STUDIO Edesigned by Adrian Ramsay of Adrian Ramsay Design House, this project was focused on creating an Exercise and Games studio on the property of Buderim locals, the design was created to be sympathic to the main house with similar cladding and curved roof, 3 walls of the structure are either doors or louver windows allowing the structure to breath naturally. The building contains an exercise area including a flow pool, weight machines, boxing bag and yoga area. The games end of the building, houses a table tennis table, pool table and sofas, making the structure multipurpose. The building takes in views over the gardens and art sculptures with a large deck and planters integrated into the design.

STUDIO Edesigned by Adrian Ramsay of Adrian Ramsay Design House, this project was focused on creating an Exercise and Games studio on the property of Buderim locals, the design was created to be sympathic to the main house with similar cladding and curved roof, 3 walls of the structure are either doors or louver windows allowing the structure to breath naturally. The building contains an exercise area including a flow pool, weight machines, boxing bag and yoga area. The games end of the building, houses a table tennis table, pool table and sofas, making the structure multipurpose. The building takes in views over the gardens and art sculptures with a large deck and planters integrated into the design.

STUDIO Edesigned by Adrian Ramsay of Adrian Ramsay Design House, this project was focused on creating an Exercise and Games studio on the property of Buderim locals, the design was created to be sympathic to the main house with similar cladding and curved roof, 3 walls of the structure are either doors or louver windows allowing the structure to breath naturally. The building contains an exercise area including a flow pool, weight machines, boxing bag and yoga area. The games end of the building, houses a table tennis table, pool table and sofas, making the structure multipurpose. The building takes in views over the gardens and art sculptures with a large deck and planters integrated into the design.

STUDIO Edesigned by Adrian Ramsay of Adrian Ramsay Design House, this project was focused on creating an Exercise and Games studio on the property of Buderim locals, the design was created to be sympathic to the main house with similar cladding and curved roof, 3 walls of the structure are either doors or louver windows allowing the structure to breath naturally. The building contains an exercise area including a flow pool, weight machines, boxing bag and yoga area. The games end of the building, houses a table tennis table, pool table and sofas, making the structure multipurpose. The building takes in views over the gardens and art sculptures with a large deck and planters integrated into the design.

We choose to highlight this project because even though it is a more traditional design style its light neutral color palette represents the beach lifestyle of the south bay. Our relationship with this family started when they attended one of our complimentary educational seminars to learn more about the design / build approach to remodeling. They had been working with an architect and were having trouble getting their vision to translate to the plans. They were looking to add on to their south Redondo home in a manner that would allow for seamless transition between their indoor and outdoor space. Design / Build ended up to be the perfect solution to their remodeling need. As the project started coming together and our clients were able to visualize their dream, they trusted us to add the adjacent bathroom remodel as a finishing touch. In keeping with our light and warm palette we selected ocean blue travertine for the floor and installed a complimentary tile wainscot. The tile wainscot is comprised of hand-made ceramic crackle tile accented with Lunada Bay Selenium Silk blend glass mosaic tile. However the piéce de résistance is the frameless shower enclosure with a wave cut top.

CAP Carpet & Flooring is the leading provider of flooring & area rugs in the Twin Cities. CAP Carpet & Flooring is a locally owned and operated company, and we pride ourselves on helping our customers feel welcome from the moment they walk in the door. We are your neighbors. We work and live in your community and understand your needs. You can expect the very best personal service on every visit to CAP Carpet & Flooring and value and warranties on every flooring purchase. Our design team has worked with homeowners, contractors and builders who expect the best. With over 30 years combined experience in the design industry, Angela, Sandy, Sunnie,Maria, Caryn and Megan will be able to help whether you are in the process of building, remodeling, or re-doing. Our design team prides itself on being well versed and knowledgeable on all the up to date products and trends in the floor covering industry as well as countertops, paint and window treatments. Their passion and knowledge is abundant, and we're confident you'll be nothing short of impressed with their expertise and professionalism. When you love your job, it shows: the enthusiasm and energy our design team has harnessed will bring out the best in your project. Make CAP Carpet & Flooring your first stop when considering any type of home improvement project- we are happy to help you every single step of the way.

