Kim Colwell, has a service at the Shambhalla Institute where she comes for a short consultation and shows you how to make your living or working space look and feel better, using all the great things you already own or with subtle additions. This service is called Space Revitalization.

Formerly the workshop of mid-century artisans, this manufacturing building in NYC's SoHo neighborhood was transformed into an 11,000 sf townhouse. The home features a full level spa, two-story living room, six bedrooms, eleven bathrooms, and rooftop addition with pool. Neighboring buildings were underpinned to lower the cellar to accommodate the spa which features dry stacked stone walls that blend into the swimming pool and hot tub and are featured throughout the entire level. The architect’s vision was to have visual recognition that the space was below ground. Thinking about the striations of the earth beneath its surface, he was inspired by the Therme Baths and Spa in Zurich where all the walls are clad with narrow strips of Vals quartzite. After seeing a rendering, the stone supplier advised that only certain stones could survive constant submersion in pool water and the stone should not have the cleft face he had originally imagined due to bacteria issues. Honed, Super Grey granite with white veining was used – the slabs cut into long 3” wide strips installed at random lengths to accentuate the concept of layering as found in the Earth. The kitchen was designed to feel more like a furnished room to integrate with the family room. The architect addressed this through materials and the design of the over-sized island. The countertop is the only veined stone in the kitchen – a beautiful single slab of Super White marble. The island is clad in mirror-polished stainless steel, transforming it into a beautiful piece of furniture that blends into the space. A two-story living room with 22' ceilings created a problem of comfortable scale. The key was the fireplace – the strongest vertical element in the room. By using horizontal vein-cut slabs of light-colored Driftwood marble, the scale of the space instantly became more intimate.

The intrigue of the home’s powerful facade lies in the locally sourced puddingstone archway inviting you in. The custom designed bronze door with leaded sidelights opens into the foyer from underneath the covered walkway to the right, in essence hidden from the street. The wide-open central expanse allows one a sneak preview of the stone patio and back yard beyond, highlighting the 120-foot-tall Beech tree that has been thriving on the site for over two hundred years. The challenge of designing this 6,300 square foot home and pool house was the narrow but deep one-acre lot. John Meyer’s master planning of a strong front elevation hides the “sideways configuration” of the floorplan. To the left of the archway is a 3-car garage below an entertainment room, with a master bedroom suite on the top floor bridging the main house behind the central eyebrow over the archway. The sense of having been on the site for decades was the intent of the design abundant in the use of stone and masonry. The carved stonework shapes the main and secondary archways as full ovals. Slate detailing is set between the sunburst oval window, balancing interest with the keystones framing the five windows across the bridge. Rough cut boulders give weight to the structure’s base, while straight runs of stone border the shingles under the roof’s eaves and shaped stones guide corner edges downward along the retaining walls. The granite steps and bluestone patio lead one back to the lighted base of the Beech tree, terrace and on-axis pool area beyond. The roof is double thick slate, and the circular drive is crushed stone with granite edging. Like the longevity of the Beech tree, this unique design will stand proudly in its neighborhood for years to come.

Stair case re-design by Kim Colwell for the Shambhalla Institute.
Mid-sized eclectic wooden straight staircase photo in Los Angeles with wooden risers

Formerly the workshop of mid-century artisans, this manufacturing building in NYC's SoHo neighborhood was transformed into an 11,000 sf townhouse. The home features a full level spa, two-story living room, six bedrooms, eleven bathrooms, and rooftop addition with pool. Neighboring buildings were underpinned to lower the cellar to accommodate the spa which features dry stacked stone walls that blend into the swimming pool and hot tub and are featured throughout the entire level. The architect’s vision was to have visual recognition that the space was below ground. Thinking about the striations of the earth beneath its surface, he was inspired by the Therme Baths and Spa in Zurich where all the walls are clad with narrow strips of Vals quartzite. After seeing a rendering, the stone supplier advised that only certain stones could survive constant submersion in pool water and the stone should not have the cleft face he had originally imagined due to bacteria issues. Honed, Super Grey granite with white veining was used – the slabs cut into long 3” wide strips installed at random lengths to accentuate the concept of layering as found in the Earth. The kitchen was designed to feel more like a furnished room to integrate with the family room. The architect addressed this through materials and the design of the over-sized island. The countertop is the only veined stone in the kitchen – a beautiful single slab of Super White marble. The island is clad in mirror-polished stainless steel, transforming it into a beautiful piece of furniture that blends into the space. A two-story living room with 22' ceilings created a problem of comfortable scale. The key was the fireplace – the strongest vertical element in the room. By using horizontal vein-cut slabs of light-colored Driftwood marble, the scale of the space instantly became more intimate.

