Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

This is a great house. Perched high on a private, heavily wooded site, it has a rustic contemporary aesthetic. Vaulted ceilings, sky lights, large windows and natural materials punctuate the main spaces. The existing large format mosaic slate floor grabs your attention upon entering the home extending throughout the foyer, kitchen, and family room. Specific requirements included a larger island with workspace for each of the homeowners featuring a homemade pasta station which requires small appliances on lift-up mechanisms as well as a custom-designed pasta drying rack. Both chefs wanted their own prep sink on the island complete with a garbage “shoot” which we concealed below sliding cutting boards. A second and overwhelming requirement was storage for a large collection of dishes, serving platters, specialty utensils, cooking equipment and such. To meet those needs we took the opportunity to get creative with storage: sliding doors were designed for a coffee station adjacent to the main sink; hid the steam oven, microwave and toaster oven within a stainless steel niche hidden behind pantry doors; added a narrow base cabinet adjacent to the range for their large spice collection; concealed a small broom closet behind the refrigerator; and filled the only available wall with full-height storage complete with a small niche for charging phones and organizing mail. We added 48” high base cabinets behind the main sink to function as a bar/buffet counter as well as overflow for kitchen items. The client’s existing vintage commercial grade Wolf stove and hood commands attention with a tall backdrop of exposed brick from the fireplace in the adjacent living room. We loved the rustic appeal of the brick along with the existing wood beams, and complimented those elements with wired brushed white oak cabinets. The grayish stain ties in the floor color while the slab door style brings a modern element to the space. We lightened the color scheme with a mix of white marble and quartz countertops. The waterfall countertop adjacent to the dining table shows off the amazing veining of the marble while adding contrast to the floor. Special materials are used throughout, featured on the textured leather-wrapped pantry doors, patina zinc bar countertop, and hand-stitched leather cabinet hardware. We took advantage of the tall ceilings by adding two walnut linear pendants over the island that create a sculptural effect and coordinated them with the new dining pendant and three wall sconces on the beam over the main sink.

THE SETUP Once these empty nest homeowners decided to stay put, they knew a new kitchen was in order. Passionate about cooking, entertaining, and hosting holiday gatherings, they found their existing kitchen inadequate. The space, with its traditional style and outdated layout, was far from ideal. They longed for an elegant, timeless kitchen that was not only show-stopping but also functional, seamlessly catering to both their daily routines and special occasions with friends and family. Another key factor was its future appeal to potential buyers, as they’re ready to enjoy their new kitchen while also considering downsizing in the future. Design Objectives: Create a more streamlined, open space Eliminate traditional elements Improve flow for entertaining and everyday use Omit dated posts and soffits Include storage for small appliances to keep counters clutter-free Address mail organization and phone charging concerns THE REMODEL Design Challenges: Compensate for lost storage from omitted wall cabinets Revise floorplan to feature a single, spacious island Enhance island seating proximity for a more engaging atmosphere Address awkward space above existing built-ins Improve natural light blocked by wall cabinet near the window Create a highly functional space tailored for entertaining Design Solutions: Tall cabinetry and pull-outs maximize storage efficiency A generous single island promotes seamless flow and ample prep space Strategic island seating arrangement fosters easy conversation New built-ins fill arched openings, ensuring a custom, clutter-free look Replace wall cabinet with lighted open shelves for an airy feel Galley Dresser and Workstation offer impeccable organization and versatility, creating the perfect setup for entertaining with everything easily accessible. THE RENEWED SPACE The new kitchen exceeded every expectation, thrilling the clients with its revitalized, expansive design and thoughtful functionality. The transformation brought to life an open space adorned with marble accents, a state-of-the-art steam oven, and the seamless integration of the Galley Dresser, crafting a kitchen not just to be used, but to be cherished. This is more than a culinary space; it’s a new heart of their home, ready to host countless memories and culinary adventures. This photo features a maple interior drawer with the docking drawer outlet power attached for easy charging, key drawer, etc.