Photography: Mike Kaskel, Kaskel Photo
Large transitional l-shaped dark wood floor eat-in kitchen photo in Chicago with a single-bowl sink, recessed-panel cabinets, white cabinets, quartzite countertops, white backsplash, ceramic backsplash, stainless steel appliances and an island

Atherton has many large substantial homes - our clients purchased an existing home on a one acre flag-shaped lot and asked us to design a new dream home for them. The result is a new 7,000 square foot four-building complex consisting of the main house, six-car garage with two car lifts, pool house with a full one bedroom residence inside, and a separate home office /work out gym studio building. A fifty-foot swimming pool was also created with fully landscaped yards. Given the rectangular shape of the lot, it was decided to angle the house to incoming visitors slightly so as to more dramatically present itself. The house became a classic u-shaped home but Feng Shui design principals were employed directing the placement of the pool house to better contain the energy flow on the site. The main house entry door is then aligned with a special Japanese red maple at the end of a long visual axis at the rear of the site. These angles and alignments set up everything else about the house design and layout, and views from various rooms allow you to see into virtually every space tracking movements of others in the home. The residence is simply divided into two wings of public use, kitchen and family room, and the other wing of bedrooms, connected by the living and dining great room. Function drove the exterior form of windows and solid walls with a line of clerestory windows which bring light into the middle of the large home. Extensive sun shadow studies with 3D tree modeling led to the unorthodox placement of the pool to the north of the home, but tree shadow tracking showed this to be the sunniest area during the entire year. Sustainable measures included a full 7.1kW solar photovoltaic array technically making the house off the grid, and arranged so that no panels are visible from the property. A large 16,000 gallon rainwater catchment system consisting of tanks buried below grade was installed. The home is California GreenPoint rated and also features sealed roof soffits and a sealed crawlspace without the usual venting. A whole house computer automation system with server room was installed as well. Heating and cooling utilize hot water radiant heated concrete and wood floors supplemented by heat pump generated heating and cooling. A compound of buildings created to form balanced relationships between each other, this home is about circulation, light and a balance of form and function. Photo by John Sutton Photography.

The master bathroom is large with plenty of built-in storage space and double vanity. The countertops carry on from the kitchen. A large freestanding tub sits adjacent to the window next to the large stand-up shower. The floor is a dark great chevron tile pattern that grounds the lighter design finishes.

We choose to highlight this project because even though it is a more traditional design style its light neutral color palette represents the beach lifestyle of the south bay. Our relationship with this family started when they attended one of our complimentary educational seminars to learn more about the design / build approach to remodeling. They had been working with an architect and were having trouble getting their vision to translate to the plans. They were looking to add on to their south Redondo home in a manner that would allow for seamless transition between their indoor and outdoor space. Design / Build ended up to be the perfect solution to their remodeling need. As the project started coming together and our clients were able to visualize their dream, they trusted us to add the adjacent bathroom remodel as a finishing touch. In keeping with our light and warm palette we selected ocean blue travertine for the floor and installed a complimentary tile wainscot. The tile wainscot is comprised of hand-made ceramic crackle tile accented with Lunada Bay Selenium Silk blend glass mosaic tile. However the piéce de résistance is the frameless shower enclosure with a wave cut top.

The program consists of a detached Guest House with full Kitchen, Living and Dining amenities, Carport and Office Building with attached Main house and Master Bedroom wing. The arrangement of buildings was dictated by the numerous majestic oaks and organized as a procession of spaces leading from the Entry arbor up to the front door. Large covered terraces and arbors were used to extend the interior living spaces out onto the site. All the buildings are clad in Texas limestone with accent bands of Leuders limestone to mimic the local limestone cliffs in the area. Steel was used on the arbors and fences and left to rust. Vertical grain Douglas fir was used on the interior while flagstone and stained concrete floors were used throughout. The flagstone floors extend from the exterior entry arbors into the interior of the Main Living space and out onto the Main house terraces.

