Mid-sized contemporary beige one-story vinyl house exterior idea in Seattle with a shed roof and a mixed material roof

With two small children and a third on the way, the owners of an original eighteenth century Cape were quickly out-growing it, but they had no desire to move away from the Cape Cod home and location they loved. They simply needed a reconfigured layout and more space. Their goals included repurposing some existing rooms, adding a new kitchen/family area plus screen porch on the first level, and creating a master suite and roof deck with an outdoor shower on the second level, connected by a new stair. Our challenge was to improve the flow between existing spaces, and design the two-story addition without overwhelming the pint-sized original Cape. We took advantage of the lower grade at the rear of the property to step the first floor of the addition down two steps from the existing main level. This allowed us to align the second floor in the addition with the existing second floor, while gaining ceiling height in the new first-floor kitchen/family area. We composed a cross-gabled form for the addition to improve the second floor headroom, while maintaining the existing eave line. We then extended some existing shed dormers to gain headroom and enhance function. We also expanded the outdoor living area with privacy walls along the roof deck. New, larger, double–hung windows that match the lite configuration of the existing windows, along with new side-wall shingles and trim which resemble the existing exterior treatment help to tie the new addition to the old Cape. Though there’s no mistaking the new for the old, the two are simpatico. Katie Hutchison Studio collaborated with Geoffrey Koper Architect of Yarmouth Port, Mass. on the Yarmouth Port Antique Cape Renovation and Addition. Kitchen fit-out and interior finishes, fixtures, and furnishings by others. photo by Katie Hutchison

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

With two small children and a third on the way, the owners of an original eighteenth century Cape were quickly out-growing it, but they had no desire to move away from the Cape Cod home and location they loved. They simply needed a reconfigured layout and more space. Their goals included repurposing some existing rooms, adding a new kitchen/family area plus screen porch on the first level, and creating a master suite and roof deck with an outdoor shower on the second level, connected by a new stair. Our challenge was to improve the flow between existing spaces, and design the two-story addition without overwhelming the pint-sized original Cape. We took advantage of the lower grade at the rear of the property to step the first floor of the addition down two steps from the existing main level. This allowed us to align the second floor in the addition with the existing second floor, while gaining ceiling height in the new first-floor kitchen/family area. We composed a cross-gabled form for the addition to improve the second floor headroom, while maintaining the existing eave line. We then extended some existing shed dormers to gain headroom and enhance function. We also expanded the outdoor living area with privacy walls along the roof deck. New, larger, double–hung windows that match the lite configuration of the existing windows, along with new side-wall shingles and trim which resemble the existing exterior treatment help to tie the new addition to the old Cape. Though there’s no mistaking the new for the old, the two are simpatico. Katie Hutchison Studio collaborated with Geoffrey Koper Architect of Yarmouth Port, Mass. on the Yarmouth Port Antique Cape Renovation and Addition. Kitchen fit-out and interior finishes, fixtures, and furnishings by others. photo by Katie Hutchison

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

This 4,800 square-foot guesthouse is a three-story residence consisting of a main-level master suite, upper-level guest suite, and a large bunkroom. The exterior finishes were selected for their durability and low-maintenance characteristics, as well as to provide a unique, complementary element to the site. Locally quarried granite and a sleek slate roof have been united with cement fiberboard shingles, board-and-batten siding, and rustic brackets along the eaves. The public spaces are located on the north side of the site in order to communicate with the public spaces of a future main house. With interior details picking up on the picturesque cottage style of architecture, this space becomes ideal for both large and small gatherings. Through a similar material dialogue, an exceptional boathouse is formed along the water’s edge, extending the outdoor recreational space to encompass the lake. Photographer: Bob Manley

This 4,800 square-foot guesthouse is a three-story residence consisting of a main-level master suite, upper-level guest suite, and a large bunkroom. The exterior finishes were selected for their durability and low-maintenance characteristics, as well as to provide a unique, complementary element to the site. Locally quarried granite and a sleek slate roof have been united with cement fiberboard shingles, board-and-batten siding, and rustic brackets along the eaves. The public spaces are located on the north side of the site in order to communicate with the public spaces of a future main house. With interior details picking up on the picturesque cottage style of architecture, this space becomes ideal for both large and small gatherings. Through a similar material dialogue, an exceptional boathouse is formed along the water’s edge, extending the outdoor recreational space to encompass the lake. Photographer: Bob Manley

The project involved completely renovating and expanding a 1970’s contemporary style prefab kit house. Three principal concerns drove the programming and design of the Project: To create comfortable and sufficient living quarters for the two families that own the dwelling together; to transform the aesthetic of the dated structure; and to create an energy-efficient and low-maintenance second home for the Clients. Among the changes made to achieve the Clients’ goals were: a new Entrance Vestibule with plenty of hanging space for coats, ample room for boots and shoes, and cubbies for accessories; a Ski and Board Locker Room; an additional Bedroom and Bathroom; an expanded Great Room / Kitchen; and enlarged bathrooms. New rooflines, traditional double-hung windows, and barn-red lap siding with board-and-batten detailing, brought about the metamorphosis of the dull, disheveled little house into a bright and happy vernacular Vermont home. Energy-efficient windows, a high-efficiency heat-circulating fireplace, energy-saving plumbing fixtures and appliances, and a double, “Galvalume” standing-seam metal roof with a high solar reflectance index were incorporated to significantly increase the energy-efficiency of the home. Finally, eaves were extended to protect siding and windows, and exterior and interior finishes were carefully selected to make this second home a low maintenance proposition for its owners.

