The challenge for this project was to find materials that fit into the owners' architectural style, selfentitled "Texas Hill Country Contemporary"; warm and inviting, but also clean and contemporary. The architect and the owners were determined not to copy the typical "Tuscan" style so popular for upscale homes in the Austin area. The main feature of the house is the use of both indoor and outdoor spaces and is designed so that everyday life flows through all of the spaces. The material selections had to be compatible to color schemes inside and out, blending with the local cut stone used on the exterior of the house, but also functional in their application. Interior flooring: AG&M furnished hone finish Selina Gold limestone tile from Egypt for the majority of ground floor paving. This material has a wide range of color, the selection was made from a particular quarry and a particular layer within that quarry. Exterior paving, pool coping, fireplace facing: Goldstone granite was chosen because it performs well in exterior applications and has the soft coloring of limestone. The paving and coping is chisel finish and the outdoor fireplace is clad with split face Goldstone to match. Kitchen countertops: Apollo Storm granite in a polish finish with matching full-height, endmatched backsplash.

This contemporary 18,000 sq. ft. home in Paradise Valley, Arizona is a perfect mix of Gray limestone used on all horizontal surfaces and Cream, vein cut limestone on all vertical surfaces. The Gray limestone flooring was mud packed to meet 1.5 in. wood flooring areas using uncoupling membrane throughout. Numerous hours went into the layout to insure architectural detail lines were met. Oversized tiles were planned to ensure all layouts met crucial lines per the design. Blue limestone was used setting the path to the front entry. All pieces at the edges were mitered to appear to be thick, block stone. The veneer walls were alternated in size to reach the exact width at the top band of the walls. The edge detailing created interesting shadow play, both day and night, at interior and exterior locations. This detail is also noted on the fireplaces. Blue limestone hearths, which floated at all locations, used the same quirk mitered edges. Five showers throughout the main house share the same veneer and flooring materials. Blue limestone slab benches were fabricated to rest on a stainless steel frame. The shower floors were mapped out to the exact dimensions so there were no cuts, but rather the same size pieces continually framing the space to the center drain.

When United Marble Fabricators was hired by builders Adams & Beasley Associates to furnish, fabricate, and install all of the stone and tile in this unique two-story penthouse within the Four Seasons in Boston’s Back Bay, the immediate focus of nearly all parties involved was more on the stunning views of Boston Common than of the stone and tile surfaces that would eventually adorn the kitchen and bathrooms. That entire focus, however, would quickly shift to the meticulously designed first floor wet bar nestled into the corner of the two-story living room. Lewis Interiors and Adams & Beasley Associates designed a wet bar that would attract attention, specifying ¾ inch Honey Onyx for the bar countertop and full-height backsplash. LED panels would be installed behind the backsplash to illuminate the entire surface without creating any “hot spots” traditionally associated with backlighting of natural stone. As the design process evolved, it was decided that the originally specified glass shelves with wood nosing would be replaced with PPG Starphire ultra-clear glass that was to be rabbeted into the ¾ inch onyx backsplash so that the floating shelves would appear to be glowing as they floated, uninterrupted by moldings of any other materials. The team first crafted and installed the backsplash, which was fabricated from shop drawings, delivered to the 15th floor by elevator, and installed prior to any base cabinetry. The countertops were fabricated with a 2 inch mitered edge with an eased edge profile, and a 4 inch backsplash was installed to meet the illuminated full-height backsplash. The spirit of collaboration was alive and well on this project as the skilled fabricators and installers of both stone and millwork worked interdependently with the singular goal of a striking wet bar that would captivate any and all guests of this stunning penthouse unit and rival the sweeping views of Boston Common

The Queen Anne style features asymmetrical shapes, punctuated by steep roof pitches at various elevations.
Example of a classic exterior home design in DC Metro

As Sheila Gibson Stoodley writes in an article about this project in Robb Report, “Brian Hemingway is sensitive to light in the best way possible.” “The Vancouver, British Columbia-based architect wanted this 22,000-square-foot home near Boston to glow like a lantern at night, and he attained that goal on behalf of the homeowners.” The wood and stone that Hemingway favored for the home informed the space’s color palette. So critical were these materials that settling on a shade of stain for the Douglas fir and the finishes to be used on the Virginia Mist granite took months of consultation. Walker Zanger, the stone supplier, worked with the owner and with Colin Flavin, a Boston-based architect who partnered with Hemingway, to choose, detail, and fabricate the granite. The stone is used indoors and out, heightening the boundary-blurring effect that the design team desired. Though the owners are ardent art collectors, they did not build their home to showcase specific works; the real artists here are the architects, Hemingway and Flavin. So deft were they at inviting nature into their creation that, from certain angles, it can be hard to tell where the outdoors stops and starts. “There are deliberately no window treatments so that Mother Nature weaves the most beautiful textural backgrounds,” said interior designer Andrew Sheinman, of New York’s Pembrooke & Ives. He oversaw the interiors, working alongside his colleague Michael Lewis. “The seasons change the look and aspect of the house,” said Sheinman, “and we wanted to play on this.” Bleu de Savoie marble, from France, is used in the baths, to contrast with the Virginia Mist granite and soften the palette and give the baths a spa-like serenity. Hand-chiseled Oxford Black granite is used on exterior landscape walls, to tie the Virginia Mist seamlessly to the natural stone outcroppings.

