This project consisted of The Grand Staircase in Allen Field House at the University of Kansas and 2 staircases in the adjoining DeBruce center. We went way out of our comfort zone on this project! We created and installed concrete stair treads that were colored and polished with exposed aggregate. The Grand Staircase consisted of nearly 500 square feet of precast concrete. The landing pieces ranged in size from 2 feet by 9 feet to 5.5 feet by 9 feet. After the precast pieces were finished, they were transported from Lenexa to Lawrence, then carefully placed via forklift. The 1 foot by 9 foot stair treads were placed by hand, all 20 of them. In the DeBruce Center, which houses Dr. Naismith’s Original Rules Of Basketball, we completed 2 stairwells that covered 3 stories each. These pieces were much smaller than the Field House stairs, measuring only 2″ thick by 5 foot wide. While these were easier to handle, we created 120 pieces for this half of the project, totaling nearly 500 square feet. While this took us out of our comfort zone, it was an incredible project and we were fortunate to place our artwork there. We were able to overcome the challenges, such as transport and installation of pieces that were much larger than we are accustomed to. We are honored to have our work be in such a historical building for many years to come!

The concept of the garden was based on, “Brazilian Hummingbirds II”, a painting the MFAH has in its collection by the artist, Martin Johnson Heade. Heade travelled to the rainforest in Brazil between 1863 and 1864 and painted a series of small paintings depicting hummingbirds in the lush foliage of the Brazilian rainforests. His painting, Brazilian Hummingbirds, II, evokes the sultry atmosphere of the Brazilian rainforest with its misty quality and subtle lighting. His interest in ornithology can be seen in his detailed depictions of the hummingbirds. The garden location is adjacent to one of Buffalo Bayou’s steep, wooded ravines. The ravine, with its native plant communities and topography, is a perfect back- drop for a garden with a rainforest theme. Because the date for the garden opening coincides with the spring migration of hummingbirds into our region, the hummingbird theme seemed appropriate for this garden competition. The garden will include a variety of tropical plants native to the rainforests such as bromeliads, orchids, heliconia, and passion fruit flowers. In addition, native plants to our region such as the Sabal Minor and Southern Wood Fern will be included to integrate plants that are found nearby in the ravine. The Heliconia flowers produce considerable amounts of nectar, a high energy food essential for hummingbirds who are known to consume three times their bodyweight in a single day. In addition to nectar producing plants, there will be hummingbird nest materials dispersed throughout the garden. A misty quality to the garden will be provided by a misting system, and tropical colored lights will be lit at night for special events. Visitors to the garden will have a unique sensory experience reminiscent to that of Heade’s travels to Brazil’s rainforests.

The concept of the garden was based on, “Brazilian Hummingbirds II”, a painting the MFAH has in its collection by the artist, Martin Johnson Heade. Heade travelled to the rainforest in Brazil between 1863 and 1864 and painted a series of small paintings depicting hummingbirds in the lush foliage of the Brazilian rainforests. His painting, Brazilian Hummingbirds, II, evokes the sultry atmosphere of the Brazilian rainforest with its misty quality and subtle lighting. His interest in ornithology can be seen in his detailed depictions of the hummingbirds. The garden location is adjacent to one of Buffalo Bayou’s steep, wooded ravines. The ravine, with its native plant communities and topography, is a perfect back- drop for a garden with a rainforest theme. Because the date for the garden opening coincides with the spring migration of hummingbirds into our region, the hummingbird theme seemed appropriate for this garden competition. The garden will include a variety of tropical plants native to the rainforests such as bromeliads, orchids, heliconia, and passion fruit flowers. In addition, native plants to our region such as the Sabal Minor and Southern Wood Fern will be included to integrate plants that are found nearby in the ravine. The Heliconia flowers produce considerable amounts of nectar, a high energy food essential for hummingbirds who are known to consume three times their bodyweight in a single day. In addition to nectar producing plants, there will be hummingbird nest materials dispersed throughout the garden. A misty quality to the garden will be provided by a misting system, and tropical colored lights will be lit at night for special events. Visitors to the garden will have a unique sensory experience reminiscent to that of Heade’s travels to Brazil’s rainforests.