The kitchen, butler’s pantry, and laundry room uses Arbor Mills cabinetry and quartz counter tops. Wide plank flooring is installed to bring in an early world feel. Encaustic tiles and black iron hardware were used throughout. The butler’s pantry has polished brass latches and cup pulls which shine brightly on black painted cabinets. Across from the laundry room the fully custom mudroom wall was built around a salvaged 4” thick seat stained to match the laundry room cabinets.

THE SETUP Once these empty nest homeowners decided to stay put, they knew a new kitchen was in order. Passionate about cooking, entertaining, and hosting holiday gatherings, they found their existing kitchen inadequate. The space, with its traditional style and outdated layout, was far from ideal. They longed for an elegant, timeless kitchen that was not only show-stopping but also functional, seamlessly catering to both their daily routines and special occasions with friends and family. Another key factor was its future appeal to potential buyers, as they’re ready to enjoy their new kitchen while also considering downsizing in the future. Design Objectives: Create a more streamlined, open space Eliminate traditional elements Improve flow for entertaining and everyday use Omit dated posts and soffits Include storage for small appliances to keep counters clutter-free Address mail organization and phone charging concerns THE REMODEL Design Challenges: Compensate for lost storage from omitted wall cabinets Revise floorplan to feature a single, spacious island Enhance island seating proximity for a more engaging atmosphere Address awkward space above existing built-ins Improve natural light blocked by wall cabinet near the window Create a highly functional space tailored for entertaining Design Solutions: Tall cabinetry and pull-outs maximize storage efficiency A generous single island promotes seamless flow and ample prep space Strategic island seating arrangement fosters easy conversation New built-ins fill arched openings, ensuring a custom, clutter-free look Replace wall cabinet with lighted open shelves for an airy feel Galley Dresser and Workstation offer impeccable organization and versatility, creating the perfect setup for entertaining with everything easily accessible. THE RENEWED SPACE The new kitchen exceeded every expectation, thrilling the clients with its revitalized, expansive design and thoughtful functionality. The transformation brought to life an open space adorned with marble accents, a state-of-the-art steam oven, and the seamless integration of the Galley Dresser, crafting a kitchen not just to be used, but to be cherished. This is more than a culinary space; it’s a new heart of their home, ready to host countless memories and culinary adventures.

This brilliant, open entry hall leaves you breathless with its heavy, solid wooden accents and its light and open ceiling.
Example of a huge trendy marble floor entry hall design in Detroit with white walls

Landscape Painting, California, Tahoe, Birch Tree, Quality, Original Art, Palette Knife Painting. Large Tree Artwork by Lisa Elley T I T L E: Trees of Tahoe by Lisa Elley. I N S P I R E D* B Y: Pine Trees take me back to my childhood. Long walks in the crackling leaves, the smell of a wood fire burning, hot chocolate, exploring my grandpa's shed... This painting features a scene in amazing South Lake Tahoe, here in northern California. The Sierra Nevada mountains are magical all year round, and here they are in the winter. S I Z E: 36 X 12 X 1.5 Inches. Y E A R: 2015 M A T E R I A L S: Artist quality oil paints, Gallery Wrapped, Back Stapled Canvas. Sides are painted with continued colors, no frame required. This painting features an extra wide wrap (sides) which makes for a beautiful, modern presentation. P A I N T I N G* S H I P S: Unframed, stretched and wired, ready to hang. Certificate of Authenticity Included. Painting is signed on front and signed & dated on the back. S H I P P I N G Domestic shipping is by Fedex or UPS Ground, which includes tracking. International shipping is by USPS Priority Mail International, also with tracking. Purchaser is responsible for customs fees in their own country. *Artist retains the rights to digital and print reproduction. M Y B A C K G R O U N D: All my paintings are oil on canvas, using mainly palette & painting knives, with thick application, bold strokes, painterly detail and rich colors. The palette knife gives my art a unique combination of contrast, fluidity, depth, texture and impact. I do not typically use a brush, as I prefer the way I can mix buttery paints and smear them on my canvas with a flexible metal blade. The amazing thick texture achieved with the knife reflects the light more than a regular brush painting and gives a beautiful sense of movement, with subtle highlights. I am originally from New Zealand, where the beauty of nature is unsurpassed. The luminescent beauty of our amazing world inspires me, and I feel it in every stroke. I try to reflect this in my work and invite you to enjoy it as I do. F O L L O W M E: http://www.pinterest.com/paintersknife https://www.facebook.com/paintersknife http://www.lisaelley.com

