granite varies slab to slab while quartz is manufactured to a consistent pattern batch after batch. The other driver is light. Chicago winters are long and gray, and a lot of kitchens, especially in older two-flats and courtyard buildings, do not get much direct sun. A dark granite countertop in a dim kitchen can make the whole room feel smaller. White and light-toned quartz reflects what little natural light comes through the windows, and it makes a galley kitchen or a north-facing space feel noticeably brighter without touching the cabinetry or the layout. There is also a resale argument that local real estate agents bring up constantly. White quartz photographs well for listings, reads as updated and low-maintenance to buyers touring in person, and does not compete visually with whatever cabinet color the next owner might prefer. It is a safer bet than a bold veined marble look or a colored quartz that might feel dated in five years. Arctic White and the Cost Question Among the flatter, more uniform whites, arctic white quartz price comes up constantly in budget conversations because the slab sits at a more approachable point than the heavily veined Italian-marble-inspired patterns. It reads as clean and bright without the busy movement that some homeowners find overwhelming in a small kitchen. Fabricators in the Chicago area tend to keep it in stock precisely because demand stays steady across both new construction and remodel projects. Part of what keeps this slab affordable relative to its heavily patterned cousins comes down to manufacturing complexity. A quartz surface with minimal veining and a consistent white base is simpler to produce at scale than one that mimics the irregular, high-contrast movement of natural Calacatta marble. That production difference shows up directly in what a homeowner pays per square foot, and it is worth asking a fabricator to walk through that pricing before assuming every white quartz costs the same. Homeowners planning a full kitchen, including an island, backsplash, and perimeter counters, often use a flatter white like this specifically because it lets other elements carry the visual interest. A patterned tile backsplash or a bold cabinet color reads more clearly against a calm countertop than against one already fighting for attention with heavy veining. Designers frequently pair simpler whites with statement lighting fixtures for exactly this reason. What Makes Calacatta Patterns Different Calacatta refers to a family of marble originally quarried in Italy, known for a bright white background broken up by bold, often gold-toned veining that moves in thick, dramatic streaks rather than thin gray lines. Natural Calacatta marble is soft, porous, and expensive to maintain, which is exactly why quartz manufacturers spent years developing engineered versions that replicate the look without the upkeep headaches. The challenge with any Calacatta-style quartz is getting the veining to look organic instead of printed. Early generations of engineered stone struggled with repetitive patterns that gave away the fact the slab was manufactured rather than cut from actual marble. Modern digital printing and layering techniques have closed that gap considerably, and the better Calacatta-inspired quartz lines now vary the veining across each slab batch so two counters in the same kitchen do not look identical. Chicago designers gravitate toward Calacatta patterns for kitchens that function as the visual centerpiece of an open floor plan, which describes a large share of the gut renovations happening in neighborhoods like Lincoln Park, Roscoe Village, and the North Shore suburbs. When the kitchen island is visible from the living room and dining area, a dramatic veined surface becomes part of the home's overall design language rather than a purely functional work surface. Calacatta Arno Under Kitchen Lighting One of the more popular options in this category, calacatta arno quartz, balances a warm white base with soft gray and gold veining that avoids looking too stark under the cooler LED lighting common in newer Chicago builds. Homeowners touring showrooms sometimes make the mistake of judging a slab entirely under warm incandescent lighting, then get surprised when the same surface looks slightly different once installed under their kitchen's actual fixtures. What separates this particular pattern from flatter competitors is how the veining clusters rather than spreading evenly across the slab. That clustering mimics the way real quarried marble forms, with denser mineral deposits in some sections and cleaner stretches in others. Fabricators cutting a large island slab from a single piece will often orient the pattern intentionally so the busiest veining lands somewhere visually interesting rather than getting cut off at an edge. Because the background reads warmer than a stark white, this pattern tends to pair well with brass or matte gold hardware, a combination that has been showing up repeatedly in Chicago kitchen remodels over the past few renovation seasons. Cabinet painters report a similar trend, with more clients requesting warm white or