This project consisted of The Grand Staircase in Allen Field House at the University of Kansas and 2 staircases in the adjoining DeBruce center. We went way out of our comfort zone on this project! We created and installed concrete stair treads that were colored and polished with exposed aggregate. The Grand Staircase consisted of nearly 500 square feet of precast concrete. The landing pieces ranged in size from 2 feet by 9 feet to 5.5 feet by 9 feet. After the precast pieces were finished, they were transported from Lenexa to Lawrence, then carefully placed via forklift. The 1 foot by 9 foot stair treads were placed by hand, all 20 of them. In the DeBruce Center, which houses Dr. Naismith’s Original Rules Of Basketball, we completed 2 stairwells that covered 3 stories each. These pieces were much smaller than the Field House stairs, measuring only 2″ thick by 5 foot wide. While these were easier to handle, we created 120 pieces for this half of the project, totaling nearly 500 square feet. While this took us out of our comfort zone, it was an incredible project and we were fortunate to place our artwork there. We were able to overcome the challenges, such as transport and installation of pieces that were much larger than we are accustomed to. We are honored to have our work be in such a historical building for many years to come!

Bathroom - mid-sized farmhouse master gray tile and marble tile bathroom idea in Los Angeles with recessed-panel cabinets, distressed cabinets, white walls, an undermount sink, marble countertops and white countertops

Inspiration for a transitional screened-in porch remodel in New York with decking and a roof extension

This project consisted of The Grand Staircase in Allen Field House at the University of Kansas and 2 staircases in the adjoining DeBruce center. We went way out of our comfort zone on this project! We created and installed concrete stair treads that were colored and polished with exposed aggregate. The Grand Staircase consisted of nearly 500 square feet of precast concrete. The landing pieces ranged in size from 2 feet by 9 feet to 5.5 feet by 9 feet. After the precast pieces were finished, they were transported from Lenexa to Lawrence, then carefully placed via forklift. The 1 foot by 9 foot stair treads were placed by hand, all 20 of them. In the DeBruce Center, which houses Dr. Naismith’s Original Rules Of Basketball, we completed 2 stairwells that covered 3 stories each. These pieces were much smaller than the Field House stairs, measuring only 2″ thick by 5 foot wide. While these were easier to handle, we created 120 pieces for this half of the project, totaling nearly 500 square feet. While this took us out of our comfort zone, it was an incredible project and we were fortunate to place our artwork there. We were able to overcome the challenges, such as transport and installation of pieces that were much larger than we are accustomed to. We are honored to have our work be in such a historical building for many years to come!

This home was built in the late 60’s to early 70’s in the classic “Brady Bunch” Ranch Style Genre. The new space was designed for a young active family, complete with big dog, that likes to entertain and finds themselves in the kitchen more than any other room in the house. “Mom” has a professional culinary background and has cooking events in her kitchen from time to time. A prior remodel created an enclosed kitchen with angled walls protruding into the space. Our Design Objective was to open the space physically and visually in a clean contemporary style to create a more functional and inviting kitchen, Breakfast Area and drink bar that receives heavy daily use. Walls were removed and reconfigured to create an open space. A professional style 60" dual-fuel range and stainless steel hood are the focal point of the kitchen along the back wall. To the left are a 36” all refrigerator and freezer separated by a pantry with chalk board that displays daily schedules or meals. The drink bar sits across from the Breakfast area and features an under-counter beverage refrigerator, ice maker and under counter wine refrigerator. Designed by Micqui McGowen, CMKBD, RID