THE SETUP Once these empty nest homeowners decided to stay put, they knew a new kitchen was in order. Passionate about cooking, entertaining, and hosting holiday gatherings, they found their existing kitchen inadequate. The space, with its traditional style and outdated layout, was far from ideal. They longed for an elegant, timeless kitchen that was not only show-stopping but also functional, seamlessly catering to both their daily routines and special occasions with friends and family. Another key factor was its future appeal to potential buyers, as they’re ready to enjoy their new kitchen while also considering downsizing in the future. Design Objectives: Create a more streamlined, open space Eliminate traditional elements Improve flow for entertaining and everyday use Omit dated posts and soffits Include storage for small appliances to keep counters clutter-free Address mail organization and phone charging concerns THE REMODEL Design Challenges: Compensate for lost storage from omitted wall cabinets Revise floorplan to feature a single, spacious island Enhance island seating proximity for a more engaging atmosphere Address awkward space above existing built-ins Improve natural light blocked by wall cabinet near the window Create a highly functional space tailored for entertaining Design Solutions: Tall cabinetry and pull-outs maximize storage efficiency A generous single island promotes seamless flow and ample prep space Strategic island seating arrangement fosters easy conversation New built-ins fill arched openings, ensuring a custom, clutter-free look Replace wall cabinet with lighted open shelves for an airy feel Galley Dresser and Workstation offer impeccable organization and versatility, creating the perfect setup for entertaining with everything easily accessible. THE RENEWED SPACE The new kitchen exceeded every expectation, thrilling the clients with its revitalized, expansive design and thoughtful functionality. The transformation brought to life an open space adorned with marble accents, a state-of-the-art steam oven, and the seamless integration of the Galley Dresser, crafting a kitchen not just to be used, but to be cherished. This is more than a culinary space; it’s a new heart of their home, ready to host countless memories and culinary adventures.

Example of a large transitional l-shaped medium tone wood floor and brown floor eat-in kitchen design with an undermount sink, shaker cabinets, medium tone wood cabinets, solid surface countertops, black backsplash, stone slab backsplash, paneled appliances, an island and black countertops

After 11 years on the Gull Lake chain in Nisswa, this couple decided to sell their cabin. Their current home has the lake view, pine trees and “up north” feel right here in Plymouth. The goal of this remodel was to incorporate some of the Nisswa cabin features into an “urban cabin”. The first step was, large windows were installed to take in the view of the lake. Some features borrowed from the cabin are the interior wood tongue & groove siding, ledge stone fireplace and scraped hickory flooring. Designer, Carol Kornak, reconfigured the appliance locations and reoriented the kitchen by added an island with eating space. And, a subtle but rewarding change occurred in the back hall. Often a bottleneck, the hallway to the garage was a catch-all for coats, boots, mail, etc. With a little design magic (by removing a wall, reducing pantry depth) and adding a boot bench and hooks for coats, the narrow hallway feels more spacious. To keep them organized there is a mail sorting and charging station hidden behind closed doors. Admittedly, the couple isn’t roughing it with their Wolf/Sub-Zero appliance package including refrigerator, wine cooler, cooktop, steam oven and warming drawer. The new cabinetry from Crystal Cabinet Works in rustic hickory and painted finish pairs beautifully with the two Cambria countertops and completes the transformation into the “Urban Cabin”. The only thing missing is the 2 ½ hour drive and the dock & boat. Luckily, Lake Minnetonka is only a short drive away.