In the home’s interior, leather-finish Cippolino marble paving was painstakingly end-matched to create the illusion of one continuous piece of stone traveling through the whole level, under a bathtub made from a single block of Cippolino marble, and transitioning into the master bath’s shower walls. On this same level the kitchen is outfitted with a 15 foot long book-matched Lapis Lazuli island countertop shaped at its perimeter with a “knife edge,” adjacent to a countertop and sink clad in book-matched Cippolino marble. Matched vein-cut travertine paving covers the floor and seamlessly continues through the living room and out onto the exterior sundeck, terminating at the swimming pool which is completely bordered by travertine coping containing slots for drainage that allow the top edge of the pool’s water to become perfectly aligned with the top edge of the adjacent travertine paving, thus creating a level surface from the kitchen to the infinity edge of the pool.

No greater compliment of a material is possible than when stone is selected for a historic property renovation within a home rich in tradition and with a celebrated past. This new feature stair addition to a private residence in Toronto, Canada, has an equally compelling story to tell. Originally envisioned as a wall-supported, cantilevered stone stair, the owner boldly accepted a unique solution for their showpiece element. The 19-tread stair would be designed with 550 lb. solid stone treads, and fully liberated from traditional supports and the adjacent rubble wall. To say, “it would float” is not an exaggeration. The stair would be designed as a monolithic beam spanning 16.5 feet, 10 feet high and 41 inches wide. Aesthetically bold, with a reduced tone from pure black, the basalt stone was the perfect contrast for the white modern interior of the home. The 3-1/2" tension cables played the most important role by resisting the large bending moment generated by the stone load and stair geometry. Fabrication required precise coordination and care to ensure perfect alignment of the interlocking key, and the corresponding cable holes. The fabrication challenge was achieving the highest level of accuracy in notching, coring, and replicating each tread identically. Expert precision and skill were key to nesting each tread in sequence and simultaneously with the strands. Meticulous alignment and exacting tolerance assured the true performance and aesthetics were delivered. Hydraulic post-tensioning pulled each cable to 120 kiloNewtons or 27,000 lbs, infusing strength and structural integrity. Removing the temporary support and testing was the last critical step—it was the first time the stone stair would be self-supporting. The “floating” stair is an ultimate achievement and example of innovation, material strength, fabrication quality, installation precision, and expert coordination. A perfect final chapter to a historical journey and modern ode to stone as structure.

A new home for their growing family prompted owners to construct a seven bedroom – eleven bath, eclectic Italian renaissance-style home, featuring natural stone prominently throughout. Beginning in the entrance foyer, a diagonal checkerboard pattern of Italian white Carrara and grey Bardiglio marbles trimmed with Bardiglio borders spreads out across the majority of the first floor traveling through corridors and filling the kitchen, dining room, and great room. This paving was installed on traditional drypack mortar beds with tight 1/16" joints. This honed marble paving then transitions into flamed finish Blue Nobile limestone on the exterior. Bardiglio and Carrara marbles used on the interior floor are also on all the counter tops in the kitchen area including a feature island, and the dining room table. Three fireplace surrounds also received natural stone: two with Italian Arabescato Cervaiole marble, and one with Italian Portoro marble. All eleven bathrooms in the home are clad in marble, with each uniquely different. Marbles used in these rooms were Piana Carrara, Fior Di Pesco Capria, Grigio Carnico, Arabescato Cervaioli, Nero Marquina, Aliveri Grey, Thassos White, and St. Laurent Noir. Of these eleven bathrooms, one is the showpiece of the residence, the Master Bath. With its walls clad in Arabescato Cervaioli book matched at key points, and its floor a combination of Arabescato Cervaioli, Aliveri Grey, and Nero Marquina cut into geometric patterns, it surrounds one completely in natural stone. Even the sink interiors are clad in marble. This home was not originally intended to have as much natural stone in it, but as many do after being exposed to natural stone’s beauty, the owners fell in love with it and expanded its presence. Villa Florence is a great example of what can be accomplished with a homeowner who found the passion for natural stone.

