Santa Cruz, CA - This custom architectural garage door and gate project in the Northern California area was designed in a Spanish Colonial style and crafted by hand to capture that charming appeal of old world door craftsmanship found throughout Europe. The custom home was exquisitely built without sparing a single detail that would engulf the Spanish Colonial authentic architectural design. Beautiful, hand-selected terracotta roof tiles and white plastered walls just like in historical homes in Colonial Spain were used for this home construction, not to mention the wooden beam detailing particularly on the bay window above the garage. All these authentic Spanish Colonial architectural elements made this home the perfect backdrop for our custom Spanish Colonial Garage Doors and Gates.

This gorgeous home was featured in Northern Virginia Magazine. Even though it was horribly dated when we started, we saw tremendous potential! We started with Craftsman-like molding, and envisioned warm white walls and rich dark wood floors. Lots of texture through wallcoverings, window treatments and rich wool rugs transformed this grand home into a stunning project.

Kitchen - kitchen idea in Denver

Troy Thies Photography
Contemporary exterior home idea in Minneapolis

Photo: Carolyn Reyes © 2018 Houzz
Example of an urban living room design in Los Angeles

Mediterranean exterior home idea in San Francisco

Our clients on this project were inspired by their travels to Asia and wanted to mimic this aesthetic at their DC property. We designed a water feature that effectively masks adjacent traffic noise and maintains a small footprint.

Example of a trendy kitchen design in Denver

Kitchen - rustic l-shaped medium tone wood floor, brown floor and vaulted ceiling kitchen idea in Sacramento with an undermount sink, raised-panel cabinets, medium tone wood cabinets, gray backsplash, stainless steel appliances, an island and brown countertops

Inspiration for a timeless dining room remodel in DC Metro

This deeply personal renovation took place in a home with rich family history—owned by the same family for generations and originally designed by notable architect, William Henry Kessler. Nestled in Harbor Springs, Michigan, the property hadn’t been touched since the 1970s. The clients, who had previously worked with O’Brien Harris on their main residence in the Detroit area, returned with a clear vision: honor the spirit of the home’s mid-century modern roots while creating something clean, smart, and unique. The architecture itself is quirky and full of character, and the design team, led by Lily Dierkes of LK Studio, leaned into those details. Rather than imposing a new aesthetic, the design was built around the home’s original DNA. The kitchen—though small—was treated as a design-forward space. O’Brien Harris brought in full-height cabinetry that wraps the entire lower perimeter of the room with no exposed drawers, allowing a clean, sculptural feel. The wood cabinetry was finished in a soft, low-sheen white paint and contrasted with bright yellow upper cabinets—a bold choice that felt perfectly suited to the spirit of the home. O’Brien Harris also crafted a built-in bookshelf and entertainment center for the living room, combining crisp painted cabinetry with leather cup pulls. Because of O’Brien Harris’ custom capabilities, their work extended well beyond the kitchen. They were engaged to design and fabricate custom built-ins throughout the home, including bedroom cabinetry and bespoke bunk beds—showcasing the craftsmanship and creativity that distinguish their work. This project is a true reflection of how O’Brien Harris brings thoughtful craftsmanship and custom solutions to every corner of the home.

This deeply personal renovation took place in a home with rich family history—owned by the same family for generations and originally designed by notable architect, William Henry Kessler. Nestled in Harbor Springs, Michigan, the property hadn’t been touched since the 1970s. The clients, who had previously worked with O’Brien Harris on their main residence in the Detroit area, returned with a clear vision: honor the spirit of the home’s mid-century modern roots while creating something clean, smart, and unique. The architecture itself is quirky and full of character, and the design team, led by Lily Dierkes of LK Studio, leaned into those details. Rather than imposing a new aesthetic, the design was built around the home’s original DNA. The kitchen—though small—was treated as a design-forward space. O’Brien Harris brought in full-height cabinetry that wraps the entire lower perimeter of the room with no exposed drawers, allowing a clean, sculptural feel. The wood cabinetry was finished in a soft, low-sheen white paint and contrasted with bright yellow upper cabinets—a bold choice that felt perfectly suited to the spirit of the home. O’Brien Harris also crafted a built-in bookshelf and entertainment center for the living room, combining crisp painted cabinetry with leather cup pulls. Because of O’Brien Harris’ custom capabilities, their work extended well beyond the kitchen. They were engaged to design and fabricate custom built-ins throughout the home, including bedroom cabinetry and bespoke bunk beds—showcasing the craftsmanship and creativity that distinguish their work. This project is a true reflection of how O’Brien Harris brings thoughtful craftsmanship and custom solutions to every corner of the home.