This private residence boasts of old-world masonry with Classic Italian Palladian Architecture. The architect designed this 6-14 acre creekside property around the 29,000 square-foot home. The estate incorporates a four-car garage inclusive of servants quarters, and a pool cabana/pavilion. Expansive areas of hardscape connect buildings on the property. The main exterior cladding is Texas Lueders Limestone. It was used for wall panels as well as plinths, window surrounds, balustrade assemblies, solid columns, and cornices. In a method of old-world construction, the limestone was fabricated to plus zero in tolerance to accomodate 1/8" lime-mortar joints. "Border Stones" were utilized with the lime-mortar joints system to interlock the stone facade to the CMU wall behind. Large stone column and window assemblies make up th east and west facades. These load-bearing elements support the pediment assemblies and structure above. The arches at the Pavilion were also designed as load-bearing, where pediment kneelers were cut from two separate carved pieces and epoxied together. Weighing 7,200 lbs each, the kneelers had to be set with a 180 ton crane in order to reach over two very large existing oak trees. The garage and pool cabana were constructed with the same stone cladding system, and with similar load-bearing elements.

As Sheila Gibson Stoodley writes in an article about this project in Robb Report, “Brian Hemingway is sensitive to light in the best way possible.” “The Vancouver, British Columbia-based architect wanted this 22,000-square-foot home near Boston to glow like a lantern at night, and he attained that goal on behalf of the homeowners.” The wood and stone that Hemingway favored for the home informed the space’s color palette. So critical were these materials that settling on a shade of stain for the Douglas fir and the finishes to be used on the Virginia Mist granite took months of consultation. Walker Zanger, the stone supplier, worked with the owner and with Colin Flavin, a Boston-based architect who partnered with Hemingway, to choose, detail, and fabricate the granite. The stone is used indoors and out, heightening the boundary-blurring effect that the design team desired. Though the owners are ardent art collectors, they did not build their home to showcase specific works; the real artists here are the architects, Hemingway and Flavin. So deft were they at inviting nature into their creation that, from certain angles, it can be hard to tell where the outdoors stops and starts. “There are deliberately no window treatments so that Mother Nature weaves the most beautiful textural backgrounds,” said interior designer Andrew Sheinman, of New York’s Pembrooke & Ives. He oversaw the interiors, working alongside his colleague Michael Lewis. “The seasons change the look and aspect of the house,” said Sheinman, “and we wanted to play on this.” Bleu de Savoie marble, from France, is used in the baths, to contrast with the Virginia Mist granite and soften the palette and give the baths a spa-like serenity. Hand-chiseled Oxford Black granite is used on exterior landscape walls, to tie the Virginia Mist seamlessly to the natural stone outcroppings.

This house sits along an array of lakes and canals which highlights the landscape of a golf course. A clear objective of the architecture is to focus on large openings to enjoy the view of the surrounding landscape. Serving the same purpose, the house has been set high on stilts, a clear reference to Thai traditional architecture. The house seems to float in the air. The large cantilevered openings are framed by the stone cladding. Another objective of the architecture is to blend itself seamlessly into the landscape. The two objectives of the stone work were to focus on the large framed openings and to blend into the landscape. The travertine chosen by the architect has a smooth and warm color which blends well with the wood cladding and landscape. It displays complex movements, crystalline veins, and color blends which accentuates its natural character. The challenge was to display this natural character, while ensuring a perfect continuity in the opening frames. The color and pattern of the stone had to continue seamlessly along the four sides of each frame, while still featuring the natural character of the stone. This required long drying times in our factory, and detailed piece-per-piece touch-up to smooth outstanding features of the stone.