Formerly the workshop of mid-century artisans, this manufacturing building in NYC's SoHo neighborhood was transformed into an 11,000 sf townhouse. The home features a full level spa, two-story living room, six bedrooms, eleven bathrooms, and rooftop addition with pool. Neighboring buildings were underpinned to lower the cellar to accommodate the spa which features dry stacked stone walls that blend into the swimming pool and hot tub and are featured throughout the entire level. The architect’s vision was to have visual recognition that the space was below ground. Thinking about the striations of the earth beneath its surface, he was inspired by the Therme Baths and Spa in Zurich where all the walls are clad with narrow strips of Vals quartzite. After seeing a rendering, the stone supplier advised that only certain stones could survive constant submersion in pool water and the stone should not have the cleft face he had originally imagined due to bacteria issues. Honed, Super Grey granite with white veining was used – the slabs cut into long 3” wide strips installed at random lengths to accentuate the concept of layering as found in the Earth. The kitchen was designed to feel more like a furnished room to integrate with the family room. The architect addressed this through materials and the design of the over-sized island. The countertop is the only veined stone in the kitchen – a beautiful single slab of Super White marble. The island is clad in mirror-polished stainless steel, transforming it into a beautiful piece of furniture that blends into the space. A two-story living room with 22' ceilings created a problem of comfortable scale. The key was the fireplace – the strongest vertical element in the room. By using horizontal vein-cut slabs of light-colored Driftwood marble, the scale of the space instantly became more intimate.

Tucker Design Awards celebrate the innovation and vision that designers bring to their projects through the specification and use of natural stone materials. For members of the Natural Stone Institute, acknowledgement as a contributor to a Tucker Design Awards winning project is a genuine tribute to their traditional values, physicality of work and dedication to precise specifications required in the realization of such accomplished architectural design. Architect Bohlin Cywinski Jackson, Seattle,WA Stone Installers Gallegos Corporation, Basalt, CO Stone Supplier Quarra Stone Company, Madison, WI Stone Quarry Bertozzi Felice di Rovai G & C Srl, Pietrasanta (LU), Italy Truffer AG, Vals, Switzerland The Independence Pass Residence is sited at the edge of a nature preserve in Aspen, Colorado with views of an alpine meadow, forests of evergreen and aspen trees, the Roaring Fork River and the Rocky Mountains. The owners requested something very different from large, ostentatious heavy-timber homes that appear throughout the Aspen slopes: a home that would reach out to nature, not to gird against it; one that would feel light and modern, yet not on display. Approached from the north, a driveway leads from the main road to a private parking court, sheltered from wind and weather. The house stretches between two existing hills on the site; forming a threshold to the views of the meandering river and nature preserve beyond. The lower level is expressed as a series of stone-clad walls that extend the building into the landscape. The upper level is a sleek box with a metal roof that floats on slender columns. Pre-weathered wood siding is used to clad the upper level of the buildings and will continue to weather to a silver grey. All exterior cladding materials are intended to weather naturally with little maintenance to a palette of soft grays. A wall of black-stained cedar boards marks the main entry and extends through the house into a double-height space with a floating stair. Cantilevered wood stair treads lead to the upper level and main living pavilion where full-height walls of glass reveal panoramic views of the nature preserve and New York peak. The living room, dining room and kitchen occupy the center of the linear floor plan, with a master bedroom suite to the west and a family room and outdoor courtyard to the east. A fireplace clad in Vals quartzite forms the western edge of the living room with a large skylight above. A reading alcove with a bench of wood slats is lined with Douglas fir panels and stainless steel shelves for display of the owner’s photography collection. Sliding panels of glass open to an outdoor deck, further blurring the boundary between interior and exterior. A second stair connecting all levels of the house is crafted of a one-inch thick steel plate that is both structure and guardrail, slicing through the vertical space. Ground level spaces include three bedrooms with individual baths, a guest suite, mudroom and exercise room.