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Lake Burton Area . Knowing the areas and resources of Lake Burton is our specialty Lake Burton is a 2,775 acre man-made lake with 62 miles of shoreline located in the northeastern corner of Georgia in Rabun County. It is the first lake in a five-lake series called the Tallulah River Watershed that follows the original course of the Tallulah River. The series of lakes starts with Lake Burton as the northernmost lake followed by Lake Seed, Lake Rabun, Lake Tallulah Falls and the eastern arm of Lake Tugalo (the western arm is formed by the Chattooga River. The lakes are owned and operated by the Georgia Power Company to generate hydroelectric energy for Georgia's largest city, Atlanta. At one time these lakes were the largest producers of electricity in the state of Georgia. Now, they only provide peak power supply. The lake was built in a deep valley located along a 10 mile section of the Tallulah River. The Lake Burton Dam was closed on December 22, 1919 and the lake started to fill. The dam is a gravity concrete dam, with a height of 128 feet and a span of 1,100 feet. The spillway is equipped with eight gates 22 feet wide by 6.6 feet high. The total capacity at an elevation of 1,866.6 feet is 108,000 acre-ft, of which 106,000 acre-ft is usable storage. The generating capacity of the dam is 6,120 kilowatts (two units).Lake Burton is the highest Georgia Power lake in Georgia. Lake Burton gets its named from the town of Burton, which was the second largest town in Rabun County with a population of approximately 200 but now lies below the lake's surface. The town (and the lake) was named after local prominent citizen Jeremiah Burton and was situated along the road from Clayton, Georgia to the Nacoochee Valley. Andrew Jackson Ritchie served as the postmaster for the area for several years. Gold was first discovered in Rabun County where Dicks Creek and the Tallulah River come together and was the reason for the town's founding in the early 1800s. The Lake Burton Fish Hatchery and Moccasin Creek State Park are located on the western side of the lake. Lake Burton is home to several species of fish, including Spotted Bass, Largemouth Bass, White Bass, Black Crappie, Bluegill, Redear Sunfish, White Catfish, Walleye, Brown Trout, Rainbow Trout, and Yellow Perch. The residents of Lake Burton are a mix of permanent residents and seasonal vacationers who together make-up the Lake Burton Civic Association, a local organization who goal is to maintain the lake through volunteer clean-ups and other such events. Let a Lake Burton resident and expert show you the way The Lake Burton Civic Association is an active homeowners association for residents of the Lake Burton area and sponsors many events throughout the year such as: burton, custom, envision, georgia, lake, mountain, nc, north, photography, web, western, Lake Burton, Lake Rabun, Seed Lake,Virtual Tours.

This Farmhouse style home was designed around the separate spaces and wraps or hugs around the courtyard, it’s inviting, comfortable and timeless. A welcoming entry and sliding doors suggest indoor/ outdoor living through all of the private and public main spaces including the Entry, Kitchen, living, and master bedroom. Another major design element for the interior of this home called the “galley” hallway, features high clerestory windows and creative entrances to two of the spaces. Custom Double Sliding Barn Doors to the office and an oversized entrance with sidelights and a transom window, frame the main entry and draws guests right through to the rear courtyard. The owner’s one-of-a-kind creative craft room and laundry room allow for open projects to rest without cramping a social event in the public spaces. Lastly, the HUGE but unassuming 2,200 sq ft garage provides two tiers and space for a full sized RV, off road vehicles and two daily drivers. This home is an amazing example of balance between on-site toy storage, several entertaining space options and private/quiet time and spaces alike.

Dale was chosen to participate in the 2013 Hampton Designer Showhouse, sponsored by Traditional Home Magazine, because she has built a reputation for precise, elegant, and livable design work in Manhattan. The challenge of the showhouse, essentially a blank canvas with an imaginary client, was not beyond her. The room she was given is the Terrace Level Lounge; she chose a program to embrace a burgeoning art collection, and devise areas of repose to enjoy the work. And Ms. Cohen’s early training as a painter and photographer clearly are clearly a great asset in this particular room. Her method is to analyze the room as an architectural proposition. A Yale Architectural School graduate, she is able to cast a few intelligent moves to make the room a stage rather than a hallway. Creating a platform for her creative collaboration and designing the Monumental Lantern with artist John Houshmand. The seating areas are a series of compressed compositions with shapes and forms of chairs, a Minotti sofa, a Valerie Goodman Gallery coffee table, and the Holland and Sherry geometric throw pillows that evoke the early modernist paintings of Jean Arp. Accented by ceiling panels covered in a Maharam wallpaper. Her next big move was enrolling the work of artist and furniture maker John Houshmand. Ms. Cohen thrives on creative collaboration and designing the Monumental Lantern that with Houshmand, that she boldly placed in one entire corner of the room. Few designers would welcome a giant rough sawn luminaire but Ms. Cohen’s early apprenticeship with Richard Serra is evident in this wonderful juxtaposition of scale. Ms. Cohen’s reputation as a brave designer has been established with the inclusion of Houshmand’s piece. Ms. Cohen’s method is to analyze the room as an architectural proposition. A Yale Architectural School graduate, she is able to cast a few intelligent moves to make the room a stage rather than a hallway. The stairway was divided into two events, one behind a scrim and the other revealed. This gave the sitting area a theatrical backdrop as well as choreographing a Hollywood-style entrance for the visitor walking down the stairs. In fact Ms. Cohen uses a series of fabric backdrops throughout the space to denote different spatial conditions. The color palette, if said aloud, is the prototypical Hamptons beach house cheery; though Ms. Cohen’s take is altogether different. With a sea blue as her base, she treats the envelope of the space with tinted whites and grays, and just as you are comfortable with this resolve she infuses the space with drops of chartreuse. The optic shock of an electric green is a sign of strength in Ms. Cohen’s tool box. The result is a perfect balance of whimsy and sophistication. Whimsy, bravery, and compositional sophistication will not be evident or sufficient without Ms. Cohen’s razor sharp rigor. Her attention to detail is what makes one want to sit in the Fritz Hansen chair, under the reading light, with cashmere throw at its side. Ms. Cohen’s embrace of the luxury of detail is what makes for valuable moments in the design world and what sets her work apart.