Landscape Painting, California, Tahoe, Birch Tree, Quality, Original Art, Palette Knife Painting. Large 30x30 Tree Artwork by Lisa Elley T I T L E: Birch Trees of Tahoe by Lisa Elley. I N S P I R E D* B Y: Birch Trees take me back to my childhood. Long walks in the crackling leaves, the smell of a wood fire burning, hot chocolate, exploring my grandpa's shed... This painting features a scene in amazing South Lake Tahoe, here in northern California. The Sierra Nevada mountains are magical all year round, and here they are in the fall blazing with color! S I Z E: 30 X 30 X 1.5 Inches. Y E A R: 2015 M A T E R I A L S: Artist quality oil paints, Gallery Wrapped, Back Stapled Canvas. Sides are painted with continued colors, no frame required. This painting features an extra wide wrap (sides) which makes for a beautiful, modern presentation. P A I N T I N G* S H I P S: Unframed, stretched and wired, ready to hang. Certificate of Authenticity Included. Painting is signed on front and signed & dated on the back. S H I P P I N G Domestic shipping is by Fedex or UPS Ground, which includes tracking. International shipping is by USPS Priority Mail International, also with tracking. Purchaser is responsible for customs fees in their own country. *Artist retains the rights to digital and print reproduction. M Y B A C K G R O U N D: All my paintings are oil on canvas, using mainly palette & painting knives, with thick application, bold strokes, painterly detail and rich colors. The palette knife gives my art a unique combination of contrast, fluidity, depth, texture and impact. I do not typically use a brush, as I prefer the way I can mix buttery paints and smear them on my canvas with a flexible metal blade. The amazing thick texture achieved with the knife reflects the light more than a regular brush painting and gives a beautiful sense of movement, with subtle highlights. I am originally from New Zealand, where the beauty of nature is unsurpassed. The luminescent beauty of our amazing world inspires me, and I feel it in every stroke. I try to reflect this in my work and invite you to enjoy it as I do. F O L L O W M E: http://www.pinterest.com/paintersknife https://www.facebook.com/paintersknife http://www.lisaelley.com

This is a great house. Perched high on a private, heavily wooded site, it has a rustic contemporary aesthetic. Vaulted ceilings, sky lights, large windows and natural materials punctuate the main spaces. The existing large format mosaic slate floor grabs your attention upon entering the home extending throughout the foyer, kitchen, and family room. Specific requirements included a larger island with workspace for each of the homeowners featuring a homemade pasta station which requires small appliances on lift-up mechanisms as well as a custom-designed pasta drying rack. Both chefs wanted their own prep sink on the island complete with a garbage “shoot” which we concealed below sliding cutting boards. A second and overwhelming requirement was storage for a large collection of dishes, serving platters, specialty utensils, cooking equipment and such. To meet those needs we took the opportunity to get creative with storage: sliding doors were designed for a coffee station adjacent to the main sink; hid the steam oven, microwave and toaster oven within a stainless steel niche hidden behind pantry doors; added a narrow base cabinet adjacent to the range for their large spice collection; concealed a small broom closet behind the refrigerator; and filled the only available wall with full-height storage complete with a small niche for charging phones and organizing mail. We added 48” high base cabinets behind the main sink to function as a bar/buffet counter as well as overflow for kitchen items. The client’s existing vintage commercial grade Wolf stove and hood commands attention with a tall backdrop of exposed brick from the fireplace in the adjacent living room. We loved the rustic appeal of the brick along with the existing wood beams, and complimented those elements with wired brushed white oak cabinets. The grayish stain ties in the floor color while the slab door style brings a modern element to the space. We lightened the color scheme with a mix of white marble and quartz countertops. The waterfall countertop adjacent to the dining table shows off the amazing veining of the marble while adding contrast to the floor. Special materials are used throughout, featured on the textured leather-wrapped pantry doors, patina zinc bar countertop, and hand-stitched leather cabinet hardware. We took advantage of the tall ceilings by adding two walnut linear pendants over the island that create a sculptural effect and coordinated them with the new dining pendant and three wall sconces on the beam over the main sink.