Tucker Design Awards celebrate the innovation and vision that designers bring to their projects through the specification and use of natural stone materials. For members of the Natural Stone Institute, acknowledgment as a contributor to a Tucker Design Awards winning project is a genuine tribute to their traditional values, physicality of work, and dedication to precise specifications required in the realization of such accomplished architectural design. Landscape Architect Design Workshop, Aspen, CO Landscape Contractor/ Installer Landscape Workshop, Carbondale, CO Stone Installer JD Masonry, Arvada, CO Stone Suppliers Coldspring, Cold Spring, MN Gallegos Corporation, Vail, CO Through a collective dialogue between landscape, architecture and interior design, a new vision reimagines the disturbed site into a livable landscape, emblematic of our American West. The residence – an ensemble of structures designed in a modern ranch vernacular – is effortlessly unified through layered, interconnected outdoor gathering spaces and regional materials that elaborates upon the experience of moving between structures, heightening and renewing one’s sense of place. Upon entering the courtyard, one is immediately aware of seamless and unfolding relationships between architecture and landscape through a sophisticated, regional palette of natural stone, water, and plants. Set upon architectural focal points, two perpendicular sandstone paths descend into the space and converge upon a monolithic, hand-carved granite fountain. The design of the fountain is purposefully quiet, both in its detailing and operation. The feature includes a recessed interior, allowing water to become still before it reaches the surface, with lightly cleft sides, allowing the water to delicately bounce as it descends into the geometric lower granite basin. The landscape architect’s selection of various stone material extends the tones of the home’s granite walls and contextual surroundings into the garden, but also be detailed in a manner that balances rural and modern qualities. The majority of the paving is constructed of rectilinear gray sandstone with a natural finish and snapped edges, laid in a staggered running bond organization. Throughout the garden, thoughtful attention was also given to the configuration and layout of terraces, pathways, and steps. In doing so, this ensured that the edges of the terrace and its interface to other elements were designed so that no “leftover” stone paver pieces would be found. Within the central courtyard, split-faced stone stairs descend into a rectilinear plinth of lawn, punctuated by a carved granite fire pit. Leveraging the property’s existing topographic relief, a shallow infinity-edge dipping pool abstracts the transparent and cavity-like pools found throughout the Rocky Mountains. The design purposefully achieves the illusion of a larger water feature with the distant pond and offers a refreshing recreational element. Containing the infinity edge, a designed granite escarpment emerges from the meadow, juxtaposing the geometric water feature and providing informal seating ledges. The site’s prior use required the landscape architect to incorporate a highly technical and complex sub-surface structural system. The initial geotechnical report identified the building envelopes rested on 12 feet of man-placed fill. Assuming a 1 percent settlement, the team faced concerns that the terraces would settle up to 12 inches. In response, a grid of structural micro-piles provides the necessary foundation for the construction of terraces immediately outside of the architecture, under the water features and site walls. The solution enabled the crisp detailing and design resolution of the architectural structures to seamlessly connect with the horizontal stone terraces.