Photo by: Camu & Morrison http://camu.co.uk/ This amazing room was designed by the amazing team of Camu & Morrison. It’s a Japanese cinema room with Tatami Flooring, hand dyed vintage French linen walling, vintage African textile cushions and Home of Wool Tufted Daybed Cushions. We had the honour of collaborating with those amazing professional on a few occasions before. So when they came to us again with a request to create a custom mattress for this project we were very excited to join right away! The daybed here is constructed of 3 equal pieces of tufted cushions filled with our 100% natural wool stuffing. The customer wanted some extra thickness, so we made the cushions at 20 cm each to accommodate that. The other special thing on this occasion was that the customer had chosen a very dark upholstery fabric which he explicitly wanted for the covers.

This Farmhouse style home was designed around the separate spaces and wraps or hugs around the courtyard, it’s inviting, comfortable and timeless. A welcoming entry and sliding doors suggest indoor/ outdoor living through all of the private and public main spaces including the Entry, Kitchen, living, and master bedroom. Another major design element for the interior of this home called the “galley” hallway, features high clerestory windows and creative entrances to two of the spaces. Custom Double Sliding Barn Doors to the office and an oversized entrance with sidelights and a transom window, frame the main entry and draws guests right through to the rear courtyard. The owner’s one-of-a-kind creative craft room and laundry room allow for open projects to rest without cramping a social event in the public spaces. Lastly, the HUGE but unassuming 2,200 sq ft garage provides two tiers and space for a full sized RV, off road vehicles and two daily drivers. This home is an amazing example of balance between on-site toy storage, several entertaining space options and private/quiet time and spaces alike.