This small apartment is an occasional get away for a Colorado family. Starting with a concrete shell each custom element was carefully placed to complete this modern unit. Custom veneer paneling, glass pocket doors, stainless counters, etched glass panels, aluminum finned grills and a suspended wine refrigerator are just a few of the components. A computer controlled led light wall extending from the living room and down the length of the hall add interest at night. Architects: Craig Steely Photographer: Rien Van Rijthoven

This 4,800 square-foot guesthouse is a three-story residence consisting of a main-level master suite, upper-level guest suite, and a large bunkroom. The exterior finishes were selected for their durability and low-maintenance characteristics, as well as to provide a unique, complementary element to the site. Locally quarried granite and a sleek slate roof have been united with cement fiberboard shingles, board-and-batten siding, and rustic brackets along the eaves. The public spaces are located on the north side of the site in order to communicate with the public spaces of a future main house. With interior details picking up on the picturesque cottage style of architecture, this space becomes ideal for both large and small gatherings. Through a similar material dialogue, an exceptional boathouse is formed along the water’s edge, extending the outdoor recreational space to encompass the lake. Photographer: Bob Manley

Contractor George W. Combs of George W. Combs, Inc. enlarged this colonial style home by adding an extension including a two car garage, a second story Master Suite, a sunroom, extended dining area, a mudroom, side entry hall, a third story staircase and a basement playroom. Interior Design by Amy Luria of Luria Design & Style

With two small children and a third on the way, the owners of an original eighteenth century Cape were quickly out-growing it, but they had no desire to move away from the Cape Cod home and location they loved. They simply needed a reconfigured layout and more space. Their goals included repurposing some existing rooms, adding a new kitchen/family area plus screen porch on the first level, and creating a master suite and roof deck with an outdoor shower on the second level, connected by a new stair. Our challenge was to improve the flow between existing spaces, and design the two-story addition without overwhelming the pint-sized original Cape. We took advantage of the lower grade at the rear of the property to step the first floor of the addition down two steps from the existing main level. This allowed us to align the second floor in the addition with the existing second floor, while gaining ceiling height in the new first-floor kitchen/family area. We composed a cross-gabled form for the addition to improve the second floor headroom, while maintaining the existing eave line. We then extended some existing shed dormers to gain headroom and enhance function. We also expanded the outdoor living area with privacy walls along the roof deck. New, larger, double–hung windows that match the lite configuration of the existing windows, along with new side-wall shingles and trim which resemble the existing exterior treatment help to tie the new addition to the old Cape. Though there’s no mistaking the new for the old, the two are simpatico. Katie Hutchison Studio collaborated with Geoffrey Koper Architect of Yarmouth Port, Mass. on the Yarmouth Port Antique Cape Renovation and Addition. Kitchen fit-out and interior finishes, fixtures, and furnishings by others. photo by Katie Hutchison

1950s home design photo in San Francisco

The owners desired a modest home that would enable them to experience the dual natures of the outdoors: intimate forest and sweeping views. The use of economical, pre-fabricated materials was seen as an opportunity to develop an expressive architecture. The house is organized on a four-foot module, establishing a delicate rigor for the building and maximizing the use of pre-manufactured materials. A series of open web trusses are combined with dimensional wood framing to form broad overhangs. Plywood sheets spanning between the trusses are left exposed at the eaves. An insulated aluminum window system is attached to exposed laminated wood columns, creating an expansive yet economical wall of glass in the living spaces with mountain views. On the opposite side, support spaces and a children’s desk are located along the hallway. A bridge clad in green fiber cement panels marks the entry. Visible through the front door is an angled yellow wall that opens to a protected outdoor space between the garage and living spaces, offering the first views of the mountain peaks. Living and sleeping spaces are arranged in a line, with a circulation corridor to the east. The exterior is clad in pre-finished fiber cement panels that match the horizontal spacing of the window mullions, accentuating the linear nature of the structure. Two boxes clad in corrugated metal punctuate the east elevation. At the north end of the house, a deck extends into the landscape, providing a quiet place to enjoy the view. Images by Nic LeHoux Photography

To extend sun exposure and bring in natural light, the house was created in an L-shape and includes passive, photovoltaic and solar thermal technology in the design. Large eaves shade the glass in summer months and allow solar gain in the winter. Photo: Leslie Schwartz Photography

