The focal point of the kitchen is the blue subway tiles on the range wall. Having only one wall of backsplash allowed for a bit more fun with tile without any worry of getting too much color or becoming too busy. Photographer: Ashley Avila Photography Interior Design: Vision Interiors by Visbeen Builder: Joel Peterson Homes

Bathroom - transitional bathroom idea in Philadelphia

Carpet Cleaning Methods in Singapore Is your house full of rugs made of different fabrics? And, are you confused about its cleaning methods? This confusion is easy to happen when there are several rugs in your home. In those situations, consulting carpet cleaning services in Singapore is the best solution for you. Different carpet fabrics require different cleaning methods to be applied, as applying a single method can damage the texture and appearance of the carpet. So, here in this blog, we will discuss the different types of carpet fabrics and the cleaning methods used by the best carpet cleaning company. Different carpet fabrics require different cleaning methods to be applied Different carpet fabrics require different cleaning methods to be applied 4 Types of carpets and best cleaning method Synthetic Carpets: Synthetic carpets are found in most households as they are abundant in the market. They are easy to maintain and need to be cleaned regularly because dusting is quick on such fabrics. For cleaning of synthetic carpets, you can contact cheap carpet cleaning in Singapore, as the frequency of cleaning is high. Also, the method adopted for cleaning synthetic carpets usually involves dry-chem cleaning or soap-free cleaning methods. Wool Carpets: Wool carpets can stain and collect dust easily, but you shouldn’t clean them with soap and water. Wool has excellent water absorption and takes a long time to dry completely. Therefore, to clean wool carpets, it is better to consult a professional carpet cleaner, as they have a better knowledge of applying the right cleaning method. Usually, the dry cleaning method is applied to make the carpet faster and cleaner. Polyester Carpets: Polyester is one of the forms of synthetic fabric that has been one of the most popular carpet fabrics for a long time. This fabric is known for its luxurious feel and comes in a variety of colors. These mats are hydrophobic and stain resistant, however, they are not very durable, especially when exposed to the sun. Therefore, you should not apply the usual soap and water cleaning method to this fabric but entrust the task to professionals. Berber Carpets: Berber carpets give you a soft, comfortable feeling when you step on them, and with this carpet fabric you need to wash it often because the dust treatment process happens quickly. Weekly vacuuming is recommended along with professional deep cleaning every three months. To clean Berber carpets, you can choose the regular soap and water method, but be careful with rubbing as it can damage the fabric texture. Conclusion Ocean Cleans Singapore we provide the best cleaning service in Singapore. With our 20 years of experience, you’ll enjoy the luxury of deep-cleaned rugs at an incredible price. We have extensive knowledge of different carpet fabrics and use the most appropriate and advanced cleaning technology and methods. So, to enjoy the pleasure of having clean carpets at your residence, feel free in availing our excellent services!

A female mining bee on American plum (Prunus americana). This photo illustrates where mining bee females collect pollen: on the lower part of the hind leg, as well as higher up on the hind leg and the side of the thorax, giving the appearance that pollen is collected in their ‘armpit’.

Tucked away in the backwoods of Torch Lake, this home marries “rustic” with the sleek elegance of modern. The combination of wood, stone and metal textures embrace the charm of a classic farmhouse. Although this is not your average farmhouse. The home is outfitted with a high performing system that seamlessly works with the design and architecture. The tall ceilings and windows allow ample natural light into the main room. Spire Integrated Systems installed Lutron QS Wireless motorized shades paired with Hartmann & Forbes windowcovers to offer privacy and block harsh light. The custom 18′ windowcover’s woven natural fabric complements the organic esthetics of the room. The shades are artfully concealed in the millwork when not in use. Spire installed B&W in-ceiling speakers and Sonance invisible in-wall speakers to deliver ambient music that emanates throughout the space with no visual footprint. Spire also installed a Sonance Landscape Audio System so the homeowner can enjoy music outside. Each system is easily controlled using Savant. Spire personalized the settings to the homeowner’s preference making controlling the home efficient and convenient.