Dale was chosen to participate in the 2013 Hampton Designer Showhouse, sponsored by Traditional Home Magazine, because she has built a reputation for precise, elegant, and livable design work in Manhattan. The challenge of the showhouse, essentially a blank canvas with an imaginary client, was not beyond her. The room she was given is the Terrace Level Lounge; she chose a program to embrace a burgeoning art collection, and devise areas of repose to enjoy the work. And Ms. Cohen’s early training as a painter and photographer clearly are clearly a great asset in this particular room. Her method is to analyze the room as an architectural proposition. A Yale Architectural School graduate, she is able to cast a few intelligent moves to make the room a stage rather than a hallway. Creating a platform for her creative collaboration and designing the Monumental Lantern with artist John Houshmand. The seating areas are a series of compressed compositions with shapes and forms of chairs, a Minotti sofa, a Valerie Goodman Gallery coffee table, and the Holland and Sherry geometric throw pillows that evoke the early modernist paintings of Jean Arp. Accented by ceiling panels covered in a Maharam wallpaper. Her next big move was enrolling the work of artist and furniture maker John Houshmand. Ms. Cohen thrives on creative collaboration and designing the Monumental Lantern that with Houshmand, that she boldly placed in one entire corner of the room. Few designers would welcome a giant rough sawn luminaire but Ms. Cohen’s early apprenticeship with Richard Serra is evident in this wonderful juxtaposition of scale. Ms. Cohen’s reputation as a brave designer has been established with the inclusion of Houshmand’s piece. Ms. Cohen’s method is to analyze the room as an architectural proposition. A Yale Architectural School graduate, she is able to cast a few intelligent moves to make the room a stage rather than a hallway. The stairway was divided into two events, one behind a scrim and the other revealed. This gave the sitting area a theatrical backdrop as well as choreographing a Hollywood-style entrance for the visitor walking down the stairs. In fact Ms. Cohen uses a series of fabric backdrops throughout the space to denote different spatial conditions. The color palette, if said aloud, is the prototypical Hamptons beach house cheery; though Ms. Cohen’s take is altogether different. With a sea blue as her base, she treats the envelope of the space with tinted whites and grays, and just as you are comfortable with this resolve she infuses the space with drops of chartreuse. The optic shock of an electric green is a sign of strength in Ms. Cohen’s tool box. The result is a perfect balance of whimsy and sophistication. Whimsy, bravery, and compositional sophistication will not be evident or sufficient without Ms. Cohen’s razor sharp rigor. Her attention to detail is what makes one want to sit in the Fritz Hansen chair, under the reading light, with cashmere throw at its side. Ms. Cohen’s embrace of the luxury of detail is what makes for valuable moments in the design world and what sets her work apart.

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Lake Burton Area . Knowing the areas and resources of Lake Burton is our specialty Lake Burton is a 2,775 acre man-made lake with 62 miles of shoreline located in the northeastern corner of Georgia in Rabun County. It is the first lake in a five-lake series called the Tallulah River Watershed that follows the original course of the Tallulah River. The series of lakes starts with Lake Burton as the northernmost lake followed by Lake Seed, Lake Rabun, Lake Tallulah Falls and the eastern arm of Lake Tugalo (the western arm is formed by the Chattooga River. The lakes are owned and operated by the Georgia Power Company to generate hydroelectric energy for Georgia's largest city, Atlanta. At one time these lakes were the largest producers of electricity in the state of Georgia. Now, they only provide peak power supply. The lake was built in a deep valley located along a 10 mile section of the Tallulah River. The Lake Burton Dam was closed on December 22, 1919 and the lake started to fill. The dam is a gravity concrete dam, with a height of 128 feet and a span of 1,100 feet. The spillway is equipped with eight gates 22 feet wide by 6.6 feet high. The total capacity at an elevation of 1,866.6 feet is 108,000 acre-ft, of which 106,000 acre-ft is usable storage. The generating capacity of the dam is 6,120 kilowatts (two units).Lake Burton is the highest Georgia Power lake in Georgia. Lake Burton gets its named from the town of Burton, which was the second largest town in Rabun County with a population of approximately 200 but now lies below the lake's surface. The town (and the lake) was named after local prominent citizen Jeremiah Burton and was situated along the road from Clayton, Georgia to the Nacoochee Valley. Andrew Jackson Ritchie served as the postmaster for the area for several years. Gold was first discovered in Rabun County where Dicks Creek and the Tallulah River come together and was the reason for the town's founding in the early 1800s. The Lake Burton Fish Hatchery and Moccasin Creek State Park are located on the western side of the lake. Lake Burton is home to several species of fish, including Spotted Bass, Largemouth Bass, White Bass, Black Crappie, Bluegill, Redear Sunfish, White Catfish, Walleye, Brown Trout, Rainbow Trout, and Yellow Perch. The residents of Lake Burton are a mix of permanent residents and seasonal vacationers who together make-up the Lake Burton Civic Association, a local organization who goal is to maintain the lake through volunteer clean-ups and other such events. Let a Lake Burton resident and expert show you the way The Lake Burton Civic Association is an active homeowners association for residents of the Lake Burton area and sponsors many events throughout the year such as: burton, custom, envision, georgia, lake, mountain, nc, north, photography, web, western, Lake Burton, Lake Rabun, Seed Lake,Virtual Tours.