High in the Blue Ridge Mountains of North Carolina, this majestic lodge was custom designed by MossCreek to provide rustic elegant living for the extended family of our clients. Featuring four spacious master suites, a massive great room with floor-to-ceiling windows, expansive porches, and a large family room with built-in bar, the home incorporates numerous spaces for sharing good times. Unique to this design is a large wrap-around porch on the main level, and four large distinct and private balconies on the upper level. This provides outdoor living for each of the four master suites. We hope you enjoy viewing the photos of this beautiful home custom designed by MossCreek. Photo by Todd Bush

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Orange County, CA - A courtyard entry gate is like a front door to a home so proper attention to its design and detailing needs to be taken into consideration. This courtyard entry gate in a Mediterranean style was designed as part of a garage door and garden gate project we did in Corona del Mar, CA. The entry gate borrowed some of the architectural elements we used on the garage doors. For instance the bottom diamond panels which are carved by hand out of a solid piece of wood is a direct feature we used form the garage door design. The wood we opted to use was mahogany and it was graciously stained the same color as the garage doors to pull in the front curb appeal of the home together. Though the garage door design was rather simple the focus of this home was the entry way to the courtyard gate so extra details were used such as the hand-forged scrolling girll used on the front which is backed with a functional rain glass door that can be opened for cleaning or speaking to someone without opening the entry gate. The iron work is exquisitely detailed in a turn of the century neoclassic style with gorgeous finials and scrolls that make the entry gate so elegant! We treat entry courtyard gates like front doors because these gates are the focal point of entry to a home, the passage your guests will go through and so you want to impress with your best offering a luxurious welcoming with a world-class designed gate by Dynamic Garage Door. Our specialty is design then formidable craftsmanship and expert installation. Let our team create a courtyard or garden gate that will make jaws drop and a coupe of neighbors turn green with envy! Call Dynamic Garage Door at (855) 343-3667 for pricing on our custom gate projects made to your specifications!

Sometimes the unique challenges of a site dictate almost everything about the end design. This European-inspired mountain retreat is one classic example. Perched atop a ridge, the buildable area was long but very narrow. A single axial line connects from the initial approach straight through the house and shoots to the view of mountains at the far end. The architecture of the home was envisioned to feel like an old French monastery-turned-family-home which has been restored and added to over several centuries. It is a place of solace and introspection, where the repetition of stone in house and landscape feels imposing, yet safe. Lush plantings line the sun-soaked parking court and dot the back terrace areas, creating delicate play of light and movement. A stepped water rill between terrace levels completes the atmosphere with its soothing babble.

All photography by Barry MacKenzie
Example of a large cottage single-wall light wood floor and brown floor eat-in kitchen design in Toronto with a farmhouse sink, shaker cabinets, gray cabinets, quartz countertops, white backsplash, subway tile backsplash, stainless steel appliances, an island and gray countertops

This bespoke fitted home study and office is an exquisite multifunctional space with a dedicated workspace, media unit and library. The cabinets were custom-made and installed by us to create a superbly practical and stylish room for working, studying, gaming and watching films or TV. Our art and book-loving client commissioned Bespoke by Acorn to bring their design vision to life and the result is a stunning interior featuring built-in bookcases, a bespoke dual desk and decorative wall panels. The vertical slatted oak wood panelling provides visual interest and texture while also helping to absorb unwanted noise. DARK BLUE PAINTED BOOKCASE UNIT The bookcase cabinetry has a spraypainted finish in Farrow & Ball’s Hague Blue, a premium quality, eco-friendly paint. This deep blue colour is often used in study or library spaces as it is associated with focus, calm and seriousness. Dark blue is a sophisticated shade for bookcases, creating a strong contrast with the book spines. Integrated LED lighting within the joinery prevents the space from being too dark and adds dimension and richness to the display. Illuminating shelving also makes it easier to find what you’re looking for. MADE TO MEASURE DESK IN OAK FOR TWO The large made to measure desk in oak for two features wide smooth-closing drawers and plenty of cupboard and shelving space. It’s perfectly designed for comfortable side by side working and videogaming. Cabling is neatly concealed behind a back panel under the desk. A simple push to open mechanism provides easy access. While technology is essential for productivity, cables, equipment and sockets can look untidy and impose on a design scheme. With bespoke furniture, as shown here, technology can be elegantly concealed with easy access. CREATE A BESPOKE LUXURY HOME OFFICE STUDY WITH ACORN At Acorn, we specialise in crafting bespoke fitted home study, office and library furniture for clients in Sussex, Surrey, and Kent. With our custom-made furniture you will be able to have the perfect layout and features you need.

Posh, Sharp, Glamourous – this is how we could describe the stylish and fresh interior design creation by Katerina Lashmanova, a residential apartment for a young family. The refined work of Katerina Lashmanova, through an attentive dedication to details, reaches its apogee within this contemporary project, flowing into an inspiring bold apartment in the imposing city of Moscow, Russia.