With education being key to our remodel process, our designer discussed lighting elements, space planning, cabinet options and finish materials with our homeowners. To begin, she talked about under cabinet and above cabinet lighting options. They also discussed the popularity and functionality of LED lights for task, decorative and ambient lighting scenes. Eavesdropping on our conversation, one of the brothers chimed in on how often they had to change the recessed ceiling fixtures. That comment from the brother led our designer to increase our scope of work to add dimmable LED can lights in the color frequency close to daylight. Now it was time to complete the finish selections. Product selection had to go quickly, as the homeowner was only able to dedicate one long weekend to shop. With this goal in mind, our designer made choosing plumbing products and decorative lighting an online event. Then they went to an appliance showroom and granite/tile showroom to make the final choices. Our designer made sure they found a gorgeous set of slabs for the granite above the cooktop, since it was a key factor for the client and her mother. With all the selections made, final space plan drawings and the electrical layout complete, the client met with our designer to sign off on all the paperwork and move forward with their new kitchen. The key improvements incorporated into the final design were: LED can lights, under cabinet and above cabinet lights all on dimmers. Accessible items for wheelchair use with a touch-free faucet and microwave drawer . Extra deep counter space and seating at the island. Additional storage cabinets under the seating area of the island. Decreased traffic flow issues by adjusting refrigerator/freezer location and double oven cabinet. Plug strips under the wall cabinets to eliminate backsplash outlets. An expansive granite slab backsplash centered on the cooktop area. Our project manager started the job with rough electrical and rough plumbing, as the homeowner had enlisted the assistance of a family friend to remove the kitchen cabinets and re-install them in her garage. The plumbing was straight forward with the gas line already in place and the sink location staying in the island. The electrician wired for the new under-cabinet and above cabinet LED strip lights. The sconce locations were adjusted for the new bar top location, as were a row of can lights to accommodate for an even pour of ambient light throughout the space. The new LED can lights are a hit, as none have needed to be changed out. Our project manager specializes in trim carpentry so he did the cabinet install to keep our schedule on time. The cabinets went in smoothly except for the custom refrigerator panel. One of the panels needed to be remade three times, as each time it was produced the manufacturer’s quality control caught a defect. Our project manager worked closely with manufacturer and homeowner to keep everyone in the loop waiting patiently on its arrival. When it came time for the quartzite installation, we worked closely with our fabricator at cut layout to create the focal point at the hood. His team did an excellent job with the installation. The sink area was a surprise. They went above and beyond in framing the sink with the similar vein to the hood backsplash. Upon installation, the tile backsplash just did not do justice to the amazing quartzite. Discussion with the family and pictures sent to the homeowner lead to a decision to call the fabricator to see how much quartzite might be left. He had just enough to complete the island and beverage center. In the end, the backsplash worked out beautifully in all stone. We met our schedule for the end date of the project and the wheelchair-bound sister was able to move in. For this large Italian family, big meals with lots of family and friends in the new wonderful hub/kitchen is now a part of their happy life. Mission accomplished.

Preparing for the Thanksgiving holiday is turning out to be a bit different. Gone this year is the uncle who throws crumbs of food and bits of trash in the fireplace. Or the kids that like to poke the fireplace logs sending sparks in every direction. This year, we get to create our own scene. Once you and your family have finished the delicious meal, now it’s time to make the rounds of Internet calls. Whether you use Zoom, Facebook, Skype or any other system, one thing is for sure…you need a warm, inviting, good-looking background. The fireplace is the perfect go-to background, especially when you can see and hear the crackling of the fire. Put a little extra time in decorating around the fireplace, and of course, include the cookies and pumpkin pie. To ensure chaos isn’t erupting behind you, make sure your fireplace and chimney is ready to go. Begin with a Chimney & Fireplace Inspection By getting a chimney inspection you’ll help to ensure smoke goes up and out of the house, debris is not blocking it and any animals are safely living outside of your chimney. You certainly don’t want your online guests to think you smoked the turkey in the fireplace. Chimney backup or a Smokey fireplace is usually caused by an insufficient draft in the flue. However, there are lots of other reasons for smoke backup including the partially open dampers, too small of a flue or a dirty chimney. This is one situation that’s best left to a certified technician to identify and repair. Debris knows how to make its way into the chimney. Leaves, twigs, paper, plastic, and anything else flying around on windy days, has this special radar, and when it finds a chimney, it’ll try to make its way in. If the chimney doesn’t have a chimney cap, or if it was blown off or shifted from the high winds, debris found a new home! Animals are wonderful to watch outside. We’ve watched a couple of the squirrels in our yard go from a lean body to a very plump size, all in preparation for winter. What comes next is a cozy place to sleep. The chimney is a perfect. It’s warm and protects the animals from the outdoor elements. If there isn’t a chimney cap or if the cap is loose or moved in a way to squeeze in…perfect! What is a 14 Point Inspection? A 14 point chimney inspection for your fireplace tells us a story about the events that occurred over the past year’s freeze and thaw cycle. It reveals to us any wear and tear, the frequency of use and the age of the chimney. This is great information to have in order to stay on top of any necessary chimney repairs and know the current conditions of worthiness for use. Since the chimney is high on the roof, we take pictures of your chimney to show you the current condition. If any repairs are needed, you can see it for yourself. You have a little time before the ‘live’ internet chat on Thanksgiving Day. As part of your preparations, get your chimney swept and inspected today. Call 877-244-6349.