Landscape Painting, California, Tahoe, Birch Tree, Quality, Original Art, Palette Knife Painting. Large 30x30 Tree Artwork by Lisa Elley T I T L E: Birch Trees of Tahoe by Lisa Elley. I N S P I R E D* B Y: Birch Trees take me back to my childhood. Long walks in the crackling leaves, the smell of a wood fire burning, hot chocolate, exploring my grandpa's shed... This painting features a scene in amazing South Lake Tahoe, here in northern California. The Sierra Nevada mountains are magical all year round, and here they are in the fall blazing with color! S I Z E: 30 X 30 X 1.5 Inches. Y E A R: 2015 M A T E R I A L S: Artist quality oil paints, Gallery Wrapped, Back Stapled Canvas. Sides are painted with continued colors, no frame required. This painting features an extra wide wrap (sides) which makes for a beautiful, modern presentation. P A I N T I N G* S H I P S: Unframed, stretched and wired, ready to hang. Certificate of Authenticity Included. Painting is signed on front and signed & dated on the back. S H I P P I N G Domestic shipping is by Fedex or UPS Ground, which includes tracking. International shipping is by USPS Priority Mail International, also with tracking. Purchaser is responsible for customs fees in their own country. *Artist retains the rights to digital and print reproduction. M Y B A C K G R O U N D: All my paintings are oil on canvas, using mainly palette & painting knives, with thick application, bold strokes, painterly detail and rich colors. The palette knife gives my art a unique combination of contrast, fluidity, depth, texture and impact. I do not typically use a brush, as I prefer the way I can mix buttery paints and smear them on my canvas with a flexible metal blade. The amazing thick texture achieved with the knife reflects the light more than a regular brush painting and gives a beautiful sense of movement, with subtle highlights. I am originally from New Zealand, where the beauty of nature is unsurpassed. The luminescent beauty of our amazing world inspires me, and I feel it in every stroke. I try to reflect this in my work and invite you to enjoy it as I do. F O L L O W M E: http://www.pinterest.com/paintersknife https://www.facebook.com/paintersknife http://www.lisaelley.com

For kitchen and cabinet design please call 512-894-0907 and ask for Michele Lepine or Carol Margos - our designers are the best! Pair Sub-Zero’s refrigeration and Wolf’s cooking appliances and you’ve got a kitchen that can’t be beat. Both are made in the United States with premium grade materials and thoroughly tested for reliability, performance and energy efficiency. Enjoy food preparation and preservation that is technologically advanced and artistically beautiful. Sub-Zero’s design possibilities are endless with choices including integrated units or built ins with custom cabinetry, stainless steel finishes and even glass doors. Sub-Zero’s dual refrigeration technology has taken the science of food preservation to an all new level. Fresh foods stay fresh, frozen foods last longer. Sub-Zero’s advanced water filtration system keeps water and ice clean and tasting fresh. Air is refreshed every 20 minutes with an antimicrobial purification system (based on NASA technology) scrubbing the air of bacteria, mold and viruses. Vegetables stay crisper, fruits and meats are fresher and food odors are significantly reduced. Wolf’s vast array of rangetops, cooktops, and integrated modules blend together beautifully with the style of your kitchen and the space you’ve got - all with Wolf’s famous quality and precision cooking technology. Whether your preference be gas, induction, and even infrared; whether you are an expert cook or novice; Wolf’s extraordinary performance will give you consistent, precise and beautiful results.