greige cabinet colors specifically because they complement this kind of veined quartz better than a cooler, blue-toned white would. Silestone's Version of the Calacatta Look Manufacturers compete directly in this Calacatta-inspired category, and silestone eternal calacatta gold represents one brand's specific take on the pattern, distinguished by richer gold veining set against a brighter white base than some competing slabs in the same family. Silestone has built a reputation around anti-bacterial surface treatments in addition to the standard quartz durability, a detail some homeowners specifically ask about for kitchens used heavily by families with young children. The veining in this particular slab tends to run in longer, more continuous lines compared to the clustered pattern found in some other Calacatta-style options, which gives large island surfaces a sense of visual flow from one end to the other. Fabricators working with bigger islands, the kind increasingly common in open-concept Chicago remodels, often favor patterns like this because there is less need to worry about seams interrupting a busy, disconnected pattern. Price positioning for this slab tends to sit toward the upper end of the engineered quartz category, reflecting both the brand's manufacturing process and the complexity of replicating that continuous gold veining consistently across production batches. Homeowners weighing this option against other Calacatta-style quartz should ask their fabricator directly about batch availability, since premium patterns sometimes have longer lead times than standard stock colors. Living With Quartz Day to Day Beyond how a slab looks in a showroom or a listing photo, the daily experience of owning quartz countertops matters more once the renovation dust settles. Quartz resists scratching far better than laminate and holds up to the acidic spills, hot pans, and general abuse of an active kitchen without the sealing maintenance that natural stone requires every year or two. That low-maintenance reputation is a large part of why quartz overtook granite in the first place. Heat resistance is a detail that gets less attention than it should. While quartz handles moderate heat well, manufacturers generally recommend using a trivet or pad for very hot pots straight off the stove, since sudden temperature shock can occasionally cause stress marks in the resin binder that holds the engineered stone together. This is a minor precaution rather than a major limitation, but it is worth mentioning to anyone assuming quartz is entirely indestructible. Cleaning routines stay simple across almost every pattern in this category. A damp cloth and mild soap handle daily messes, and the nonporous surface means wine, coffee, and tomato-based sauces do not soak in the way they can with unsealed granite or marble. Homeowners moving from an older stone counter often mention how much less they worry about everyday spills once quartz is installed, which is a quality-of-life change that rarely makes it into the initial design conversation. Choosing Between the Three There is no single correct answer among these three slabs, and that is exactly why they keep coming up together in the same design conversations across Chicago renovation projects. A flatter white with minimal veining suits kitchens where other elements need to carry the visual interest, while a bolder Calacatta-inspired pattern makes sense when the countertop itself is meant to be the centerpiece of an open floor plan. Budget matters too, and it is worth having a direct conversation with a fabricator about where each option lands before falling in love with a specific slab in a showroom. Lighting, cabinet color, and how the kitchen connects to the rest of the home all play into which pattern will actually look right once installation is finished rather than just in a photo. Whatever direction a homeowner leans, seeing a full slab in person under actual kitchen lighting remains the single most useful step before signing off. Photos only go so far once the countertop is sitting in the room it will live in for years.

1. Unity is what ties a room, or space within a room, together. Often, unity can refer to a color scheme, tone or style. When these design elements within a space are cohesive, the space looks consistent and organized. Unity can come in the form of a color palette; an example would be a living room where every element is styled in teal, light turquoise and white. It can also be conveyed through a shape or item; an example would be when you use only one kind of hanger for all your clothing.

Our design team installed a 16-foot Hibachi-style shaped kitchen, without a backsplash, to facilitate conversations with the grill masters more easily. A Hibachi-style outdoor kitchen refers to an outdoor cooking setup that incorporates a hibachi grill as the central element. A hibachi is a traditional Japanese heating device, and in the context of outdoor kitchens, it usually refers to a small, portable charcoal or gas grill. These grills are known for their simplicity, compact size, and the ability to cook food at high temperatures.