Example of an urban home design design in Milan

**Paragraph 1: Spatial Composition & Architectural Volume** This dressing vestibule is an exercise in the choreography of compression and release — a narrow processional corridor that opens onto a shallow window alcove, terminating the sightline in a single, deliberately staged tableau. The plan is organized between two parallel planes of full-height joinery: at left, a monumental run of flush-faced wardrobe doors executed in bespoke decorative panelling, and at right, a mirror-clad pier whose reflective face doubles the room's apparent width and recapitulates the window, the bench, and the herringbone floor in a quiet trompe-l'oeil. The millwork is detailed with an admirable restraint — reveal-shadow gaps rather than architraves, concealed pivot hinges, and slim bronze-toned frames that read as drawn lines rather than mouldings. Overhead, a stepped soffit and recessed cornice detail lower the datum at the corridor, then release into the fuller ceiling height of the alcove; the effect is subtly perspectival, drawing the eye toward the luminous aperture. The punched window, generously reveal-deep and set within a wide oak surround, functions less as a view and more as a light well, its frosted glazing dissolving the exterior into pure illuminated field. The upholstered bench, centered beneath it and flanked casually by a pair of double-monk shoes, provides the anthropometric anchor — a note of inhabited scale that keeps the geometry from tipping into abstraction. **Paragraph 2: Materiality, Color & Texture** The palette operates within an exceptionally disciplined tonal register — a graduated field of oyster, greige, bone, and pale putty, all sharing a warm mineral undertone that prevents the achromatic scheme from turning cold. The hero surface is undoubtedly the wardrobe fronts: a hand-applied, gesso-like plaster or lacquered artisanal finish, its brushed and troweled passages bearing faint calligraphic incisions and pinpricked stitch-like perforations, evoking a Japanese ink study or an aged fresco fragment. Against this painterly softness, the joinery frames and window casings deliver rift-sawn oak with a fine, linear grain, while the perimeter walls are dressed in a subtly striated textile or grasscloth wallcovering punctuated by small inlaid tesserae — a low-frequency rhythm that reads as texture at distance and as craft detail at proximity. Hardware provides the scheme's only true contrast: elongated blackened-bronze pulls, rectilinear and unornamented, act as punctuation marks on the pale field. Metals are otherwise handled with restraint — satin brass sabots capping the bench legs, an unlacquered brass sconce armature — introducing warmth without glitter. Underfoot, the chevron-laid oak parquet supplies directional energy, softened by a plush viscose or silk-blend rug whose sheen shifts from pearl to shadow. The tactile logic is one of graduated softness: matte plaster against silk pile, honed timber against brushed textile, with mirror as the single hard, cool interruption. **Paragraph 3: Lighting, Atmosphere & Style Profile** Natural light is the primary compositional instrument here, and it has been diffused rather than admitted — the obscured glazing and half-drawn linen Roman shade convert daylight into a soft, north-facing luminous plane, evenly modelling the plaster and revealing its topography in raking gradients. This ambient wash is calibrated against a single decorative gesture: a wall-mounted sconce in alabaster or hand-formed opaline glass, its warm amber core providing the room's only chromatic accent and a welcome note of imperfection against the otherwise machined precision. Architectural lighting is entirely concealed — no downlight apertures interrupt the ceiling plane — reinforcing the sense that illumination emanates from the surfaces themselves. The resulting atmosphere is contemplative, hushed, almost sacral: a threshold space treated with the gravity of a chapel narthex. Stylistically, the project sits at the confluence of Soft Minimalism and contemporary Parisian couture interiors — the reductive planarity and monochromatic discipline of the former married to the artisanal, hand-wrought materiality and bronze detailing associated with the latter, with a distinctly Japandi sensibility in its reverence for wabi-sabi surface irregularity and asymmetric compositional balance. It is a scheme that achieves luxury not through ornament or contrast but through the sustained rigour of tonal control, the quality of the hand in its finishes, and the confidence to leave the volume largely empty.