THE SETUP Once these empty nest homeowners decided to stay put, they knew a new kitchen was in order. Passionate about cooking, entertaining, and hosting holiday gatherings, they found their existing kitchen inadequate. The space, with its traditional style and outdated layout, was far from ideal. They longed for an elegant, timeless kitchen that was not only show-stopping but also functional, seamlessly catering to both their daily routines and special occasions with friends and family. Another key factor was its future appeal to potential buyers, as they’re ready to enjoy their new kitchen while also considering downsizing in the future. Design Objectives: Create a more streamlined, open space Eliminate traditional elements Improve flow for entertaining and everyday use Omit dated posts and soffits Include storage for small appliances to keep counters clutter-free Address mail organization and phone charging concerns THE REMODEL Design Challenges: Compensate for lost storage from omitted wall cabinets Revise floorplan to feature a single, spacious island Enhance island seating proximity for a more engaging atmosphere Address awkward space above existing built-ins Improve natural light blocked by wall cabinet near the window Create a highly functional space tailored for entertaining Design Solutions: Tall cabinetry and pull-outs maximize storage efficiency A generous single island promotes seamless flow and ample prep space Strategic island seating arrangement fosters easy conversation New built-ins fill arched openings, ensuring a custom, clutter-free look Replace wall cabinet with lighted open shelves for an airy feel Galley Dresser and Workstation offer impeccable organization and versatility, creating the perfect setup for entertaining with everything easily accessible. THE RENEWED SPACE The new kitchen exceeded every expectation, thrilling the clients with its revitalized, expansive design and thoughtful functionality. The transformation brought to life an open space adorned with marble accents, a state-of-the-art steam oven, and the seamless integration of the Galley Dresser, crafting a kitchen not just to be used, but to be cherished. This is more than a culinary space; it’s a new heart of their home, ready to host countless memories and culinary adventures.

When meeting with our homeowners for this kitchen renovation project, they presented us with a large wish list. This busy family of five loves to cook and entertain for their large extended family. They felt their current kitchen was not functioning to its fullest potential. It felt cramped, dark, outdated, and had no flair. They wanted more room for storage, and convenient areas to hold their cookware. They had an unorganized pantry that wasn’t working for them, and a desk area that had become a clutter zone. They showed us examples of a cool toned color palette that they loved and asked us to bring in some farmhouse style elements with a modern aesthetic. We could not wait to transform this room! We began by reimagining the flow of the kitchen. In order to give them more counter space to use for food preparation, we moved the fridge to the wall where the desk was. We eliminated the messy pantry closet, and installed a tall cabinet to house an additional oven and built-in microwave. We added a large pantry cabinet to the right of the refrigerator to give them plenty of organized storage space, allowing easy access to snacks from the family room. On the left side of the fridge, we incorporated a drop zone area where they can leave their keys and mail when coming in from the garage. In the island we included a pull-out trash easily accessible from both the sink and the cooking areas, and added a vegetable sink to create an extended area for food prep. For the perimeter of the kitchen, we moved the range down to allow for a corner lazy susan and drawer bank for pots and pans, and provided them with a deep farmhouse sink to aid in washing larger items. By running the cabinetry up to the ceiling, we were able to provide them with additional storage space. We finished the cabinetry off with a beautiful decorative hood surround and capped the cabinets with a large stacked crown molding. The finishes we chose for the kitchen help modernize the space while keeping the room feeling warm and inviting. We used a soft grey paint on the perimeter cabinets and infused a warm chestnut stain on the island and decorative hood. We incorporated corbel details at both the hood and island to add some depth to the design. We included a very unique focal point to the ceiling above the island; it is a custom trim detail in the shape of an X, with dark paint as an accent. We topped the cabinetry with a luxurious calacatta quartz counter that created movement with large beautiful veining details. Hand-cut high gloss white subway tiles added brightness and sophistication to the space. Touches of silver were brought in with cabinet hardware and gooseneck faucets. We added an abundance of lighting including recessed lights, a farmhouse style silver pendant over the sink, two vintage style pendants at the island with ribbed glass, and a large wood and silver chandelier over the table, giving ample light and making the room feel bright. Adding under cabinet lighting provided our client with much needed task lighting while doing food prep. We finished the room off by using four comfortable upholstered counter stools with distressed white painted legs, adding to the farmhouse feel. New hand scraped oak plank hardwood flooring was added throughout the first floor along with large baseboard trim to tie the rest of the house in with the new kitchen design. Our client now has a large, updated, modernized kitchen to conjure up delicious meals for their family and friends.