As Sheila Gibson Stoodley writes in an article about this project in Robb Report, “Brian Hemingway is sensitive to light in the best way possible.” “The Vancouver, British Columbia-based architect wanted this 22,000-square-foot home near Boston to glow like a lantern at night, and he attained that goal on behalf of the homeowners.” The wood and stone that Hemingway favored for the home informed the space’s color palette. So critical were these materials that settling on a shade of stain for the Douglas fir and the finishes to be used on the Virginia Mist granite took months of consultation. Walker Zanger, the stone supplier, worked with the owner and with Colin Flavin, a Boston-based architect who partnered with Hemingway, to choose, detail, and fabricate the granite. The stone is used indoors and out, heightening the boundary-blurring effect that the design team desired. Though the owners are ardent art collectors, they did not build their home to showcase specific works; the real artists here are the architects, Hemingway and Flavin. So deft were they at inviting nature into their creation that, from certain angles, it can be hard to tell where the outdoors stops and starts. “There are deliberately no window treatments so that Mother Nature weaves the most beautiful textural backgrounds,” said interior designer Andrew Sheinman, of New York’s Pembrooke & Ives. He oversaw the interiors, working alongside his colleague Michael Lewis. “The seasons change the look and aspect of the house,” said Sheinman, “and we wanted to play on this.” Bleu de Savoie marble, from France, is used in the baths, to contrast with the Virginia Mist granite and soften the palette and give the baths a spa-like serenity. Hand-chiseled Oxford Black granite is used on exterior landscape walls, to tie the Virginia Mist seamlessly to the natural stone outcroppings.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

When United Marble Fabricators was hired by builders Adams & Beasley Associates to furnish, fabricate, and install all of the stone and tile in this unique two-story penthouse within the Four Seasons in Boston’s Back Bay, the immediate focus of nearly all parties involved was more on the stunning views of Boston Common than of the stone and tile surfaces that would eventually adorn the kitchen and bathrooms. That entire focus, however, would quickly shift to the meticulously designed first floor wet bar nestled into the corner of the two-story living room. Lewis Interiors and Adams & Beasley Associates designed a wet bar that would attract attention, specifying ¾ inch Honey Onyx for the bar countertop and full-height backsplash. LED panels would be installed behind the backsplash to illuminate the entire surface without creating any “hot spots” traditionally associated with backlighting of natural stone. As the design process evolved, it was decided that the originally specified glass shelves with wood nosing would be replaced with PPG Starphire ultra-clear glass that was to be rabbeted into the ¾ inch onyx backsplash so that the floating shelves would appear to be glowing as they floated, uninterrupted by moldings of any other materials. The team first crafted and installed the backsplash, which was fabricated from shop drawings, delivered to the 15th floor by elevator, and installed prior to any base cabinetry. The countertops were fabricated with a 2 inch mitered edge with an eased edge profile, and a 4 inch backsplash was installed to meet the illuminated full-height backsplash. The spirit of collaboration was alive and well on this project as the skilled fabricators and installers of both stone and millwork worked interdependently with the singular goal of a striking wet bar that would captivate any and all guests of this stunning penthouse unit and rival the sweeping views of Boston Common

As Sheila Gibson Stoodley writes in an article about this project in Robb Report, “Brian Hemingway is sensitive to light in the best way possible.” “The Vancouver, British Columbia-based architect wanted this 22,000-square-foot home near Boston to glow like a lantern at night, and he attained that goal on behalf of the homeowners.” The wood and stone that Hemingway favored for the home informed the space’s color palette. So critical were these materials that settling on a shade of stain for the Douglas fir and the finishes to be used on the Virginia Mist granite took months of consultation. Walker Zanger, the stone supplier, worked with the owner and with Colin Flavin, a Boston-based architect who partnered with Hemingway, to choose, detail, and fabricate the granite. The stone is used indoors and out, heightening the boundary-blurring effect that the design team desired. Though the owners are ardent art collectors, they did not build their home to showcase specific works; the real artists here are the architects, Hemingway and Flavin. So deft were they at inviting nature into their creation that, from certain angles, it can be hard to tell where the outdoors stops and starts. “There are deliberately no window treatments so that Mother Nature weaves the most beautiful textural backgrounds,” said interior designer Andrew Sheinman, of New York’s Pembrooke & Ives. He oversaw the interiors, working alongside his colleague Michael Lewis. “The seasons change the look and aspect of the house,” said Sheinman, “and we wanted to play on this.” Bleu de Savoie marble, from France, is used in the baths, to contrast with the Virginia Mist granite and soften the palette and give the baths a spa-like serenity. Hand-chiseled Oxford Black granite is used on exterior landscape walls, to tie the Virginia Mist seamlessly to the natural stone outcroppings.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Developer George Kevo collaborated with Creative Edge Master Shop, Inc., and Aalto Design to design and fabricate floors for a French chateau masterpiece home. A project of this nature requires meticulous care and excellent craftsmanship. Both developer George Kevo and Harri Aalto, President of Aalto Design, have discerning eyes and discriminating tastes. Working together, Harri Aalto was able to interpret and add his design style to George's idea. Their collaboration yielded floors containing over 20 colors and over 2,200 ft. of stunning artistry. Some of the stones used in this project were Crema Marfil, Emperador Dark, Jerusalem Gold, Indus Gold, Quetzel Green and French Vanilla. Design and colors were carefully chosen following the developer's interior decorations. After a month of designing and programming, Creative Edge Master Shop, iNc. fabricated and shipped over 40,000 pieces of preassembled stone flooring for installation.

