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This NoHo apartment, in a landmarked circa 1870 building designed by Stephen Decatur Hatch and converted to lofts in 1987, had been interestingly renovated by a rock musician before being purchased by a young hedge fund manager and his gallery director girlfriend. Naturally, the couple brought to the project their collection of painting, photography and sculpture, mostly by young emerging artists. Axis Mundi accommodated these pieces within a neutral palette accented with occasional flashes of bright color that referenced the various artworks. Major furniture pieces – a sectional in the library, a 12-foot-long dining table–along with a rich blend of textures such as leather, linen, fur and warm woods, helped bring the sprawling dimensions of the loft down to human scale.
Photography: Durston Saylor

Step into this sophisticated modern dining room, featuring a beautiful wood dining table surrounded by comfortable Four Hands Benton Dining Chairs in a natural finish with upholstered seats. The focal point is a striking bubble chandelier, illuminating the space and complementing the warm tones of the custom built-in shelving and hardwood floors. An open entryway provides a seamless transition to other living areas, while a subtle area rug grounds the dining space, adding texture and defining the zone. This design blends clean lines with natural elements, creating an inviting and stylish atmosphere perfect for entertaining or everyday family meals.

The playful design solution incorporated natural palette of materials such as recycled timber, stone and weatherboard creating a blended connection between the indoor and outdoor environment. The controlled interplay of details and natural materials have developed a language reminiscent of the Currumbin Beach style and develops an aesthetic that provides a soft human scale appropriate for children. The Timber battened Entry façade creates a contemporary cubic form of which replicates consistently through the integrated hubby house playground design. Renovation of the existing house created three classrooms, staffroom and utility spaces creating a feeling of home and strong connection to the Currumbin creek through the dappled landscaped vista. Extension areas created two classrooms and administrative areas are linked by a series of breezeway covered areas which provide shelter and safe sanctuary. Joint Venture between the Childcare and Wellness Centre to the front enabled carparking and accessibility of the battle-axe site.
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Capture the essence of modern living with this stylish dining and living room space, featuring a sleek glass-top West Elm Jensen dining table paired with upholstered chairs, set against a backdrop of warm hardwood floors and inviting neutral tones. This mid-century inspired interior design boasts clean lines, natural materials, and ample natural light, creating an airy and sophisticated atmosphere perfect for both entertaining and daily life.

The playful design solution incorporated natural palette of materials such as recycled timber, stone and weatherboard creating a blended connection between the indoor and outdoor environment. The controlled interplay of details and natural materials have developed a language reminiscent of the Currumbin Beach style and develops an aesthetic that provides a soft human scale appropriate for children. The Timber battened Entry façade creates a contemporary cubic form of which replicates consistently through the integrated hubby house playground design. Renovation of the existing house created three classrooms, staffroom and utility spaces creating a feeling of home and strong connection to the Currumbin creek through the dappled landscaped vista. Extension areas created two classrooms and administrative areas are linked by a series of breezeway covered areas which provide shelter and safe sanctuary. Joint Venture between the Childcare and Wellness Centre to the front enabled carparking and accessibility of the battle-axe site.

The playful design solution incorporated natural palette of materials such as recycled timber, stone and weatherboard creating a blended connection between the indoor and outdoor environment. The controlled interplay of details and natural materials have developed a language reminiscent of the Currumbin Beach style and develops an aesthetic that provides a soft human scale appropriate for children. The Timber battened Entry façade creates a contemporary cubic form of which replicates consistently through the integrated hubby house playground design. Renovation of the existing house created three classrooms, staffroom and utility spaces creating a feeling of home and strong connection to the Currumbin creek through the dappled landscaped vista. Extension areas created two classrooms and administrative areas are linked by a series of breezeway covered areas which provide shelter and safe sanctuary. Joint Venture between the Childcare and Wellness Centre to the front enabled carparking and accessibility of the battle-axe site.

A lack of counter top space, and the original layout which included an exterior door, and wall separating the dinning room and kitchen, really demanded a new design and complete update. The doorway to the exterior (which is where the triple windows are currently located) took up valuable work space in the kitchen. A wall separated the dinning and kitchen area. The wall was removed and the room was opened up for a space that was much better for entertaining and human interaction. Otherwise, whoever was cooking was walled off from the rest of the house. The medium toned natural birch cabinetry along with the lighter maple floors created an open, warm and inviting room.
Mike Kaskel Photography.

Sponsored
Fredericksburg, OH
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The Portola Valley Residence and Pavilion is a composition of staggered and interlocking rectangular spaces that cling to the slope as it gradually wraps around the hillside. As the interior floor level slowly steps down, echoing the natural grade, it increases the floor-to-ceiling height, flooding the space with expanded views and abundant natural light. Carefully defined interior spaces with plaster and stone veneer walls offer a fitting backdrop for the owner's dramatic art collection. The home’s terraced roof design and careful selection of natural materials equally complement its human and natural environments.
In a stylistic departure from the main house, the 750 sf guest pavilion combines three small geometric elements to form a pleasant guest, entertainment space . . . and yard sculpture.

Step into a modern, open-concept living space featuring a warm and inviting kitchen with sleek wooden cabinetry and a contemporary island. This functional design transitions seamlessly into a cozy living area anchored by a stylish Velvet Pamela Accent Chair from Anthropologie, showcasing a unique green and cream striped pattern. The kitchen boasts elegant West Elm Alden Counter Stools, adding a touch of sophisticated mid-century modern charm. Ideal for urban living and design enthusiasts seeking a blend of clean lines, natural materials, and vibrant accents.

Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

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DiMare Design
Deborah Rosenberg
786-629-9581

A lack of counter top space, and the original layout which included an exterior door, and wall separating the dinning room and kitchen, really demanded a new design and complete update. The doorway to the exterior (which is where the triple windows are currently located) took up valuable work space in the kitchen. A wall separated the dinning and kitchen area. The wall was removed and the room was opened up for a space that was much better for entertaining and human interaction. Otherwise, whoever was cooking was walled off from the rest of the house. The medium toned natural birch cabinetry along with the lighter maple floors created an open, warm and inviting room.
Mike Kaskel Photography.

Sponsored
Columbus, OH
Hope Restoration & General Contracting
Columbus Design-Build, Kitchen & Bath Remodeling, Historic Renovations

Family run AYDIN Hides is the Leading Provider of the Finest Luxury Cowhide and Cowhide Patchwork Rugs, Sheepskins and Goatskins ethically and humanely sourced in Europe and 100% with respect to nature and bio diversity. Each piece is handcrafted and hand-stitched in small production batches to offer uncompromised Premium Quality and Authenticity.

Step into your personal paradise, a haven of tranquility right in your own backyard. At the heart of this serene retreat stands a majestic oak tree, its timeless beauty providing shade and a sense of wonder. Encircling it are three inviting seating chairs, thoughtfully placed around a mesmerizing fire pit, calling you to unwind and relish cozy gatherings with cherished friends and loved ones. As the fire dances in the evening air, a warm ambiance fills the space, creating an intimate and inviting atmosphere.
Immersed in the embrace of nature's bounty, lush greenery and vibrant plants surround the seating area, harmoniously blending human ingenuity with nature's grace. Each leaf and flower adds a splash of life and color, transforming the space into a refreshing oasis that celebrates the wonders of the great outdoors.
And there, in the distance, a breathtaking backdrop awaits – the majestic mountains, standing tall and awe-inspiring. Their grandeur elevates the already enchanting scene to new heights, reminding us of the beauty and magnitude of the natural world.
As you step into this captivating backyard, serenity envelops you, offering a respite from the demands of daily life. Here, you can connect with nature, indulge in moments of peace, and bask in the company of loved ones.
Gather around the fire pit for an intimate experience, sharing laughter and stories as the flames flicker. Or simply sit back and savor the stunning views of the mountains, a constant reminder of the wonders that surround you.
This outdoor sanctuary is a place of rejuvenation and inspiration, where you can escape the hustle and bustle, finding solace and joy in the beauty of the oak tree, the warmth of the fire pit, the embrace of nature's plants, and the majesty of the mountains. This enchanting retreat is exclusively yours to savor and cherish, a timeless space where memories are made, and the spirit of nature touches your soul.

photography by Andrea Calo • reclaimed timber beams from Elmwood Reclaimed Timber • Benjamin Moore "Early Morning Mist" ceiling & wall paint • original refinished cherry floors • custom Clarke & Clarke "Margherita" drapes, color natural • client sofa reupholstered in Perennials Classic Weave Linen, color Fog • Four Hands Roman console table at sofa • Lincoln Park Sofa Table by Hekman at TV • swivel chairs reupholstered in GP& J Baker Kelway Velvet • Lucente ball chain tape and Samuel & Sons Aurelia brush fringe • custom Kravet pillows with Pindler Dunhill, color Bisque flange

”Miami modern"
New York and New Jersey Interior Designers
Cruelty free interior design
Vegan interior design
animal friendly interior design
humane interior design
Autism
Sensory interior design
“Contemporary Interior Designers”
“Modern Interior Designers”
“Coco Plum Interior Designers”
“Sunny Isles Interior Designers”
“Pinecrest Interior Designers”
"South Florida designers"
“Best Miami Designers”
"Miami interiors"
"Miami decor"
“Miami Beach Designers”
“Best Miami Interior Designers”
“Miami Beach Interiors”
“Luxurious Design in Miami”
"Top designers"
"Deco Miami"
"Luxury interiors"
“Miami Beach Luxury Interiors”
“Miami Interior Design”
“Miami Interior Design Firms”
"Beach front"
“Top Interior Designers”
"top decor"
“Top Miami Decorators”
"Miami luxury condos"
"modern interiors"
"Modern”
"Pent house design"
"white interiors"
“Top Miami Interior Decorators”
“Top Miami Interior Designers”
“Modern Designers in Miami”
DiMare Design
Deborah Rosenberg
786-629-9581

Everything is well equipped in this kitchen but in not a mess. The hanging of cookware is a very functional design, you can easily pick out anyone of them. Open shelves is a humanization designed. You can put some potted plants in the left and a white backsplash for decoration. You also need multi-light windows, not only let your lovely kitchen receive sunshine from outside, but also give you a bright view to enjoy the nature.

Emerge – offers an inviting home-away-from-home for guests visiting.. Inspired by water and nature, the welcome abode features a soothing colour and materials palette setting a tone of relaxed luxury, with artwork highlighting babbling brooks, waterfalls and ponds to create an ambiance of stillness and wellness. Light blues were chosen for their mind-body calming effect (shown to balance human metabolism), while wheat yellows and rich browns reference the early autumn landscape of the Peace Valley, where the river runs through.

Removing highly flammable, invasive plants is key. When removing Pride of Madera, White sage, Salvia alpiana makes for a great alternative. The California native sage scents the air with an earthy, fresh fragrance, and its edible leaves are a perfect addition to Thanksgiving meals.
The lady bug resting on its leaves protects human health by rendering the use of pesticides unnecessary. These delightful creatures are natural pest predators!
Photo: Lesly Hall Photography
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