Jamie House Design brings timeless charm to new construction with this award-winning home in the heart of the Houston Heights. Designed to blend seamlessly with the neighborhood’s historic architecture, this stunning Craftsman home features reclaimed hardwood floors, intricate millwork, and high ceilings, embodying the warmth and character of a true historic interior. The thoughtfully designed floor plan includes a spacious kitchen with a butler’s pantry, a flexible first-floor room, and attached guest quarters, all tailored for modern living while honoring classic design principles. Recognized with a Community Improvement Award from the Houston Heights Association, this home exemplifies Jamie House Design’s expertise in creating new historic homes that celebrate architectural heritage.

This is a great house. Perched high on a private, heavily wooded site, it has a rustic contemporary aesthetic. Vaulted ceilings, sky lights, large windows and natural materials punctuate the main spaces. The existing large format mosaic slate floor grabs your attention upon entering the home extending throughout the foyer, kitchen, and family room. Specific requirements included a larger island with workspace for each of the homeowners featuring a homemade pasta station which requires small appliances on lift-up mechanisms as well as a custom-designed pasta drying rack. Both chefs wanted their own prep sink on the island complete with a garbage “shoot” which we concealed below sliding cutting boards. A second and overwhelming requirement was storage for a large collection of dishes, serving platters, specialty utensils, cooking equipment and such. To meet those needs we took the opportunity to get creative with storage: sliding doors were designed for a coffee station adjacent to the main sink; hid the steam oven, microwave and toaster oven within a stainless steel niche hidden behind pantry doors; added a narrow base cabinet adjacent to the range for their large spice collection; concealed a small broom closet behind the refrigerator; and filled the only available wall with full-height storage complete with a small niche for charging phones and organizing mail. We added 48” high base cabinets behind the main sink to function as a bar/buffet counter as well as overflow for kitchen items. The client’s existing vintage commercial grade Wolf stove and hood commands attention with a tall backdrop of exposed brick from the fireplace in the adjacent living room. We loved the rustic appeal of the brick along with the existing wood beams, and complimented those elements with wired brushed white oak cabinets. The grayish stain ties in the floor color while the slab door style brings a modern element to the space. We lightened the color scheme with a mix of white marble and quartz countertops. The waterfall countertop adjacent to the dining table shows off the amazing veining of the marble while adding contrast to the floor. Special materials are used throughout, featured on the textured leather-wrapped pantry doors, patina zinc bar countertop, and hand-stitched leather cabinet hardware. We took advantage of the tall ceilings by adding two walnut linear pendants over the island that create a sculptural effect and coordinated them with the new dining pendant and three wall sconces on the beam over the main sink.

Full Custom Remodel The project consisted of simple new floors and stairs and a few lights. It just happens that the client wanted the walls removed and the stairs relocated. The project included new controlled lighting design and automation. Structural steel fabrication to remove all supporting walls and posts on the first floor. Custom doors and hidden hinges detailed out with 1/4 reveals around the doors meeting the floors. We removed door trim and baseboards. Precision sheetrock details and custom wide plank oak floors make this spectacular home feel warm and cozy. Nothing compares to having a beautiful wide plank flooring in your home. The home improvement project consisted of simple new floors and stairs and a few lights. It just happens that the client wanted the walls removed and the stairs relocated. Further complicated by 4th-floor location and no freight elevator. This meant working with local architect Robert Fowler to detail out the structural framing, design, and details to create a beautiful loft gallery space. Prior to installation, we reached out to the experts @carlislewideplankfloors. They truly understand what it takes to handcraft a floor that was worthy of the ultimate in urban living! Samples of their engineered wood flooring were mailed and we had a choice of several colors. We tested them day and night in sun and in shadows. Once we had an idea of how this hardwood floors installation would look we ordered a few larger pieces. Solid hardwood flooring samples were also tested for thresholds and transitions. The client was so happy with the product they increased the square footage and added more rooms to our scope of work. One tip that was very important for a high-end job using this type of flooring is to lay out the boards ahead of time so you can look for color and wood grain to match. Engineered hardwood floors are a natural product and you will get some variation. Take your time and do the job correctly the first time. We love this type of wood product and look forward to using them again on other projects.