## Spatial Composition & Architectural Volume This is a kitchen conceived less as a service zone than as a precisely calibrated architectural volume, resolved through an L-configuration of full-height cabinetry that terminates against a monolithic island set on an intentional diagonal to the orthogonal grid of the herringbone flooring. The island's waterfall treatment — a slab returning to the floor in a single unbroken plane — functions as both a peninsular counter and a piece of quasi-sculptural infrastructure, its overhang generating a shallow banquette-adjacent seating zone without resorting to a conventional breakfast bar. Above, a coffered soffit executed in flush drywall with a continuous cove-lit reveal establishes a datum line that both compresses and defines the working core, while the adjacent tray ceiling reads as a distinct volume, spatially decoupling the kitchen from the living room beyond. That threshold is the composition's most disciplined gesture: a wide cased opening framed in mitered rift-cut oak paneling, its architrave articulated as a shadow-gapped reveal rather than applied trim, drawing a deep enfilade sightline through to the window wall, its Roman shades, and the mid-rise cityscape beyond. Millwork here performs structurally as well as visually — the oak-clad pilasters and the fluted, hand-carved textural panel at right operate as pseudo-columnar elements, organizing the plan into legible bays. ## Materiality, Color & Texture The palette is constructed on a deliberate dialectic between two wood registers. The envelope employs a pale, quarter-sawn white oak with a honeyed, faintly amber undertone, its figure suppressed and its finish matte, functioning as a luminous neutral ground. Against this, the cabinetry deploys a deeply fumed or ebonized ash — likely a heavily lacquered, open-grain veneer — where the cathedral figuring is exaggerated into near-graphic striation and the high-gloss sheen produces a lacquered, almost Art Deco lustre. This contrast of value (blonde against bitter chocolate) and of sheen (matte against specular) is the project's principal tension. Mediating between them is the stone: a white quartzite or dolomitic marble with soft grey-taupe veining and a distinctly warm, cream-adjacent field, book-matched across the full-height backsplash and repeated on the island slab, its subtly honed surface refusing the glare of a polished finish. Metallic accents are restrained and consistently warm — satin brass on the pendant canopies and stool footrails, blackened bronze on the hardware, glazing frames, and the stools' slender tubular frames. Textiles introduce a low-frequency counterpoint: nubby bouclé upholstery on the sectional, a striated woven sheer at left, ikat-patterned cushions, and a tonal blue-grey geometric rug that supplies the only chromatic departure from the room's ochre-to-espresso spectrum. ## Lighting, Atmosphere & Style Profile The lighting scheme is layered with unusual rigor. Daylight is admitted obliquely, filtered through the plaid-toned Roman shades of the adjacent living room, so the kitchen receives it secondhand — soft, directional, and already warmed. Artificial light works in three tiers: the recessed cove uplighting that grazes the soffit and dissolves the ceiling's edges; concealed under-cabinet illumination that renders the stone backsplash as a glowing plane; and the pair of spun-brass disc pendants suspended on slender blackened stems, whose downward-facing diffusers deliver a controlled pool of task light while their polished undersides register as small suns in the composition. The absence of visible downlight clutter is notable and disciplined. The resulting atmosphere is enveloping and low-glare — cosseting rather than clinical — with a distinctly residential, almost salon-like decorum reinforced by the framed genre painting hung casually on the oak paneling, a curatorial gesture that domesticates the kitchen decisively. Stylistically, the project reads as **Warm Modernist Luxe**, drawing on the vocabulary of high-craft European cabinetry and mid-century Milanese interiors: the grain-forward veneers, brass discs, and slender bronze seating carry a whisper of 1970s Italian sophistication, while the flush detailing, shadow-gap reveals, and rigorous suppression of ornament situate it firmly in contemporary practice. It is tailored rather than austere — a demonstration that minimalist discipline and material sensuality need not be adversaries.

Trendy terra-cotta tile entryway photo in Austin

Example of a huge trendy metal floating open staircase design in Minneapolis

White Subway Tile Shower accented with Chrome Luxart Fixtures, Cantera Marble Basket Weave Flooring and Venatino Solid Surfaces
Example of a mid-sized transitional master white tile and subway tile medium tone wood floor double shower design in Houston with an undermount sink, furniture-like cabinets, black cabinets, marble countertops, a bidet and gray walls

Kitchen - craftsman kitchen idea in Atlanta

Bar Countertop Materials: Zinc
Large transitional u-shaped dark wood floor eat-in kitchen photo in Atlanta with recessed-panel cabinets, distressed cabinets, stainless steel appliances and a peninsula

Detail of charred wood plank. We used the ancient Japanese method of shou-sugi-ban, which rendered the reclaimed cedar (traditionally Japanese cypress) fire, rot and pest resistant while imparting a striking black, slightly iridescent finish that’s both modern and low maintenance. images | gretchen claire garnett

This is one our longest running projects, developed in phases over ten years. Cobblestone driveway, old world craftsmanship, one of a kind elements.
Inspiration for a large timeless backyard patio remodel in Baltimore with no cover

Corbin Henry
Example of a tuscan family room design in Sacramento

Photo: Caela McKeever © 2017 Houzz
Inspiration for an eclectic home design remodel in Seattle