Traditional Thai homes are usually built as a cluster of physically separated rooms arranged around a large central terrace. Interpreting the traditional typology of the Thai houses, the Residence Navathani consists in two parallel wings, separated by a large garden and a swimming pool. The objective of the stone architecture is to give a sense of unity and blend the building with trees, plants and other natural landscape. Trees are often allowed to grow in the central area of the traditional Thai house with plants always featured prominently to create a strong relationship with nature. The choice of Thai travertine as the main stone for the building stems from the following objectives: first, the stone must display a strong natural character with contrasting color hues and crystalline veins, which contribute to blending the architecture into the landscape. Second, the design of the stone provides a sense of unity to the building. The façade of each wing displays an array of columns of various widths and spacings and there is an alignment of the columns between the two wings. The texture is rough on the outside face of the columns and honed on the sides as it continues through the window to the inside of the house. The two wings are connected by a long screen wall that separates the drop-off area from the private areas. This wall is pierced with square openings which helps to show a relationship between the two areas. The façade facing the entrance features stone in contrasting but related ways: the right hand wing is clad with honed stone on top of a large window, while the opposite wing displays a chiseled stone wall on the bottom with a large window on top. The architecture extends to the outside of the right-hand wing with a private theater of a modern contemporary design. The stone featured on the façade changes to a minimalist grey basalt while continuing the column concept with the alternate textures grooved on the facing and honed on the sides.

Bath of the Year winner for the 2016 Pinnacle Awards. This bath features Calacatta Caldia marble and Brazilian Perla quartzite. Imported, fabricated, installed, and designed by Ceramic Harmony in Huntsville, AL.

Like an artful masterpiece, Ardmore Residence exhilarates, engages and inspires. Rising boldly above Singapore’s premier residential address, Ardmore Park, the 36-story residential tower redefines the luxury living of an urban home with imagination, privileges and services that are exclusive to its residents. The apartment’s spaces conjure up the harmony of a light-filled urban cocoon rising above the energy of the city. Orchard Road’s landmarks dazzle in crisp clarity from the apartments facing south, while the units with a north orientation enjoy Bukit Timah Hill’s lush green foliage. The living and dining wing opens to a doublevolume balcony that presents an impressive space for residents who enjoy entertaining at home in style, or simply relaxing in their luxury of space. At more than 2,000 sq. ft. each, all of the 56 luxurious units have been fitted with premium stone finishes, carefully selected and processed to achieve the optimal aesthetical effect. M&G inspected and selected the blocks directly from quarries located in Iran, Italy and Spain, and then fabricated according to the customized finishes of each unit type. The flat cut pieces and solid curved pieces for each unit were then laid out per the shop drawings, inspected and approved by the owner’s representatives, before individually numbered and packed for delivery to site. In the main lobby, an impressive onyx feature wall captures the attention of visitors with its stunning book-matched effect. The blocks were individually selected to ensure consistency of the veining, then allocated to each elevation to create optimal symmetry when book-matched. The slabs were then cut and book-matched polished, laid out to visualize the effect and to mark the actual sizes to cut, before finally cutting to size. Special attention was paid to the curved corner pieces in order to achieve a similar book-matched effect as the flat pieces. The landscaped areas also feature granite in various thicknesses with radial cuts to complement the architectural style of the project.

Trendy bathroom photo in Cleveland

This house sits along an array of lakes and canals which highlights the landscape of a golf course. A clear objective of the architecture is to focus on large openings to enjoy the view of the surrounding landscape. Serving the same purpose, the house has been set high on stilts, a clear reference to Thai traditional architecture. The house seems to float in the air. The large cantilevered openings are framed by the stone cladding. Another objective of the architecture is to blend itself seamlessly into the landscape. The two objectives of the stone work were to focus on the large framed openings and to blend into the landscape. The travertine chosen by the architect has a smooth and warm color which blends well with the wood cladding and landscape. It displays complex movements, crystalline veins, and color blends which accentuates its natural character. The challenge was to display this natural character, while ensuring a perfect continuity in the opening frames. The color and pattern of the stone had to continue seamlessly along the four sides of each frame, while still featuring the natural character of the stone. This required long drying times in our factory, and detailed piece-per-piece touch-up to smooth outstanding features of the stone.