The Back Bay House is comprised of two main structures, a nocturnal wing and a daytime wing, joined by a glass gallery space. The daytime wing maintains an informal living arrangement that includes the dining space placed in an intimate alcove, a large country kitchen and relaxing seating area which opens to a classic covered porch and on to the water’s edge. The nocturnal wing houses three bedrooms. The master at the water side enjoys views and sounds of the wildlife and the shore while the two subordinate bedrooms soak in views of the garden and neighboring meadow. To bookend the scale and mass of the house, a whimsical tower was included to the nocturnal wing. The tower accommodates flex space for a bunk room, office or studio space. Materials and detailing of this house are based on a classic cottage vernacular language found in these sorts of buildings constructed in pre-war north america and harken back to a simpler time and scale. Eastern white cedar shingles, white painted trim and moulding collectively add a layer of texture and richness not found in today’s lexicon of detail. The house is 1,628 sf plus a 228 sf tower and a detached, two car garage which employs massing, detail and scale to allow the main house to read as dominant but not overbearing. Designed by BC&J Architecture.

Reverse Shed Eichler This project is part tear-down, part remodel. The original L-shaped plan allowed the living/ dining/ kitchen wing to be completely re-built while retaining the shell of the bedroom wing virtually intact. The rebuilt entertainment wing was enlarged 50% and covered with a low-slope reverse-shed roof sloping from eleven to thirteen feet. The shed roof floats on a continuous glass clerestory with eight foot transom. Cantilevered steel frames support wood roof beams with eaves of up to ten feet. An interior glass clerestory separates the kitchen and livingroom for sound control. A wall-to-wall skylight illuminates the north wall of the kitchen/family room. New additions at the back of the house add several “sliding” wall planes, where interior walls continue past full-height windows to the exterior, complimenting the typical Eichler indoor-outdoor ceiling and floor planes. The existing bedroom wing has been re-configured on the interior, changing three small bedrooms into two larger ones, and adding a guest suite in part of the original garage. A previous den addition provided the perfect spot for a large master ensuite bath and walk-in closet. Natural materials predominate, with fir ceilings, limestone veneer fireplace walls, anigre veneer cabinets, fir sliding windows and interior doors, bamboo floors, and concrete patios and walks. Landscape design by Bernard Trainor: www.bernardtrainor.com (see “Concrete Jungle” in April 2014 edition of Dwell magazine). Microsoft Media Center installation of the Year, 2008: www.cybermanor.com/ultimate_install.html (automated shades, radiant heating system, and lights, as well as security & sound).

These homeowners came to us to renovate a number of areas of their home. In their formal powder bath they wanted a sophisticated polished room that was elegant and custom in design. The formal powder was designed around stunning marble and gold wall tile with a custom starburst layout coming from behind the center of the birds nest round brass mirror. A white floating quartz countertop houses a vessel bowl sink and vessel bowl height faucet in polished nickel, wood panel and molding’s were painted black with a gold leaf detail which carried over to the ceiling for the WOW.

Scott Braman Photography
Inspiration for a craftsman two-story wood exterior home remodel in DC Metro

Architecture by: Think Architecture Interior Design by: Denton House Construction by: Magleby Construction Photos by: Alan Blakley
Freestanding bathtub - large contemporary master brown tile ceramic tile and brown floor freestanding bathtub idea in Salt Lake City with a vessel sink, recessed-panel cabinets, white cabinets, quartzite countertops, a hinged shower door and white countertops

The chance to build a lakeside weekend home in rural NC provided this Chapel Hill family with an opportunity to ditch convention and think outside the box. For instance, we traded the traditional boat dock with what's become known as the "party dock"… a floating lounge of sorts, complete with wet bar, TV, swimmer's platform, and plenty of spots for watching the water fun. Inside, we turned one bedroom into a gym with climbing wall - and dropped the idea of a dining room, in favor of a deep upholstered niche and shuffleboard table. Outdoor drapery helped blur the lines between indoor spaces and exterior porches filled with upholstery, swings, and places for lazy napping. And after the sun goes down....smores, anyone? John Bessler

A modern mid-century house in the Los Feliz neighborhood of the Hollywood Hills, this was an extensive renovation. The house was brought down to its studs, new foundations poured, and many walls and rooms relocated and resized. The aim was to improve the flow through the house, to make if feel more open and light, and connected to the outside, both literally through a new stair leading to exterior sliding doors, and through new windows along the back that open up to canyon views. photos by Undine Prohl

Luxurious masterbathroom
Example of a large trendy master white tile and porcelain tile porcelain tile, white floor and double-sink freestanding bathtub design in Seattle with flat-panel cabinets, light wood cabinets, white walls, an undermount sink, quartz countertops, white countertops and a floating vanity

custom lighted address In the woods zen home http://ZenArchitect.com
Inspiration for a mid-sized modern full sun front yard driveway in Orange County with decking.

This sign went to New Mexico, for a home in the southwest, but for a client who wanted wanted purple and violet rather than what one might stereotype as "southwestern style."

The Winslow House is a play of solid and void in the context of a modern farmhouse. The daytime pavilion houses the kitchen and home office that spreads into the living and dining spaces. The nocturnal wing of the house features a master bedroom downstairs with two junior master bedrooms upstairs. Designed by BC&J Architecture.

Susan Teare
Example of a mountain style tiny house design in Burlington

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

Pool House in a box. This custom made pool house is a converted shipping container turned into a pool house. Look up www.elbarpoolhouses.com for more information.

Rob Karosis
Inspiration for a cottage white two-story gable roof remodel in New York

Architecture & Interior Design: David Heide Design Studio Photos: William Wright
Example of an arts and crafts gray two-story stucco exterior home design in Minneapolis with a hip roof

The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house. The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day. The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core. Photography: Charles Davis Smith

King George, Virginia General Contractor: Bonitt Builders Photo: Julia Heine
Minimalist patio kitchen photo in DC Metro