Modern Wall Unit Lyrics 13 by Up Huppe Made in Canada The Lyrics by Up Huppe is a modular line of wall units made out of a specially selected American walnut veneer and lacquered in a blend of micro-textured lacquer. The collection is equipped with the highest quality hardware, and the drawers, which are specially treated and stained to match the exterior, are able to close gently and silently due to the invisible, self-closing slow-motion slides. All the modules within the Lyric line can be set on a base, placed on the floor or hung on a wall to allow for the creation of unique configurations, with plenty of storage space within the modules to make them functional as well. The black smoked glass front of the TV base units are made so that they do not interrupt any wireless device signal, and the cut-outs on the back and the adjustable shelves of each unit help provide maximum ventilation for any electronics. Designed by Joel Dupras and manufactured in Canada by a passionate and professional team, the Lyrics line guarantees the highest build quality for each of its units. The Lyrics line offers flexibility with its design, providing you with the option to create your own composition through the many different units available, or giving you the option to choose from the many different pre-designed compositions available. Features: Designed by Joel Dupras Modular line which allows for unique composition building Veneered wood structure available in a natural, smoky, chocolate, espresso or tobacco walnut finish TV base units feature cut-outs for wires and a black smoked glass front to prevent wireless device disruption Front of the closed units and the T-shaped Top available in several lacquered finishes Drawers are fully finished and equipped with invisible self-closing slow-motion slides Optional LED Light can be ordered for the TV back panel (for the extra charge) The starting price is for the Lyrics Wall Unit Composition 13 in a Tobacco Walnut and Amber Lacquered finish as shown in the main picture. (Glass Front TV Base W60" + Glass Front TV Base W30" + T-shaped Sliding Top W60" + TV Back Panel + 9046B Bookcase + 9046C Bookcase + 9061A Bookcase). Dimensions: Wall Unit: W115" x D21.5" x H61.5" Individual Components: TV Base W60": W60" x D21.5" x H15.5" Glass Front TV Base W30" W30" x D21.5" x H15.5" T-shaped Sliding Top: W60" x D17" x H17.6" TV Back Panel: W60" x D2" x H44" 9046B Bookcase: W17.2" x D15.7" x H46" 9046C Bookcase: W12.7" x D15.7" x H46" 9061A Bookcase: W12.7" x D15.7" x H61.5"

The program consists of a detached Guest House with full Kitchen, Living and Dining amenities, Carport and Office Building with attached Main house and Master Bedroom wing. The arrangement of buildings was dictated by the numerous majestic oaks and organized as a procession of spaces leading from the Entry arbor up to the front door. Large covered terraces and arbors were used to extend the interior living spaces out onto the site. All the buildings are clad in Texas limestone with accent bands of Leuders limestone to mimic the local limestone cliffs in the area. Steel was used on the arbors and fences and left to rust. Vertical grain Douglas fir was used on the interior while flagstone and stained concrete floors were used throughout. The flagstone floors extend from the exterior entry arbors into the interior of the Main Living space and out onto the Main house terraces.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Modern Farmhouse stairs
Large country wooden u-shaped mixed material railing staircase photo in DC Metro with painted risers