The owners desired a modest home that would enable them to experience the dual natures of the outdoors: intimate forest and sweeping views. The use of economical, pre-fabricated materials was seen as an opportunity to develop an expressive architecture. The house is organized on a four-foot module, establishing a delicate rigor for the building and maximizing the use of pre-manufactured materials. A series of open web trusses are combined with dimensional wood framing to form broad overhangs. Plywood sheets spanning between the trusses are left exposed at the eaves. An insulated aluminum window system is attached to exposed laminated wood columns, creating an expansive yet economical wall of glass in the living spaces with mountain views. On the opposite side, support spaces and a children’s desk are located along the hallway. A bridge clad in green fiber cement panels marks the entry. Visible through the front door is an angled yellow wall that opens to a protected outdoor space between the garage and living spaces, offering the first views of the mountain peaks. Living and sleeping spaces are arranged in a line, with a circulation corridor to the east. The exterior is clad in pre-finished fiber cement panels that match the horizontal spacing of the window mullions, accentuating the linear nature of the structure. Two boxes clad in corrugated metal punctuate the east elevation. At the north end of the house, a deck extends into the landscape, providing a quiet place to enjoy the view. Images by Nic LeHoux Photography

This 4,800 square-foot guesthouse is a three-story residence consisting of a main-level master suite, upper-level guest suite, and a large bunkroom. The exterior finishes were selected for their durability and low-maintenance characteristics, as well as to provide a unique, complementary element to the site. Locally quarried granite and a sleek slate roof have been united with cement fiberboard shingles, board-and-batten siding, and rustic brackets along the eaves. The public spaces are located on the north side of the site in order to communicate with the public spaces of a future main house. With interior details picking up on the picturesque cottage style of architecture, this space becomes ideal for both large and small gatherings. Through a similar material dialogue, an exceptional boathouse is formed along the water’s edge, extending the outdoor recreational space to encompass the lake. Photographer: Bob Manley

Due to its deteriorating condition, the asphalt roll roofing on this ADU required replacement before the Fall rains. Asphalt roll roofing generally lasts only 5-10 years, leading to ongoing maintenance challenges. The original 1×10 sheathing showed significant sagging in several spots, resulting in standing water not suitable for asphalt. Additionally, there was a complete absence of ventilation after improper installation of R-21 fiberglass insulation, leaving no air gap between the sheathing and insulation. A noticeable hump along the center of the roof indicated that the load-bearing wall had been supporting that section since construction, contributing to light sagging between the walls. The old roof was completely removed down to the joists, revealing a solid base for the new installation. The central hump was eliminated by shaving the high point along that line. 2×6 beams were ripped in half then nailed on top of the existing joists, creating a 1.5″ gap for insulation and providing strong attachment points for the OSB sheathing, which was secured with screws to prevent any potential issues with nail heads popping through over the roof’s expected lifespan of over 50 years. The EPDM membrane was then adhered using glue and contact cement along the edges of each sheet, with the ends folded over the roof edges and secured with termination bars. Drip edge flashing was added and taped to ensure a water-tight seal, and EPDM-safe caulking was applied over the seams for additional protection. Finally, all exposed wood was primed and painted. The new roof features a 60mil commercial-grade EPDM rubber membrane, offering a lifespan exceeding 50 years, in stark contrast to the 5-10 year lifespan of asphalt roll roofing. Using two sheets of EPDM for installation streamlined the process, resulting in one single seam across the entire roof, compared to the asphalt roll’s dimensions of 3 feet wide by 33 feet long, which created 8 vertical seams and 9 horizontal seams—significantly increasing the risk of leakage and failure. Wrapping the rubber over the edge of the roof effectively addressed concerns about water infiltration at the edges, an issue prevalent with the asphalt and drip edge interface. Another benefit to removing the splitting 1×10 decking and replacing it with OSB sheathing is the increase in structural integrity, moisture resistance, longevity and consistency. The project successfully transformed the ADU’s roof from a maintenance-prone asphalt roll system to a highly durable 60mil EPDM rubber membrane. By addressing critical structural issues, including sagging sheathing and inadequate ventilation, the team ensured that the new roof not only offers superior water resistance and longevity but also meets higher performance standards for insulation and durability. The replacement process eliminated common weak points, such as numerous seams and poor edge sealing, which were vulnerabilities in the old roofing system. The result is a streamlined, secure installation that provides peace of mind and long-term value, with a lifespan extending well beyond the original roof.

"Away in the Woods" is a 720-square-foot timber frame retreat designed as a quiet, three-season escape. Nestled in Sandilands North and completed in 2009, this White Pine structure by Cornerstone Timberframes features a striking king post truss that spans the central living area, creating an open, lodge-like atmosphere without the need for interior load-bearing walls. Designed to harmonize with its forest setting, the retreat includes a galley-style kitchen, a cozy wood stove, and a 12x24-foot deck that extends over a nearby creek. Subtle architectural details, like the gentle curve of the roof eaves, highlight the refined craftsmanship of this intimate woodland getaway.