A new home for their growing family prompted owners to construct a seven bedroom – eleven bath, eclectic Italian renaissance-style home, featuring natural stone prominently throughout. Beginning in the entrance foyer, a diagonal checkerboard pattern of Italian white Carrara and grey Bardiglio marbles trimmed with Bardiglio borders spreads out across the majority of the first floor traveling through corridors and filling the kitchen, dining room, and great room. This paving was installed on traditional drypack mortar beds with tight 1/16" joints. This honed marble paving then transitions into flamed finish Blue Nobile limestone on the exterior. Bardiglio and Carrara marbles used on the interior floor are also on all the counter tops in the kitchen area including a feature island, and the dining room table. Three fireplace surrounds also received natural stone: two with Italian Arabescato Cervaiole marble, and one with Italian Portoro marble. All eleven bathrooms in the home are clad in marble, with each uniquely different. Marbles used in these rooms were Piana Carrara, Fior Di Pesco Capria, Grigio Carnico, Arabescato Cervaioli, Nero Marquina, Aliveri Grey, Thassos White, and St. Laurent Noir. Of these eleven bathrooms, one is the showpiece of the residence, the Master Bath. With its walls clad in Arabescato Cervaioli book matched at key points, and its floor a combination of Arabescato Cervaioli, Aliveri Grey, and Nero Marquina cut into geometric patterns, it surrounds one completely in natural stone. Even the sink interiors are clad in marble. This home was not originally intended to have as much natural stone in it, but as many do after being exposed to natural stone’s beauty, the owners fell in love with it and expanded its presence. Villa Florence is a great example of what can be accomplished with a homeowner who found the passion for natural stone.

Kim Colwell Designed this living room for the Shambhalla Institute. Her specialty is combining her skill as an interior designer with her background as a second generation feng shui master and trained in design psychology. Our projects feel as good as they look. See Kim Colwell Design for full portfolio.

Mid Century Home Remodel By Kim Colwell Design with an affiliation with Shambhalla Institute.
Large 1960s open concept medium tone wood floor living room photo in Los Angeles with green walls, a standard fireplace and a stone fireplace

This stunning modern home is perched high above the Los Angeles skyline and features seven stone types in an array of finishes that seamlessly flow to wood, metal, glass and other materials. The exterior of the home is clad in split-face travertine, along with Bianco Lasa marble panels that cantilever out an amazing 30 feet.

Revitalized art wall by Kim Colwell for the Shambhalla Institute with custom curtains & niche.
Example of a mid-sized minimalist dining room design in Los Angeles with green walls

The owners of the home also commissioned a program of carved stone iconography to add further beauty and meaning to the project. These remarkable carvings include a starburst fountainhead, a pair of oval windows adorned with oak leaf garlands, an oak tree carved into the keystone above the front entrance, and carvings of a boar’s head, an owl, a sheaf of wheat, and a stag’s head for each of the major gables.

More than five years after Gallegos first looked at preliminary drawings and provided budgets for a private residence in Vail, Colorado, the project is complete and is a stunning representation of modern architecture and masonry craftsmanship. The owners desired their home to be appointed with hand selected, one-of-a-kind materials that would withstand the test of time. Meant to entertain guests as though they were at a five-star resort, the residence features a spa, massage rooms, glass pool and exquisite views of the Gore Range. The contractor asked Gallegos to provide pricing and expert guidance on material selections and installation methods for the stucco, exterior stone veneer, and interior marbles, granites, and exotic stones. Their work is prevalent in all rooms and decks of this stunning residence. The exterior stone veneer was sourced out of China, something Gallegos has done numerous times without issues. This time was different. About halfway through the exterior stone fabrication and installation, China closed the quarry, declaring that it was in a tourist region. This sent Gallegos scrambling, with forty percent of the exterior cladding installation complete and no budget to remove and replace the installed material. They were extremely lucky to find a similar material in Vietnam that was close enough in color and texture to blend in with the original material and not lose time. The interior stones and other exterior and interior materials were primarily sourced through suppliers in Italy. The natural marbles and granites were installed in either a vein match or a book match pattern.

A large family of custom-built wood windows and doors are oversized to flood the house with light and create a sense of transparency between the house and the surrounding gardens. This connection to the landscape is strengthened through a number of cut stone and timber porches, in particular, a dramatic cut stone loggia overlooking the backyard. Each of these porches is paved with intricate patterns of cut sandstone and sliced up discarded roofing slates. The cut stone balustrade sits atop the solid load bearing cut stone columns and entablature.