Photo credit: Scott McDonald @ Hedrich Blessing 7RR-Ecohome: The design objective was to build a house for a couple recently married who both had kids from previous marriages. How to bridge two families together? The design looks forward in terms of how people live today. The home is an experiment in transparency and solid form; removing borders and edges from outside to inside the house, and to really depict “flowing and endless space”. The house floor plan is derived by pushing and pulling the house’s form to maximize the backyard and minimize the public front yard while welcoming the sun in key rooms by rotating the house 45-degrees to true north. The angular form of the house is a result of the family’s program, the zoning rules, the lot’s attributes, and the sun’s path. We wanted to construct a house that is smart and efficient in terms of construction and energy, both in terms of the building and the user. We could tell a story of how the house is built in terms of the constructability, structure and enclosure, with a nod to Japanese wood construction in the method in which the siding is installed and the exposed interior beams are placed in the double height space. We engineered the house to be smart which not only looks modern but acts modern; every aspect of user control is simplified to a digital touch button, whether lights, shades, blinds, HVAC, communication, audio, video, or security. We developed a planning module based on a 6-foot square room size and a 6-foot wide connector called an interstitial space for hallways, bathrooms, stairs and mechanical, which keeps the rooms pure and uncluttered. The house is 6,200 SF of livable space, plus garage and basement gallery for a total of 9,200 SF. A large formal foyer celebrates the entry and opens up to the living, dining, kitchen and family rooms all focused on the rear garden. The east side of the second floor is the Master wing and a center bridge connects it to the kid’s wing on the west. Second floor terraces and sunscreens provide views and shade in this suburban setting. The playful mathematical grid of the house in the x, y and z axis also extends into the layout of the trees and hard-scapes, all centered on a suburban one-acre lot. Many green attributes were designed into the home; Ipe wood sunscreens and window shades block out unwanted solar gain in summer, but allow winter sun in. Patio door and operable windows provide ample opportunity for natural ventilation throughout the open floor plan. Minimal windows on east and west sides to reduce heat loss in winter and unwanted gains in summer. Open floor plan and large window expanse reduces lighting demands and maximizes available daylight. Skylights provide natural light to the basement rooms. Durable, low-maintenance exterior materials include stone, ipe wood siding and decking, and concrete roof pavers. Design is based on a 2' planning grid to minimize construction waste. Basement foundation walls and slab are highly insulated. FSC-certified walnut wood flooring was used. Light colored concrete roof pavers to reduce cooling loads by as much as 15%. 2x6 framing allows for more insulation and energy savings. Super efficient windows have low-E argon gas filled units, and thermally insulated aluminum frames. Permeable brick and stone pavers reduce the site’s storm-water runoff. Countertops use recycled composite materials. Energy-Star rated furnaces and smart thermostats are located throughout the house to minimize duct runs and avoid energy loss. Energy-Star rated boiler that heats up both radiant floors and domestic hot water. Low-flow toilets and plumbing fixtures are used to conserve water usage. No VOC finish options and direct venting fireplaces maintain a high interior air quality. Smart home system controls lighting, HVAC, and shades to better manage energy use. Plumbing runs through interior walls reducing possibilities of heat loss and freezing problems. A large food pantry was placed next to kitchen to reduce trips to the grocery store. Home office reduces need for automobile transit and associated CO2 footprint. Plan allows for aging in place, with guest suite than can become the master suite, with no need to move as family members mature.

Example of a classic rectangular pool design in New York

The client’s request was quite common - a typical 2800 sf builder home with 3 bedrooms, 2 baths, living space, and den. However, their desire was for this to be “anything but common.” The result is an innovative update on the production home for the modern era, and serves as a direct counterpoint to the neighborhood and its more conventional suburban housing stock, which focus views to the backyard and seeks to nullify the unique qualities and challenges of topography and the natural environment. The Terraced House cautiously steps down the site’s steep topography, resulting in a more nuanced approach to site development than cutting and filling that is so common in the builder homes of the area. The compact house opens up in very focused views that capture the natural wooded setting, while masking the sounds and views of the directly adjacent roadway. The main living spaces face this major roadway, effectively flipping the typical orientation of a suburban home, and the main entrance pulls visitors up to the second floor and halfway through the site, providing a sense of procession and privacy absent in the typical suburban home. Clad in a custom rain screen that reflects the wood of the surrounding landscape - while providing a glimpse into the interior tones that are used. The stepping “wood boxes” rest on a series of concrete walls that organize the site, retain the earth, and - in conjunction with the wood veneer panels - provide a subtle organic texture to the composition. The interior spaces wrap around an interior knuckle that houses public zones and vertical circulation - allowing more private spaces to exist at the edges of the building. The windows get larger and more frequent as they ascend the building, culminating in the upstairs bedrooms that occupy the site like a tree house - giving views in all directions. The Terraced House imports urban qualities to the suburban neighborhood and seeks to elevate the typical approach to production home construction, while being more in tune with modern family living patterns. Overview: Elm Grove Size: 2,800 sf, 3 bedrooms, 2 bathrooms Completion Date: September 2014 Services: Architecture, Landscape Architecture Interior Consultants: Amy Carman Design

Need For Build did an outstanding job modifying the side yard of our house. The job included clearing large sections of dirt, building a 3' by 50' retaining wall, and installing pavers. The cost estimate came in thousands less than the others I received for the same work. They started on schedule and had a time estimate of 2 to 3 weeks, but they actually finished in only 8 working days. They were very flexible and made changes to the plan at my request as the job proceeded. The work crews were all very polite and helpful; they cleaned up each day and left the final site looking excellent. Another good point is that David was both the salesperson and the project manager so he showed up every day to make sure the progress matched my expectations - I've had other company's sales people disappear once the sale has been made, but not David!