This Farmhouse style home was designed around the separate spaces and wraps or hugs around the courtyard, it’s inviting, comfortable and timeless. A welcoming entry and sliding doors suggest indoor/ outdoor living through all of the private and public main spaces including the Entry, Kitchen, living, and master bedroom. Another major design element for the interior of this home called the “galley” hallway, features high clerestory windows and creative entrances to two of the spaces. Custom Double Sliding Barn Doors to the office and an oversized entrance with sidelights and a transom window, frame the main entry and draws guests right through to the rear courtyard. The owner’s one-of-a-kind creative craft room and laundry room allow for open projects to rest without cramping a social event in the public spaces. Lastly, the HUGE but unassuming 2,200 sq ft garage provides two tiers and space for a full sized RV, off road vehicles and two daily drivers. This home is an amazing example of balance between on-site toy storage, several entertaining space options and private/quiet time and spaces alike.

Living in a 100-year-old house definitely presented unique design issues. “Our major concern was what we would find behind the soffits and cabinets,” she says.“Early on, we found that much of our lath and plaster was heavily damaged and that the ceiling had been dropped around the soffits. So, we changed course from the planned facelift of the kitchen and instead took everything to the studs.” However, she also had to navigate the COVID-19 pandemic as well as wildfires that were raging in Oregon at the time. She explains: “These events led to major challenges in getting all of our IKEA cabinets and appliances here, between store closures due to air quality and shipping delays. However, all of the companies we worked with were great, it just took weeks longer to get things than we would have hoped.” Despite all this, Chelsea says it’s hard to pick just one favorite part of her kitchen. “We love the big open counter space that flows into the eat-in-bar and the wallpaper. I also love the accent wall with the wallpaper. It really brings movement into the space and helps bring a historic touch to the room,” she concludes. Cole & Son’s wallpaper and coved crown molding bring a historic touch to the space as well.

A San Francisco resident for over 30 years, Boitano purchased his home in the mid 1990’s, after falling in love with its peerless views of Alcatraz and the Golden Gate Bridge. While he did an initial facelift when he first moved in, Boitano is now completing a major renovation of the entire home, with the kitchen being one of the most exciting new spaces. “The kitchen is the nucleus of the house. So when we started the overall house redesign, we focused our attention on the kitchen first. Everything was centered on entertaining—from small and unplugged, to large and elegant, “said Boitano. The kitchen design was inspired by the Italian countryside and has the air of an ageless, rustic Tuscan village; it is highlighted by the range hood wall that is covered in handmade lacquered Fireclay wall tiles. “I wanted an open floor plan with the option to close off the space for charity functions and events. I eventually found huge pocket doors to separate the dining room from the kitchen,” said Boitano. Boitano sought out appliances that would replicate the power and performance of restaurant equipment so he could entertain like a pro at home and, at the same time, fit his personal design aesthetic. His new kitchen is outfitted with BlueStar® appliances, including a range, salamander broiler, ventilation hood and a refrigerator that he custom designed to suit his performance and design needs. The BlueStar® honey yellow 48” Platinum range offers unsurpassed power and performance featuring industry-leading 25,000 BTU open burners, an innovative interchangeable griddle/charbroiler and a true European Convection PowR Oven™. Boitano loves the powerful cooktop with even, open burners, and, he said, “I really love the industrial lines, the black grates and the contrasting beautiful yellow color. It’s like a piece of art.”

This Farmhouse style home was designed around the separate spaces and wraps or hugs around the courtyard, it’s inviting, comfortable and timeless. A welcoming entry and sliding doors suggest indoor/ outdoor living through all of the private and public main spaces including the Entry, Kitchen, living, and master bedroom. Another major design element for the interior of this home called the “galley” hallway, features high clerestory windows and creative entrances to two of the spaces. Custom Double Sliding Barn Doors to the office and an oversized entrance with sidelights and a transom window, frame the main entry and draws guests right through to the rear courtyard. The owner’s one-of-a-kind creative craft room and laundry room allow for open projects to rest without cramping a social event in the public spaces. Lastly, the HUGE but unassuming 2,200 sq ft garage provides two tiers and space for a full sized RV, off road vehicles and two daily drivers. This home is an amazing example of balance between on-site toy storage, several entertaining space options and private/quiet time and spaces alike.